Here are 19 books that Energy Overlays fans have personally recommended if you like
Energy Overlays.
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I’m a novelist and game designer from Bangalore. I’ve been a lifelong reader of science fiction and fantasy. Growing up, I almost never encountered futures that included people like me—brown women, from a country that isn’t the UK/ US, and yet, who are in sync with the rapidly changing global village we belong to. Over the last decade, though, I've found increasing joy in more recent science fiction, in which the future belongs to everyone.The Ten Percent Thiefis an expression of my experiences living in dynamic urban India, and represents one of our many possible futures.
I’m fascinated by the possibilities presented by post-nation futures. Infomocracy looks at a future where ‘centenals’—groups of 100,000 people without historic nationalist borders—elect an international corporate-affiliated body to govern the world.
High-stakes political intrigue fuels the biggest election in a century as multiple factions battle it out to seize power through the vehicle of futuristic democracy. To me, the highlight of this novel is its exploration of democracy—it’s peppered with paradoxical and intense arguments that are rewarding to engage with, and enhance the richness of its world.
It's been twenty years and two election cycles since Information, a powerful search engine monopoly, pioneered the switch from warring nation-states to global microdemocracy. The corporate coalition party Heritage has won the last two elections. With another election on the horizon, the Supermajority is in tight contention, and everything's on the line. With power comes corruption. For Ken, this is his chance to do right by the idealistic Policy1st party and get a steady job in the big leagues. For Domaine, the election represents another staging ground in his ongoing struggle against the pax democratica. For Mishima, a dangerous Information…
My motto is: we are techno-humans. Whatever nature or God created, we re-created. We move in cars, chat via the Internet, and eat industrial food. Technologies shape our bodies, identities, even imagination. That’s why the energy transition fascinates me. We propose to rip out and replace the technological foundations of the global economy. No less than the data revolution, energy transitions are about human re-invention. So, what kinds of human futures are we engineering? And can we design energy futures that make human futures better, more inclusive, more just? Figuring that out is my job as Director of the Center for Energy & Society at Arizona State University.
There’s no better place to start exploring the revolutionary potential of renewable energy than Revolutionary Power. The new justice tsar at the US Department of Energy, Baker takes you inside the struggle of African American communities with the environmental injustices of fossil fuels. No industry has created more inequality, violence, injustice, pollution, and corruption, worldwide, over its history than energy. The great hope of renewable energy is to solve climate change while also restoring justice: creating new energy technologies and also new practices of energy development, new forms of ownership, and new ways to integrate technology generatively into communities and landscapes. In the story of her life and her community, Baker illustrates why the quest for energy justice and democracy is critical to the success of the clean energy revolution.
In September 2017, Hurricane Maria hit Puerto Rico, completely upending the energy grid of the small island. The nearly year-long power outage that followed vividly shows how the new climate reality intersects with race and access to energy. The island is home to brown and black US citizens who lack the political power of those living in the continental US. As the world continues to warm and storms like Maria become more commonplace, it is critical that we rethink our current energy system to enable reliable, locally produced, and locally controlled energy without replicating the current structures of power and…
My motto is: we are techno-humans. Whatever nature or God created, we re-created. We move in cars, chat via the Internet, and eat industrial food. Technologies shape our bodies, identities, even imagination. That’s why the energy transition fascinates me. We propose to rip out and replace the technological foundations of the global economy. No less than the data revolution, energy transitions are about human re-invention. So, what kinds of human futures are we engineering? And can we design energy futures that make human futures better, more inclusive, more just? Figuring that out is my job as Director of the Center for Energy & Society at Arizona State University.
At their best, anthropologists open up for readers the infinite variety of what it means to be human. Laura Watts is the best. More than just an incisive cultural analyst, Watts is a skilled poet and storyteller. Her book about renewable energy innovation in the Orkney Islands takes us, literally and figuratively, to the end of the world. We learn what it means to live in a world wrought by energy technologies. We walk among all different kinds of people who have the imagination and the gumption to try to re-imagine and re-energize that world in radically new ways. And along the way, we begin to see how all of those people come together, in one place, in odd collaborations, to make futures for the rest of us.
Making local energy futures, from marine energy to hydrogen fuel, at the edge of the world.
The islands of Orkney, off the northern coast of Scotland, are closer to the Arctic Circle than to London. Surrounded by fierce seas and shrouded by clouds and mist, the islands seem to mark the edge of the known world. And yet they are a center for energy technology innovation, from marine energy to hydrogen fuel networks, attracting the interest of venture capitalists and local communities. In this book, Laura Watts tells a story of making energy futures at the edge of the world.…
My motto is: we are techno-humans. Whatever nature or God created, we re-created. We move in cars, chat via the Internet, and eat industrial food. Technologies shape our bodies, identities, even imagination. That’s why the energy transition fascinates me. We propose to rip out and replace the technological foundations of the global economy. No less than the data revolution, energy transitions are about human re-invention. So, what kinds of human futures are we engineering? And can we design energy futures that make human futures better, more inclusive, more just? Figuring that out is my job as Director of the Center for Energy & Society at Arizona State University.
Power. We all need it. In the future, a lot of it will be solar. By 2050, half or more of global energy will come via photovoltaic technologies. That’s 100+ billion solar panels, with an annual churn of 2-4 billion. Which makes the solar industry one of the most important on the planet. Solar Power takes a hard look inside the solar industry: its materials, processes, facilities, workforces, waste streams, and landscapes. Mulvaney pulls no punches, but his fundamental message is simple: there are a lot of different ways to make and deploy 100 billion solar panels. The choices we make will have huge implications for how the benefits, costs, and risks of solar energy get distributed across different groups of people. Just like any other giant industry.
In this important new primer, Dustin Mulvaney makes a passionate case for the significance of solar power energy and offers a vision for a more sustainable and just solar industry for the future. The solar energy industry has grown immensely over the past several years and now provides up to a fifth of California's power. But despite its deservedly green reputation, solar development and deployment may have social and environmental consequences, from poor factory labor standards to landscape impacts on wildlife.
Using a wide variety of case studies and examples that trace the life cycle of photovoltaics, Mulvaney expertly outlines…
My whole life has been about the power of making. I’m a writer and educator specialising in craft. Previously, I worked at the Crafts Council in London, and now I write for craft magazines with a particular interest in the connective nature of craft in communities and the relationship between craft and wellbeing. I’m also a parent to a learning-disabled adult, so understand learning differences (and care). I recently started Quickthorn Books to showcase more makers. I run workshops in darning, crochet, knitting, and, most recently, making rag rugs. I’m proud to be a trustee of Heritage Crafts, and I can usually be found knitting in the corner.
Sarah runs the Craftivist Collective, and her work proves that it’s possible to protest in a gentle and mindful way.
Her book outlines some of the ways she has managed to create change through quiet activism, and she has a new book coming out soon, which I’m looking forward to reading.
'This is mindful activism . . . thought-out, strategic and engaging' Guardian
'I love what Sarah does! It's quiet activism for everyone including introverts' Jon Ronson
'Sarah Corbett mixes an A-grade mind with astonishing creativity and emotional awareness' Lucy Siegle
If we want a world that is beautiful, kind and fair, shouldn't our activism be beautiful, kind and fair?
Award-winning campaigner and founder of the global Craftivist Collective Sarah Corbett shows how to respond to injustice not with apathy or aggression, but with gentle, effective protest.
This is a manifesto - for a more respectful and contemplative activism; for conversation…
Laura A. Macaluso researches and writes about monuments, museums, and material culture. Interested in monuments since the 1990s, the current controversies and iconoclasm (monument removals) have reshaped society across the globe. She works at the intersection of public art and public history, at places such as George Washington’s Mount Vernon.
Teachable Monuments is an expensive book, but it is also a book useful for integrating the work of scholars with teachers, using monuments to examine and create new meanings from monument culture via curriculum and classroom activities. The book comes after the murder of George Floyd in 2020, a seismic event in the United States and abroad which hastened the removals of many Confederate and Columbus monuments, as well as monuments in Europe and beyond.
Monuments around the world have become the focus of intense and sustained discussions, activism, vandalism, and removal. Since the convulsive events of 2015 and 2017, during which white supremacists committed violence in the shadow of Confederate symbols, and the 2020 nationwide protests against racism and police brutality, protesters and politicians in the United States have removed Confederate monuments, as well as monuments to historical figures like Christopher Columbus and Dr. J. Marion Sims, questioning their legitimacy as present-day heroes that their place in the public sphere reinforces.
The essays included in this anthology offer guidelines and case studies tailored for…
Born in Budapest, Hungary, Susan Rubin Suleiman emigrated to the U.S. as a child with her parents. She has had a distinguished career as a professor of French and comparative literature at Harvard, publishing more than a dozen books and over 100 scholarly articles. Her acclaimed memoir about returning to Budapest, Budapest Diary: In Search of the Motherbook, appeared in 1996; in 2023, she published Daughter of History: Traces of an Immigrant Girlhood, a memoir of immigration which was a finalist for a 2024 National Jewish Book Award. She has been awarded many honors, including the Radcliffe Medal for Distinguished Achievement in 1990 and France’s highest honor, the Légion d’Honneur, in 2018.
James Young pioneered the study of Holocaust memorials, whether in the form of public monuments like the Warsaw Ghetto monument or museums like Yad Vashem in Jerusalem and the U.S. Holocaust Memorial Museum in Washington, D.C. This was his first book on the subject, and it is still a must-read for anyone interested in how memorials shape our way of looking at the past.
In Dachau, Auschwitz, Yad Vashem, and thousands of other locations throughout the world, memorials to the Holocaust are erected to commemorate its victims and its significance. This fascinating work by James E. Young examines Holocaust monuments and museums in Europe, Israel, and America, exploring how every nation remembers the Holocaust according to its own traditions, ideals, and experiences, and how these memorials reflect their place in contemporary aesthetic and architectural discourse. The result is a groundbreaking study of Holocaust memory, public art, and their fusion in contemporary life.
Among the issues Young discusses are: how memorials suppress as much as…
Although I have been a professional artist for over forty years, I have never yet gotten to the point where I imagine I have it all figured out. There are always new techniques to learn, and new mediums to explore. The books on this list are ones I have found helpful in nudging me in new and productive directions.
Gary Faigin is the guy I took my first and only perspective class from, back when he was teaching at the New York Academy of Arts. Eventually we became friends, and fortunately for me he never wrote a book on perspective. Instead, Gary channeled his considerable knowledge of anatomy and drawing into the indispensable book on facial expressions. In profusely illustrated chapters, Gary breaks down the daunting complexity of facial expressions into six basics: joy, anger, sadness, disgust, fear, and surprise. Like the primary colors, this basic palette yields the full spectrum of extreme to subtle, in-between, and mixed expressions.
Artists will love this book, the definitive guide to capturing facial expressions. In a carefully organised, easy-to-use format, author Gary Faigin shows readers the expressions created by individual facial muscles, then draws them together in a section devoted to the six basic human emotions: sadness, anger, joy, fear, disgust and surprise. Each emotion is shown in steadily increasing intensity and Faigin's detailed renderings are supplemented by clear explanatory text, additional sketches and finished work. An appendix includes yawning, wincing and other physical reactions. Want to create portraits that capture the real person? Want to draw convincing illustrations? Want to show…
I am an art historian and the author of various books about modern art, including Styles, Schools & Movements: The Essential Encyclopaedic Guide to Modern Art and three editions of Destination Art. I coined the phrase ‘Destination Art’ in order to discuss artworks in which location is an integral ingredient, as is the journey to find them. I had noticed projects like these happening all over the world, but often in a quiet way. They needed someone to shine the light on them – so I did! My goal is to educate, enthuse and excite – and to continue my mission of spreading the word about intriguing and inspiring art projects.
This is Hogan’s account of her road trip in search of famous, almost mythical, land art pieces, such as Robert Smithson’s Spiral Jetty and Nancy Holt’s Sun Tunnels. Travelling on her own she found some of the artworks – and a lot out about herself. Brave? Foolish? Probably both. But for the reader, certainly an entertaining and informative chronicle of her travels and discoveries.
Erin Hogan hit the road in her Volkswagen Jetta and headed west from Chicago in search of the monuments of American land art: a salty coil of rocks, four hundred stainless steel poles, a gash in a mesa, four concrete tubes, and military sheds filled with cubes. Her journey took her through the states of Utah, Nevada, New Mexico, Arizona, and Texas. It also took her through the states of anxiety, drunkenness, disorientation, and heat exhaustion. "Spiral Jetta" is a chronicle of this journey. A lapsed art historian and devoted urbanite, Hogan initially sought firsthand experience of the monumental earthworks…
I’m a wilderness guide, community organizer, and writer focused on stopping the destruction of the planet. My work, which has appeared in The New York Times and been recognized by the Society of Professional Journalists, has taken me to the Siberian Arctic to document climate change research, to the Philippines to work with grassroots communities defending tropical rainforests, and to Nevada where I began a protest movement against an open-pit lithium mine.
Most environmentalists today believe that wind turbines, solar panels, and electric cars represent our path to a sustainable future. In Green Illusions, engineer Ozzie Zehner blows this thesis out of the water.
Green technologies, Zehner explains, require fossil fuels at every step in their production, maintenance, and disposal. But he is not advocating for continuing to use fossil fuels. Rather, Zehner argues that we have a consumption crisis, and that building more industrial products in factories will not solve the issue. He concludes by offering straightforward, common-sense solutions that actually move us in the right direction.
We don't have an energy crisis. We have a consumption crisis. And this book, which takes aim at cherished assumptions regarding energy, offers refreshingly straight talk about what's wrong with the way we think and talk about the problem. Though we generally believe we can solve environmental problems with more energy-more solar cells, wind turbines, and biofuels-alternative technologies come with their own side effects and limitations. How, for instance, do solar cells cause harm? Why can't engineers solve wind power's biggest obstacle? Why won't contraception solve the problem of overpopulation lying at the heart of our concerns about energy, and…
