The most recommended books about Washington D.C.

A lot of people know George Pelecanos from his work as a TV writer, but long before he contributed to The Wire and The Deuce, he was turning out great mysteries, most of them set in his hometown of Washington, D.C. These are smart, sociological thrillers that teach you a lot about life on the city's mean streets. What sets books like King Suckerman apart for me is how much they teach you about the way popular music—heard from car radios, boom boxes, and record store systems—defines people's lives. For me, one of the book's many highlights is a fierce exchange between a guy who, based on Jimi Hendrix's funky playing in Band of Gypsys thinks the guitarist should be filed under soul rather than rock because that was the direction he was going and a friend who responds, "What you think you are, man, the Amazing Kreskin... gonna… show more.

There is great beauty to the concrete and close-space urban worlds generated by Edward P. Jones. We descend with him into an ever more compassionate world in which people love and hate one another, seek one another, find one another, and bring about uncommon transcendence of heart, mind, and spirit. An artist whose books never fail to forward the depths of American literary gravity, he is a wonder to read and his art a joy to behold. Lost in the City, his first book of short stories, garnered the PEN/Hemingway award. His second book, The Known World, was granted the Pulitzer Prize. The words of social philosopher bell hooks provide the same grounding found in reading Jones’ beautiful powerful stories, it’s “all about love.”

“A city of Southern efficiency and Northern charm” is how John F. Kennedy described Washington. Margaret Leech’s classic describes how the Civil War transformed a sleepy Southern town into the capital of a muscle-flexing nation-state, as well as a target for Confederate attacks. Along the way we meet characters as varied as spy Rose O’Neal Greenow, poet Walt Whitman, nurse Clara Barton, the egotistical General George McClellan, and an unstable actor named John Wilkes Booth. Lincoln is present, but one of Leech’s achievements is to treat Abe as a member of a larger human constellation, not as the automatic center of the universe, and that’s refreshing.

Whistleblowers rely on the press to disseminate their disclosures. In matters of national security, however, the press has a long history of close personal and professional bonds with the government that has curbed revelations. The Georgetown Set offers a fascinating glimpse into the small circle of elite officials, journalists, publishers, and public intellectuals who gathered for cocktail and dinner parties in their high-end neighborhood of Washington, DC. In addition to giving a fly-on-the-wall sense of how Cold War policies and public opinion were made, Herken’s book illuminates the individual and cultural shifts that contributed to the rise of national security disclosures in the 1960s and 1970s. This history is essential for understanding how the evolving dynamics between elite politicians and the press continue to shape the culture of whistleblowing and accountability today.

James Patterson is a wonderful writer, and this book introduces Alex Cross, a police detective who is a widower with two small children.

They live with the elderly woman who raised him, and she passes on the values she taught Alex to his children. Alex is a good person. Flawed like the rest of us, but he is trying to make a difference in the world. He tries to capture a man responsible for heinous crimes against two abducted children from a prestigious school. Is the perpetrator unhinged, or when he is caught, is he pretending to be unhinged?

In my own novels, I show a glimpse into the mindset of the serial killer my protagonists are hunting, and this book does the same thing. James Patterson is a vastly superior writer than I could ever hope to be.

I loved this story so much that when I finished, I… show more.

This is a great book if you want to understand how some expressions of blackness can be valued while Black people are being displaced.

Derek Hyra describes gentrification and racial change in the Shaw neighborhood of Washington, DC – which went from 90 percent Black in 1970 to 30 percent Black by 2010. Shaw’s status as the cultural epicenter of the Black community in the early twentieth century has become a selling point: many of the new establishments highlight this Black history, with odes to Marvin Gaye, Langston Hughes, and Duke Ellington in their names and featured artwork.

Hyra argues many of the White newcomers to Shaw embrace its Black history while ignoring the needs and preferences of contemporary Black residents. Thus, Black residents are experiencing both political and cultural displacement as they have lost political and economic power in the neighborhood.

From the country’s capital, the city’s journalists translated political power and social news – as well as a thriving social scene. They covered stories that were shared across the country. A mix of men and women, big names and freelancers, these journalists reveals behind-the-scenes reporting and relationships. The stories reveal how and why news is made. These watchdogs of government were often intertwined with politicians professionally and sometimes personally. This book offers a helpful understanding of Washington, D.C. journalism – and is highly entertaining.

Monument Wars, like no other book I’ve read, explains the essence of the “monument”—what it is, what it’s supposed to do, and how it does it (or fails to do it)—in the context of American history.

Monuments freeze time and aspire to “closure,” setting heroes or momentous events and their meaning, literally, in stone. But our national lives and history do not stand still, and public memory thus changes with time, often with fraught consequences.

Savage brilliantly examines and illuminates this dissonance, focusing on the most important monumental space in the United States—Washington, D.C., and the National Mall.

Smart, surprising, and accessible, this account of the national capital’s contested terrain offers a vivid case study of how Americans remember, sometimes forget, and increasingly contest their past through sculpture, ceremonial landscape, and the theatrics of the built landscape.

Due to the financial success of The Exorcist film, a sequel was ordered (The Exorcist II: The Heretic) which had no involvement from the original writer and director and was universally panned. William Peter Blatty then wrote a screenplay for what would have been a sequel to the original film that ignored the second entry. William Friedkin, the director of The Exorcist, was attached but backed out. Blatty turned his inactive script into what became the novel, Legion, which he eventually re-adapted and directed in 1990. The majority of the book is dialogue, so it’s easy to see its origins as a screenplay, but that does not make it any less effective.

This story takes a minor character from the original novel, Detective Kinderman, and chronicles his confrontation with a patient in a mental institution claiming to be possessed by the spirit of a dead… show more.

Red Cross trainees were among the thousands of people who poured into Washington, D.C., during World War II, with Mary Brandon–in our book–arriving there for instruction in 1943. What was the city like?

Esteemed journalist David Brinkley shared his personal reminiscences of a 1940s-era Washington in this lively account, showing how the city morphed rapidly from a slow-moving Southern town into an initially ill-prepared wartime capital. Brinkley’s many anecdotes are amusing, astonishing, and always instructive, as when he noted that even though the army placed antiaircraft guns on roofs of government buildings, so few guns were available that some–it was later learned–were merely wood replicas.

Through Mary Brandon’s letters, I glimpsed wartime Washington. Brinkley’s book treated me to a full portrait.