100 books like Teachable Monuments

I consider Standing Soldiers, Kneeling Slaves one of the best books on how Confederate monuments came to dominate nineteenth-century public spaces – most notably in my hometown of Richmond, Virginia - and what they tell us about post-Civil War history.

It is a compelling narrative of how white Southern society purposefully chiseled racism and white superiority into their post-war commemorative landscape, and used these memorials to both re-define the public’s memory of the Civil War and to cement the white-black hierarchy established during slavery. 

Savage’s analysis of the Confederate monuments looks at all the political, historical, cultural, and artistic factors that enabled the creation of Richmond’s racialized landscape. This approach helped me understand the importance of context when examining nineteenth-century public art through a twenty-first-century lens. 

Levinson’s book does not focus on traditional battle sites. Rather, it thoughtfully introduces readers to battles that take place over clashing expressions of public memory, particularly memorial controversies, including clashes over name changes and monument removal. I think readers will appreciate his thoughtful treatment of the vexing issues that have swirled around the appropriate location of Confederate memorials. Well before the recent push to remove such memorials from public space, Levinson offered readers various options for dealing with such volatile issues. His book is an insightful and timely guide into the battlefields of public memory.

Controversial Monuments and Memorials was published the year after the “Unite the Right” rally in Charlottesville, which saw whites rally around the monument to Thomas Jefferson on the University of Virginia campus. This event, and the murders of nine African Americans at Emanuel AME Church in Charleston, SC in 2015, hastened public discord with symbols of the Confederacy and white supremacy. Allison’s book was the first to step into the space where scholars, museum staff, and community activists came together to examine how monuments were used as tools for systemic racism as well as progressive social change. The book is a great resource for those looking to enter the conversation about controversies surrounding monuments and memorials in the United States.

Monument Lab is one book to get your hands on, if you are curious to know how a historic city can remake its traditional monumental history to become more inclusive and reflective of a holistic past and present. The book is about the organization called Monument Lab, which works with communities, artists, and more to reshape the monument culture of Philadelphia. Filled with short essays and colorful photographs, Monument Lab and Monument Lab the book model the democratic turn towards inclusive monument making in an American city.

Civil War statues have long been the gold standard for America’s monumental public landscape.

They are the public sculptures and architectural features we are now rediscovering, sometimes with horror, and arguing over, after years of mute service as park furniture and pigeon roosts. Brown’s book is a definitive history of these classic, heroic monuments.

Beautifully written, perceptive, and illuminating, it explains their history, offering readers an engaging and invaluable background and context for understanding how and why they were erected, and how they’ve not only reflected American culture but have propelled it, particularly (as the title suggests) towards militarization and the affirmation of racial and class hierarchies.

Reading Civil War Monuments focuses our view on monumental things all around us that we’ve never really seen.

Iconoclasm isn’t new. The word means, literally, “image destroying.”

History is littered with instances going back to Antiquity. But something fresh is happening right now in the United States.

Smashing Monuments is a lively, bracing, much-needed account of the iconoclasm roiling contemporary America’s public landscape, particularly in the wake of the white supremacists’ murderous march in Charlottesville in 2017 and George Floyd’s killing by Minneapolis police in 2020.

Captivating reportage and historically informed analysis, from the unique perspective of a scholar of art history and law, propels our reconsideration of American public icons, their origins, their sometimes-sordid purposes, their standing, and what might replace them.

Thompson doesn’t fully answer this last question, but she rouses us to rethink U.S. public history, commemoration, and the form and function of monuments themselves.

We rarely stop to think about memorials in terms of what emotion might have prompted them.

That is what Doss does here, covering a wide range of subjects and geographic sites. It is clear from her analysis that grief, fear, gratitude, shame, and anger have inspired a range of works representing a range of motivations for commemoration.

After reading this book you will never look at memorials in the same way. I had never thought of memorials in terms of emotional affect before and now consider it a major factor to be considered.

This is another classic, published in 1999. Novick shows how the memory of the Holocaust evolved in the U.S. to the point where, in his opinion, it has come to dominate public consciousness in a way that may prevent people from paying attention to present problems. I think things have changed since he wrote his book, but he presents an argument that remains challenging. 

A fascinating exploration of how British imperial ambitions influenced popular representations of Black slavery and white mastery during the peak years of Britain’s involvement in the transatlantic slave trade (c. 1680s to 1807). Using a wide variety of sources—including shop signs, tea trays, product advertisements, portraiture, graphic satires, plays, and more—Molineux argues that British artists, writers, and shop keepers obscured the horrific realities of Atlantic slavery in favor of idealized power relations that supported Britain’s imperial fantasies and developing racial ideologies.

This book helps to answer the question: what role did Africans and people of African descent play in the British popular imagination during the height of the transatlantic slave trade?

In this majestic study Friedman explores the relationship between public opinion and Supreme Court decisions over American history. 

Friedman’s central argument is that the Supreme Court does not stand apart from the rest of the society in which it operates. Building on the work of Robert McCloskey and Robert Dahl, Friedman argues that over time the Supreme Court reflects the views of society at large. 

The book is very well-researched and filled with fascinating, sometimes delightful, historical tidbits. It is written for an educated general audience.