Here are 62 books that Queens fans have personally recommended if you like
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I’m an Afro-Caribbean-American filmmaker, photographer, author, and activist from Washington, DC. After graduating from Brown University with a Bachelor of Arts in French and Francophone Studies, I began pursuing a completely different career path: social activism through art and storytelling.
I capture personal stories and intimate moments centering on Black liberation, immigrant justice, and women’s rights. My work is grounded in radical love, joy, and the knowledge that a more just world is possible. My award-winning documentary DACAmented has been internationally recognized, and my book My Beautiful Black Hair has been featured in The Washington Post, Buzzfeed News, and NPR’s Strange Fruit, among others.
Dabiri’s use of history and personal storytelling to deconstruct and illuminate the long story of Black hair is crucial in that it allows readers to understand that our Black hair has history. The movement against natural Black hair is rooted in the Transatlantic Slave Trade, and our own structures of government have always backed the anti-blackness that criminalized, scapegoated, or invisibilized our hair; this book celebrates our natural hair but also serves as historical education, which is so important if we’re to see natural Black hair not as a stylish trend but as a necessary part of our liberation. Dabiri reminds us that, while our hair is so often used as a weapon against us, it also has the power to liberate us.
Stamped from the Beginning meets You Can't Touch My Hair in this timely and resonant essay collection from Guardian contributor and prominent BBC race correspondent Emma Dabiri, exploring the ways in which black hair has been appropriated and stigmatized throughout history, with ruminations on body politics, race, pop culture, and Dabiri’s own journey to loving her hair.
Emma Dabiri can tell you the first time she chemically straightened her hair. She can describe the smell, the atmosphere of the salon, and her mix of emotions when she saw her normally kinky tresses fall…
I’m an Afro-Caribbean-American filmmaker, photographer, author, and activist from Washington, DC. After graduating from Brown University with a Bachelor of Arts in French and Francophone Studies, I began pursuing a completely different career path: social activism through art and storytelling.
I capture personal stories and intimate moments centering on Black liberation, immigrant justice, and women’s rights. My work is grounded in radical love, joy, and the knowledge that a more just world is possible. My award-winning documentary DACAmented has been internationally recognized, and my book My Beautiful Black Hair has been featured in The Washington Post, Buzzfeed News, and NPR’s Strange Fruit, among others.
I love these photos! Afros: A Celebration of Natural Hairperfectly captures the power, strength, and diversity of the afro. July has done a phenomenal job using his camera to showcase the absolute beauty of natural hair. While photography in its beginnings was often used as an instrument of anti-Blackness, with scientists and others using pictures to “prove” that Black people were somehow less than human, July has done a phenomenal job upending this by using his camera to create an affirmation by and for Black folks, reminding us to let go of Eurocentric beauty standards and embrace our crowns.
The Afro hairdo is a "natural" and progressive by-product of style, fashion and culture. Its history is our history, a history rich in tradition, beauty and defiance that has its roots in the beginning of civilization. Crossing continents from Ethiopia & East Africa to Atlanta & East Oakland. It still continues to fascinate and arouse awe and envy and the new coffee table and lifestyle book, AFROS - A Celebration Of Natural Hair is a mega-ton encyclopedia of the current explosion of Afros & 'Fros inspired hairstyles that are distinctively beautiful and bold. Michael July's travels across America allowed him…
I’m an Afro-Caribbean-American filmmaker, photographer, author, and activist from Washington, DC. After graduating from Brown University with a Bachelor of Arts in French and Francophone Studies, I began pursuing a completely different career path: social activism through art and storytelling.
I capture personal stories and intimate moments centering on Black liberation, immigrant justice, and women’s rights. My work is grounded in radical love, joy, and the knowledge that a more just world is possible. My award-winning documentary DACAmented has been internationally recognized, and my book My Beautiful Black Hair has been featured in The Washington Post, Buzzfeed News, and NPR’s Strange Fruit, among others.
This is, to me, the “OG” of Black hair books in the last half-century. I discovered this book by accident a few years ago early one evening and ended up reading late into the night: page by page, Byrd and Tharps provide a first-rate history about natural Black hair. Learning about the hair customs of my ancestors before the onslaught of the Transatlantic Slave Trade made me proud of my curls and strengthened my resolve to continue their brilliant, necessary work on the roots of Black hair.
Two world wars, the Civil Rights movement, and a Jheri curl later, the issues surrounding Black hair in America continue to linger as we enter the twenty-first century. Tying the personal to the political and the popular, Hair Story takes a chronological look at the culture behind the ever-changing state of Black hair - from fifteenth-century Africa to the present-day United States. Hair Story is the book that Black Americans can use as a benchmark for tracing a unique aspect of their history. It is celebrated as a reference guide for understanding Black hair.
In my kidlit writing, I am someone who almost exclusively writes more difficult topics, grounded in reality. My debut deals with the police-sanctioned murder of Black people. My second book deals with mental illness and how to bounce back from sad days in a way that’s accessible to young people. I thoroughly enjoy reading and writing more thoughtful picture books with much to say about our greater world.
Hair Love is a heartwarming and gentle book about a little girl named Zuri and her father struggling to do her hair. It is filled with an abundance of humorous and joyful moments, but where the book really shines for me is in its unabashed celebration of Zuri’s hair. In a country where Black femmes are constantly being labeled as less-than, the importance of this book cannot be overstated.
4
authors picked
Hair Love
as one of their favorite books, and they share
why you should read it.
This book is for kids age
5,
6, and
7.
What is this book about?
Based on the Oscar winning short film!
It's up to Daddy to give his daughter an extra-special hair style in this story of self-confidence and the love between fathers and daughters.
Zuri knows her hair is beautiful, but it has a mind of its own!
It kinks, coils, and curls every which way. Mum always does Zuri's hair just the way she likes it - so when Daddy steps in to style it for an extra special occasion, he has a lot to learn.
But he LOVES his Zuri, and he'll do anything to make her - and her hair…
I have loved Halloween since I ran through the suburban streets of southern Connecticut with ears and a tail. For more than thirty years I’ve been researching and writing about the holiday, and each year I find something new. Most of all, I’m a Halloween advocate: At Halloween we can wrap our arms around the reality of the other 364 days and satirize, exorcize, and celebrate it. The joy of Halloween is not that it’s dark and we revel in that; it’s that Halloween can bring a bit of light and laughter into the darkness. And, of course, it’s big, creative, candy-fueled fun.
Haunted Air is a book of undated photos of adults and children in costume. Not all of them may be Halloween photographs (we dressed up on so many occasions back then!), but most of them are. I love the handmade costumes and makeup, the creepy masks, the way the costumes tie into popular culture and the sheer joy of imagination they exude. It’s a creepy book, in a good way. David Lynch wrote the forward.
The roots of Hallowe'en lie in the ancient pre-Christian Celtic festival of Samhain, a feast to mark the death of the old year and the birth of the new. It was believed that on this night the veil separating the worlds of the living and the dead grew thin and ruptured, allowing spirits to pass through and walk unseen but not unheard amongst men. The advent of Christianity saw the pagan festival subsumed in All Souls' Day, when across Europe the dead were mourned and venerated. Children and the poor, often masked or in outlandish costume, wandered the night begging…
Janet Somerville taught literature for 25 years in Toronto. She served on the PEN Canada Board and chaired many benefits that featured writers including Diana Athill, Margaret Atwood, Roddy Doyle, Stephen King, Alice Munro, Azar Nafisi, and Ian Rankin. She contributes frequently to theToronto StarBook Pages, and has been handwriting a #LetterADay for 8 years. Since 2015 she has been immersed in Martha Gellhorn’s life and words, with ongoing access to Gellhorn’s restricted papers in Boston. Yours, for Probably Always: Martha Gellhorn’s Letters of Love & War 1930-1949 is her first book, now also available from Penguin Random House Audio, read by the Tony Award-winning Ellen Barkin.
Miller was one of the great combat photographers of WWII, but she also documented the social consequences of the conflict, particularly the lives of women on the European front. She would also write about what she saw forBritish Vogue. She photographed Martha Gellhorn in London in 1943 as part of a series about women correspondents.
In addition to an introduction by Miller’s son, Antony Penrose, Roberts provides insightful commentary that places each image within the context of women’s roles throughout the landscape of war.
Lee Miller photographed innumerable women during her career, first as a fashion photographer and then as a journalist during the Second World War, documenting the social consequences of the conflict, particularly the impact of the war on women across Europe. Her work as a war photographer is perhaps that for which she is best remembered - in fact she was among the 20th century's most important photographers on the subject. Published to coincide with an exhibition at the Imperial War Museum, Lee Miller: A Woman's War tells the story beyond the battlefields of the Second World War by way of…
I became aware of the struggles of the LGBTQ community as a 22-year-old touring the Dachau concentration camp in Germany, where hundreds of gay men were imprisoned—my mother was a Holocaust survivor who survived Auschwitz. A month later, in October 1978, after I returned to San Francisco, Supervisor Harvey Milk and Mayor George Moscone were murdered. As a hippie, San Francisco seemed extremely tolerant, but after the murders, I realized there was a monumental struggle for “unalienable rights” in the LGBTQ community. I started photographing LGBTQ political events and, for six years, documented the “gay liberation movement” as it exploded across the streets of New York and San Francisco.
Emotionally and historically, I was drawn into this astounding collection of riveting images. Through the direct gaze of the subjects, I could feel the love and tenderness they had for each other.
Frank and honest I felt like I was actually sitting across from the subjects while they were photographed. They all seemed so comfortable, open and free, even though living under the yoke of crushing social constraints that were hovering outside the frame.
Loving: A Photographic History of Men in Love, 1850-1950 portrays the history of romantic love between men in hundreds of moving and tender vernacular photographs taken between the years 1850 and 1950. This visual narrative of astonishing sensitivity brings to light an until-now-unpublished collection of hundreds of snapshots, portraits, and group photos taken in the most varied of contexts, both private and public.
Taken when male partnerships were often illegal, the photos here were found at flea markets, in shoe boxes, family archives, old suitcases, and later online and at auctions. The collection now includes photos from all over the…
I am passionate about historical romance and romance readers. My favorite era in history is the Regency, the period during which the Prince of Wales was named Regent. It is also the time during which Jane Austen wrote. Austen readers are particular about details so it’s daunting to write Regency fiction. Still, I love to write it and read it. I’m also passionate about Scotland, its history, the land, the people, the customs, the folklore, the food, and the music. If you’ve never been, put Scotland on your bucket list. They say it’s the oldest rock on earth. There’s magic there, too. Really and truly. Magic.
I’ve never met a Sarah Maclean book I didn’t love and this one is quite possibly my absolute favorite of hers. She always comes through with a hooky yet believable feminist heroine protagonist who knows what she is about and refuses to fit into the narrow confines of a woman’s role drawn by society. Also appealing are her male protagonists, usually brooding, deeply flawed, and the only human powerful enough in character and intelligence to measure up to his female counterpart. You will love the scandalous siren and the Highland devil. They are unforgettable.
'Smart, sexy, and always romantic' Julia Quinn, Sunday Times bestselling author of the Bridgerton series 'Fabulous' Eloisa James 'For a smart, witty and passionate historical romance, I recommend anything by Sarah MacLean' Lisa Kleypas
The second in Sarah MacLean's sensational new Scandal & Scoundrels series . . . all the fun and guilty pleasure of celebrity gossip, with a Regency twist!
Lonesome Lily turned Scandalous Siren
Miss Lillian Harwood has lived much of her life alone in a gilded cage, longing for love and companionship. When an artist offers her pretty promises and begs her to pose for a scandalous…
I’m a historian and writer who strives to combine the history of science and medicine, the study of visual culture, and cultural history in my work. Although I hated being dragged round art galleries and museums as a child, something must have stuck, laying the foundations for my interest in using images and artefacts to understand both the past and the present. Since the early 1990s I’ve been writing about portraits, how they work, and why they are important—I remain gripped by the compelling ways they speak to identity. It was a privilege to serve as a trustee of the National Portrait Gallery in London between 2001 and 2009.
Published by the National Portrait Gallery in Washington D.C., this beautifully produced and generously illustrated book contains essays on many aspects of portraiture with special emphasis on the USA. Portraits are fascinating; there is just so much to say about the ways in which materials such as paper, stone, metal, and canvas, ink, crayon, and paint can conjure up a human being. Nations, institutions, professions, families, and individuals all make use of portraits to affirm their positions, persuade those who view them of their worth, and shape forms of remembrance. The essays are relatively short, which encourages readers to browse, read a contribution and then come back often to look as well as read more about one of the most extraordinary forms of visual culture that has ever been produced.
Explores new approaches to portraying identity and the human face and figure, through works from the Smithsonian National Portrait Gallery's collections and other institutions. Is there more to portraiture than eyes meeting eyes? Beyond the Face: New Perspectives on Portraiture presents sixteen essays by leading scholars who explore the subtle means by which artists - and subjects - convey a sense of identity and reveal historical context. Examining a wide range of topics, from early caricature and political vandalism of portraits to contemporary selfies and performance art, these studies challenge our traditional assumptions about portraiture. By probing the diversity and…
As a reader, I’m drawn to characters and subjects I can relate to. Strong women who go their own way, ones who march to their own drummer. There is a raw honesty to their stories with subjects of creativity, grief, and loss. And as a writer of both fiction and personal essay, I write about these same issues as well, subjects I seem to turn to again and again. When I write, I try to tap into the emotions that might be buried but I’m always looking to move my readers whether it’s with tears or laughter, and the women in the books I chose do that for me.
Hold Still by Sally Mann – another memoir by an intriguing, strong-willed, fascinating woman. I became interested in Sally Mann when I first saw her book of amazing photographs of her children, Immediate Family. Since then I kept up with her photography and was thrilled to read her memoir. She writes of her childhood in the south, her parents, her relationship with her husband and children, the controversy surrounding those early stages photographs, her career, and beyond in absolutely lovely prose accompanied by many photos. She’s an impressive, talented woman, and her success is well deserved.
This National Book Award finalist is a revealing and beautifully written memoir and family history from acclaimed photographer Sally Mann.
In this groundbreaking book, a unique interplay of narrative and image, Mann's preoccupation with family, race, mortality, and the storied landscape of the American South are revealed as almost genetically predetermined, written into her DNA by the family history that precedes her.
Sorting through boxes of family papers and yellowed photographs she finds more than she bargained for: "deceit and scandal, alcohol, domestic abuse, car crashes, bogeymen, clandestine affairs, dearly loved and disputed family land . . . racial complications,…
