My memoir, Circling Home: What I Learned by Living Elsewhere, details my own trajectory in trying to find my voice and métier as a writer. I’ve kept a journal since I was a teenager, trained to be a journalist in college, and worked as an investigative reporter on a newspaper column and a news show in my twenties. When my husband and I moved abroad, I got a book contract for my PhD thesis and also published my research in academic journals. I wrote travel articles and profiles of people I met while living in East and West Africa. Working with a writing group of friends, I finished two novels before embarking on my memoir.
This memoir and Evaristo’s Booker Prize-winning novel, Girl, Woman, Other, opened my eyes to the struggles of writers and actors in the UK—especially women of color and immigrants—as they tried to find their voices and places and in literary circles.
Raised in a big family by a Nigerian father and British mother, Evaristo describes her upbringing and her efforts to find her voice when there were few venues for writers of color. Her theory of unstoppability is deeply inspiring for anyone who faces roadblocks in pursuing their passions, particularly writers who experienced the sting of multiple rejections before having their work accepted.
From the bestselling and Booker Prize–winning author of Girl, Woman, Other, Bernardine Evaristo’s memoir of her own life and writing, and her manifesto on unstoppability, creativity, and activism
Bernardine Evaristo’s 2019 Booker Prize win was a historic and revolutionary occasion, with Evaristo being the first Black woman and first Black British person ever to win the prize in its fifty-year history. Girl, Woman, Other was named a favorite book of the year by President Obama and Roxane Gay, was translated into thirty-five languages, and has now reached more than a million readers.
Evaristo’s astonishing nonfiction debut, Manifesto, is a vibrant…
I’m an Afro-Caribbean-American filmmaker, photographer, author, and activist from Washington, DC. After graduating from Brown University with a Bachelor of Arts in French and Francophone Studies, I began pursuing a completely different career path: social activism through art and storytelling.
I capture personal stories and intimate moments centering on Black liberation, immigrant justice, and women’s rights. My work is grounded in radical love, joy, and the knowledge that a more just world is possible. My award-winning documentary DACAmented has been internationally recognized, and my book My Beautiful Black Hair has been featured in The Washington Post, Buzzfeed News, and NPR’s Strange Fruit, among others.
The narratives in this book from women in the United States, London, and Ghana--accompanied by gorgeous portraits--capture a slice of the Black hair diaspora and the place where it all started: West Africa. The title says it all and yet can’t begin to capture the gorgeous array of women, hairstyles, and lived experiences captured by Cunningham and Alexander.
Crowns photographer Michael Cunningham and author and journalist George Alexander have captured the marvelous trinity of black women, hair, and beauty salons in the glorious Queens: Portraits of Black Women and Their Fabulous Hair.
Angela Garner says that “The beauty salon is the one great thing we get to share as African American women. It’s therapeutic.” Tisch Sims says that wearing fantasy hair makes her feel “like a goddess, a queen.”
From the afro to the ponytail to dreadlocks to braids to relaxed hair to fantasy hair; from “good hair” to bad hair days, in this stunningly designed book black…
Anna Malaika Tubbs is the author of the critically acclaimed book The Three Mothers: How the Mothers of MLK Jr., Malcolm X, and James Baldwin Shaped a Nation. She is also a Cambridge Ph.D. candidate in Sociology and a Bill and Melinda Gates Cambridge Scholar. After graduating Phi Beta Kappa from Stanford University with a BA in Anthropology, Anna received a Master’s from the University of Cambridge in Multidisciplinary Gender Studies. Outside of the academy, she is an educator and DEI consultant. She lives with her husband, Michael Tubbs, and their son Michael Malakai.
This book is a beautiful combination of personal narrative and social commentary. McClain takes you through many of the complicated emotions of raising Black children in the United States while also leaving her reader with a sense of sisterhood and support. It’s a must when it comes to understanding the current landscape Black mothers are facing.
A warm, wise, and urgent guide to parenting in uncertain times, from a longtime reporter on race, reproductive health, and politics
In We Live for the We, first-time mother Dani McClain sets out to understand how to raise her daughter in what she, as a black woman, knows to be an unjust -- even hostile -- society. Black women are more likely to die during pregnancy or birth than any other race; black mothers must stand before television cameras telling the world that their slain children were human beings. What, then, is the best way to keep fear at bay…
I am a historian of race and slavery in the lower Mississippi Valley because the region is a fulcrum of United States history. I was always fascinated by the significance of the Mississippi River for American expansion, society, and culture. Ultimately, this region of the country is so deeply influenced by people of African descent that must be included in all histories, and I wanted to share their stories in a particular place during the colonial period. Telling these stories in places where they have commonly been less well represented is very rewarding and it opens more ways to understand the histories of places like Natchez along the Mississippi River.
Jessica Marie Johnson’s award-winning Wicked Fleshis a masterpiece of historical writing that takes an in-depth look at the stories of Black women in search for freedom. Connecting the lower Mississippi Valley to an Atlantic World dominated by slave trading, the intimate histories of Black women take center stage as Johnson chronicles the ways they sought to counter the power white men attempted to claim over their bodies.
The story of freedom pivots on the choices black women made to retain control over their bodies and selves, their loved ones, and their futures.
The story of freedom and all of its ambiguities begins with intimate acts steeped in power. It is shaped by the peculiar oppressions faced by African women and women of African descent. And it pivots on the self-conscious choices black women made to retain control over their bodies and selves, their loved ones, and their futures. Slavery's rise in the Americas was institutional, carnal, and reproductive. The intimacy of bondage whet the appetites of slaveowners,…
For too long, single life has been characterized as a lesser life. As a 70-year-old who has been happily single my whole life, I want that to end. As I said in my book, “In the enlightened world that I envision, every child will understand, as a matter of course, that living single is a life path that can be just as joyful and fulfilling as any other—and for some people, the best path of all. Every adult will forsake forever the temptation to pity or patronize single people and will instead appreciate the profound rewards of single life."
For years, I read memoirs by single women in search of people who would joyfully and unapologetically own their single lives. I found several who were insightful and engaging but ultimately disappointing. Typically, they hedged–sure, they would say, they were fine with being single, but they were not about to commit to staying single. Some were gobsmacked to discover that single life could be fulfilling as if that were the most amazing thing imaginable.
Then, Keturah Kendrick published this book. Kendrick knew who she was from an early age. She owns her singlehood and all her other choices about how to live her life, such as not having children. She brilliantly shatters stereotypes about single people, and her critiques of popular culture are skillful and searing.
Through eight humorous essays, Keturah Kendrick chronicles her journey to freedom. She shares the stories of other women who have freed themselves from the narrow definition of what makes a "proper woman." Spotlighting the cultural bullying that dictates women must become mothers to the expectation that one's spiritual path follow the traditions of previous generations, Kendrick imagines a world where black women make life choices that center on their needs and desires. She also examines the rising trend of women choosing to remain single and explores how such a choice is the antithesis to the trope of the sorrowful black…
I grew up in a large extended family in a rural district in Trinidad. Frequently, as a young boy, I sought escape in the forested area at the back of the house. There, I would craft childish stories and fantasize about becoming a writer. This wish was granted after I moved to Canada in the 1990s. As an immigrant writer here, most of my books are about movement, dispossession, and finding a home. So, in a sense, I have always been running away from, while at the same time, searching for a home. This tension has given birth to most of my books.
This travelogue is so exquisitely written it is possible to admire it simply for its lyricism. But it’s much more than a travelogue. Embedded in the book are familial narratives, personal accounts, musings about other writers – Coetzee, Naipaul, Walcott, Galeano, for instance – all with the intent to chart the black diasporic experience. It’s a deeply personal book, yet studded with brilliant observations on belonging. “Black experience in any modern city or town in the Americas is a haunting. One enters a room and history follows; one enters a room and history precedes. History is already seated in the chair in the empty room when one arrives.” This book is best read slowly, savouring its insight.
A Map to the Door of No Return is a timely book that explores the relevance and nature of identity and belonging in a culturally diverse and rapidly changing world. It is an insightful, sensitive and poetic book of discovery.
Drawing on cartography, travels, narratives of childhood in the Caribbean, journeys across the Canadian landscape, African ancestry, histories, politics, philosophies and literature, Dionne Brand sketches the shifting borders of home and nation, the connection to place in Canada and the world beyond.
The title, A Map to the Door of No Return, refers to both a place in imagination and…
I am a historian of the slave trade and slavery in the Rio de la Plata region (today’s Argentina and Uruguay) who then turned to the study of the traffic of captive Africans in the whole Spanish Americas. Yet, my love remains in the Rio de la Plata, what I call the “cold Caribbean.” Exciting books on the history of Africans and their descendants examine this region within the framework of Atlantic History, racial capitalism, gender, and the connections between twentieth-century Black culture and politics. As these recommendations are limited to English-language books, readers should note that much more has been published on this subject in Spanish and Portuguese.
Erika Edwards decenters the study of the African diaspora in Argentina from Buenos Aires by studying Cordoba, at the geographic heart of this country. The author employs gender as a structuring category of understanding conceptions of race, as she examines the actions of Black women who shaped their own sexual experiences and marriage patterns, creating new forms of identity based on the changing conceptions of race and law at the time, as Argentina was transitioning from colony to nation. In doing so, Edwards charters a process beginning in nineteenth-century Cordoba, which then became one of the keys to understanding a gendered conception of Blackness in modern Argentina.
One of the African American Intellectual History Society's Best Black History Books of 2020
Details how African-descended women's societal, marital, and sexual decisions forever reshaped the racial makeup of Argentina
Argentina promotes itself as a country of European immigrants. This makes it an exception to other Latin American countries, which embrace a more mixed-African, Indian, European-heritage. Hiding in Plain Sight: Black Women, the Law, and the Making of a White Argentine Republic traces the origins of what some white Argentines mischaracterize as a "black disappearance" by delving into the intimate lives of black women and explaining how they contributed to…
Anna Malaika Tubbs is the author of the critically acclaimed book The Three Mothers: How the Mothers of MLK Jr., Malcolm X, and James Baldwin Shaped a Nation. She is also a Cambridge Ph.D. candidate in Sociology and a Bill and Melinda Gates Cambridge Scholar. After graduating Phi Beta Kappa from Stanford University with a BA in Anthropology, Anna received a Master’s from the University of Cambridge in Multidisciplinary Gender Studies. Outside of the academy, she is an educator and DEI consultant. She lives with her husband, Michael Tubbs, and their son Michael Malakai.
This book powerfully expands our definition of mothers and the role of mothering and presents it as a path to transformation. You will leave this book with a radical new perspective of what mothering does for everyone in our society. It is anti-imperialist, inclusive, and as the title suggests - revolutionary. If everyone read this, we would all live in a better world!
An anthology that gives access to the voices of mothers of color and marginalized mothers
Revolutionary Mothering: Love on the Frontlines is an anthology that centers mothers of color and marginalized mothers’ voices—women who are in a world of necessary transformation. The challenges faced by movements working for antiviolence, anti-imperialist, and queer liberation, as well as racial, economic, reproductive, gender, and food justice are the same challenges that marginalized mothers face every day. Motivated to create spaces for this discourse because of the authors’ passionate belief in the power of a radical conversation about mothering, they have become the go-to…
Kundnani writes about racial capitalism and Islamophobia, surveillance and political violence, and Black radical movements. He is the author of The Muslims are Coming! Islamophobia, extremism, and the domestic War on Terror and The End of Tolerance: racism in 21st century Britain, which was selected as a New Statesman book of the year. He has written for the Nation, the Guardian, the Washington Post, Vice, and The Intercept. Born in London, he moved to New York in 2010. A former editor of the journal Race & Class, he was miseducated at Cambridge University, and holds a PhD from London Metropolitan University. He has been an Open Society fellow and a scholar-in-residence at the Schomburg Center for Research in Black Culture, New York Public Library.
Heart of the Race is the single most important text of British black feminism. First published in 1985, the book captures the collective experience of black women in Britain and its colonies, highlighting how the long history of slavery and empire, and women’s resistance to them, continues into the present with struggles over healthcare, education, migration, and work. Coming out of the work of the pioneering Organisation of Women of African and Asian Descent, the book carefully traces the ways that race, class, and gender are structured together in the lives of African-Caribbean women – what activists would today call “intersectionality.” The power of the book lies in the clarity of its analysis as well as its long extracts from the authors’ interviews with black women.
Heart of the Race is a powerful corrective to a version of Britain's history from which black women have long been excluded. It reclaims and records black women's place in that history, documenting their day-to-day struggles, their experiences of education, work and health care, and the personal and political struggles they have waged to preserve a sense of identity and community. First published in 1985 and winner of the Martin Luther King Memorial Prize that year, Heart of the Race is a testimony to the collective experience of black women in Britain, and their relationship to the British state throughout…
I’m a Philadelphia-based journalist and new author. I’m the Editor at Large for Philadelphia Magazine and President of the Philadelphia Association of Black Journalists. As an openly Black gay journalist, I’ve headlined for speaking frankly about intersectional issues in society regarding race, LGBTQIA, and pop culture. Such experiences have awakened my consciousness as an underrepresented voice in the media and have pushed me to explore societal topics. My new book The Case for Cancel Culture, published by St. Martin's Press, is my way of staking my claim in the global conversation on this buzzworthy topic.
There are books that tell you about a subject and there are books that tell you about yourself and the subject.
Hubbard, a masterful writer, does the latter in this riveting manifesto that explores the complicated relationship of hip-hop culture and Black women’s experiences consuming it.
Reading it as a man gave me a mirror into how complicit we have been to several problematic trends related to gender, race, and the entertainment industry.
It’s more than just a reality check about sexism and misogynoir in hip-hop – but a call to action for all of us to do better and be better to the most vulnerable amongst us.
A "ride-or-die chick" is a woman who holds down her family and community. She's your girl that you can call up in the middle of the night to bail you out of jail, and you know she'll show up and won't ask any questions. Her ride-or-die trope becomes a problem when she does it indiscriminately. She does anything for her family, friends, and significant other, even at the cost of her own well-being. "No" is not in her vocabulary. Her self-worth is connected to how much labor she can provide for others. She goes above and beyond for everyone in…
