Here are 100 books that Black Is a Country fans have personally recommended if you like
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I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
I’ve taught Lorraine Hansberry’s landmark 1959 play A Raisin in the Sun many times in my university courses. That play transformed African American theater in the Civil Rights era and marked a phenomenal debut for its 29-year-old writer. In her too-short life (she died a few years later from pancreatic cancer), Hansberry built an extraordinary life as a writer, intellectual, and political activist. This biography tells that rich, remarkable story.
A "loving, lavishly detailed" (New York Times) and captivating portrait of Lorraine Hansberry's life, art, and political activism-one of O Magazine's best books of April 2021
"A devoted and deeply felt account of the development of an artist's mind."-Dave Itzkoff, New York Times Book Review (2021 Summer Reading issue)
In this acclaimed biography of Lorraine Hansberry, Soyica Diggs Colbert narrates a life at the intersection of art and politics, arguing that for Hansberry the theater operated as a rehearsal room for her political and intellectual work. Celebrated for her play A Raisin in the Sun, Hansberry was also the author…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
As I was writing my book, I delved more into the professional singing career of Harry Belafonte. I knew him as the singer of familiar, toe-tapping, globally-inspired hits (i.e. “The Banana Boat Song,” “Jump In the Line,” “Matilda”). I didn’t know about the depth and breadth of his commitment to racial justice. Nor did I realize, more importantly, how his Civil Rights activism informed and shaped his artistic career as an actor and a musician. An eye-opening read about a cultural icon.
A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II-from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael-Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power.
In Becoming Belafonte, Judith E. Smith presents the first full-length interpretive study…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
Perhaps no one is more readily identified with racial integration than Jackie Robinson. Our culture now lionizes Robinson for his accomplishments, but also for having “guts enough not to fight back” (as his general manager Branch Rickey reportedly said to him) against the bigotry and insults that surrounded him. In many ways, the story of Jackie Robinson as a quiet, passive figure who just let his playing do the talking is incomplete. This book reveals more of the story of Robinson’s historic and sometimes surprisingly “radical” work in breaking baseball’s color barrier.
Reclaiming 42 centers on one of America's most respected cultural icons, Jackie Robinson, and the forgotten aspects of his cultural legacy. Since his retirement in 1956, and more strongly in the last twenty years, America has primarily remembered Robinson's legacy in an oversimplified way, as the pioneering first black baseball player to integrate the Major Leagues. The mainstream commemorative discourse regarding Robinson's career has been created and directed largely by Major League Baseball (MLB), which sanitized and oversimplified his legacy into narratives of racial reconciliation that celebrate his integrity, character, and courage while excluding other aspects of his life, such…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
We tend to think about the Black Arts Movement of the 1960s as dominated by militant male voices. This book explores the rich contributions of black women artists to the movement—by amplifying the voices of women artists in their own words. The book is a collection of oral histories, drawing on dozens of interviews with influential Black women artists. Some of them are recognizable, like playwrights/poets Sonia Sanchez and Ntozake Shange. Others are less familiar names whose influence should be appreciated more fully. This is a rich celebration of the impact of women artists during a key period of African American cultural change.
The first oral history to fully explore the contributions of black women intellectuals to the Black Arts Movement, Sistuhs in the Struggle reclaims a vital yet under-researched chapter in African American, women's, and theater history. This groundbreaking study documents how black women theater artists and activists-many of whom worked behind the scenes as directors, designers, producers, stage managers, and artistic directors-disseminated the black aesthetic and emboldened their communities.
Drawing on nearly thirty original interviews with well-known artists such as Ntozake Shange and Sonia Sanchez as well as less-studied figures including distinguished lighting designer Shirley Prendergast, dancer and choreographer Halifu Osumare,…
I’m a Philadelphia-based journalist and new author. I’m the Editor at Large for Philadelphia Magazine and President of the Philadelphia Association of Black Journalists. As an openly Black gay journalist, I’ve headlined for speaking frankly about intersectional issues in society regarding race, LGBTQIA, and pop culture. Such experiences have awakened my consciousness as an underrepresented voice in the media and have pushed me to explore societal topics. My new book The Case for Cancel Culture, published by St. Martin's Press, is my way of staking my claim in the global conversation on this buzzworthy topic.
This book was the kind of post-Trump election awakening that made me feel unapologetic about the way I saw myself as a Black American.
The writing vividly expresses the rage and determination of marginalized voices in a way that’s beyond poignant, but intentional.
Blow, a respected journalist in his own right, pulls from history and current events to make a case for something ambitious: Reverse Black migration as a means of combating racial injustice in the South.
A New York Times Editor's Choice | A Kirkus Best Nonfiction Book of the Year
From journalist and New York Times bestselling author Charles Blow comes a powerful manifesto and call to action, "a must-read in the effort to dismantle deep-seated poisons of systemic racism and white supremacy" (San Francisco Chronicle).
Race, as we have come to understand it, is a fiction; but, racism, as we have come to live it, is a fact. The point here is not to impose a new racial hierarchy, but to remove an existing one. After centuries of waiting…
I’m the author of five books on subjects ranging from comedy and music to sports and pants (specifically, blue jeans). I’m a longtime Boston Globe contributor, a former San Francisco Chronicle staff critic, and a onetime editor for Rolling Stone. I help develop podcasts and other programming for Sirius and Pandora. I teach in the Journalism department at Emerson College, and I am the Program Director for the Newburyport Documentary Film Festival and the co-founder of Lit Crawl Boston.
Now teaching at UT Austin after founding the Center for the Study of Race and Democracy at Tufts University, Joseph recently wrote a twin biography of Malcolm X and Martin Luther King, Jr. called The Sword and the Shield. His first published book, Waiting ‘Til the Midnight Hour (2006), was a thriller; it helped shift the prevailing narrative of the core years of the Civil Rights era toward the essential legacies of Stokely Carmichael, Huey Newton, and other Black “radicals” whose contributions were too long willfully neglected.
In 1966, a group of black activists, including Stokely Carmichael and Huey P. Newton, turned their backs on Martin Luther King's pacifism in order to build on the legacy of Malcolm X. The result? The Black Power movement, a radical new approach to the fight for equality. Joseph traces the history of the men and women of the movement - many famous and infamous, some forgotten. Drawing on original archival research and more than 60 original oral histories, this narrative history vividly reports the way in which Black Power redefined black identity in the USA.
I am a teacher, a mom, a bubbe, and a writer. I taught elementary school and college courses, directed a daycare, and owned a children’s bookstore, but my favorite job is scribbling words on paper. I have two grown children and four wonderful granddaughters who love to listen as I read to them. Many of my ideas come from my experiences with my granddaughters and from their questions. Our family and friends are a mix of religions and cultures, and most of my books reflect the importance of diversity, acceptance, and knowledge.
As Good as Anybody is the story of Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. Martin Luther King, Jr. grew up in the south and experienced racial discrimination.
Rabbi Abraham Joshua Heschel was born in Europe and experienced anti-Semitism. These two men formed a close friendship. They marched together and prayed together. They became leaders for social justice and acceptance.
I am recommending this book because it is a wonderful story about two men who tried to break the barriers of race and religion.
MARTIN LUTHER KING, Jr. and Abraham Joshua Heschel. Their names stand for the quest for justice and equality.Martin grew up in a loving family in the American South, at a time when this country was plagued by racial discrimination. He aimed to put a stop to it. He became a minister like his daddy, and he preached and marched for his cause.Abraham grew up in a loving family many years earlier, in a Europe that did not welcome Jews. He found a new home in America, where he became a respected rabbi like his father, carrying a message of peace…
Every author writing about race and tax in the United States uses my article with William Whitford, “A Black Critique of the Internal Revenue Code.” Using census data, Bill and I showed that blacks and whites who earn the same income, live in the same geographic areas, have the same education and marital status, pay different amounts of federal income tax because of the race and wealth disparities outlined in Race and Wealth Disparities: A Multidisciplinary Discourse edited by Beverly Moran.
Faces at the Bottom of the Well is the book that created Critical Race Theory. It lays out the central problem of Critical Race Theory: how does racism consistently defeat law? For example, in 1954 Brown v. the Board of Education held that segregated schools are unlawful. Yet, sixty-nine years later, US schools, housing, and employment all remain segregated. This is the book that inspired every other critical race theory scholar.
The noted civil rights activist uses allegory and historical example to present a radical vision of the persistence of racism in America. These essays shed light on some of the most perplexing and vexing issues of our day: affirmative action, the disparity between civil rights law and reality, the racist outbursts of some black leaders, the temptation toward violent retaliation, and much more.
I'm a retired trial lawyer and a legal history professor and fellow at Marquette Law School in Wisconsin. As a young lawyer, I was struck by how much Americans focus on federal lawmakers and judges at the expense of their state counterparts, even though state law has a much greater effect on people's daily lives than federal law. The scholar Leonard Levy once said that without more study of state legal history, “there can be no … adequate history of [American] civilization.” I want to help fill that need through my books and articles, and I enjoy sharing this fascinating world with my readers.
This book is essential reading for anyone who wants to fully understand the century-long struggle after the Civil War to end legally-sanctioned discrimination against Black Americans. Prof. Klarman provides a richly detailed account of that century-long struggle, an account that describes the legal battles that took place in individual states and puts them in the context of the larger national debate. The book requires some effort on the reader's part, but the story that Klarman tells of the U.S. Supreme Court's gradual turn against segregation and its clashes with Southern state lawmakers and courts is ultimately a deeply moving one.
A monumental investigation of the Supreme Court's rulings on race, From Jim Crow To Civil Rights spells out in compelling detail the political and social context within which the Supreme Court Justices operate and the consequences of their decisions for American race relations. In a highly provocative interpretation of the decision's connection to the civil rights movement, Klarman argues that Brown was more important for mobilizing southern white
opposition to racial change than for encouraging direct-action protest. Brown unquestioningly had a significant impact-it brought race issues to public attention and it mobilized supporters of the ruling. It also, however, energized…
I have been an activist working on issues relating to human rights and youth protection for over fifteen years and during that time I worked as a lawyer and was lucky enough to make films and write two novels. Eventually, I would concentrate solely on activism and my reading would become very specific and as the focus of my activism changed and I directed my energies to corporate accountability my reading changed course again. The list I offer is from talented writers on important subjects, all write extremely well about things that matter to a human rights activist.
Baldwin writes both fiction and non-fiction beautifully and intimately and if you don’t know his non-fiction work then this is a very good place to start. Across a number of essays, he elegantly sets out the deep struggle faced by Black Americans and articulates how a different humanity, in America and beyond, and a different future can be realized.
#26 on The Guardian's list of 100 best nonfiction books of all time, the essays explore what it means to be Black in America
In an age of Black Lives Matter, James Baldwin's essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With films like I Am Not Your Negro and the forthcoming If Beale Street Could Talk bringing renewed interest to Baldwin's life and work, Notes of a Native Son serves as a valuable introduction.
Written during the 1940s and early 1950s, when Baldwin was…
