Bathsheba Demuth is a historian and prize-winning writer, interested in how people, ideas, places, and other-than-human species intersect in the far north. Her interest in these subjects began when she was 18 and spent several years in the Yukon, mushing huskies, hunting caribou, fishing for salmon, and otherwise learning to survive in the taiga and tundra. Now, when not in the Arctic, she lives in Rhode Island, where she is a professor at Brown University.
Any discussion of how people and nature relate to each other in the twenty-first century will come up against the issue of climate change. And there are so many good books to read on the topic – Elizabeth Rush’s Rising comes right to mind, or the collection All We Can Save, edited by Ayana Elizabeth Johnson and Katharine Wilkinson. What Tale of Two Planets offers is a global perspective on rising seas, changing seasons, and damaging weather through genres from poetry to prose to fiction. Each author brings clarity to the science and politics of climate change, but the sections here are also portraits of love for place and community. If you’ve never read a book on climate change before, it’s a great start; if you’ve read them all, there’s something new and beautiful here.
Building from his acclaimed anthology Tales of Two Americas, beloved writer and editor John Freeman draws together a group of our greatest writers from around the world to help us see how the environmental crisis is hitting some of the most vulnerable communities where they live.
In the past five years, John Freeman, previously editor of Granta, has launched a celebrated international literary magazine, Freeman's, and compiled two acclaimed anthologies that deal with income inequality as it is experienced. In the course of this work, one major theme came up repeatedly: Climate change is making already dire inequalities much worse,…
My father introduced me to the world as we paged through his old pre-WWII atlas. We traced borders and rivers with our fingers and he spoke names that were magical incantations and invitations to a world more exciting and mysterious than our midwestern home. As a reader, I was drawn to books about travel and as a budding writer, I was inspired by the adventures of “Brenda Starr, Girl Reporter” featured in the Sunday comics of my youth. I packed my bags early and my passport is never out of date. I continue to read traveloirs, and I write in my journal every day. Oh! The places I will go.
While on a summer backpacking trip with her fiancé, twenty-eight-year-old Shannon Fowler’s life was suddenly and irreparably altered when her fiancé was stung and killed by a box jellyfish on the remote shore of an island in Thailand. In an effort to save her own life, to discover how to go on, she turned to traveling the world.
In rich detail, heart-breakingly honest prose, and deeply intimate story-telling, Shannon takes us along as she journeys to some of the most grief-stricken and tragic sites in the world. It’s through her travels, her interactions with strangers, her explorations that she begins to heal.
This story and Shannon’s unflinching telling gave me courage as I wrote my memoir—courage to open my heart not just to my own grief but to my personal connection to the ceaseless grief in our world.
'A cross between H is for Hawk and Wild' Stylist 'A courageous memoir of love and loss . . . compelling' Sunday Express 'Intimate and inspiring' Observer 'Rich and absorbing' Cathy Rentzenbrink, author of The Last Act of Love 'A brave and necessary record of love, as beautiful as it is heartbreaking' Ann Patchett, author of Commonwealth
On a warm evening on a beautiful beach in Thailand, Shannon Leone Fowler's life was shattered when a box jellyfish - the most venomous animal in the world - wrapped itself around her fiance Sean's legs, stinging and killing him in minutes.
During 30 years living in Chiang Mai, Thailand, I have developed a deep appreciation of Northern Thai culture and a fascination with its 700-year history. Though the region escaped being colonised as were nearby Laos (by the French) and Burma (by the Brits), a teak boom in the late 19th century came close to pulling it under the colonial yoke as Western trading companies muscled in. Teak Lord explores the frequently fragile relationships between circumspect Asians and adventurous Westerners, against a background of shifting borders and impenetrable jungle.
Norman Lewis is best known for his non-fiction works such as The Golden Land (about Burma) and A Dragon Apparent (about Vietnam). Yet he also wrote a dozen novels that show a great flair for characterisation, dialogue and plot pacing, in addition to his incisive descriptions. A Single Pilgrimtells the story of John Crane, manager of a teak logging company in North Thailand, who revels in “the voluptuousness of routine and civilized triviality”. However, his company’s leases are about to expire and the thought of an end to his Oriental idyll is more than Crane can bear.
As Professor of History and Global Asian Studies and Director of the Engaged Humanities Institute at the University of Illinois at Chicago, I'm interested in intersections at the margins between cultural systems. I first became drawn to Chinese history after visiting the country in 1982 and returned to teach English there before undertaking graduate studies. My work on eighteenth-century China focuses on ethnography and cartography as tools of empire building during its period of growth and expansion. My current project, Bridging Worlds: Reflections on a Journey, chronicles a quest for personal integration when obtaining an education has too often become predicated on the ability to cut oneself off from aspects of one’s own inner knowing and lived experience.
Tracing the emergence of the modern nation of Thailand from the Kingdom of Siam, Thongchai Winichakul demonstrates that the rulers of the emergent nation gradually adopted the same logic of national sovereignty and geopolitics as its colonial neighbors in the region, France and Britain. The implication is that in modernizing and reconfiguring what constitutes sovereignty Asian nations are not necessarily more benign than their western counterparts in extending their rule’ victims of western colonial aggression are not exempt from exercising similar forms of coercion against their own inner others.
This unusual and intriguing study of nationhood explores the 19th-century confrontation of ideas that transformed the kingdom of Siam into the modern conception of a nation. Siam Mapped challenges much that has been written on Thai history because it demonstrates convincingly that the physical and political definition of Thailand on which other works are based is anachronistic.
After retiring from a career in climate science, I reinvented myself as an English teacher, a yoga instructor, and a writer. I write personal essays about my life experiences, in particular my time teaching in Thailand. Before I traveled to Thailand, while I was there, and when I returned home to the US, I devoured every book I could find that could help me make sense of Thai culture and manage as a farang (foreigner, Westerner) in the Land of Smiles. Here are my five picks for helping other farangs understand Thailand.
The “many lives” in this series of linked short stories are those of eleven passengers who perish when a Bangkok-bound boat capsizes in a fierce storm.
I relished each story of each life, both as a literary gem and as an insight into something fundamental about Thai society, such as the importance of social class, the role of urban migration in altering provincial life, the potentially stifling aspects of intergenerational family obligations, and the overriding role of karma in Thai conceptions of life and death.
To me, Many Lives is to Thai culture what Thornton Wilder’s classic Our Town is to American culture.
"That night, the rain poured and wind howled, raindrops crashing like solid objects onto the ground and water. A passenger boat from Ban Phaen to Bangkok, packed with people, pressed on through the current amidst the rising clamor of the rain and storm. . . ." The boat capsizes in the torrent, and washed up on the shore the next morning are the sodden bodies of the many passengers who lost their lives.
Thus begins M. R. Kukrit Pramoj's classic novel set in the Thailand of the early 1950s and first published in 1954. The life of each passenger who…
During 30 years living in Chiang Mai, Thailand, I have developed a deep appreciation of Northern Thai culture and a fascination with its 700-year history. Though the region escaped being colonised as were nearby Laos (by the French) and Burma (by the Brits), a teak boom in the late 19th century came close to pulling it under the colonial yoke as Western trading companies muscled in. Teak Lord explores the frequently fragile relationships between circumspect Asians and adventurous Westerners, against a background of shifting borders and impenetrable jungle.
This memoir of a teak inspector working in the forests of North Siam offers a fascinating glimpse into the life of an Englishman coming to terms with an alien culture and environment in the 1920s. Campbell’s sharp observations and dry wit carry the reader through the steps involved in teak logging, from girdling the trees to felling, dragging, and floating them downstream, and offer the chance to share encounters with man-eating tigers and rogue elephants along the way.
Here is a bold and entertaining account of the life of a European teak inspector working in the heart of the Thai countryside in the 1920s. Beginning with a description of his voyage, Campbell conveys the adventure and the loneliness, the beauty and the terror, that was the White Man's lot and sprinkles his narrative with pithy anecdotes about his various encounters. Teak-Wallah is an evocative tale of a world that still exists, but in which the European no longer has a role.
I am attracted to people and ideas that bridge the internal and external life through their art and writing. I was driven to pursue art history and psychoanalysis for this reason. In one field, we have the external object as the center of inquiry, and in the other, the Self. These books all inspired me to see the world through a new lens.
Morgan illuminates and analyzes the visual culture of religion that scholars have neglected to consider seriously. His lyrical and incisive deep dive into the visual aspects and social contexts of a broad range of case histories, including religious Americana, opens up the “field” of visuality beyond the object itself and to the phenomenology of seeing.
'Sacred gaze' denotes any way of seeing that invests its object - an image, a person, a time, a place - with spiritual significance. Drawing from many different fields, David Morgan investigates key aspects of vision and imagery in a variety of religious traditions. His lively, innovative book explores how viewers absorb and process religious imagery and how their experience contributes to the social, intellectual, and perceptual construction of reality. Ranging widely from thirteenth-century Japan and eighteenth-century Tibet to contemporary America, Thailand, and Africa, "The Sacred Gaze" discusses the religious functions of images and the tools viewers use to interpret…
I have always had a thirst for mystery and puzzle-solving, which has expanded into books as I've grown. For me, emotions play an important role in any tale. Suspense novels that bring a personal element allow the puzzle to unfold meaningfully. Like slotting the last piece of a jigsaw in place, I want to feel their emotions—the fear that makes their hearts pump in rapid beats. Their sorrow and happiness. I want to know I have been on a journey when I finish. And one, I didn’t travel alone. I hope you, too, go on a journey with the books I have recommended.
This is a craftily written tale of murder against the breathtaking backdrop of the Thai Island of Samui (the Land of Smiles). The blend of local traditions and colorful characters lured me in until I could smell the spices and hear the beeping of car horns.
I love characters that are quirky and unpredictable, and private detective David Braddock is just that. He’s a man battling with his past and bad habits, keeping the Chief of Police satisfied and solving the murders before he gets sidelined by his superiors.
'He opens a drawer of his desk, casually takes out a pistol, flicks off the safety catch and points it at my head. He says almost sorrowfully, "Do you imagine me to be a gangster, Mr Braddock?"'
It is January 2005, and the charred remains of two Europeans have been discovered on the Thai island of Samui. Local Police Chief Charoenkul, sidelined by his superiors, enlists the reluctant David Braddock, a burnt-out private detective, to assist in an ‘unofficial’ investigation. But Braddock has problems of his own, including an affair with the same Police Chief’s wife ...
I've lived in Asia for more than 22 years and have extensively traveled around the region, both for work and pleasure, from the Middle East and central Asia to Japan, and Australia, New Zealand, and every country in between. Asia is the perfect setting for a thriller, as a region that’s deeply rooted in traditions, but where modernity and growth are also breathless. There can be political instability at times, and even corruption, unsurpassed wealth and shocking poverty, bankers, and prostitutes. I worked for many years as an investment banker and my experiences inspired me to write my debut thriller, Hard Underwriting, in Hong Kong, and uncover the dark side of Asia’s financial capital.
This is the first book in Valerie Goldsilk’s extensive ‘Reliable man’ series about former Royal Hong Kong Police inspector-turned assassin Bill Jedburgh, who plies his trade across Asia – and beyond, and who is known to those who use his services only as (you would have guessed it), “the reliable man”.
This thriller is set in Pattaya, Thailand, and involves a high-octane chase between Jedburgh, triad devotees, and European mafiosos, amid the exotic scenery of Southeast Asia. Nothing is missing, including bar girls, massage parlours, and sophisticated shoot outs.
Goldsilk herself has lived in Hong Kong for more than 30 years and is married to a former Hong Kong policeman. The story feels authentic (if not politically correct!) and is well written, as are the other books in the series.
Having been born in Fiji and lived in Cyprus, Austria, and Nigeria, I have always had a strong sense of wanderlust and a keen eye for my surroundings – both natural and man-made. I’ve always been open to "what might happen next," which makes sense as to why I became a professional storyteller – an actor, writer, and director. I am thrilled by not knowing what lies ahead, and I’ve always felt there is possible adventure at every turn in life, which is why I am so fond of the evocative and thrilling books I have listed.
This account of a backpacker’s quest for hedonistic excess made me want to pack my bags and set off into the unknown. A kaleidoscopic rollercoaster of an adventure story moving from India to Thailand, Australia, Hong Kong, and Indonesia… the whole odyssey, like so many of my favorite reads, starts from a simple sliding door moment.
With all its gripping twists and turns, this was vicarious living at its best. Such an adrenaline hit. And it’s all true!
Leaving the blinding sand for the cool shade of the trees, I walked carefully through the undergrowth to where Dave, using two twigs as chopsticks, was picking up a freshly severed human finger...
John's trip to India starts badly when he finds himself looking at the sharp end of a knife in a train station cubicle. His life is saved by the enigmatic Rick, who persuades John to abandon his mundane plans for the future for much, much more. Fast forward to the Thai island of Koh Pha-Ngan where they pose as millionaire aristocrats in a hedonistic Eden of beautiful…
