Here are 100 books that Ride or Die fans have personally recommended if you like
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I’m a Philadelphia-based journalist and new author. I’m the Editor at Large for Philadelphia Magazine and President of the Philadelphia Association of Black Journalists. As an openly Black gay journalist, I’ve headlined for speaking frankly about intersectional issues in society regarding race, LGBTQIA, and pop culture. Such experiences have awakened my consciousness as an underrepresented voice in the media and have pushed me to explore societal topics. My new book The Case for Cancel Culture, published by St. Martin's Press, is my way of staking my claim in the global conversation on this buzzworthy topic.
This is a book that educates and radicalizes you all at once.
Mystal is more than just a bold political commentator, but a man on a mission to make you reconsider everything you thought you knew about America’s most consequential text in a book that holds back no punches.
I will never again see the Constitution as a historical text that guides my life, but now as a document that is currently being weaponized by politicians to infringe upon it.
This book is a loud alarm to all those who have been casually watching the current political mudslinging and not thinking the fire would hit their doorstep.
It’s here, and it’s time to do something about it.
MSNBC legal commentator Elie Mystal thinks that Republicans are wrong about the law almost all of the time. Now, instead of talking about this on cable news, Mystal explains why in his first book.
"After reading Allow Me to Retort, I want Elie Mystal to explain everything I don't understand-quantum astrophysics, the infield fly rule, why people think Bob Dylan is a good singer . . ." -Michael Harriot, The Root
Allow Me to Retort is an easily digestible argument about what rights we have, what rights Republicans are trying to take away, and how…
I’m a Philadelphia-based journalist and new author. I’m the Editor at Large for Philadelphia Magazine and President of the Philadelphia Association of Black Journalists. As an openly Black gay journalist, I’ve headlined for speaking frankly about intersectional issues in society regarding race, LGBTQIA, and pop culture. Such experiences have awakened my consciousness as an underrepresented voice in the media and have pushed me to explore societal topics. My new book The Case for Cancel Culture, published by St. Martin's Press, is my way of staking my claim in the global conversation on this buzzworthy topic.
This book proved to me that you can be both funny and brutally honest, insightful and sobering.
Kent, who’s been a rising star in media, holds back no punches in this gut-wrenching that explores sexuality, body positivity, gender, race, and all of the societal afflictions that come with one learning to embrace themselves unapologetically.
The book not only explores the ideas we already have on such subject matter, but challenges us to rethink everything we often promote as positive affirmation.
It’s the kind of book you read multiple times as a pathway to becoming a more empathic person to individuals you already thought you understood.
In this disarming and candid memoir, cultural critic Clarkisha Kent unpacks the kind of compounded problems you face when you’re a fat, Black, queer woman in a society obsessed with heteronormativity.
There was no easy way for Kent to navigate personal discovery and self-love. As a dark-skinned, first-generation American facing a myriad of mental health issues and intergenerational trauma, at times Kent’s body felt like a cosmic punishment. In the face of body dysmorphia, homophobia, anti-Blackness, and respectability politics, the pursuit of “high self-esteem” seemed oxymoronic.
Fat Off, Fat On: A Big Bitch Manifesto is a humorous, at times tragic,…
I’m a Philadelphia-based journalist and new author. I’m the Editor at Large for Philadelphia Magazine and President of the Philadelphia Association of Black Journalists. As an openly Black gay journalist, I’ve headlined for speaking frankly about intersectional issues in society regarding race, LGBTQIA, and pop culture. Such experiences have awakened my consciousness as an underrepresented voice in the media and have pushed me to explore societal topics. My new book The Case for Cancel Culture, published by St. Martin's Press, is my way of staking my claim in the global conversation on this buzzworthy topic.
This book was the kind of post-Trump election awakening that made me feel unapologetic about the way I saw myself as a Black American.
The writing vividly expresses the rage and determination of marginalized voices in a way that’s beyond poignant, but intentional.
Blow, a respected journalist in his own right, pulls from history and current events to make a case for something ambitious: Reverse Black migration as a means of combating racial injustice in the South.
A New York Times Editor's Choice | A Kirkus Best Nonfiction Book of the Year
From journalist and New York Times bestselling author Charles Blow comes a powerful manifesto and call to action, "a must-read in the effort to dismantle deep-seated poisons of systemic racism and white supremacy" (San Francisco Chronicle).
Race, as we have come to understand it, is a fiction; but, racism, as we have come to live it, is a fact. The point here is not to impose a new racial hierarchy, but to remove an existing one. After centuries of waiting…
I’m a Philadelphia-based journalist and new author. I’m the Editor at Large for Philadelphia Magazine and President of the Philadelphia Association of Black Journalists. As an openly Black gay journalist, I’ve headlined for speaking frankly about intersectional issues in society regarding race, LGBTQIA, and pop culture. Such experiences have awakened my consciousness as an underrepresented voice in the media and have pushed me to explore societal topics. My new book The Case for Cancel Culture, published by St. Martin's Press, is my way of staking my claim in the global conversation on this buzzworthy topic.
What I admire the most about this book is how it clearly explains the power of social media and social justice without the kind of paternalistic finger-wagging of bad actors.
Hill and Brewster focus on the impact, intention, and impressions of some of the most important activist movements of our time and how alike and different they are from the past.
This book strikes an incredible balance of admiring the days before Twitter, while respecting the current progress made now that we have such digital platforms at our fingertips.
A riveting exploration of how the power of visual media over the last few years has shifted the narrative on race and reignited the push towards justice by the author of the "worthy and necessary" (The New York Times) Nobody Marc Lamont Hill and the bestselling author and acclaimed journalist Todd Brewster.
With his signature "clear and courageous" (Cornel West) voice Marc Lamont Hill and New York Times bestselling author Todd Brewster weave four recent pivotal moments in America's racial divide into their disturbing historical context-starting with the killing of George Floyd-Seen and Unseen reveals the connections between our current…
I love hip hop. It’s basically poetry with a beat. I'm always thinking of literature in terms of rhythm and delivery. Creatively, my inspirations come from lyricists. I look at poets the same way. They accomplish wonderful feats with words. From years of listening to classic albums, I can feel the aliveness of a good verse. It’s also an element I try to tap into as a fiction writer. I'm a recipient of the 2023 Whiting Award and was also named an Emerging Writer Fellow at the Center for Fiction in 2018. My work has appeared in the Sewanee Review and Granta. He is the author of Stories from the Tenants Downstairs.
If you want a mix tape full of vibrant poets, this anthology has everybody and their mother.
Some of the cats I mentioned in the entries above plus Mahogany Browne, Fatima Ashgar, and so on. Word smiths respected by the literary scene and those hailed by the spoken word movement. If you're interested in the postmodern Hip-hop canon, this is the book for you.
Just as blues influenced the Harlem Renaissance and jazz influenced the Black Arts Movement, hip-hop's musical and cultural force has shaped the aesthetics of and given rise to a new generation of American poets. Edited by poets Kevin Coval, Nate Marshall, and Quraysh Ali Lansana, The Breakbeat Poets: New American Poetry in the Age of Hip-Hop is the first anthology of poetry from the hip-hop generation. The Breakbeat Poets are multigenerational and multiracial, employing traditional and wild style poetics to narrate a new landscape.
Rupert Younger is an author and entrepreneur. He is the co-author of The Reputation Game a bestselling book published in October 2017 (with David Waller) now published in six languages, and co-author of The Activist Manifesto (with Frank Partnoy), a reimagining of what Karl Marx and Friedrich Engels would have written had they been alive today. His work and views are regularly featured in major news outlets including the BBC, CNN, the Financial Times, The Wall Street Journal, and The Times of London. Rupert is the founding director of Oxford University’s Centre for Corporate Reputation, a leading research centre focused on social evaluations, and co-founder of the global strategic consulting firm Finsbury Glover Hering.
Reputations are formed in many ways, leveraging off demonstrated behaviours, network choices, and narrative strategies. This book has it all, capturing how hip hop became the defining cultural driver of its time through a brilliantly woven story of cross-cultural tension and appropriation in America. Stoute draws from his expertise and networks in the music and marketing industries to create an inspiring story of how hip-hop became the embodiment of cool, uniting people from across the entire spectrum of society. This is a book that will remain contemporary for many decades to come.
The business marketing genius at the forefront of today’s entertainment marketing revolution helps corporate America get hip to today’s new consumer—the tan generation.
When Fortune 500 companies need to reenergize or reinvent a lagging brand, they call Steve Stoute. In addition to marrying cultural icons with blue-chip marketers, Stoute has helped identify and activate a new generation of consumers. He traces how the “tanning” phenomenon raised a generation of black, Hispanic, white, and Asian consumers who have the same “mental complexion” based on shared experiences and values, rather than the increasingly irrelevant demographic boxes that have been used to a…
I spent my childhood in New York and my early adulthood in Chicago, which inspired my fascination with the histories of cities and how we can analyze their built environments to understand the culture, politics, and economy of these vital but complicated places. I wrote my first book about New York’s SoHo neighborhood to better understand how some former disinvested industrial areas became wealthy and gentrified and how artists became known as critical actors in the contemporary city. Since then, I’ve focused the bulk of my teaching and research on urban history. This list includes my favorite fiction and non-fiction titles about New York’s dynamic art scene. Enjoy!
The most famous chapter of the renowned book on New York history, Robert Caro’s The Power Broker, outlines how the Cross-Bronx Expressway gutted once thriving Bronx neighborhoods. Can’t Stop Won’t Stop shows how the global cultural phenomenon of hip-hop arose in the same borough two decades later.
Chang takes readers through public housing recreation rooms, South Bronx streets, and elevated subway lines where a group of musicians, visual artists, and dancers changed world culture. I especially love how the book illuminates how a specific place and time period made possible the development of this now ubiquitous artistic genre.
A history of hip-hop cites its origins in the post-civil rights Bronx and Jamaica, drawing on interviews with performers, activists, gang members, DJs, and others to document how the movement has influenced politics and culture.
For too long, single life has been characterized as a lesser life. As a 70-year-old who has been happily single my whole life, I want that to end. As I said in my book, “In the enlightened world that I envision, every child will understand, as a matter of course, that living single is a life path that can be just as joyful and fulfilling as any other—and for some people, the best path of all. Every adult will forsake forever the temptation to pity or patronize single people and will instead appreciate the profound rewards of single life."
For years, I read memoirs by single women in search of people who would joyfully and unapologetically own their single lives. I found several who were insightful and engaging but ultimately disappointing. Typically, they hedged–sure, they would say, they were fine with being single, but they were not about to commit to staying single. Some were gobsmacked to discover that single life could be fulfilling as if that were the most amazing thing imaginable.
Then, Keturah Kendrick published this book. Kendrick knew who she was from an early age. She owns her singlehood and all her other choices about how to live her life, such as not having children. She brilliantly shatters stereotypes about single people, and her critiques of popular culture are skillful and searing.
Through eight humorous essays, Keturah Kendrick chronicles her journey to freedom. She shares the stories of other women who have freed themselves from the narrow definition of what makes a "proper woman." Spotlighting the cultural bullying that dictates women must become mothers to the expectation that one's spiritual path follow the traditions of previous generations, Kendrick imagines a world where black women make life choices that center on their needs and desires. She also examines the rising trend of women choosing to remain single and explores how such a choice is the antithesis to the trope of the sorrowful black…
I grew up in a large extended family in a rural district in Trinidad. Frequently, as a young boy, I sought escape in the forested area at the back of the house. There, I would craft childish stories and fantasize about becoming a writer. This wish was granted after I moved to Canada in the 1990s. As an immigrant writer here, most of my books are about movement, dispossession, and finding a home. So, in a sense, I have always been running away from, while at the same time, searching for a home. This tension has given birth to most of my books.
This travelogue is so exquisitely written it is possible to admire it simply for its lyricism. But it’s much more than a travelogue. Embedded in the book are familial narratives, personal accounts, musings about other writers – Coetzee, Naipaul, Walcott, Galeano, for instance – all with the intent to chart the black diasporic experience. It’s a deeply personal book, yet studded with brilliant observations on belonging. “Black experience in any modern city or town in the Americas is a haunting. One enters a room and history follows; one enters a room and history precedes. History is already seated in the chair in the empty room when one arrives.” This book is best read slowly, savouring its insight.
A Map to the Door of No Return is a timely book that explores the relevance and nature of identity and belonging in a culturally diverse and rapidly changing world. It is an insightful, sensitive and poetic book of discovery.
Drawing on cartography, travels, narratives of childhood in the Caribbean, journeys across the Canadian landscape, African ancestry, histories, politics, philosophies and literature, Dionne Brand sketches the shifting borders of home and nation, the connection to place in Canada and the world beyond.
The title, A Map to the Door of No Return, refers to both a place in imagination and…
I'm an ‘expert’ when it comes to books because I've been ‘reading’ books since before I could talk – even at two years old, holding the books upside down, but somehow still immersed. I presume all of you are experts, too. Your love of books has brought you to this site. Books became my escape when the world seemed too large and too cruel to cope with. But what makes me even more of an expert, was my dedication to books….that two-year-old loved books so much he would tear out pages and eat them, he would stuff pieces in his nose….Grossed out? Well, what can I tell ya’, I was dedicated lol.
This book is slim as a Hanzo knife and its sentences cut just as precisely.
It comes in at a scant 72-page read, so those of us trying to fit in a great read between all our other obligations should take a look at this scathing look at the microaggressions endured in a male-dominated corporate environment.
This book gets into the mind of a Black British woman; overqualified, impeccably educated, and yet still somehow made to feel inadequate through multiple tiny attacks on her character and her competence. Her white, well-to-do fiancé wants to marry her, and this marriage could be a way to lessen the impact of the toxic masculine environment surrounding her, but our nameless protagonist can’t be sure if there is true love in the union or if it is just a rebellious addition to her fiancé’s heretofore bland pedigree.
SHORTLISTED FOR THE BOOKS ARE MY BAG FICTION AWARD 2021
SHORTLISTED FOR THE BETTY TRASK PRIZE 2022
LONGLISTED FOR THE DESMOND ELLIOTT PRIZE 2022
'Diamond-sharp, timely and urgent' Observer, Best Debuts of 2021
'Subtle, elegant, scorching' Vogue
'Virtuosic, exquisite, achingly unique' Guardian
'I'm full of the hope, on reading it, that this is the kind of book that doesn't just mark the moment things change, but also makes that change possible' Ali Smith
'Exquisite, daring, utterly captivating. A stunning new writer' Bernardine Evaristo
