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I'm a writer and journalist with an eye on South and Southeast Asia. I first visited Cambodia in 1995, an ill-fated trip into Koh Kong, then a war-torn backwater town. I returned in 2001 to research a TV documentary about the likely effects of tourism on the Angkor monuments, Cambodia’s tourist magnet. I’ve visited many times since, traveled on trucks, motorbikes, beaten-up Toyotas, and by bicycle, and have written extensively about the southeast Asian kingdom’s post-war recovery, popular culture, tragic politics, and seedy underbelly. Cambodia is a small country, but its turbulent past and uncertain future, along with its wonderful people, touched me like few other places.
Between 1975 and 1979, the Khmer Rouge communist-ruled Cambodia and drove its population onto rural communes where millions perished from murder and malnutrition. Countless well-researched books have been written on the subject. The Lost Executioner stands out for the commitment of its author. For years, photographer Nic Dunlop carried a photograph of Comrade Duch in his pocket as he traveled through post-war Cambodia, trying to understand the horrors inflicted on its population until he came face to face to face with the head of the Khmer Rouge secret police who was responsible for some 20.000 deaths. The Lost Executioner not only dissects the horror of recent Cambodian politics but also asks pertinent questions about the role of journalists in conflict zones.
Between 1975 and 1979 the seemingly peaceful nation of Cambodia succumbed to one of the most bloodthirsty revolutions in modern history. Nearly two million people were killed. As head of the Khmer Rouge's secret police, Comrade Duch was responsible for the murder of more than 20,000 of them. Twenty years later, not one member of the Khmer Rouge had been held accountable for what had happened, and Comrade Duch had disappeared. Photographer Nic Dunlop became obsessed with the idea of finding Duch, and shedding light on a secret and brutal world that had been sealed off to outsiders. Then, by…
I'm a writer and journalist with an eye on South and Southeast Asia. I first visited Cambodia in 1995, an ill-fated trip into Koh Kong, then a war-torn backwater town. I returned in 2001 to research a TV documentary about the likely effects of tourism on the Angkor monuments, Cambodia’s tourist magnet. I’ve visited many times since, traveled on trucks, motorbikes, beaten-up Toyotas, and by bicycle, and have written extensively about the southeast Asian kingdom’s post-war recovery, popular culture, tragic politics, and seedy underbelly. Cambodia is a small country, but its turbulent past and uncertain future, along with its wonderful people, touched me like few other places.
Cambodia, Joel Brinkley writes, is the most dangerous country in the world. The first one falls in love with it, then it breaks one’s heart. Cambodia’s Curse is a book of two tales. Brinkley’s retelling of the war years is a little revisionist but the chapters on the post-war reconstruction, the dirty politics, the lack of opportunities for ordinary people, and the venality of the government that remains in place to this day rightly and masterfully lay the blame for countless missed opportunities to create a more equitable society both into the hands of the international community’s attempts to create ‘democracy’ and Hun Sen’s regime.
A generation after the Khmer Rouge, Cambodia shows every sign of having overcome its history- the streets of Phnom Penh are paved skyscrapers dot the skyline. But under this facade lies a country still haunted by its years of terror. Joel Brinkley won a Pulitzer Prize for his reporting in Cambodia on the fall of the Khmer Rouge regime that killed one quarter of the nation's population during its years in power. In 1992, the world came together to help pull the small nation out of the mire. Cambodia became a United Nations protectorate- the first and only time the…
I'm a writer and journalist with an eye on South and Southeast Asia. I first visited Cambodia in 1995, an ill-fated trip into Koh Kong, then a war-torn backwater town. I returned in 2001 to research a TV documentary about the likely effects of tourism on the Angkor monuments, Cambodia’s tourist magnet. I’ve visited many times since, traveled on trucks, motorbikes, beaten-up Toyotas, and by bicycle, and have written extensively about the southeast Asian kingdom’s post-war recovery, popular culture, tragic politics, and seedy underbelly. Cambodia is a small country, but its turbulent past and uncertain future, along with its wonderful people, touched me like few other places.
Books on Cambodia predominantly cover the communist revolution and genocide. Carrying Cambodia is a different proposition, a photo book that depicts the resourcefulness of ordinary Cambodians in the post-war era. The two authors/photographers spent considerable time on the back of motorbikes cruising the highways and by-ways of Cambodia to capture the incredible efforts its people have to make to get from A to B. Images of trucks, bikes, tuk-tuks, and cyclos unbelievably overloaded with people and produce give a candid impression of the daily struggle of citizens living in unjust, broken societies, but also celebrates a resurging Khmer spirit in the face of incredible challenges.
Unbelievable feats of transportation are an everyday occurrence on the streets of Cambodia. Tuk-tuks, cyclos, cars, trucks, motorbikes and bicycles transport loads that defy your wildest imagination. Tuk-tuks crammed to the roof with fruit and veg, beaten-up old taxis transporting pigs bigger than people, beds bigger than pigs and water tanks bigger than beds! Six people on one small motorbike, and 67 people standing on the back of a flatbed lorry.
Photographers Hans Kemp and Conor Wall spent hundreds of long, painful hours on the back of motorbikes documenting this unique street culture, resulting in this amazing book loaded with…
I first saw Angkor, capital of the Khmer Empire, in 1969 as a teenager and was bowled over by the place. I kept coming back as a journalist and author. They say you should write about things that truly crank your engine, and I found mine—imperial conquest, Hindu and Buddhist spirituality, astounding architecture, and the lives of the millions of people who inhabited and built the place. I’ve now written three non-fiction books and two historical novels set in the civilization’s twelfth-century peak. The novels are an effort to recreate life in the old days. They draw heavily on my years in Southeast Asia, experiencing what life is like in the present day.
Ryman is known mainly as a science fiction and fantasy writer, and there’s a hint of that here, as the story moves back and forth between the twelfth century, the heyday of the Khmer Empire, and present-day, post-Khmer Rouge Cambodia. My own writing has tried to depict life in the ancient days, so I of course wanted to see how someone else would do it. The answer is superbly. Ryman gives us an epic-scale life story of the great king Jayavarman VII, about whom next to nothing is known on a personal level. But now there’s plenty, or so it can seem, because it’s impossible not to buy into this portrait: the king’s inner motivations, his empathy for ordinary people in his realm, his accomplishments that are both military and spiritual. And Ryman’s depiction of a modern society recovering from genocide rings horribly true, peopled by an aging French archaeologist,…
"[Ryman] has not so much created as revealed a world in which the promise of redemption takes seed even in horror."-The Boston Globe "Sweeping and beautiful...The complex story tears the veil from a hidden world."-The Sunday Times "Inordinately readable ...extraordinary in its detail, color and brutality."-The Independent "Ryman has crafted a solid historical novel with an authentic feel for both ancient and modern Cambodia." -Washington DC City Paper "Another masterpiece by one of the greatest fiction writers of our time."-Kim Stanley Robinson "Ryman's knack for depicting characters; his ability to tell multiple, interrelated stories; and his knowledge of Cambodian history…
I grew up in part in Chile, and when the Pinochet dictatorship started killing and torturing people, I wanted to do something about it. Years later, as a professor of international law, I helped countries figure out what to do after mass atrocities. Seeing how trials in other countries – or in international criminal courts – could break through barriers and make it possible to bring those who killed, tortured, or disappeared thousands of people to justice gave me hope. I wanted to tell the stories of the brave people who overcame the odds to do justice, in a readable and exciting way that also explained the legal and political issues involved.
Etcheson has spent decades working for justice for survivors of the Khmer Rouge massacres of the 1970s. He tells the inside story of the diplomatic, legal, political, and social maneuvering behind the negotiation, setup, and operation of the Extraordinary Chambers of the Courts of Cambodia. That court, plagued by political interference, only managed to try three defendants, but its legacy went beyond the actual trials, sometimes in surprising ways. The book is engaging and has fascinating details on behind-the-scenes discussions.
In just a few short years, the Khmer Rouge presided over one of the twentieth century's cruelest reigns of terror. Since its 1979 overthrow, there have been several attempts to hold the perpetrators accountable, from a People's Revolutionary Tribunal shortly afterward through the early 2000s Extraordinary Chambers in the Courts of Cambodia, also known as the Khmer Rouge Tribunal. Extraordinary Justice offers a definitive account of the quest for justice in Cambodia that uses this history to develop a theoretical framework for understanding the interaction between law and politics in war crimes tribunals.
Since arriving as a refugee in America, my father, Mae Bunseng has always wanted to tell his story. It would take many decades later for me, as I was coming of age, to consider what exactly my father had lived through. I was shocked at what he told me and knew his story had to be told. Thus over a decade ago I worked with my him to what eventually became Under the Naga Tail. In addition to this book, along the way, a short documentary called Ghost Mountain was created and released on PBS, which is accessible for streaming here. The film would win the best documentary at the HAAPI Film Festival.
Haing Ngor, is still only one of three Asian actors to win an Oscar, received in 1985 for Best Supporting Actor in his portrayal of journalist Dith Pran for the film, The Killing Fields.Remarkably Haing Ngor himself was a survivor of the genocide in Cambodia, a trained Doctor at the time before the Khmer Rouge enacted their devastating atrocities upon the country. He would only survive torture by pretending to be an uneducated taxi driver. This book will leave you in awe and inspired, as it did for me, of Haing Ngor’s life. He resettles in America, doing jobs cleaning latrines to suddenly finding himself becoming Hollywood famous overnight. He was an important voice in the advocacy of human rights, until he, unfortunately, passed away in 1996.
This is an autobiographical account of life in Cambodia under the Khmer Rouge, written by the Oscar-winning actor from "The Killing Fields", whose own experiences under the Khmer Rouge were more shocking than those of Dith Pran, the character he played. The Khmer Rouge, led by Maoist fanatics, laid waste to the social fabric of Cambodia, forcing the entire population into agricultural labour camps and murdering those they considered bourgeois or intellectual. As a doctor, Haing S. Ngor was a special target of the Khmer Rouge; his family was wiped out, his wife died from starvation in his arms, and…
In the crucial period after the end of WW2 the stage became set for thirty years of war in Vietnam, yet there’s very little written of it. My stepfather was there, and Hanoi, Adieu is a memoir of his experiences and his sentiments about what happened in the country he’d grown to love. I have a fascination for Southeast Asian history and he was keen for me to tell his story such that readers could absorb the history through his book. I have recommended here those I enjoyed and found useful from a historical or atmospheric perspective in the larger context of French Indochina. I hope you will too.
Personally, I love historical memoirs, real stories from people who were there. Fast forward 14 years of war from the time Michel left Hanoi to dive into the memoir of another who fell for the allure of Vietnam and Cambodia. British journalist Jon Swain was in the region from 1970 to 1975 and saw the horrors committed by the Khmer Rouge when it finally took Phnom Penh in Cambodia. Having been captured by the Khmer Rouge he was saved from execution only by the actions of The New York Times interpreter, Dith Pran. It was this story and experience that inspired the Oscar-winning movie The Killing Fields. The author’s love for Indochina shines through the pages despite the fact that he is often sickened by the brutality and atrocities he witnessed. He also successfully captures the doomed atmosphere in Saigon as the Americans and the South Vietnamese realise they…
"A splendid memoir...a tale, at once tragic and beautiful, of love and loss, of coming of age and of witnessing the end of Indochina as the West had known it for more than a century."—Los Angleles Times Book Review. From the writer immortalized in the Academy Award-winning film The Killing Fields.
I am a biblical scholar who has become a historian of violence because I could no longer ignore the realities of the present or my own past. I write of violence for my childhood self, who was bullied for a decade and used to run away from school. I write of it for my grandfather, who was born of exploitation. I write of it for my African-American wife and daughter, in the hopes that I might contribute to the elimination of hierarchies that threaten their dignity and sometimes their lives. Doing this work is not just intellectual for me—it is a memorialization and a ritual of healing.
This book is the first global history of genocide and is indispensable for understanding the phenomenon of genocide. What is so useful about the book is not merely its broad coverage but Kiernan's masterful analyses of genocides occurring in widely different times and places.
A book of surpassing importance that should be required reading for leaders and policymakers throughout the world
For thirty years Ben Kiernan has been deeply involved in the study of genocide and crimes against humanity. He has played a key role in unearthing confidential documentation of the atrocities committed by the Khmer Rouge. His writings have transformed our understanding not only of twentieth-century Cambodia but also of the historical phenomenon of genocide. This new book-the first global history of genocide and extermination from ancient times-is among his most important achievements. Kiernan examines outbreaks of mass violence from the classical era…
Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.
Even though it’s about a neighboring country, and I think we even met when we were both living abroad, Amit’s experience of Cambodia in the 1990s couldn’t have been more different from my experience of Laos. He focuses on the excesses of expat life in the capital city; for better or for worse, it makes for a great read.
Phnom Penh is a city of beauty and degradation, tranquillity and violence, and tradition and transformation; a city of temples and brothels, music and gunfire, and festivals and coups.
But for many, it is simply an anarchic celebration of insanity and indulgence. Whether it is the $2 wooden shack brothels, the marijuana-pizza restaurants, the AK-47 fireworks displays, or the intricate brutality of Cambodian politics, Phnom Penh never ceases to amaze and amuse. For an individual coming from a modern Western society, it is a place where the immoral becomes acceptable and the insane becomes normal.
My travels have been quite adventurous, purposely or by accident. I’ve visited 32 countries, 5 of them Communist. I look below the surface. I love the jungle and even Mexican police. My young reader novels have elements of crime. I knew and know a lot of tough guys and use elements of them in my characters. Crime weaved through much of my 32-year firefighting career. Firefighter crime thrillers are rare. Firefighters do come in contact with crime: bomb threats, meth labs, child abuse, arson of all sorts, murder, assaults, drownings, and as they say ‘much, much more’. I’m glad to be retired.
The difference in this crime novel is that the protagonist is Mailer, a German investigator working for a Euro outfit.
His knowledge of Cambodia and their culture is wonderful. I’ve been to Cambodia and only saw a thin edge of this. Mailer is by far no super tough guy but he is dogged. Even though he is experienced and realizes there might be some danger he does end up in plenty of trouble.
His enemies attempt to obfuscate his investigation physically as well as his friends and contacts. Great imaging. Vater places you in Phnom Penh and villages with sounds and smells.
Detective Maier has a new case. This time it is a cold case: investigating the death of Julia Rendel's father, an East German culture attaché who was killed near a fabled CIA airbase in central Laos in 1976.
But before the detective can set off, his client is kidnapped right out of his arms. Maier follows Julia's trail to the Laotian capital Vientiane, where he learns different parties, including his missing client, are searching for a legendary CIA file crammed with Cold War secrets.
The real prize, however, is the file's author: someone codenamed Weltmeister, a former US and Vietnamese…
