Here are 100 books that Notes of a Native Son fans have personally recommended if you like
Notes of a Native Son.
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I have been an activist working on issues relating to human rights and youth protection for over fifteen years and during that time I worked as a lawyer and was lucky enough to make films and write two novels. Eventually, I would concentrate solely on activism and my reading would become very specific and as the focus of my activism changed and I directed my energies to corporate accountability my reading changed course again. The list I offer is from talented writers on important subjects, all write extremely well about things that matter to a human rights activist.
Many human rights activists have to be focused intensely on the events of today and the consequences for tomorrow, this often allows little time for broader reading. Lynn Hunt offers a detailed and very readable analysis and argument of the history and development of contemporary human rights. I found all of her book illuminating and the connections she described eye-opening.
How were human rights invented, and how does their tumultuous history influence their perception and our ability to protect them today? From Professor Lynn Hunt comes this extraordinary cultural and intellectual history, which traces the roots of human rights to the rejection of torture as a means for finding the truth. She demonstrates how ideas of human relationships portrayed in novels and art helped spread these new ideals and how human rights continue to be contested today.
I am the New York Times bestselling author of The Paris Library and Moonlight in Odessa. Like the authors on the list I selected for Shepherd, I'm skilled at turning experiences at minimum-wage jobs into novels. I earned $25 a month teaching full-time at a high school in Odessa, which is the setting for my first novel. My second book takes place at the American Library in Paris, where I was the programs manager. Setting is the start of my fiction, because I believe that where we are from has a lot to do with who we are. I hope that you’ll enjoy these selections.
The book is an insider guide to Paris and features interviews with amazing women who are making the city better and more interesting, one action, one thought, one sentence at a time. I finished the book wishing I could meet the Parisiennes over coffee to discuss the different challenges that they faced.
In a follow-up to the popular The New Paris, Lindsey Tramuta explores the impact that the women of Paris have had on the rapidly evolving culture of their city
The New Parisienne focuses on one of the city's most prominent features, its women. Lifting the veil on the mythologized Parisian woman-white, lithe, ever fashionable-Lindsey Tramuta demystifies this oversimplified archetype and recasts the women of Paris as they truly are, in all their complexity. Featuring 50 activists, creators, educators, visionaries, and disruptors-like Leila Slimani, Lauren Bastide, and Mayor Anne Hidalgo-the book reveals Paris as a blossoming cultural center of feminine power.…
I am the New York Times bestselling author of The Paris Library and Moonlight in Odessa. Like the authors on the list I selected for Shepherd, I'm skilled at turning experiences at minimum-wage jobs into novels. I earned $25 a month teaching full-time at a high school in Odessa, which is the setting for my first novel. My second book takes place at the American Library in Paris, where I was the programs manager. Setting is the start of my fiction, because I believe that where we are from has a lot to do with who we are. I hope that you’ll enjoy these selections.
I love this gorgeously-written novel and the way it shows the fine line that young American au pairs working for wealthy French families have to walk. Paris is a dream for many people, but the reality is quite different, especially when seen through the lens of a nanny cam. Though the book takes place in Paris, the ups and downs of navigating work and family relationships are universal.
'[This] emotionally riveting debut novel focuses on several dynamic women in a wealthy suburb of Paris and a tragic event that changes their lives. Bestor-Siegal had me at Paris and she never let go. The Caretakers is extraordinary' Laura Dave, #1 New York Times bestselling author of The Last Thing He Told Me
In a smart Parisian suburb, in the wake of the Paris 2015 terrorist attacks, an au pair is arrested after the sudden and suspicious death of her nine-year-old charge...
The truth behind what happened is unravelled through six women: Geraldine, a heartbroken French teacher who struggles to…
I’m an avid reader of queer literary fiction not only because I write it but because I’m looking to see my life experience captured on the page. As a gay man, a father of two young boys, and one-half of an interracial married couple, I know the complexity of modern queer living firsthand. In recent years, I’ve been astounded by the breadth of great LGBTQ+ books that examine queerness fully and empathetically. I seek out these books, I read them feverishly, and I become a champion for the best ones. In an era of intense book banning, it’s so important to me to elevate these books and their authors.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Although the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they are linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
In each of these stories, the protagonists grapple with their understanding of who they are, who and how they love, and what is ultimately most important to them. In almost every case, however, the quest to know or protect oneself is challenged by an external force, resulting in violence, crisis, or confusion, among other outcomes.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Though the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they're linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
Underpinning the project is a core belief - self-definition is fluid, but conflict arises because society often fails to keep pace with personal evolution. In each of these stories, the protagonists grapple with their understanding of who they are, who and…
I am the New York Times bestselling author of The Paris Library and Moonlight in Odessa. Like the authors on the list I selected for Shepherd, I'm skilled at turning experiences at minimum-wage jobs into novels. I earned $25 a month teaching full-time at a high school in Odessa, which is the setting for my first novel. My second book takes place at the American Library in Paris, where I was the programs manager. Setting is the start of my fiction, because I believe that where we are from has a lot to do with who we are. I hope that you’ll enjoy these selections.
Craig Carlson shares his passion for food and France in this charming, thought-provoking collection of essays. With heart and humor, he shows us the best of America and France, and how we can learn from one another. Whether delving into cultural differences or the challenges and rewards of running a business, Craig is the perfect guide. Let Them Eat Pancakes is a delicious, satisfying dish about following your dreams and dealing with any challenge that arises.
A second helping of tales on the joys and challenges of working, eating, and loving in France from the New York Times bestselling author of Pancakes in Paris.
Craig Carlson set out to do the impossible: open the first American diner in Paris. Despite never having owned his own business before-let alone a restaurant, the riskiest business of all-Craig chose to open his diner in a foreign country, with a foreign language that also happens to be the culinary capital of the world. While facing enormous obstacles, whether its finding cooks who can navigate the impossibly petite kitchen (and create…
I am the New York Times bestselling author of The Paris Library and Moonlight in Odessa. Like the authors on the list I selected for Shepherd, I'm skilled at turning experiences at minimum-wage jobs into novels. I earned $25 a month teaching full-time at a high school in Odessa, which is the setting for my first novel. My second book takes place at the American Library in Paris, where I was the programs manager. Setting is the start of my fiction, because I believe that where we are from has a lot to do with who we are. I hope that you’ll enjoy these selections.
“I want a long, calm book about people with large incomes – a book like a flat green meadow and the sheep feeding in it… I read most of the time and I am happy.” First published in1939, this novel is a portrait of a woman who struggles in Paris. She is on her own and has no job or money.
The last of the four novels Jean Rhys wrote in interwar Paris, Good Morning, Midnight is the culmination of a searing literary arc, which established Rhys as an astute observer of human tragedy. Her everywoman heroine, Sasha, must confront the loves- and losses- of her past in this mesmerizing and formally daring psychological portrait.
I have been an activist working on issues relating to human rights and youth protection for over fifteen years and during that time I worked as a lawyer and was lucky enough to make films and write two novels. Eventually, I would concentrate solely on activism and my reading would become very specific and as the focus of my activism changed and I directed my energies to corporate accountability my reading changed course again. The list I offer is from talented writers on important subjects, all write extremely well about things that matter to a human rights activist.
Professor Glaube leads us, from his own observations, and those of James Baldwin, through the precarity and failings of modern America. For someone that is new to living in the country and to the details and nuances of its history, it completely opened my mind. It is also beautifully written and though the content is challenging and uncomfortable, it is a joy to read.
NEW YORK TIMES BESTSELLER • “A powerful study of how to bear witness in a moment when America is being called to do the same.”—Time
James Baldwin grew disillusioned by the failure of the civil rights movement to force America to confront its lies about race. What can we learn from his struggle in our own moment?
One of the Best Books of the Year: Time, The Washington Post, Chicago Tribune • One of Esquire’s Best Biographies of All Time • Winner of the Stowe Prize • Shortlisted for the Goddard Riverside Stephan Russo Book Prize for Social Justice
I was born in North Dakota and raised outside of Minneapolis in the 1980s and 1990s, a period marked by the ascendance of global trade and finance. I got hooked on reading, thinking, and talking about the politics of international economic relations in college. Sufficiently hooked, I guess, that I applied to graduate school to try and make it my vocation. My research and teaching to this point have focused on how key political and ideational forces in domestic and world politics – namely, international organizations, shared economic beliefs, social conventions, and material interests – shape the governance of globalized markets and the crafting of countries’ foreign economic policies.
Pistor’s book explains how global finance grew so large, powerful, and unstable. The short answer: elite lawyers did it.
Pistor argues that they did it by creatively devising legal instruments that could turn both tangible (land, for example) and intangible things (like intellectual property) into capital. When lawyers were able to make legal instruments enforceable around the world, capital could become truly global. Why did they do this? Simple: “minting” capital through creative lawyering is extraordinarily lucrative.
Before reading this book, I knew that elite contract lawyers were very well compensated, but I didn’t understand what they were doing and didn’t think of them as key players shaping the international economic order. Pistor’s book informed and corrected my thinking.
A compelling explanation of how the law shapes the distribution of wealth
What is it that transforms a simple object, an idea, or a promise to pay into an asset that creates wealth? Katharina Pistor explains how, behind closed doors in the offices of private attorneys, capital is created-and why this little-known activity is one of the biggest reasons for the widening wealth gap between the holders of capital and everybody else. A powerful new way of thinking about one of the most pernicious problems of our time, The Code of Capital explores the various ways that debt, complex financial…
I have been an activist working on issues relating to human rights and youth protection for over fifteen years and during that time I worked as a lawyer and was lucky enough to make films and write two novels. Eventually, I would concentrate solely on activism and my reading would become very specific and as the focus of my activism changed and I directed my energies to corporate accountability my reading changed course again. The list I offer is from talented writers on important subjects, all write extremely well about things that matter to a human rights activist.
For those who want to think big and envisage large systemic change. Gaddis is one of the great military historians and he writes with fluency and adventure. In this book, which is a joy to read, he examines leadership, vision, and decision-making from the perspective of a number of great leaders in history and how they faced crucial turning points.
A master class in strategic thinking, distilled from the legendary program the author has co-taught at Yale for decades
For almost two decades, Yale students have competed for admission each year to the "Studies in Grand Strategy" seminar taught by John Lewis Gaddis, Paul Kennedy, and Charles Hill. Its purpose has been to prepare future leaders for responsibilities they will face, through lessons drawn from history and the classics. Now Gaddis has distilled that teaching into a succinct, sharp and potentially transformational book, surveying statecraft from the ancient Greeks to Franklin D. Roosevelt and beyond. An unforgettable guide to the…
Born and raised in Poland during the Cold War, I learned that writers and intellectuals could be jailed, exiled, or even killed for their ideas. I came to James Baldwin over two decades ago in search of literature that told of freedom and humanism beyond national borders and simplistic binaries. As a Black queer man driven away from his homeland, Baldwin linked his personal pain, heartbreak, and torment to his public life, authorship, and activism. His art and life story have both inspired my labors as a bilingual and bicultural literary critic and biographer and provided a template for my own journey as an immigrant, mother of a Black child, teacher, writer, and scholar.
This book grew out of the labor of love both scholarly and personal. It brings together three generations of scholars and diverse, interdisciplinary approaches to this complex and still largely misunderstood and underappreciated Black queer writer and theorist of 20th-century US identity. Michele Elam’s introduction deftly reevaluates and situates Baldwin as a 20th-century master for contemporary readers here and now, while the essays collected here provide cutting-edge scholarship and much nuance and fresh insight. Theoretically rich and with several exquisitely written essays, it touches upon all of the major aspects of the writer’s fascinating life and works.
This Companion offers fresh insight into the art and politics of James Baldwin, one of the most important writers and provocative cultural critics of the twentieth century. Black, gay, and gifted, he was hailed as a 'spokesman for the race', although he personally, and controversially, eschewed titles and classifications of all kinds. Individual essays examine his classic novels and nonfiction as well as his work across lesser-examined domains: poetry, music, theatre, sermon, photo-text, children's literature, public media, comedy, and artistic collaboration. In doing so, The Cambridge Companion to James Baldwin captures the power and influence of his work during the…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
We often learn about African American history in the 20th Century in terms of a conflict between nonviolent resistance vs. violent radicalism, integrationism vs. separatism, Martin vs. Malcolm. But this is an over-simplification of a complex and dynamic moment in the history of our nation. More than any other work, Black is a Country helped me think differently about the period that I study, and see African American history and culture of the mid-20th Century in a new way.
Despite black gains in modern America, the end of racism is not yet in sight. Nikhil Pal Singh asks what happened to the worldly and radical visions of equality that animated black intellectual activists from W. E. B. Du Bois in the 1930s to Martin Luther King, Jr. in the 1960s. In so doing, he constructs an alternative history of civil rights in the twentieth century, a long civil rights era, in which radical hopes and global dreams are recognized as central to the history of black struggle.
It is through the words and thought of key black intellectuals, like…
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