Here are 100 books that The Collected Poems of Audre Lorde fans have personally recommended if you like
The Collected Poems of Audre Lorde.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I am passionate about the subject of suicide because I have lived with suicidal thinking all of my life, have made multiple suicide attempts, have lost loved ones to suicide, and have so many new friends who are survivors of suicide attempts. I am a philosophy professor and writer who spends a lot of his time thinking about the meaning of life, and reading other philosophers, writers, and thinkers who have taught us about the meaning of life. I think the Buddha is especially smart and helpful on this question, as are the existentialist philosophers.
Look, you’re often going to feel like life is meaningless. Maybe you’re right. But don’t give up.
Like Quixote, you have the power of your noble heart, and the wealth of your imagination. But you also have your Sancho Paza, to keep you moving practically forward. It all will likely come to a ridiculous end. But that’s okay, so long as you’re laughing at yourself along the way.
It is funny. We’re allowed to be funny. We’re supposed to laugh at ourselves and at each other.
WITH AN INTRODUCTION BY HAROLD BLOOM. Widely regarded as the world's first modern novel, and one of the funniest and most tragic books ever written, Don Quixote chronicles the famous picaresque adventures of the noble knight-errant Don Quixote de La Mancha and his faithful squire, Sancho Panza, as they travel through sixteenth-century Spain. Unless you read Spanish, you've never read Don Quixote.
I am passionate about the subject of suicide because I have lived with suicidal thinking all of my life, have made multiple suicide attempts, have lost loved ones to suicide, and have so many new friends who are survivors of suicide attempts. I am a philosophy professor and writer who spends a lot of his time thinking about the meaning of life, and reading other philosophers, writers, and thinkers who have taught us about the meaning of life. I think the Buddha is especially smart and helpful on this question, as are the existentialist philosophers.
If you only read one book by Dostoevsky, this should be the one. The psychiatrist who directed the Mayo Clinic’s mental health division for years often had his patients read all of Dostoevsky’s works.
The Idiot is about a truly innocent and good man, Prince Myshkin, who is thrust into the highest levels of Russian aristocratic society. Although he understands that deception is essential to thrive in this world, he refuses to give up his guilelessness.
He is always as honest as he can be with everyone around him, and as kind as he can be, and as caring as he can be (he is a Christ figure, also a child figure). This all turns out very badly, unsurprisingly, and results in heartbreak and murder.
There is no greater novel ever written for teaching us about the human capacity and need for human love, and the many obstacles we have…
Translated by Constance Garnett, with an Introduction and Notes by Agnes Cardinal, Honorary Senior Lecturer in Comparative Literature at the University of Kent.
Prince Myshkin returns to Russia from an asylum in Switzerland. As he becomes embroiled in the frantic amatory and financial intrigues which centre around a cast of brilliantly realised characters and which ultimately lead to tragedy, he emerges as a unique combination of the Christian ideal of perfection and Dostoevsky's own views, afflictions and manners. His serene selflessness is contrasted with the worldly qualities of every other character in the novel. Dostoevsky supplies a harsh indictment of…
I am passionate about the subject of suicide because I have lived with suicidal thinking all of my life, have made multiple suicide attempts, have lost loved ones to suicide, and have so many new friends who are survivors of suicide attempts. I am a philosophy professor and writer who spends a lot of his time thinking about the meaning of life, and reading other philosophers, writers, and thinkers who have taught us about the meaning of life. I think the Buddha is especially smart and helpful on this question, as are the existentialist philosophers.
These essays are the ultimate guide to human intimacy. If you believe, as I do, that the best way to find meaning in life is to establish connections with others, you must read this book.
Rich teaches us that we are all clumsy, needy, fearful communicators, and shows us how what we perceive as failings are actually the secret keys to opening up whole invisible worlds of understanding between each other. She understands the art of gentleness as well as anyone who has ever written.
At issue are the politics of language; the uses of scholarship; and the topics of racism, history, and motherhood among others called forth by Rich as "part of the effort to define a female consciousness which is political, aesthetic, and erotic, and which refuses to be included or contained in the culture of passivity."
I am passionate about the subject of suicide because I have lived with suicidal thinking all of my life, have made multiple suicide attempts, have lost loved ones to suicide, and have so many new friends who are survivors of suicide attempts. I am a philosophy professor and writer who spends a lot of his time thinking about the meaning of life, and reading other philosophers, writers, and thinkers who have taught us about the meaning of life. I think the Buddha is especially smart and helpful on this question, as are the existentialist philosophers.
Basho tells of a long journey he takes across Japan with a friend of his, and they write poetry along the way.
The poetry is included in the memoir. Basho writes completely without judgment, accepting everything he experiences exactly as it is. It is a book that show us how to try to find openness, naturalness, goodness, and (really) the fundamental perfection of everything.
'It was with awe That I beheld Fresh leaves, green leaves, Bright in the sun'
When the Japanese haiku master Basho composed The Narrow Road to the Deep North, he was an ardent student of Zen Buddhism, setting off on a series of travels designed to strip away the trappings of the material world and bring spiritual enlightenment. He writes of the seasons changing, the smell of the rain, the brightness of the moon and the beauty of the waterfall, through which he sensed the mysteries of the universe. These writings not only chronicle Basho's travels, but they also capture…
I have loved history since I was a girl, visiting my grandparents in Virginia and reading American Girl books. I began to focus on women’s history when I learned in college just how much the women’s movement of the generation before mine had made my life possible. So much changed for American women in the ten years before I was born, and I wanted to know how that happened and how it fit into the broader political changes. That connection, between women making change and the bigger political scene, remains the core of my research. I have a B.A. in history and English from the University of Kentucky, and a Ph.D. in American history from the University of Virginia.
Springer’s book was one of the first to outline the multiple Black women’s feminist organizations that developed in the late 1960s and 1970s. Situating now fairly well-known groups like the Combahee River Collective alongside lesser-known organizations like the Third World Women’s Alliance, Springer’s brief book is a fabulous primer to Black women’s feminism in an era when many people still think such a thing didn’t exist.
The first in-depth analysis of the black feminist movement, Living for the Revolution fills in a crucial but overlooked chapter in African American, women's, and social movement history. Through original oral history interviews with key activists and analysis of previously unexamined organizational records, Kimberly Springer traces the emergence, life, and decline of several black feminist organizations: the Third World Women's Alliance, Black Women Organized for Action, the National Black Feminist Organization, the National Alliance of Black Feminists, and the Combahee River Collective. The first of these to form was founded in 1968; all five were defunct by 1980. Springer demonstrates…
I write about race and technology, and specifically the histories of Black folks as they influence online activities, from memes and community-building to care networks and activist efforts. I use theory, research, and most importantly lived experiences to tell the story of Black digital practices. The books I choose here represent how diverse my thinking is when it comes to this topic: from fiction to non-fiction, these works are as fluid yet meaningful as I think identity is, on and offline.
As a young Black and West Indian academic and, importantly, an avid early Twitter user, I finally saw myself in the world of nonfiction works about technology when I first read this book.
Before I even got through the introduction, I dog-eared every other page and ran out of room in the margins for my notes (most of which included an embarrassing number of exclamation points on my part). Digital Black Feminism’s wit and historical heft weaves through multi-generational negotiations with Black feminism and beautifully writes Black women’s contributions back into existence.
Winner, Diamond Anniversary Book Award, awarded by the National Communication Association
Winner, 2022 Nancy Baym Book Award, given by the Association of Internet Researchers
Traces the longstanding relationship between technology and Black feminist thought
Black women are at the forefront of some of this century's most important discussions about technology: trolling, online harassment, algorithmic bias, and influencer culture. But, Catherine Knight Steele argues that Black women's relationship to technology began long before the advent of Twitter or Instagram. To truly "listen to Black women," Steele points to the history of Black feminist technoculture in the United States and its ability…
I’m a journalist whose work is often heard on NPR's national news magazines, and read in publications such as The New York Times, New York Magazine’s Vulture, BBC Culture, Wired, and Bandcamp. I'm most interested in stories about people, communities, and scenes that have been overlooked, forgotten, seen through a distorted lens, or perhaps never seen at all. I’m on a mission to get to a deeper understanding of what’s at stake in the way we see music and art- and the way we see ourselves.
Daphne A. Brooks’ book is a revolutionary work, centering more than a century of innovations by Black women in popular music who have been marginalized, overlooked, or erased.
Situating Zora Neale Hurston as a sound archivist and performer and Lorraine Hansberry as a cultural critic alongside blues pioneers such as Bessie Smith and Mamie Smith and contemporary artists like Janelle Monáe and Valerie June, Brooks doesn’t merely fill in blind spots.
She exposes how those blind spots reflect the partial, subjective view of white male critics and historians.
Showing us a different way of seeing and listening to culture, Brooks has informed and inspired my thinking, and some of the best work I’ve done as a journalist, including this piece about Elizabeth Cotten, whose music fueled the 1960s folk revival.
Winner of the PEN Oakland-Josephine Miles Award Winner of the MAAH Stone Book Award A Rolling Stone Best Music Book of the Year A Pitchfork Best Music Book of the Year
"Brooks traces all kinds of lines, finding unexpected points of connection...inviting voices to talk to one another, seeing what different perspectives can offer, opening up new ways of looking and listening by tracing lineages and calling for more space." -New York Times
An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyonce.
We talk a lot about the big public events that expanded the #MeToo movement so astronomically, like the election to the US presidency of a man who bragged about assaulting women, and the allegations made against Harvey Weinstein. But I think most American women have other, more personal beefs that originate from their being a woman. I, for one, was shocked at how unnecessarily difficult it was to be a new mother in the US. Other places support this vulnerable group much more than we do here, and living that disparity angered me—like, for example, when my husband exhausted what little parental leave he had available before our twins were even released from the NICU.
Cooper details the unique experiences that Black women have when feeling and expressing their anger.
I found this not only an indispensable resource for expanding my understanding of intersectional feminism but also an indispensable examination of the ways that white women like myself exacerbate the challenges faced by Cooper and other Black women.
Far too often, Black women's anger has been caricatured into an ugly and destructive force that threatens the civility and social fabric of American democracy. But Cooper shows us that there is more to the story than that. Black women's eloquent rage is what makes Serena Williams such a powerful tennis player. It's what makes Beyonce's girl power anthems resonate so hard. It's what makes Michelle Obama an icon. Eloquent rage keeps us all honest and accountable. It reminds women that they don't have to settle for less. When Cooper learned of her grandmother's eloquent rage about love, sex, and…
In Rochester, New York, where I was raised, Susan Anthony and Frederick Douglass are local heroes. But in the late 1960s, I was drawn more to grassroots movements than charismatic leaders. Despite dropping out of college—twice—I completed a B.A. in 1974 and then pursued a PhD in History. My 1981 dissertation and first book focused on three networks of mainly white female activists in nineteenth-century Rochester. Of the dozens of women I studied, Amy Post most clearly epitomized the power of interracial, mixed-sex, and cross-class movements for social justice. After years of inserting Post in articles, textbooks, and websites, I finally published Radical Friend in hopes of inspiring scholars and activists to follow her lead.
Radical Sistersdoes for the 1970s what I tried to do for the nineteenth century—to show that while Black and white women activists usually worked separately and embraced different and often opposing priorities, some women forged interracial alliances to address shared concerns. Valk also reminds us that divisions among white feminists and among Black liberationists could be as contentious as those between the two groups. By focusing on Washington, D.C., the population of which was over 70 percent Black in 1970, Valk ensures the centrality of race to every issue she analyzes. Providing in-depth case studies of anti-poverty movements, welfare rights, lesbian separatism, anti-sexual violence, and reproductive rights, Valk shows how these movements shaped each other as well as the limits of and possibilities for forging truly interracial coalitions.
Radical Sisters is a fresh exploration of the ways that 1960s political movements shaped local, grassroots feminism in Washington, D.C. Rejecting notions of a universal sisterhood, Anne M. Valk argues that activists periodically worked to bridge differences for the sake of improving women's plight, even while maintaining distinct political bases. Washington, D.C. is a critical site for studying the dynamics of the feminist movement, not only for its strategic location vis-a-vis the federal government but because in 1970 over seventy percent of the city's population was African American. While most historiography on the subject tends to portray the feminist movement…
My current research centers on the organizing strategies of 20th and 21st-century Black activists in the U.S. and western Europe and on the U.S. as a reference culture for European anti-racism movements, particularly in my native country, the Netherlands. I believe the recent Black Lives Matter protests in Europe are an example of the effectiveness of diasporic politics and the next phase in a much longer history of homegrown activism. Foregrounding ‘Black Europe’ as an independent field of study accordingly helps to create much needed critical knowledge about Black Europeans’ history, agency, and needs as we navigate further into the volatile twenty-first century, while simultaneously challenging the perimeters of diasporic meaning and the centrality of ‘Black America’ within.
While the Black freedom struggle is often approached through the activism of Black males, the history of the struggle in Europe—like in the United States and elsewhere in the world—owes much to Black women, Black female scholar-activists, and Black feminist and Queer networks. Yet they remain woefully underrepresented in scholarship and collective memory.
I, therefore, chose this edited volume, because it uniquely presents the stories, intersectional experiences, and visions of contemporary Black female activists, artists, and scholars from across the continent. This not only uncovers the significant intellectual, political, social, and cultural contributions of Black women, but also expands definitions of (political) activism to include, among others, motherhood and the home.
This book brings together activists, artists and scholars of colour to show how Black feminism and Afrofeminism are being practiced in Europe today, exploring their differing social positions in various countries, and how they organise and mobilise to imagine a Black feminist Europe.
Deeply aware that they are constructed as 'Others' living in a racialised and hierarchical continent, the contibutors explore gender, class, sexuality and legal status to show that they are both invisible - presumed to be absent from and irrelevant to European societies - and hyper-visible - assumed to be passive and sexualised, angry and irrational.
