Here are 95 books that Radical Sisters fans have personally recommended if you like
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In Rochester, New York, where I was raised, Susan Anthony and Frederick Douglass are local heroes. But in the late 1960s, I was drawn more to grassroots movements than charismatic leaders. Despite dropping out of college—twice—I completed a B.A. in 1974 and then pursued a PhD in History. My 1981 dissertation and first book focused on three networks of mainly white female activists in nineteenth-century Rochester. Of the dozens of women I studied, Amy Post most clearly epitomized the power of interracial, mixed-sex, and cross-class movements for social justice. After years of inserting Post in articles, textbooks, and websites, I finally published Radical Friend in hopes of inspiring scholars and activists to follow her lead.
Cathleen Cahill explodes the conventional history of women’s suffrage by tracing the stories of suffragists of color from 1890 to 1928. Analyzing the efforts of African American, Native American, Mexican, and Chinese American activists, Cahill shifts the focus away from each group’s interactions with white suffragists and explores, instead, the commonalities and differences among women of color. She interweaves compelling vignettes of individual suffragists, including Carrie Williams Clifford, Nina Otero-Warren, and Mabel Ping-Hua Lee, with the larger issues addressed in their communities. Inwielding dynamic analyses of these communities of color, Cahill creates a powerful new narrative of the long fight for women’s suffrage.
We think we know the story of women's suffrage in the United States: women met at Seneca Falls, marched in Washington, D.C., and demanded the vote until they won it with the ratification of the Nineteenth Amendment. But the fight for women's voting rights extended far beyond these familiar scenes. From social clubs in New York's Chinatown to conferences for Native American rights, and in African American newspapers and pamphlets demanding equality for Spanish-speaking New Mexicans, a diverse cadre of extraordinary women struggled to build a movement that would truly include all women, regardless of race or national origin. In…
In Rochester, New York, where I was raised, Susan Anthony and Frederick Douglass are local heroes. But in the late 1960s, I was drawn more to grassroots movements than charismatic leaders. Despite dropping out of college—twice—I completed a B.A. in 1974 and then pursued a PhD in History. My 1981 dissertation and first book focused on three networks of mainly white female activists in nineteenth-century Rochester. Of the dozens of women I studied, Amy Post most clearly epitomized the power of interracial, mixed-sex, and cross-class movements for social justice. After years of inserting Post in articles, textbooks, and websites, I finally published Radical Friend in hopes of inspiring scholars and activists to follow her lead.
Thavolia Glymph analyzes the many ways that women—white and Black, enslaved and free, North and South—sought to promote or constrain the radical transformations promised by the Civil War. Sheinterweaves well-known stories of white nurses and teachers and northern white feminists who labored to expand their claims on the nation with the lesser-known efforts of free, fugitive, and self-emancipated Black women and poor and working-class white women to ensure that the war led to greater liberty. Even some plantation mistresses became more politically active in efforts to impede Union military campaigns. This powerful book expands our concept of activism, forcing us to rethink its many meanings, sites, and goals in times of crisis.
Historians of the Civil War often speak of "wars within a war--the military fight, wartime struggles on the home front, and the political and moral battle to preserve the Union and end slavery. In this broadly conceived book, Thavolia Glymph provides a comprehensive new history of women's roles and lives in the Civil War--North and South, white and black, slave and free--showing how women were essentially and fully engaged in all three arenas. Glymph focuses on the ideas and ideologies that drove women's actions, allegiances, and politics. We encounter women as they stood their ground, moved into each other's territory,…
In Rochester, New York, where I was raised, Susan Anthony and Frederick Douglass are local heroes. But in the late 1960s, I was drawn more to grassroots movements than charismatic leaders. Despite dropping out of college—twice—I completed a B.A. in 1974 and then pursued a PhD in History. My 1981 dissertation and first book focused on three networks of mainly white female activists in nineteenth-century Rochester. Of the dozens of women I studied, Amy Post most clearly epitomized the power of interracial, mixed-sex, and cross-class movements for social justice. After years of inserting Post in articles, textbooks, and websites, I finally published Radical Friend in hopes of inspiring scholars and activists to follow her lead.
By 2007, I had been studying movements for women’s rights and racial justice for 4 decades. This book inspired me to rethink the chronology and trajectory of both. All Bound Up Togetherhighlights the ways, beginning in 1830, that Black women’s rights efforts were central to the Black freedom struggle and early American feminism. It recasts both stories by putting Black women’s concerns, ideas, and organizing at the center.
The place of women's rights in African American public culture has been an enduring question, one that has long engaged activists, commentators, and scholars. ""All Bound Up Together"" explores the roles black women played in their communities' social movements and the consequences of elevating women into positions of visibility and leadership. Martha Jones reveals how, through the nineteenth century, the ""woman question"" was at the core of movements against slavery and for civil rights. Unlike white women activists, who often created their own institutions separate from men, black women, Jones explains, often organized within already existing institutions - churches, political…
In Rochester, New York, where I was raised, Susan Anthony and Frederick Douglass are local heroes. But in the late 1960s, I was drawn more to grassroots movements than charismatic leaders. Despite dropping out of college—twice—I completed a B.A. in 1974 and then pursued a PhD in History. My 1981 dissertation and first book focused on three networks of mainly white female activists in nineteenth-century Rochester. Of the dozens of women I studied, Amy Post most clearly epitomized the power of interracial, mixed-sex, and cross-class movements for social justice. After years of inserting Post in articles, textbooks, and websites, I finally published Radical Friend in hopes of inspiring scholars and activists to follow her lead.
Schuller’s book critiques the elitist and racist views of well-known white feminists from Elizabeth Cady Stanton to Sheryl Sandberg and highlights a counter-politics created by women of color and poor and trans women. The author explores as well white feminists who embraced the latter’s intersectional vision. Each chapter examines two contemporary feminists. I found the comparisons of Elizabeth Cady Stanton and Frances E. W. Harper, Pauli Murray and Betty Friedan, and Harriet Beecher Stowe and Harriet Jacobs especially powerful. (The author’s discussion of Jacobs draws on letters she wrote to her friend and ally, Amy Post.) Schuller presents a powerful critique of one version of white feminism and an equally powerful vision of a racially-inclusive intersectional feminism.
An incisive history of self-serving white feminists and the inspiring women who’ve continually defied them
Women including Elizabeth Cady Stanton, Margaret Sanger, and Sheryl Sandberg are commonly celebrated as leaders of feminism. Yet they have fought for the few, not the many. As award-winning scholar Kyla Schuller argues, their white feminist politics dispossess the most marginalized to liberate themselves.
In The Trouble with White Women, Schuller brings to life the two-hundred-year counter history of Black, Indigenous, Latina, poor, queer, and trans women pushing back against white feminists and uniting to dismantle systemic injustice. These feminist heroes such as Frances Harper,…
We talk a lot about the big public events that expanded the #MeToo movement so astronomically, like the election to the US presidency of a man who bragged about assaulting women, and the allegations made against Harvey Weinstein. But I think most American women have other, more personal beefs that originate from their being a woman. I, for one, was shocked at how unnecessarily difficult it was to be a new mother in the US. Other places support this vulnerable group much more than we do here, and living that disparity angered me—like, for example, when my husband exhausted what little parental leave he had available before our twins were even released from the NICU.
Cooper details the unique experiences that Black women have when feeling and expressing their anger.
I found this not only an indispensable resource for expanding my understanding of intersectional feminism but also an indispensable examination of the ways that white women like myself exacerbate the challenges faced by Cooper and other Black women.
Far too often, Black women's anger has been caricatured into an ugly and destructive force that threatens the civility and social fabric of American democracy. But Cooper shows us that there is more to the story than that. Black women's eloquent rage is what makes Serena Williams such a powerful tennis player. It's what makes Beyonce's girl power anthems resonate so hard. It's what makes Michelle Obama an icon. Eloquent rage keeps us all honest and accountable. It reminds women that they don't have to settle for less. When Cooper learned of her grandmother's eloquent rage about love, sex, and…
I have loved history since I was a girl, visiting my grandparents in Virginia and reading American Girl books. I began to focus on women’s history when I learned in college just how much the women’s movement of the generation before mine had made my life possible. So much changed for American women in the ten years before I was born, and I wanted to know how that happened and how it fit into the broader political changes. That connection, between women making change and the bigger political scene, remains the core of my research. I have a B.A. in history and English from the University of Kentucky, and a Ph.D. in American history from the University of Virginia.
Springer’s book was one of the first to outline the multiple Black women’s feminist organizations that developed in the late 1960s and 1970s. Situating now fairly well-known groups like the Combahee River Collective alongside lesser-known organizations like the Third World Women’s Alliance, Springer’s brief book is a fabulous primer to Black women’s feminism in an era when many people still think such a thing didn’t exist.
The first in-depth analysis of the black feminist movement, Living for the Revolution fills in a crucial but overlooked chapter in African American, women's, and social movement history. Through original oral history interviews with key activists and analysis of previously unexamined organizational records, Kimberly Springer traces the emergence, life, and decline of several black feminist organizations: the Third World Women's Alliance, Black Women Organized for Action, the National Black Feminist Organization, the National Alliance of Black Feminists, and the Combahee River Collective. The first of these to form was founded in 1968; all five were defunct by 1980. Springer demonstrates…
I am passionate about the subject of suicide because I have lived with suicidal thinking all of my life, have made multiple suicide attempts, have lost loved ones to suicide, and have so many new friends who are survivors of suicide attempts. I am a philosophy professor and writer who spends a lot of his time thinking about the meaning of life, and reading other philosophers, writers, and thinkers who have taught us about the meaning of life. I think the Buddha is especially smart and helpful on this question, as are the existentialist philosophers.
The moral outrage of Audre Lorde is always directed at making the world a better place.
That is her great genius: she can see everything that is wrong, and knows how to awaken in each of us the desire to make things better. She also understands that every revolution begins with a single human being deciding that she, he or they can be a better person and help to make a better world.
Her spirituality is like the ocean: magnificent, scary, greater than us. She’s also perhaps the most important poet of the twentieth century and for the twenty-first century, so she’s just indispensable reading. Absolutely required.
If you haven’t already spent time with her work, you should read “Power” on the Poetry Foundation website today, before you look at any of the books I list above. It will take three minutes and may well change your view of poetry…
"These are poems which blaze and pulse on the page."-Adrienne Rich "The first declaration of a black, lesbian feminist identity took place in these poems, and set the terms-beautifully, forcefully-for contemporary multicultural and pluralist debate."-Publishers Weekly "This is an amazing collection of poetry by . . . one of our best contemporary poets. . . . Her poems are powerful, often political, always lyrical and profoundly moving."-Chuckanut Reader Magazine "What a deep pleasure to encounter Audre Lorde's most potent genius . . . you will welcome the sheer accessibility and the force and beauty of this volume."-Out Magazine
I write about race and technology, and specifically the histories of Black folks as they influence online activities, from memes and community-building to care networks and activist efforts. I use theory, research, and most importantly lived experiences to tell the story of Black digital practices. The books I choose here represent how diverse my thinking is when it comes to this topic: from fiction to non-fiction, these works are as fluid yet meaningful as I think identity is, on and offline.
As a young Black and West Indian academic and, importantly, an avid early Twitter user, I finally saw myself in the world of nonfiction works about technology when I first read this book.
Before I even got through the introduction, I dog-eared every other page and ran out of room in the margins for my notes (most of which included an embarrassing number of exclamation points on my part). Digital Black Feminism’s wit and historical heft weaves through multi-generational negotiations with Black feminism and beautifully writes Black women’s contributions back into existence.
Winner, Diamond Anniversary Book Award, awarded by the National Communication Association
Winner, 2022 Nancy Baym Book Award, given by the Association of Internet Researchers
Traces the longstanding relationship between technology and Black feminist thought
Black women are at the forefront of some of this century's most important discussions about technology: trolling, online harassment, algorithmic bias, and influencer culture. But, Catherine Knight Steele argues that Black women's relationship to technology began long before the advent of Twitter or Instagram. To truly "listen to Black women," Steele points to the history of Black feminist technoculture in the United States and its ability…
My current research centers on the organizing strategies of 20th and 21st-century Black activists in the U.S. and western Europe and on the U.S. as a reference culture for European anti-racism movements, particularly in my native country, the Netherlands. I believe the recent Black Lives Matter protests in Europe are an example of the effectiveness of diasporic politics and the next phase in a much longer history of homegrown activism. Foregrounding ‘Black Europe’ as an independent field of study accordingly helps to create much needed critical knowledge about Black Europeans’ history, agency, and needs as we navigate further into the volatile twenty-first century, while simultaneously challenging the perimeters of diasporic meaning and the centrality of ‘Black America’ within.
While the Black freedom struggle is often approached through the activism of Black males, the history of the struggle in Europe—like in the United States and elsewhere in the world—owes much to Black women, Black female scholar-activists, and Black feminist and Queer networks. Yet they remain woefully underrepresented in scholarship and collective memory.
I, therefore, chose this edited volume, because it uniquely presents the stories, intersectional experiences, and visions of contemporary Black female activists, artists, and scholars from across the continent. This not only uncovers the significant intellectual, political, social, and cultural contributions of Black women, but also expands definitions of (political) activism to include, among others, motherhood and the home.
This book brings together activists, artists and scholars of colour to show how Black feminism and Afrofeminism are being practiced in Europe today, exploring their differing social positions in various countries, and how they organise and mobilise to imagine a Black feminist Europe.
Deeply aware that they are constructed as 'Others' living in a racialised and hierarchical continent, the contibutors explore gender, class, sexuality and legal status to show that they are both invisible - presumed to be absent from and irrelevant to European societies - and hyper-visible - assumed to be passive and sexualised, angry and irrational.
I have been a dance teacher all of my adult life, and a poetry and word-lover even longer. I love the economy of language, immediacy, and the promise of surprise in poetry.
In middle age, I returned to writing just as my body began its slow rebellion, with the added shifts of remarriage and step-parenting a severely disabled son. I went back to grad school and wrote my first book, drawing on the experience of confronting change, just as these recommended poets have done.
Each of these poets has a very different story, but what they have in common outweighs their differences, and because of that we are able to see ourselves in their writing.
This collection teaches me as well, by taking me into the experience of growing up in the Black, rural Appalachian South.
The poems are part memoir, as in writing about the experience of her mother visiting her where she lived with her grandparents, “(We) held hands like we thought/mothers & daughters should/but neither of us knew for sure.”
They are also part love song to home-cooking, “Every morning of my childhood, my grandmother, who stood a little/ under five feet tall, donned an apron and cooked breakfast. Slow. Precise./ Deliberate. She equated food with love, and she cooked with both a fury/ and a quiet joy.”
And finally, they are part Black feminist manifesto, “My black body is a boulder, a stop sign. Sometimes i think my body is/ graceful, a song of freedom. Sometimes i think it is something that every/ eye casts away. I must concentrate if i…
"In Perfect Black, Crystal Wilkinson walks us back down the road she first walked as a girl, wanders us through the trees that lined the road where she grew up, where her sensibilities as a woman and a writer were first laid bare. In one of the first poems that opens the collection she is a woman looking back on her life, on the soil and mountains that first stamped the particular sound of her voice and she is deeply inquisitive about how it all fell into place: "The map of me can't be all hills& mountains…
