Here are 64 books that Twisted fans have personally recommended if you like
Twisted.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’m an Afro-Caribbean-American filmmaker, photographer, author, and activist from Washington, DC. After graduating from Brown University with a Bachelor of Arts in French and Francophone Studies, I began pursuing a completely different career path: social activism through art and storytelling.
I capture personal stories and intimate moments centering on Black liberation, immigrant justice, and women’s rights. My work is grounded in radical love, joy, and the knowledge that a more just world is possible. My award-winning documentary DACAmented has been internationally recognized, and my book My Beautiful Black Hair has been featured in The Washington Post, Buzzfeed News, and NPR’s Strange Fruit, among others.
I love these photos! Afros: A Celebration of Natural Hairperfectly captures the power, strength, and diversity of the afro. July has done a phenomenal job using his camera to showcase the absolute beauty of natural hair. While photography in its beginnings was often used as an instrument of anti-Blackness, with scientists and others using pictures to “prove” that Black people were somehow less than human, July has done a phenomenal job upending this by using his camera to create an affirmation by and for Black folks, reminding us to let go of Eurocentric beauty standards and embrace our crowns.
The Afro hairdo is a "natural" and progressive by-product of style, fashion and culture. Its history is our history, a history rich in tradition, beauty and defiance that has its roots in the beginning of civilization. Crossing continents from Ethiopia & East Africa to Atlanta & East Oakland. It still continues to fascinate and arouse awe and envy and the new coffee table and lifestyle book, AFROS - A Celebration Of Natural Hair is a mega-ton encyclopedia of the current explosion of Afros & 'Fros inspired hairstyles that are distinctively beautiful and bold. Michael July's travels across America allowed him…
I’m an Afro-Caribbean-American filmmaker, photographer, author, and activist from Washington, DC. After graduating from Brown University with a Bachelor of Arts in French and Francophone Studies, I began pursuing a completely different career path: social activism through art and storytelling.
I capture personal stories and intimate moments centering on Black liberation, immigrant justice, and women’s rights. My work is grounded in radical love, joy, and the knowledge that a more just world is possible. My award-winning documentary DACAmented has been internationally recognized, and my book My Beautiful Black Hair has been featured in The Washington Post, Buzzfeed News, and NPR’s Strange Fruit, among others.
This is, to me, the “OG” of Black hair books in the last half-century. I discovered this book by accident a few years ago early one evening and ended up reading late into the night: page by page, Byrd and Tharps provide a first-rate history about natural Black hair. Learning about the hair customs of my ancestors before the onslaught of the Transatlantic Slave Trade made me proud of my curls and strengthened my resolve to continue their brilliant, necessary work on the roots of Black hair.
Two world wars, the Civil Rights movement, and a Jheri curl later, the issues surrounding Black hair in America continue to linger as we enter the twenty-first century. Tying the personal to the political and the popular, Hair Story takes a chronological look at the culture behind the ever-changing state of Black hair - from fifteenth-century Africa to the present-day United States. Hair Story is the book that Black Americans can use as a benchmark for tracing a unique aspect of their history. It is celebrated as a reference guide for understanding Black hair.
I’m an Afro-Caribbean-American filmmaker, photographer, author, and activist from Washington, DC. After graduating from Brown University with a Bachelor of Arts in French and Francophone Studies, I began pursuing a completely different career path: social activism through art and storytelling.
I capture personal stories and intimate moments centering on Black liberation, immigrant justice, and women’s rights. My work is grounded in radical love, joy, and the knowledge that a more just world is possible. My award-winning documentary DACAmented has been internationally recognized, and my book My Beautiful Black Hair has been featured in The Washington Post, Buzzfeed News, and NPR’s Strange Fruit, among others.
The narratives in this book from women in the United States, London, and Ghana--accompanied by gorgeous portraits--capture a slice of the Black hair diaspora and the place where it all started: West Africa. The title says it all and yet can’t begin to capture the gorgeous array of women, hairstyles, and lived experiences captured by Cunningham and Alexander.
Crowns photographer Michael Cunningham and author and journalist George Alexander have captured the marvelous trinity of black women, hair, and beauty salons in the glorious Queens: Portraits of Black Women and Their Fabulous Hair.
Angela Garner says that “The beauty salon is the one great thing we get to share as African American women. It’s therapeutic.” Tisch Sims says that wearing fantasy hair makes her feel “like a goddess, a queen.”
From the afro to the ponytail to dreadlocks to braids to relaxed hair to fantasy hair; from “good hair” to bad hair days, in this stunningly designed book black…
In my kidlit writing, I am someone who almost exclusively writes more difficult topics, grounded in reality. My debut deals with the police-sanctioned murder of Black people. My second book deals with mental illness and how to bounce back from sad days in a way that’s accessible to young people. I thoroughly enjoy reading and writing more thoughtful picture books with much to say about our greater world.
Hair Love is a heartwarming and gentle book about a little girl named Zuri and her father struggling to do her hair. It is filled with an abundance of humorous and joyful moments, but where the book really shines for me is in its unabashed celebration of Zuri’s hair. In a country where Black femmes are constantly being labeled as less-than, the importance of this book cannot be overstated.
4
authors picked
Hair Love
as one of their favorite books, and they share
why you should read it.
This book is for kids age
5,
6, and
7.
What is this book about?
Based on the Oscar winning short film!
It's up to Daddy to give his daughter an extra-special hair style in this story of self-confidence and the love between fathers and daughters.
Zuri knows her hair is beautiful, but it has a mind of its own!
It kinks, coils, and curls every which way. Mum always does Zuri's hair just the way she likes it - so when Daddy steps in to style it for an extra special occasion, he has a lot to learn.
But he LOVES his Zuri, and he'll do anything to make her - and her hair…
I'm a contemporary African American writer born and raised in the South. It was this sense of place that has shaped my artistic sensibilities. I was in my mid-twenties, searching, seeking for answers and direction on my own, when other Black southern writers were instrumental in pointing me in the right direction: Richard Wright, Zora Neale Hurston, Margaret Walker, Ernest J Gaines, Alice Walker, Arna Bontemps, Albert Murray, just to name a handful. Their writings were revelatory. The same issues that they were dealing with a generation earlier were the same ones I was struggling with every day. It opened my eyes, mind, heart and creativity to put into perspective what I was feeling.
This book is reminiscent of Jean Toomer’s Cane. It blurs the lines between poetry, history, and the blues. Shakespeare’s Dark Lady sonnets are at the heart of a book that is both breathtaking and spellbinding. But more than that, this book is a reclamation of the Black female body. Over the centuries the Black female body has been defined by everyone but the Black female. Williams redefines notions of beauty, dignity, and self-worth in a world that is antithetical to the Black female body. This book is a salvo across the bough of social, racial, and political history that has dehumanized Black life throughout the centuries. Not only does Williams, a Nashville native, reclaim all that has been distorted about the Black female body, she celebrates it as well.
"Part lyrical narrative, part bluesy riff, part schoolyard chant and part holy incantation" - New York Times
Lucy Negro, Redux, uses the lens of Shakespeare's "Dark Lady" sonnets to explore the way questions about and desire for the black female body have evolved over time, from Elizabethan England to the Jim Crow South to the present day. Equally interested in the sensual and the serious, the erotic and the academic, this collection experiments with form, dialect, persona, and voice. Ultimately a hybrid document, Lucy Negro Redux harnesses blues poetry, deconstructed sonnets, historical documents and lyric essays to tell the challenging,…
I have been drawn to stories where I see aspects of myself in the characters since I was an adolescent and found comfort in the pages of Judy Blume's Are You There God? It's Me, Margaret. As a Black woman, I find validation and encouragement in novels where other Black women navigate life's obstacles to reach the desires of their hearts. It makes my life feel more manageable, knowing that I am not alone in the face of fear, loneliness, and self-doubt or more challenging social issues like racism, sexism, and classism. These stories give me hope and insight as I journey toward living life to its fullest.
I love linked stories. Three black women, a successful executive, a flight attendant, and, a refugee, are linked to the CEO of Sweden's largest marketing firm.
At the time I read this book, my husband was the only Black executive at a Swedish company and it was extremely helpful in understanding the work culture of his company. I also connected with each of the women as they faced the harsh realities of what it means to be a Black woman in a White dominated society.
There was a resilience that persisted in each of them despite instances of racism, classism, tokenism, fetishization, and suicide. Though I found the story disturbing and sad at times, I was also encouraged by the strength these women exhibited in striving to value themselves.
"Beautifully complex and deftly drawn...In Every Mirror She's Black is a sexy, surprising, searing debut about love, loss, desire, and the many dimensions of Black womanhood."-Deesha Philyaw, 2020 National Book Award Finalist & award-winning author of The Secret Lives of Church Ladies
An arresting debut for anyone looking for insight into what it means to be a Black woman in the world.
Three Black women are linked in unexpected ways to the same influential white man in Stockholm as they build their new lives in the most open society run by the most private people.
I am a historian of the slave trade and slavery in the Rio de la Plata region (today’s Argentina and Uruguay) who then turned to the study of the traffic of captive Africans in the whole Spanish Americas. Yet, my love remains in the Rio de la Plata, what I call the “cold Caribbean.” Exciting books on the history of Africans and their descendants examine this region within the framework of Atlantic History, racial capitalism, gender, and the connections between twentieth-century Black culture and politics. As these recommendations are limited to English-language books, readers should note that much more has been published on this subject in Spanish and Portuguese.
Erika Edwards decenters the study of the African diaspora in Argentina from Buenos Aires by studying Cordoba, at the geographic heart of this country. The author employs gender as a structuring category of understanding conceptions of race, as she examines the actions of Black women who shaped their own sexual experiences and marriage patterns, creating new forms of identity based on the changing conceptions of race and law at the time, as Argentina was transitioning from colony to nation. In doing so, Edwards charters a process beginning in nineteenth-century Cordoba, which then became one of the keys to understanding a gendered conception of Blackness in modern Argentina.
One of the African American Intellectual History Society's Best Black History Books of 2020
Details how African-descended women's societal, marital, and sexual decisions forever reshaped the racial makeup of Argentina
Argentina promotes itself as a country of European immigrants. This makes it an exception to other Latin American countries, which embrace a more mixed-African, Indian, European-heritage. Hiding in Plain Sight: Black Women, the Law, and the Making of a White Argentine Republic traces the origins of what some white Argentines mischaracterize as a "black disappearance" by delving into the intimate lives of black women and explaining how they contributed to…
My current research centers on the organizing strategies of 20th and 21st-century Black activists in the U.S. and western Europe and on the U.S. as a reference culture for European anti-racism movements, particularly in my native country, the Netherlands. I believe the recent Black Lives Matter protests in Europe are an example of the effectiveness of diasporic politics and the next phase in a much longer history of homegrown activism. Foregrounding ‘Black Europe’ as an independent field of study accordingly helps to create much needed critical knowledge about Black Europeans’ history, agency, and needs as we navigate further into the volatile twenty-first century, while simultaneously challenging the perimeters of diasporic meaning and the centrality of ‘Black America’ within.
While the Black freedom struggle is often approached through the activism of Black males, the history of the struggle in Europe—like in the United States and elsewhere in the world—owes much to Black women, Black female scholar-activists, and Black feminist and Queer networks. Yet they remain woefully underrepresented in scholarship and collective memory.
I, therefore, chose this edited volume, because it uniquely presents the stories, intersectional experiences, and visions of contemporary Black female activists, artists, and scholars from across the continent. This not only uncovers the significant intellectual, political, social, and cultural contributions of Black women, but also expands definitions of (political) activism to include, among others, motherhood and the home.
This book brings together activists, artists and scholars of colour to show how Black feminism and Afrofeminism are being practiced in Europe today, exploring their differing social positions in various countries, and how they organise and mobilise to imagine a Black feminist Europe.
Deeply aware that they are constructed as 'Others' living in a racialised and hierarchical continent, the contibutors explore gender, class, sexuality and legal status to show that they are both invisible - presumed to be absent from and irrelevant to European societies - and hyper-visible - assumed to be passive and sexualised, angry and irrational.
I’m a Philadelphia-based journalist and new author. I’m the Editor at Large for Philadelphia Magazine and President of the Philadelphia Association of Black Journalists. As an openly Black gay journalist, I’ve headlined for speaking frankly about intersectional issues in society regarding race, LGBTQIA, and pop culture. Such experiences have awakened my consciousness as an underrepresented voice in the media and have pushed me to explore societal topics. My new book The Case for Cancel Culture, published by St. Martin's Press, is my way of staking my claim in the global conversation on this buzzworthy topic.
There are books that tell you about a subject and there are books that tell you about yourself and the subject.
Hubbard, a masterful writer, does the latter in this riveting manifesto that explores the complicated relationship of hip-hop culture and Black women’s experiences consuming it.
Reading it as a man gave me a mirror into how complicit we have been to several problematic trends related to gender, race, and the entertainment industry.
It’s more than just a reality check about sexism and misogynoir in hip-hop – but a call to action for all of us to do better and be better to the most vulnerable amongst us.
A "ride-or-die chick" is a woman who holds down her family and community. She's your girl that you can call up in the middle of the night to bail you out of jail, and you know she'll show up and won't ask any questions. Her ride-or-die trope becomes a problem when she does it indiscriminately. She does anything for her family, friends, and significant other, even at the cost of her own well-being. "No" is not in her vocabulary. Her self-worth is connected to how much labor she can provide for others. She goes above and beyond for everyone in…
Kundnani writes about racial capitalism and Islamophobia, surveillance and political violence, and Black radical movements. He is the author of The Muslims are Coming! Islamophobia, extremism, and the domestic War on Terror and The End of Tolerance: racism in 21st century Britain, which was selected as a New Statesman book of the year. He has written for the Nation, the Guardian, the Washington Post, Vice, and The Intercept. Born in London, he moved to New York in 2010. A former editor of the journal Race & Class, he was miseducated at Cambridge University, and holds a PhD from London Metropolitan University. He has been an Open Society fellow and a scholar-in-residence at the Schomburg Center for Research in Black Culture, New York Public Library.
Heart of the Race is the single most important text of British black feminism. First published in 1985, the book captures the collective experience of black women in Britain and its colonies, highlighting how the long history of slavery and empire, and women’s resistance to them, continues into the present with struggles over healthcare, education, migration, and work. Coming out of the work of the pioneering Organisation of Women of African and Asian Descent, the book carefully traces the ways that race, class, and gender are structured together in the lives of African-Caribbean women – what activists would today call “intersectionality.” The power of the book lies in the clarity of its analysis as well as its long extracts from the authors’ interviews with black women.
Heart of the Race is a powerful corrective to a version of Britain's history from which black women have long been excluded. It reclaims and records black women's place in that history, documenting their day-to-day struggles, their experiences of education, work and health care, and the personal and political struggles they have waged to preserve a sense of identity and community. First published in 1985 and winner of the Martin Luther King Memorial Prize that year, Heart of the Race is a testimony to the collective experience of black women in Britain, and their relationship to the British state throughout…
