Here are 100 books that The Trouble with White Women fans have personally recommended if you like
The Trouble with White Women.
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In Rochester, New York, where I was raised, Susan Anthony and Frederick Douglass are local heroes. But in the late 1960s, I was drawn more to grassroots movements than charismatic leaders. Despite dropping out of college—twice—I completed a B.A. in 1974 and then pursued a PhD in History. My 1981 dissertation and first book focused on three networks of mainly white female activists in nineteenth-century Rochester. Of the dozens of women I studied, Amy Post most clearly epitomized the power of interracial, mixed-sex, and cross-class movements for social justice. After years of inserting Post in articles, textbooks, and websites, I finally published Radical Friend in hopes of inspiring scholars and activists to follow her lead.
Cathleen Cahill explodes the conventional history of women’s suffrage by tracing the stories of suffragists of color from 1890 to 1928. Analyzing the efforts of African American, Native American, Mexican, and Chinese American activists, Cahill shifts the focus away from each group’s interactions with white suffragists and explores, instead, the commonalities and differences among women of color. She interweaves compelling vignettes of individual suffragists, including Carrie Williams Clifford, Nina Otero-Warren, and Mabel Ping-Hua Lee, with the larger issues addressed in their communities. Inwielding dynamic analyses of these communities of color, Cahill creates a powerful new narrative of the long fight for women’s suffrage.
We think we know the story of women's suffrage in the United States: women met at Seneca Falls, marched in Washington, D.C., and demanded the vote until they won it with the ratification of the Nineteenth Amendment. But the fight for women's voting rights extended far beyond these familiar scenes. From social clubs in New York's Chinatown to conferences for Native American rights, and in African American newspapers and pamphlets demanding equality for Spanish-speaking New Mexicans, a diverse cadre of extraordinary women struggled to build a movement that would truly include all women, regardless of race or national origin. In…
In Rochester, New York, where I was raised, Susan Anthony and Frederick Douglass are local heroes. But in the late 1960s, I was drawn more to grassroots movements than charismatic leaders. Despite dropping out of college—twice—I completed a B.A. in 1974 and then pursued a PhD in History. My 1981 dissertation and first book focused on three networks of mainly white female activists in nineteenth-century Rochester. Of the dozens of women I studied, Amy Post most clearly epitomized the power of interracial, mixed-sex, and cross-class movements for social justice. After years of inserting Post in articles, textbooks, and websites, I finally published Radical Friend in hopes of inspiring scholars and activists to follow her lead.
Thavolia Glymph analyzes the many ways that women—white and Black, enslaved and free, North and South—sought to promote or constrain the radical transformations promised by the Civil War. Sheinterweaves well-known stories of white nurses and teachers and northern white feminists who labored to expand their claims on the nation with the lesser-known efforts of free, fugitive, and self-emancipated Black women and poor and working-class white women to ensure that the war led to greater liberty. Even some plantation mistresses became more politically active in efforts to impede Union military campaigns. This powerful book expands our concept of activism, forcing us to rethink its many meanings, sites, and goals in times of crisis.
Historians of the Civil War often speak of "wars within a war--the military fight, wartime struggles on the home front, and the political and moral battle to preserve the Union and end slavery. In this broadly conceived book, Thavolia Glymph provides a comprehensive new history of women's roles and lives in the Civil War--North and South, white and black, slave and free--showing how women were essentially and fully engaged in all three arenas. Glymph focuses on the ideas and ideologies that drove women's actions, allegiances, and politics. We encounter women as they stood their ground, moved into each other's territory,…
In Rochester, New York, where I was raised, Susan Anthony and Frederick Douglass are local heroes. But in the late 1960s, I was drawn more to grassroots movements than charismatic leaders. Despite dropping out of college—twice—I completed a B.A. in 1974 and then pursued a PhD in History. My 1981 dissertation and first book focused on three networks of mainly white female activists in nineteenth-century Rochester. Of the dozens of women I studied, Amy Post most clearly epitomized the power of interracial, mixed-sex, and cross-class movements for social justice. After years of inserting Post in articles, textbooks, and websites, I finally published Radical Friend in hopes of inspiring scholars and activists to follow her lead.
By 2007, I had been studying movements for women’s rights and racial justice for 4 decades. This book inspired me to rethink the chronology and trajectory of both. All Bound Up Togetherhighlights the ways, beginning in 1830, that Black women’s rights efforts were central to the Black freedom struggle and early American feminism. It recasts both stories by putting Black women’s concerns, ideas, and organizing at the center.
The place of women's rights in African American public culture has been an enduring question, one that has long engaged activists, commentators, and scholars. ""All Bound Up Together"" explores the roles black women played in their communities' social movements and the consequences of elevating women into positions of visibility and leadership. Martha Jones reveals how, through the nineteenth century, the ""woman question"" was at the core of movements against slavery and for civil rights. Unlike white women activists, who often created their own institutions separate from men, black women, Jones explains, often organized within already existing institutions - churches, political…
In Rochester, New York, where I was raised, Susan Anthony and Frederick Douglass are local heroes. But in the late 1960s, I was drawn more to grassroots movements than charismatic leaders. Despite dropping out of college—twice—I completed a B.A. in 1974 and then pursued a PhD in History. My 1981 dissertation and first book focused on three networks of mainly white female activists in nineteenth-century Rochester. Of the dozens of women I studied, Amy Post most clearly epitomized the power of interracial, mixed-sex, and cross-class movements for social justice. After years of inserting Post in articles, textbooks, and websites, I finally published Radical Friend in hopes of inspiring scholars and activists to follow her lead.
Radical Sistersdoes for the 1970s what I tried to do for the nineteenth century—to show that while Black and white women activists usually worked separately and embraced different and often opposing priorities, some women forged interracial alliances to address shared concerns. Valk also reminds us that divisions among white feminists and among Black liberationists could be as contentious as those between the two groups. By focusing on Washington, D.C., the population of which was over 70 percent Black in 1970, Valk ensures the centrality of race to every issue she analyzes. Providing in-depth case studies of anti-poverty movements, welfare rights, lesbian separatism, anti-sexual violence, and reproductive rights, Valk shows how these movements shaped each other as well as the limits of and possibilities for forging truly interracial coalitions.
Radical Sisters is a fresh exploration of the ways that 1960s political movements shaped local, grassroots feminism in Washington, D.C. Rejecting notions of a universal sisterhood, Anne M. Valk argues that activists periodically worked to bridge differences for the sake of improving women's plight, even while maintaining distinct political bases. Washington, D.C. is a critical site for studying the dynamics of the feminist movement, not only for its strategic location vis-a-vis the federal government but because in 1970 over seventy percent of the city's population was African American. While most historiography on the subject tends to portray the feminist movement…
As a journalist, I write about women and power. I’ve written about everything from taboos in women’s health, to the importance of reproductive autonomy, to the ability of women athletes to shape culture. Across all of these subjects, my work is rooted in the desire to explore the factors that drive gender inequity and how we can create lasting cultural changes that will close the gap. If there’s one thing I’ve learned in writing over 2,500 stories, it’s that gender inequity—from the pay gap, to the motherhood penalty—always comes back to power. And to one group’s desire to keep it at all costs.
White Feminism should be required reading for all but particularly for those interested in building more feminist spaces.
Journalist Koa Beck outlines the history of white feminism—essentially feminism that aspires to gain power within a system that harms marginalized groups—in a way that challenged me to rethink some of the biggest “feminist” movements in history.
From suffragettes to girlbosses, she sheds light on the ugly truth at the heart of so many feminist movements, which have often helped to perpetuate inequality, particularly for women of color. Instead, she argues for the building of new systems that center the most marginalized in what is one of the most galvanizing books I’ve ever read.
'Koa Beck writes with passion and insight about the knotted history of racism within women's movements and feminist culture, past and present. Curious, rigorous, and ultimately generous, White Feminism is a pleasure and an education.' Rebecca Traister, New York Times bestselling author of Good and Mad 'Intellectually smart and emotionally intelligent, Beck brilliantly articulates how feminism has failed women of colour and non-binary people. She illuminates the broad landscapes of systemic oppression and demands that white feminism evolve lest it continue to be as oppressive as the patriarchy.' Patrisse Khan-Cullors, cofounder of Black Lives Matter, author of When They Call…
As a historian of the U.S. presidency, I have long been fascinated by the ways in which aspirants for the White House energize and harness popular support for their candidacy. Tracing the development of electioneering practices from the early 1800s to today has been fascinating. Is there a connection between the hickory sprigs worn by Andrew Jackson’s supporters and the MAGA hats worn by Donald Trump’s supporters? Between the political rallies of William Henry Harrison and those of every modern presidential candidate? Between the derision leveled at politically active women in the 1830s and that directed at Sarah Palin and Hilary Rodham Clinton in the twenty-first century? You betcha!
Varon’s book is another classic study. She examines not only the role of women in supporting traditionally male political activities but also in broadening the definition of what constituted political activity. While Varon focuses on Virginia, evidence of her argument can be seen in other parts of the United States, as I found in my own research.
Over the past two decades, historians have successfully disputed the notion that American women remained wholly outside the realm of politics until the early twentieth century. Still, a consensus has prevailed that, unlike their Northern counterparts, women of the antebellum South were largely excluded from public life. With this book, Elizabeth Varon effectively challenges such historical assumptions. Using a wide array of sources, she demonstrates that throughout the antebellum period, white Southern women of the slaveholding class were important actors in the public drama of politics. Through their voluntary associations, legislative petitions, presence at political meetings and rallies, and published…
In 2011, I was a newly minted college professor who was trying to support my students’ interests (Greek life) in hopes that they would return the favor and support mine (medieval literature). Never in a million years would I have guessed that accepting an invitation to attend a Greek event on campus would snowball into receiving a bid to join a National Panhellenic Conference sorority and serve as its faculty advisor. Somewhere along the way, I realized that my perspective uniquely positioned me to shed new light on the longstanding controversies plaguing these organizations and provide a new lens through which to view their impact not only on campus culture but society at large.
I’m a self-professed history junkie, and this recent contribution to the history of white Greek life picks up more or less where Turk left off.
The most fascinating and important argument that this book makes is that white southern sororities fundamentally influenced the definition of femininity in the South in the mid-twentieth century.
Understanding how and why southern sororities constructed womanhood before the advent of social media goes a long way in explaining why sorority women at universities in Oregon and Minnesota look and act eerily like sorority women at Ole Miss and the University of Alabama.
Women of Discriminating Taste examines the role of historically white sororities in the shaping of white womanhood in the twentieth century. As national women’s organizations, sororities have long held power on college campuses and in American life. Yet the groups also have always been conservative in nature and inherently discriminatory, selecting new members on the basis of social class, religion, race, or physical attractiveness. In the early twentieth century, sororities filled a niche on campuses as they purported to prepare college women for “ladyhood.” Sorority training led members to comport themselves as hyperfeminine, heterosocially inclined, traditionally minded women following a…
I grew up in a small, rural community that is perhaps best defined by cold, grey, rainy days – perfect reading weather. I developed an interest in learning about different places and cultures through books. Then I started traveling and my interest turned into a passion, that transformed my educational journey. I completed a Masters and PhD in Anthropology and did my field research for my degree in Australia and Nepal. I still love to learn about new cultures, though the children have meant less traveling and more adventuring via books!
The third book is possibly one of the shortest standalone books I have read, but also one of the most powerful.
Toni Morrison’s post-humous work Recitatif is the story of two poor girls, one white and one black, living in a shelter and their lives as adults. They share their past experiences, and unfortunately both witness a disturbing incident while wards of the state.
This book makes my list for best books about cross-cultural interactions because the reader doesn’t know which girl is black and which is white. It unsettles the reader and forces self-reflection, why am I trying to determine the race of these girls and what does that reflect about my own culture?
NEW YORK TIMES BEST SELLER • A beautiful, arresting story about race and the relationships that shape us through life by the legendary Nobel Prize winner—for the first time in a beautifully produced stand-alone edition, with an introduction by Zadie Smith
“A puzzle of a story, then—a game.... When [Morrison] called Recitatif an ‘experiment’ she meant it. The subject of the experiment is the reader.” —Zadie Smith, award-winning, best-selling author of White Teeth
In this 1983 short story—the only short story Morrison ever wrote—we meet Twyla and Roberta, who have known each other since they were eight years old and…
Every author writing about race and tax in the United States uses my article with William Whitford, “A Black Critique of the Internal Revenue Code.” Using census data, Bill and I showed that blacks and whites who earn the same income, live in the same geographic areas, have the same education and marital status, pay different amounts of federal income tax because of the race and wealth disparities outlined in Race and Wealth Disparities: A Multidisciplinary Discourse edited by Beverly Moran.
Faces at the Bottom of the Well is the book that created Critical Race Theory. It lays out the central problem of Critical Race Theory: how does racism consistently defeat law? For example, in 1954 Brown v. the Board of Education held that segregated schools are unlawful. Yet, sixty-nine years later, US schools, housing, and employment all remain segregated. This is the book that inspired every other critical race theory scholar.
The noted civil rights activist uses allegory and historical example to present a radical vision of the persistence of racism in America. These essays shed light on some of the most perplexing and vexing issues of our day: affirmative action, the disparity between civil rights law and reality, the racist outbursts of some black leaders, the temptation toward violent retaliation, and much more.
Anna Malaika Tubbs is the author of the critically acclaimed book The Three Mothers: How the Mothers of MLK Jr., Malcolm X, and James Baldwin Shaped a Nation. She is also a Cambridge Ph.D. candidate in Sociology and a Bill and Melinda Gates Cambridge Scholar. After graduating Phi Beta Kappa from Stanford University with a BA in Anthropology, Anna received a Master’s from the University of Cambridge in Multidisciplinary Gender Studies. Outside of the academy, she is an educator and DEI consultant. She lives with her husband, Michael Tubbs, and their son Michael Malakai.
This anthology of some of Walker’s most powerful works with a focus on discovering ourselves through studying those who came before us is both incredibly informative and emotional. It explores motherhood not only through the biological role but also in a sense of community mothering and foremothers. There is much to learn about our present by examining lessons laid out for us by generations past.
Pulitzer Prize–winning author of The Color Purple, Alice Walker's collection of essays ranging in topics from personal to political. "Thoughtful, intelligent, resonant musings." — Kirkus Reviews
In this, her first collection of nonfiction, Alice Walker speaks out as a black woman, writer, mother, and feminist. Among the thirty-six pieces are essays about other writers, accounts of the civil rights movement of the 1960s and the anti-nuclear movement of the 1980s, and a vivid memoir of a scarring childhood injury and her daughter’s healing words.
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