Here are 100 books that The Devil You Know fans have personally recommended if you like
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I’m a Philadelphia-based journalist and new author. I’m the Editor at Large for Philadelphia Magazine and President of the Philadelphia Association of Black Journalists. As an openly Black gay journalist, I’ve headlined for speaking frankly about intersectional issues in society regarding race, LGBTQIA, and pop culture. Such experiences have awakened my consciousness as an underrepresented voice in the media and have pushed me to explore societal topics. My new book The Case for Cancel Culture, published by St. Martin's Press, is my way of staking my claim in the global conversation on this buzzworthy topic.
This is a book that educates and radicalizes you all at once.
Mystal is more than just a bold political commentator, but a man on a mission to make you reconsider everything you thought you knew about America’s most consequential text in a book that holds back no punches.
I will never again see the Constitution as a historical text that guides my life, but now as a document that is currently being weaponized by politicians to infringe upon it.
This book is a loud alarm to all those who have been casually watching the current political mudslinging and not thinking the fire would hit their doorstep.
It’s here, and it’s time to do something about it.
MSNBC legal commentator Elie Mystal thinks that Republicans are wrong about the law almost all of the time. Now, instead of talking about this on cable news, Mystal explains why in his first book.
"After reading Allow Me to Retort, I want Elie Mystal to explain everything I don't understand-quantum astrophysics, the infield fly rule, why people think Bob Dylan is a good singer . . ." -Michael Harriot, The Root
Allow Me to Retort is an easily digestible argument about what rights we have, what rights Republicans are trying to take away, and how…
I’m a Philadelphia-based journalist and new author. I’m the Editor at Large for Philadelphia Magazine and President of the Philadelphia Association of Black Journalists. As an openly Black gay journalist, I’ve headlined for speaking frankly about intersectional issues in society regarding race, LGBTQIA, and pop culture. Such experiences have awakened my consciousness as an underrepresented voice in the media and have pushed me to explore societal topics. My new book The Case for Cancel Culture, published by St. Martin's Press, is my way of staking my claim in the global conversation on this buzzworthy topic.
This book proved to me that you can be both funny and brutally honest, insightful and sobering.
Kent, who’s been a rising star in media, holds back no punches in this gut-wrenching that explores sexuality, body positivity, gender, race, and all of the societal afflictions that come with one learning to embrace themselves unapologetically.
The book not only explores the ideas we already have on such subject matter, but challenges us to rethink everything we often promote as positive affirmation.
It’s the kind of book you read multiple times as a pathway to becoming a more empathic person to individuals you already thought you understood.
In this disarming and candid memoir, cultural critic Clarkisha Kent unpacks the kind of compounded problems you face when you’re a fat, Black, queer woman in a society obsessed with heteronormativity.
There was no easy way for Kent to navigate personal discovery and self-love. As a dark-skinned, first-generation American facing a myriad of mental health issues and intergenerational trauma, at times Kent’s body felt like a cosmic punishment. In the face of body dysmorphia, homophobia, anti-Blackness, and respectability politics, the pursuit of “high self-esteem” seemed oxymoronic.
Fat Off, Fat On: A Big Bitch Manifesto is a humorous, at times tragic,…
I’m a Philadelphia-based journalist and new author. I’m the Editor at Large for Philadelphia Magazine and President of the Philadelphia Association of Black Journalists. As an openly Black gay journalist, I’ve headlined for speaking frankly about intersectional issues in society regarding race, LGBTQIA, and pop culture. Such experiences have awakened my consciousness as an underrepresented voice in the media and have pushed me to explore societal topics. My new book The Case for Cancel Culture, published by St. Martin's Press, is my way of staking my claim in the global conversation on this buzzworthy topic.
What I admire the most about this book is how it clearly explains the power of social media and social justice without the kind of paternalistic finger-wagging of bad actors.
Hill and Brewster focus on the impact, intention, and impressions of some of the most important activist movements of our time and how alike and different they are from the past.
This book strikes an incredible balance of admiring the days before Twitter, while respecting the current progress made now that we have such digital platforms at our fingertips.
A riveting exploration of how the power of visual media over the last few years has shifted the narrative on race and reignited the push towards justice by the author of the "worthy and necessary" (The New York Times) Nobody Marc Lamont Hill and the bestselling author and acclaimed journalist Todd Brewster.
With his signature "clear and courageous" (Cornel West) voice Marc Lamont Hill and New York Times bestselling author Todd Brewster weave four recent pivotal moments in America's racial divide into their disturbing historical context-starting with the killing of George Floyd-Seen and Unseen reveals the connections between our current…
I’m a Philadelphia-based journalist and new author. I’m the Editor at Large for Philadelphia Magazine and President of the Philadelphia Association of Black Journalists. As an openly Black gay journalist, I’ve headlined for speaking frankly about intersectional issues in society regarding race, LGBTQIA, and pop culture. Such experiences have awakened my consciousness as an underrepresented voice in the media and have pushed me to explore societal topics. My new book The Case for Cancel Culture, published by St. Martin's Press, is my way of staking my claim in the global conversation on this buzzworthy topic.
There are books that tell you about a subject and there are books that tell you about yourself and the subject.
Hubbard, a masterful writer, does the latter in this riveting manifesto that explores the complicated relationship of hip-hop culture and Black women’s experiences consuming it.
Reading it as a man gave me a mirror into how complicit we have been to several problematic trends related to gender, race, and the entertainment industry.
It’s more than just a reality check about sexism and misogynoir in hip-hop – but a call to action for all of us to do better and be better to the most vulnerable amongst us.
A "ride-or-die chick" is a woman who holds down her family and community. She's your girl that you can call up in the middle of the night to bail you out of jail, and you know she'll show up and won't ask any questions. Her ride-or-die trope becomes a problem when she does it indiscriminately. She does anything for her family, friends, and significant other, even at the cost of her own well-being. "No" is not in her vocabulary. Her self-worth is connected to how much labor she can provide for others. She goes above and beyond for everyone in…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
We often learn about African American history in the 20th Century in terms of a conflict between nonviolent resistance vs. violent radicalism, integrationism vs. separatism, Martin vs. Malcolm. But this is an over-simplification of a complex and dynamic moment in the history of our nation. More than any other work, Black is a Country helped me think differently about the period that I study, and see African American history and culture of the mid-20th Century in a new way.
Despite black gains in modern America, the end of racism is not yet in sight. Nikhil Pal Singh asks what happened to the worldly and radical visions of equality that animated black intellectual activists from W. E. B. Du Bois in the 1930s to Martin Luther King, Jr. in the 1960s. In so doing, he constructs an alternative history of civil rights in the twentieth century, a long civil rights era, in which radical hopes and global dreams are recognized as central to the history of black struggle.
It is through the words and thought of key black intellectuals, like…
I’m the author of five books on subjects ranging from comedy and music to sports and pants (specifically, blue jeans). I’m a longtime Boston Globe contributor, a former San Francisco Chronicle staff critic, and a onetime editor for Rolling Stone. I help develop podcasts and other programming for Sirius and Pandora. I teach in the Journalism department at Emerson College, and I am the Program Director for the Newburyport Documentary Film Festival and the co-founder of Lit Crawl Boston.
Now teaching at UT Austin after founding the Center for the Study of Race and Democracy at Tufts University, Joseph recently wrote a twin biography of Malcolm X and Martin Luther King, Jr. called The Sword and the Shield. His first published book, Waiting ‘Til the Midnight Hour (2006), was a thriller; it helped shift the prevailing narrative of the core years of the Civil Rights era toward the essential legacies of Stokely Carmichael, Huey Newton, and other Black “radicals” whose contributions were too long willfully neglected.
In 1966, a group of black activists, including Stokely Carmichael and Huey P. Newton, turned their backs on Martin Luther King's pacifism in order to build on the legacy of Malcolm X. The result? The Black Power movement, a radical new approach to the fight for equality. Joseph traces the history of the men and women of the movement - many famous and infamous, some forgotten. Drawing on original archival research and more than 60 original oral histories, this narrative history vividly reports the way in which Black Power redefined black identity in the USA.
I am a teacher, a mom, a bubbe, and a writer. I taught elementary school and college courses, directed a daycare, and owned a children’s bookstore, but my favorite job is scribbling words on paper. I have two grown children and four wonderful granddaughters who love to listen as I read to them. Many of my ideas come from my experiences with my granddaughters and from their questions. Our family and friends are a mix of religions and cultures, and most of my books reflect the importance of diversity, acceptance, and knowledge.
As Good as Anybody is the story of Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. Martin Luther King, Jr. grew up in the south and experienced racial discrimination.
Rabbi Abraham Joshua Heschel was born in Europe and experienced anti-Semitism. These two men formed a close friendship. They marched together and prayed together. They became leaders for social justice and acceptance.
I am recommending this book because it is a wonderful story about two men who tried to break the barriers of race and religion.
MARTIN LUTHER KING, Jr. and Abraham Joshua Heschel. Their names stand for the quest for justice and equality.Martin grew up in a loving family in the American South, at a time when this country was plagued by racial discrimination. He aimed to put a stop to it. He became a minister like his daddy, and he preached and marched for his cause.Abraham grew up in a loving family many years earlier, in a Europe that did not welcome Jews. He found a new home in America, where he became a respected rabbi like his father, carrying a message of peace…
Every author writing about race and tax in the United States uses my article with William Whitford, “A Black Critique of the Internal Revenue Code.” Using census data, Bill and I showed that blacks and whites who earn the same income, live in the same geographic areas, have the same education and marital status, pay different amounts of federal income tax because of the race and wealth disparities outlined in Race and Wealth Disparities: A Multidisciplinary Discourse edited by Beverly Moran.
Faces at the Bottom of the Well is the book that created Critical Race Theory. It lays out the central problem of Critical Race Theory: how does racism consistently defeat law? For example, in 1954 Brown v. the Board of Education held that segregated schools are unlawful. Yet, sixty-nine years later, US schools, housing, and employment all remain segregated. This is the book that inspired every other critical race theory scholar.
The noted civil rights activist uses allegory and historical example to present a radical vision of the persistence of racism in America. These essays shed light on some of the most perplexing and vexing issues of our day: affirmative action, the disparity between civil rights law and reality, the racist outbursts of some black leaders, the temptation toward violent retaliation, and much more.
I'm a retired trial lawyer and a legal history professor and fellow at Marquette Law School in Wisconsin. As a young lawyer, I was struck by how much Americans focus on federal lawmakers and judges at the expense of their state counterparts, even though state law has a much greater effect on people's daily lives than federal law. The scholar Leonard Levy once said that without more study of state legal history, “there can be no … adequate history of [American] civilization.” I want to help fill that need through my books and articles, and I enjoy sharing this fascinating world with my readers.
This book is essential reading for anyone who wants to fully understand the century-long struggle after the Civil War to end legally-sanctioned discrimination against Black Americans. Prof. Klarman provides a richly detailed account of that century-long struggle, an account that describes the legal battles that took place in individual states and puts them in the context of the larger national debate. The book requires some effort on the reader's part, but the story that Klarman tells of the U.S. Supreme Court's gradual turn against segregation and its clashes with Southern state lawmakers and courts is ultimately a deeply moving one.
A monumental investigation of the Supreme Court's rulings on race, From Jim Crow To Civil Rights spells out in compelling detail the political and social context within which the Supreme Court Justices operate and the consequences of their decisions for American race relations. In a highly provocative interpretation of the decision's connection to the civil rights movement, Klarman argues that Brown was more important for mobilizing southern white
opposition to racial change than for encouraging direct-action protest. Brown unquestioningly had a significant impact-it brought race issues to public attention and it mobilized supporters of the ruling. It also, however, energized…
I have been an activist working on issues relating to human rights and youth protection for over fifteen years and during that time I worked as a lawyer and was lucky enough to make films and write two novels. Eventually, I would concentrate solely on activism and my reading would become very specific and as the focus of my activism changed and I directed my energies to corporate accountability my reading changed course again. The list I offer is from talented writers on important subjects, all write extremely well about things that matter to a human rights activist.
Baldwin writes both fiction and non-fiction beautifully and intimately and if you don’t know his non-fiction work then this is a very good place to start. Across a number of essays, he elegantly sets out the deep struggle faced by Black Americans and articulates how a different humanity, in America and beyond, and a different future can be realized.
#26 on The Guardian's list of 100 best nonfiction books of all time, the essays explore what it means to be Black in America
In an age of Black Lives Matter, James Baldwin's essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With films like I Am Not Your Negro and the forthcoming If Beale Street Could Talk bringing renewed interest to Baldwin's life and work, Notes of a Native Son serves as a valuable introduction.
Written during the 1940s and early 1950s, when Baldwin was…
