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I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
I’ve taught Lorraine Hansberry’s landmark 1959 play A Raisin in the Sun many times in my university courses. That play transformed African American theater in the Civil Rights era and marked a phenomenal debut for its 29-year-old writer. In her too-short life (she died a few years later from pancreatic cancer), Hansberry built an extraordinary life as a writer, intellectual, and political activist. This biography tells that rich, remarkable story.
A "loving, lavishly detailed" (New York Times) and captivating portrait of Lorraine Hansberry's life, art, and political activism-one of O Magazine's best books of April 2021
"A devoted and deeply felt account of the development of an artist's mind."-Dave Itzkoff, New York Times Book Review (2021 Summer Reading issue)
In this acclaimed biography of Lorraine Hansberry, Soyica Diggs Colbert narrates a life at the intersection of art and politics, arguing that for Hansberry the theater operated as a rehearsal room for her political and intellectual work. Celebrated for her play A Raisin in the Sun, Hansberry was also the author…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
As I was writing my book, I delved more into the professional singing career of Harry Belafonte. I knew him as the singer of familiar, toe-tapping, globally-inspired hits (i.e. “The Banana Boat Song,” “Jump In the Line,” “Matilda”). I didn’t know about the depth and breadth of his commitment to racial justice. Nor did I realize, more importantly, how his Civil Rights activism informed and shaped his artistic career as an actor and a musician. An eye-opening read about a cultural icon.
A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II-from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael-Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power.
In Becoming Belafonte, Judith E. Smith presents the first full-length interpretive study…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
We often learn about African American history in the 20th Century in terms of a conflict between nonviolent resistance vs. violent radicalism, integrationism vs. separatism, Martin vs. Malcolm. But this is an over-simplification of a complex and dynamic moment in the history of our nation. More than any other work, Black is a Country helped me think differently about the period that I study, and see African American history and culture of the mid-20th Century in a new way.
Despite black gains in modern America, the end of racism is not yet in sight. Nikhil Pal Singh asks what happened to the worldly and radical visions of equality that animated black intellectual activists from W. E. B. Du Bois in the 1930s to Martin Luther King, Jr. in the 1960s. In so doing, he constructs an alternative history of civil rights in the twentieth century, a long civil rights era, in which radical hopes and global dreams are recognized as central to the history of black struggle.
It is through the words and thought of key black intellectuals, like…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
We tend to think about the Black Arts Movement of the 1960s as dominated by militant male voices. This book explores the rich contributions of black women artists to the movement—by amplifying the voices of women artists in their own words. The book is a collection of oral histories, drawing on dozens of interviews with influential Black women artists. Some of them are recognizable, like playwrights/poets Sonia Sanchez and Ntozake Shange. Others are less familiar names whose influence should be appreciated more fully. This is a rich celebration of the impact of women artists during a key period of African American cultural change.
The first oral history to fully explore the contributions of black women intellectuals to the Black Arts Movement, Sistuhs in the Struggle reclaims a vital yet under-researched chapter in African American, women's, and theater history. This groundbreaking study documents how black women theater artists and activists-many of whom worked behind the scenes as directors, designers, producers, stage managers, and artistic directors-disseminated the black aesthetic and emboldened their communities.
Drawing on nearly thirty original interviews with well-known artists such as Ntozake Shange and Sonia Sanchez as well as less-studied figures including distinguished lighting designer Shirley Prendergast, dancer and choreographer Halifu Osumare,…
As a teacher and historian, I’m interested in the collision of cultures that resulted from western intervention in Asia during the nineteenth and twentieth centuries. For young Asian nationalists, historical writing was a weapon to be wielded in the fight against imperialism. It is equally important for us to understand the forces that shape our collective memories and to recognize that historians don’t just uncover the past—they produce it.
What happens when a society is unwilling to acknowledge acts of barbarism in its past? In 1976, while leading a student protest at Thammasat University, Thongchai Winichakul watched in horror as government forces and rightist elements stormed the campus, killing over eighty of his fellow students and committing unspeakable acts on the living and the dead. He wrote this book to help process memories of an atrocity that took the lives of his friends and haunted his career as a Thai historian. To this day, the Thammasat massacre is marked only by silence from official sources. As a result, Thongchai observes that Thai society is trapped in a state of ‘unforgetting,’ unable to either remember or forget the trauma.
The massacre on October 6, 1976, in Bangkok was brutal and violent, its savagery unprecedented in modern Thai history. Four decades later there has been no investigation into the atrocity; information remains limited, the truth unknown. There has been no collective coming to terms with what happened or who is responsible. Thai society still refuses to confront this dark page in its history.
Moments of Silence focuses on the silence that surrounds the October 6 massacre. Silence, the book argues, is not forgetting. Rather it signals an inability to forget or remember-or to articulate a socially meaningful memory. It is…
As a writer, I’ve found that learning about other writers and their processes helps me. Over the years, I’ve devoured the memoirs and letters of writers like Madeleine L’Engle, Audre Lorde, and Zora Neal Hurston. In 2006, when I started a writing program for young people in my city, I brought these writers’ words to use as writing prompts. When I researched my book, Mightier Than the Sword, I read dozens of anthologies to find people who used writing to make a difference in their fields—science, art, politics, music, and sports. I will always be grateful for those anthologies—because they broadened my knowledge and introduced me to so many interesting people.
The first generation of young people raised on the internet has faced gun violence, climate change, and a pandemic. They also understand diversity, are adept at digital platforms, and want to change the world. The inspiring stories in this book gave me the good kind of chills. These young people are marching for social justice, working to change laws, giving speeches, starting nonprofits, and more. But they need your help. After you read this, you’ll be inspired to make a difference, too.
An illustrated celebration of Gen Z activists fighting to make our world a better place.
Gen Z is populated-and defined-by activists. They are bold and original thinkers and not afraid to stand up to authority and conventional wisdom. From the March for Our Lives to the fight for human rights and climate change awareness, this generation is leading the way toward truth and hope like no generation before.
Generation Brave showcases Gen Z activists who are fighting for change on many fronts: climate change, LGBTQ rights, awareness and treatment of mental illness, gun control, gender equality, and corruption in business…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I am an activist and always have been. My organizations, Spread The Vote + Project ID and Project ID Action Fund work on the ground and on impactful policy nationwide. I would never have been able to build a movement or an organization that makes a real impact without the lessons that I have learned from the past. Every book I have read about how change was made before me has helped me do the work I do and my hope is that future leaders will learn these lessons too.
Real change happens one person and one act at a time. Micro Activism teaches you how to make a difference wherever you are and whatever your circumstances.
This beautifully illustrated, friendly, and readable book is the perfect way to learn how to get started as an activist and how to build activism into your life every day.
In this age of social justice, those who don't necessarily want to lead a movement or join a protest march are left wondering, "How can I make an impact?"
In Micro Activism, former political consultant turned activism coach Omkari Williams shares her expertise in empowering introverts and highly sensitive people to help each of us, no matter our temperament, find our most satisfying and effective activist role. Using Williams's Activist Archetype tool, readers discover their unique strengths and use this to develop a personal strategy. To ensure sustainable involvement, Williams encourages starting small, working collaboratively, and beginning locally.
I’ve been panicking about environmental destruction ever since a fateful day in eighth grade, when I stayed home with the flu binge-watching Animal Planet, realizing that every ecosystem on earth was in decline. In college, unable to hack it as an environmental scientist, I switched majors to writing, and now I tell stories to try and help the planet. I’m an environmental journalist for One Breath Houston, covering the racist, illegal polluting of the petrochemical industry in Houston, Texas. I’m also a climate fiction author, and my debut novella, Depart, Depart! was an Otherwise Award Honor List book. The first installment in my YA cli-fi trilogy Seeds for the Swarm is forthcoming from Stelliform Press in Fall 2022.
At this point in the reading list, hopefully, you’re feeling more grounded in your climate grief and energized to fight for what’s left of the natural world. A Spy in the Struggle is a fast-paced novel about activism at the intersection of racial and environmental justice. Yolanda Vance is a ruthless, capitalist FBI agent who infiltrates a Black activist group organizing against a biotech corporation that’s poisoning their neighborhood.
By making the protagonist start off as an enemy of the climate movement, De León demonstrates the kinds of experiences and messaging that can win over new allies. This book also centers the Black communities that are doing some of the most critical organizing against environmental racism in the U.S. and reveals the interconnectedness between police brutality, racial capitalism, and the climate crisis. In most cities in the U.S., you’ll find communities of color organizing against environmental racism, and I hope…
The Washington Post Featured Thriller That Will Have You On The Edge Of Your Seat Bustle's Most Anticipated Reads for December An Amazon Best of the Month Selection Book Riot Featured Hispanic Heritage Month Book CrimeReads Most Anticipated Crime Books of Fall 2020 Novel Suspects Featured December New Release
"A passionately felt stand-alone with an affecting personal story at its center." - The Washington Post
Winner of the International Latino Book Award, Aya de Leon, returns with a thrilling and timely story of feminism, climate, and corporate justice--as one successful lawyer must decide whether to put everything on the line…
Over the past 50 years, I've been one of those “tenured radicals” the right-wing loved to bash. But before that, during the 1960s, I worked, often full-time, in the social movements that didchange America: civil rights, anti-war, feminism. I was older, so I became a “professor-activist.” As a teacher, I applied what I had learned in the movements to reconstruct ideas about which writers mattered—women as well as men, minorities as well as whites: Zora Neale Hurston, Frederick Douglass, Adrienne Rich as well as Nathaniel Hawthorne, Herman Melville, Ernest Hemingway. Using that principle, I led a team that created a very successful collection, The Heath Anthology of American Literature.
Mickey and Dick Flacks enjoyed a 60-year marital and political partnership that featured blintzes along with activism. Their joint memoir traces a century of American left history as they and their families created and lived it. Raised in the rich but insulated culture of the communist “old left” in the Bronx and Brooklyn, these founding figures of the "new left,” helped construct a post-sixties progressive movement in a once-conservative region of California. They have been trailblazers in the struggles for affordable housing, and leaders and mentors—including me—in the on-going efforts to democratize higher education. Their activist left perspective on American possibility—unimaginable for too many Americans—belongs on our bookshelves.
Making History/Making Blintzes is a chronicle of the political and personal lives of progressive activists Richard (Dick) and Miriam (Mickey) Flacks, two of the founders of Students for a Democratic Society (SDS). As active members of the Civil Rights movement and the anti-Vietnam War movement in the 1960s, and leaders in today's social movements, their stories are a first-hand account of progressive American activism from the 1960s to the present.
Throughout this memoir, the couple demonstrates that their lifelong commitment to making history through social activism cannot be understood without returning to the deeply personal context of their family history-of…
I’m an investigative journalist and social historian who’s obsessed with ‘invisible’ women of the 19th and early 20th century, bringing their stories to life in highly readable narrative non-fiction. I love the detective work involved in resurrecting ordinary women’s lives: shop girls, milliners, campaigning housewives, servants. . . The stories I’ve uncovered are gripping, often shocking and frequently poignant – but also celebrate women’s determination, solidarity and capacity for reinvention. Each of my two books took me on a long research journey deep into the archives: The Housekeeper’s Tale – the Women Who Really Ran the English Country House, and Etta Lemon – The Woman Who Saved the Birds.
An unusually honest, rural memoir by the RSPB’s longest-serving female columnist. Chester’s writing has a lovely elasticity, dancing between wonder, introspection, and anger as she moves from the particular to the universal. I learned a lot about how Britain’s countryside is managed. I also enjoyed her more eccentric impulses, such as lying down in the snow on the edge of a field one night, just to see what might happen. She belongs to the disappearing English rural working class, and is intent on handing this baton to her three children. Chester also explores the familiar tension between wanting to write and being needed at home. The heady ecstasy of time carved out alone, in nature. The scrabble to earn a precarious living, and the insecurities of occupying a tied cottage. The idea of ‘home’ lies at the heart of this fierce, beautifully written, immersive book about one’s place within the…
