100 books like Teachable Monuments

I consider Standing Soldiers, Kneeling Slaves one of the best books on how Confederate monuments came to dominate nineteenth-century public spaces – most notably in my hometown of Richmond, Virginia - and what they tell us about post-Civil War history.

It is a compelling narrative of how white Southern society purposefully chiseled racism and white superiority into their post-war commemorative landscape, and used these memorials to both re-define the public’s memory of the Civil War and to cement the white-black hierarchy established during slavery. 

Savage’s analysis of the Confederate monuments looks at all the political, historical, cultural, and artistic factors that enabled the creation of Richmond’s racialized landscape. This approach helped me understand the importance of context when examining nineteenth-century public art through a twenty-first-century lens. 

Levinson’s book does not focus on traditional battle sites. Rather, it thoughtfully introduces readers to battles that take place over clashing expressions of public memory, particularly memorial controversies, including clashes over name changes and monument removal. I think readers will appreciate his thoughtful treatment of the vexing issues that have swirled around the appropriate location of Confederate memorials. Well before the recent push to remove such memorials from public space, Levinson offered readers various options for dealing with such volatile issues. His book is an insightful and timely guide into the battlefields of public memory.

Controversial Monuments and Memorials was published the year after the “Unite the Right” rally in Charlottesville, which saw whites rally around the monument to Thomas Jefferson on the University of Virginia campus. This event, and the murders of nine African Americans at Emanuel AME Church in Charleston, SC in 2015, hastened public discord with symbols of the Confederacy and white supremacy. Allison’s book was the first to step into the space where scholars, museum staff, and community activists came together to examine how monuments were used as tools for systemic racism as well as progressive social change. The book is a great resource for those looking to enter the conversation about controversies surrounding monuments and memorials in the United States.

Monument Lab is one book to get your hands on, if you are curious to know how a historic city can remake its traditional monumental history to become more inclusive and reflective of a holistic past and present. The book is about the organization called Monument Lab, which works with communities, artists, and more to reshape the monument culture of Philadelphia. Filled with short essays and colorful photographs, Monument Lab and Monument Lab the book model the democratic turn towards inclusive monument making in an American city.

Civil War statues have long been the gold standard for America’s monumental public landscape.

They are the public sculptures and architectural features we are now rediscovering, sometimes with horror, and arguing over, after years of mute service as park furniture and pigeon roosts. Brown’s book is a definitive history of these classic, heroic monuments.

Beautifully written, perceptive, and illuminating, it explains their history, offering readers an engaging and invaluable background and context for understanding how and why they were erected, and how they’ve not only reflected American culture but have propelled it, particularly (as the title suggests) towards militarization and the affirmation of racial and class hierarchies.

Reading Civil War Monuments focuses our view on monumental things all around us that we’ve never really seen.

Iconoclasm isn’t new. The word means, literally, “image destroying.”

History is littered with instances going back to Antiquity. But something fresh is happening right now in the United States.

Smashing Monuments is a lively, bracing, much-needed account of the iconoclasm roiling contemporary America’s public landscape, particularly in the wake of the white supremacists’ murderous march in Charlottesville in 2017 and George Floyd’s killing by Minneapolis police in 2020.

Captivating reportage and historically informed analysis, from the unique perspective of a scholar of art history and law, propels our reconsideration of American public icons, their origins, their sometimes-sordid purposes, their standing, and what might replace them.

Thompson doesn’t fully answer this last question, but she rouses us to rethink U.S. public history, commemoration, and the form and function of monuments themselves.

We rarely stop to think about memorials in terms of what emotion might have prompted them.

That is what Doss does here, covering a wide range of subjects and geographic sites. It is clear from her analysis that grief, fear, gratitude, shame, and anger have inspired a range of works representing a range of motivations for commemoration.

After reading this book you will never look at memorials in the same way. I had never thought of memorials in terms of emotional affect before and now consider it a major factor to be considered.

As the title states, Elizabeth Varon’s book rests on the theme of deliverance, in this case the deliverance of the seceding states from slaveholder domination.

In an innovative, provocative, and utterly convincing fashion, Armies of Deliverance literally delivers on its promise to present a new history of the Civil War. With fresh material throughout, and careful attention to usually neglected moderate voices, Varon deftly weaves together military, political, and social history into a brilliantly conceived and highly original approach that will please a wide variety of readers.

This is one of the most comprehensive books on the question of how Americans think about war. Berinsky reviews public opinion on every major war since World War II. He persuasively refutes most existing explanations for public opinion regarding these conflicts, while showing that Americans’ responses to foreign policy events are not really unique to foreign policy. Rather, Americans mostly respond to wars the way they respond to most other political issues. One of the most impressive aspects of the book is the vast trove of previously unknown public opinion data from World War II that Berinsky uncovers. This is a unique window into one of America’s defining military conflicts. We learn that, contrary to the received wisdom, Americans responded to World War II in much the same way as they did during more recent conflicts.

It is very difficult to say something new about the Dardanelles campaign and even harder to say something new about Winston Churchill, but without resorting to exaggeration or conspiracy theories, this book manages to do both. It offers a forensic examination of the background to the failed attempt to force the straits and a comprehensive survey of Churchill’s subsequent attempts to ensure that the re-telling of that failure did not rebound to his discredit. There is no better book on this topic.