Here are 100 books that Reclaiming 42 fans have personally recommended if you like
Reclaiming 42.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
I’ve taught Lorraine Hansberry’s landmark 1959 play A Raisin in the Sun many times in my university courses. That play transformed African American theater in the Civil Rights era and marked a phenomenal debut for its 29-year-old writer. In her too-short life (she died a few years later from pancreatic cancer), Hansberry built an extraordinary life as a writer, intellectual, and political activist. This biography tells that rich, remarkable story.
A "loving, lavishly detailed" (New York Times) and captivating portrait of Lorraine Hansberry's life, art, and political activism-one of O Magazine's best books of April 2021
"A devoted and deeply felt account of the development of an artist's mind."-Dave Itzkoff, New York Times Book Review (2021 Summer Reading issue)
In this acclaimed biography of Lorraine Hansberry, Soyica Diggs Colbert narrates a life at the intersection of art and politics, arguing that for Hansberry the theater operated as a rehearsal room for her political and intellectual work. Celebrated for her play A Raisin in the Sun, Hansberry was also the author…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
As I was writing my book, I delved more into the professional singing career of Harry Belafonte. I knew him as the singer of familiar, toe-tapping, globally-inspired hits (i.e. “The Banana Boat Song,” “Jump In the Line,” “Matilda”). I didn’t know about the depth and breadth of his commitment to racial justice. Nor did I realize, more importantly, how his Civil Rights activism informed and shaped his artistic career as an actor and a musician. An eye-opening read about a cultural icon.
A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II-from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael-Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power.
In Becoming Belafonte, Judith E. Smith presents the first full-length interpretive study…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
We often learn about African American history in the 20th Century in terms of a conflict between nonviolent resistance vs. violent radicalism, integrationism vs. separatism, Martin vs. Malcolm. But this is an over-simplification of a complex and dynamic moment in the history of our nation. More than any other work, Black is a Country helped me think differently about the period that I study, and see African American history and culture of the mid-20th Century in a new way.
Despite black gains in modern America, the end of racism is not yet in sight. Nikhil Pal Singh asks what happened to the worldly and radical visions of equality that animated black intellectual activists from W. E. B. Du Bois in the 1930s to Martin Luther King, Jr. in the 1960s. In so doing, he constructs an alternative history of civil rights in the twentieth century, a long civil rights era, in which radical hopes and global dreams are recognized as central to the history of black struggle.
It is through the words and thought of key black intellectuals, like…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
We tend to think about the Black Arts Movement of the 1960s as dominated by militant male voices. This book explores the rich contributions of black women artists to the movement—by amplifying the voices of women artists in their own words. The book is a collection of oral histories, drawing on dozens of interviews with influential Black women artists. Some of them are recognizable, like playwrights/poets Sonia Sanchez and Ntozake Shange. Others are less familiar names whose influence should be appreciated more fully. This is a rich celebration of the impact of women artists during a key period of African American cultural change.
The first oral history to fully explore the contributions of black women intellectuals to the Black Arts Movement, Sistuhs in the Struggle reclaims a vital yet under-researched chapter in African American, women's, and theater history. This groundbreaking study documents how black women theater artists and activists-many of whom worked behind the scenes as directors, designers, producers, stage managers, and artistic directors-disseminated the black aesthetic and emboldened their communities.
Drawing on nearly thirty original interviews with well-known artists such as Ntozake Shange and Sonia Sanchez as well as less-studied figures including distinguished lighting designer Shirley Prendergast, dancer and choreographer Halifu Osumare,…
As a teacher and historian, I’m interested in the collision of cultures that resulted from western intervention in Asia during the nineteenth and twentieth centuries. For young Asian nationalists, historical writing was a weapon to be wielded in the fight against imperialism. It is equally important for us to understand the forces that shape our collective memories and to recognize that historians don’t just uncover the past—they produce it.
What happens when a society is unwilling to acknowledge acts of barbarism in its past? In 1976, while leading a student protest at Thammasat University, Thongchai Winichakul watched in horror as government forces and rightist elements stormed the campus, killing over eighty of his fellow students and committing unspeakable acts on the living and the dead. He wrote this book to help process memories of an atrocity that took the lives of his friends and haunted his career as a Thai historian. To this day, the Thammasat massacre is marked only by silence from official sources. As a result, Thongchai observes that Thai society is trapped in a state of ‘unforgetting,’ unable to either remember or forget the trauma.
The massacre on October 6, 1976, in Bangkok was brutal and violent, its savagery unprecedented in modern Thai history. Four decades later there has been no investigation into the atrocity; information remains limited, the truth unknown. There has been no collective coming to terms with what happened or who is responsible. Thai society still refuses to confront this dark page in its history.
Moments of Silence focuses on the silence that surrounds the October 6 massacre. Silence, the book argues, is not forgetting. Rather it signals an inability to forget or remember-or to articulate a socially meaningful memory. It is…
I am a professor of Latin American history at the University of North Carolina at Chapel Hill. My teaching and research focus on Andean history, and I have written several books on the period of political violence that pitted guerrillas of the Shining Path and Tupac Amaru Revolutionary Movement (MRTA) against Peruvian security forces and peasant militias during the 1980s and 1990s. I have been researching in Peru for twenty years, from Lima’s shantytowns, to the Andes mountains, to the Amazon jungle. A Peruvian-American, I maintain strong family ties to the region and am a proud, yet frequently heartbroken, supporter of the national soccer team.
I love anything by Jaymie Patricia Heilman. Her writing is always smart, compelling, and beautiful—and this book, co-authored with its main character, is no exception. Part political history, part memoir, this book recounts the incredible life of Manuel Llamojha Mitma, a little-known Indigenous activist whose struggle for land, citizenship, and anti-racism brought him face-to-face with some of the most oppressive forces of 20th-century Latin America. More than an autobiography, this sobering and powerful collaborative history contextualizes the struggles and achievements of Indigenous people at the height of the Cold War.
Born in 1921, Manuel Llamojha Mitma became one of Peru's most creative and inspiring indigenous political activists. Now Peru Is Mine combines extensive oral history interviews with archival research to chronicle his struggles for indigenous land rights and political inclusion as well as his fight against anti-Indian racism. His compelling story-framed by Jaymie Patricia Heilman's historical contextualization-covers nearly eight decades, from the poverty of his youth and teaching himself to read, to becoming an internationally known activist. Llamojha also recounts his life's tragedies, such as being forced to flee his home and the disappearance of his son during the war…
Ever since I readIsland of the Blue Dolphinsin 5th grade I’ve loved historical fiction. I am inspired by amazing humans who lived across centuries and around the globe and left their mark on the world. My 2023 book I’m Gonna Paint: Ralph Fasanella, Artist of the People is about a social activist artist. Future published books include middle grade novels on the 1838 Trail of Tears, a day on Ellis Island in 1907, and a 1935 book about Eleanor Roosevelt and the planned community of Arthurdale, WV. Like I said, I love exploring history!I read in many genres, but still enjoy learning about history through fiction.
Malala Yousafzai inspires me because she never lost sight of the importance of education and continues to work for justice in the world. Malala was a young student in Pakistan when the Taliban took over her nation and prohibited girls from going to school. Malala spoke out against Taliban actions, advocating for universal education. That was enough to make the Taliban afraid of her. They tried to kill her; she almost died in the attempted assassination. That would have caused many people to retreat in fear, but not Malala. Once she recovered, she became an even more outspoken activist for female education and won the 2014 Nobel Peace Prize.
1
author picked
Malala
as one of their favorite books, and they share
why you should read it.
This book is for kids age
6,
7,
8, and
9.
What is this book about?
"A realistic and inspiring look at Malala Yousafzai's childhood in Taliban-controlled Pakistan and her struggle to ensure education for girls" — Kirkus Reviews
Malala Yousafzai stood up to the Taliban and fought for the right for all girls to receive an education. When she was just fifteen-years old, the Taliban attempted to kill Malala, but even this did not stop her activism. At age eighteen Malala became the youngest person to be awarded the Nobel Peace Prize for her work to ensure the education of all children around the world.
Malala’s courage and conviction will inspire young readers in this…
I have been intrigued by Eleanor Roosevelt since I was a little girl in Sedalia, Missouri, and my mother read me Eleanor's "My Day" columns in the Kansas City Star. Mother would look up and say, "I'm sure she is better than he is," referring, of course, to Eleanor being better than Franklin. My family was rock-ribbed Republican and disapproved of Franklin's policies. I wondered then—and still do—why my mother and other women of her era had so much reverence for Eleanor. I have been looking for the answer ever since.
Endeavors to tell in one volume the story of an American icon, integrating her personal and public lives. This work offers an introduction to her many public roles—as a journalist, First Lady from 1933-1945, delegate to the United Nations (1945-1952), political leader, media personality—as well as her multifaceted personal life.
The New York Times bestseller from prizewinning author David Michaelis presents a “stunning” (The Wall Street Journal) breakthrough portrait of Eleanor Roosevelt, America’s longest-serving First Lady, an avatar of democracy whose ever-expanding agency as diplomat, activist, and humanitarian made her one of the world’s most widely admired and influential women.
In the first single-volume cradle-to-grave portrait in six decades, acclaimed biographer David Michaelis delivers a stunning account of Eleanor Roosevelt’s remarkable life of transformation. An orphaned niece of President Theodore Roosevelt, she converted her Gilded Age childhood of denial and secrecy into an irreconcilable marriage with her ambitious fifth cousin…
I was weaned on Cuban stories by my Havana-born mother and first visited the island in 1998. Since then, I earned a PhD in history from the Graduate Center, City University of New York–where I studied twentieth-century Cuban politics. While conducting research in Havana and Miami, I confirmed that legends were imbibed with the same fervor as café cubano.All histories are marked by tall tales, but Cubans are governed by theirs, inside and out, more than most.
To some, Cuba is a plucky, embargo-defying success story, with top educational and medical systems – the latter of which ensures Cubans live longer on average than Americans. Hoffman’s biography of Oswaldo Payá lays bare the regime’s darkest depths. As a young man, Payá was harassed and persecuted for his Catholic faith. He later devised the Varela Project, which sought to legally change Cuba’s 1976 constitution and allow democratic freedoms. Payá remained an outspoken critic of Cuba’s one-party state and refused to leave despite constant threats from state security agents. In 2012, they ran his car off the road and he was killed in the ensuing crash.
From the Pulitzer Prize–winning Washington Post reporter David E. Hoffman comes the riveting biography of Oswaldo Payá, a dissident who dared to defy Fidel Castro, inspiring thousands of Cubans to fight for democracy.
Oswaldo Payá was seven years old when Fidel Castro seized power in Cuba, promising to create a “free, democratic, and just Cuba.” But Castro instead created an authoritarian regime with little tolerance of free speech or thought. His secret police were trained to crush dissent by East Germany’s ruthless Stasi.
Throughout Cuba’s 20th century history, the dream of democracy was often just within reach, only to be…
As a historian and someone who grew up in Cold War Berlin, I am constantly inspired by efforts to curb the devastating effects of industrialised warfare. I love learning about people who had the courage to speak up, and how their historical understanding of the military abuse of power enables us to think differently about present-day warfare. So much of my research has been inspired by social movements and their difficult efforts to improve the world. While I am no expert on Vietnamese history, I have been fortunate to have learned a lot about how ingenious the Vietnamese revolutionaries were in actively pedalling the global emergence of Vietnam War protest.
What happened when US activists travelled to Asia during the Vietnam War?
This is the question Wu seeks to answer in one of the most important books on internationalism and Vietnam War protest. She looks at how they sympathised and identified with anti-imperialist struggles in Asia, inverting an orientalist dichotomy between imperial America and decolonising Asia “whereby the decolonizing East helped to define the identities and goals of activists in the West.”
This was one of the books that first got me interested in understanding why ethnically diverse protesters responded to the Vietnam War the way they did, and how activists’ travel fostered the imagination of new political possibilities and alternative means of political articulation as they transcended ethnic and racial backgrounds.
Traveling to Hanoi during the U.S. war in Vietnam was a long and dangerous undertaking. Even though a neutral commission operated the flights, the possibility of being shot down by bombers in the air and antiaircraft guns on the ground was very real. American travelers recalled landing in blackout conditions, without lights even for the runway, and upon their arrival seeking refuge immediately in bomb shelters. Despite these dangers, they felt compelled to journey to a land at war with their own country, believing that these efforts could change the political imaginaries of other members of the American citizenry and…
Interested in
activists,
Jackie Robinson,
and
baseball?
10,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
activists,
Jackie Robinson,
and
baseball.
