100 books like Smashing Statues

I was transfixed by Kelman’s story, masterfully, sympathetically narrated. It’s populated by few monuments, and the one squatting at the Sand Creek Massacre National Historic Site is modest and understated. Here even the place of those dark events was in dispute.

Blending history with a gripping account of the struggle over public memory, and centering Native people, Kelman chronicles the modern search for the site (and meaning) of one of the most gruesome acts of government violence in American history, at Sand Creek, where U.S. troops slaughtered more than 150 peaceful Southern Cheyenne and Arapaho campers (mostly women and children) in November 1864.

The Colorado Pioneer Association commemorated (and glorified) the sordid event in 1909 with a Denver monument cataloging Sand Creek as a Civil War battle. But a search for truth and reconciliation would challenge and remake this public memory, and Kelman is an unrivaled guide in that process.

Monument Wars, like no other book I’ve read, explains the essence of the “monument”—what it is, what it’s supposed to do, and how it does it (or fails to do it)—in the context of American history.

Monuments freeze time and aspire to “closure,” setting heroes or momentous events and their meaning, literally, in stone. But our national lives and history do not stand still, and public memory thus changes with time, often with fraught consequences.

Savage brilliantly examines and illuminates this dissonance, focusing on the most important monumental space in the United States—Washington, D.C., and the National Mall.

Smart, surprising, and accessible, this account of the national capital’s contested terrain offers a vivid case study of how Americans remember, sometimes forget, and increasingly contest their past through sculpture, ceremonial landscape, and the theatrics of the built landscape.

The Unfinished Bombing was eerily prescient when first published in 2001 and remains uncannily relevant today.

Linenthal set the standard in his analysis of public tragedy, its impact on an American community and the larger nation, and its memorialization.

In April 1995, a white homegrown right-wing terrorist bombed the Alfred P. Murrah Federal Building in Oklahoma City, killing 168 men, women, and children. Linenthal’s story of the massive crime, outpourings of grief, and the efforts to memorialize the dead and prevent future cataclysms is gripping and personal yet academically astute.

The Oklahoma City National Memorial & Museum that rose from the rubble is among the most culturally and aesthetically successful monuments in the history of American public memory. Though seemingly eclipsed by the catastrophic events of September 11, 2001, this story of rupture and recovery, so well told by the author, continues to be critical and instructive.

Civil War statues have long been the gold standard for America’s monumental public landscape.

They are the public sculptures and architectural features we are now rediscovering, sometimes with horror, and arguing over, after years of mute service as park furniture and pigeon roosts. Brown’s book is a definitive history of these classic, heroic monuments.

Beautifully written, perceptive, and illuminating, it explains their history, offering readers an engaging and invaluable background and context for understanding how and why they were erected, and how they’ve not only reflected American culture but have propelled it, particularly (as the title suggests) towards militarization and the affirmation of racial and class hierarchies.

Reading Civil War Monuments focuses our view on monumental things all around us that we’ve never really seen.

We rarely stop to think about memorials in terms of what emotion might have prompted them.

That is what Doss does here, covering a wide range of subjects and geographic sites. It is clear from her analysis that grief, fear, gratitude, shame, and anger have inspired a range of works representing a range of motivations for commemoration.

After reading this book you will never look at memorials in the same way. I had never thought of memorials in terms of emotional affect before and now consider it a major factor to be considered.

There are so many fantastic new biographies of Ulysses S. Grant. U.S. Grant is particularly good for a one-volume biography. It’s an incredibly fair treatment and does a great job of showing Grant’s cultural importance as a symbol for national reunification after the war. Waugh also demonstrates why Grant has been underappreciated by previous historians and generations, and why he deserves more recognition.

I think Zachary Shore is one of our most underappreciated, insightful interpreters of American and global history.

Shore impressed me with his unique method of examining micro-events that give us a much wider view of American culture. He shows how America, at its best, can be a strong and moral guiding force for good in the world, but he doesn't shy from divulging the darker sides of the American psyche, such as the blunders that lead American leaders to make terrible and consequential military decisions.

Shore is not only a great historian but also a gifted writer. This book showed me how the collective memory of our nation has been portrayed too often in flawed stereotypes, either a villainous, youthful colossus or a city on a hill, a shining example for the rest of humanity. Shore convinced me that at its root, America can be a force for good as… show more.

In this groundbreaking book, leading Arab and Jewish intellectuals examine how and why the Holocaust and the Nakba are interlinked without blurring fundamental differences between them. While these two foundational tragedies are often discussed separately and in abstraction from the constitutive historical global contexts of nationalism and colonialism, The Holocaust and the Nakba explores the historical, political, and cultural intersections between them. The majority of the contributors argue that these intersections are embedded in cultural imaginations, colonial and asymmetrical power relations, realities, and structures. Focusing on them paves the way for a new political, historical, and moral grammar that enables a joint Arab-Jewish dwelling and supports historical reconciliation in Israel/Palestine.

This book does not seek to draw a parallel or comparison between the Holocaust and Nakba or to merely inaugurate a “dialogue” between them. Instead, it searches for a new historical and political grammar for relating and narrating their… show more.

Teachable Monuments is an expensive book, but it is also a book useful for integrating the work of scholars with teachers, using monuments to examine and create new meanings from monument culture via curriculum and classroom activities. The book comes after the murder of George Floyd in 2020, a seismic event in the United States and abroad which hastened the removals of many Confederate and Columbus monuments, as well as monuments in Europe and beyond.

In the 20th and 21st centuries, science fiction has been a major force in defining our collective imagination of what spaceflight is and why it is significant. This book puts the history of space science fiction in the context of the American space program, charting the reality of spaceflight against expectations set in popular culture.

Telling these parallel stories of real space accomplishments and fictional space exploits allows Weitekamp to reveal stories of spaceflight as inseparable from broad cultural concerns such as American identity, the frontier, race, gender, and sexuality. Weitekamp has spent her career curating the social and cultural history of spaceflight collection at the National Air and Space Museum, and her argument is built upon her expert analysis of popular culture objects from the collection.