Fans pick 61 books like Off the Rails in Phnom Penh

I was born in England but was ‘exported’ to Malaya/sia in the 1950s, where my father worked as an engineer. I developed a life-long love for the languages and cultures of the region. I did Chinese Studies at Leeds University and then went to study Chinese literature in China, arriving there in 1976. I have retained a love and fascination for the Far East and have lived and worked in tertiary institutions in Burma, China, Hong Kong, Singapore, and Taiwan. I loved the books on my list because they all added to my knowledge of China but in very different ways.

In addition to writing novels, I’m also a playwright. Whatever form I work in, I’m drawn to character, drama, and emotion. I aspire to write literary page-turners that feel as rich and complicated as real life.  Also, I want the endings of my books to slay readers and break their hearts. Of course, when I say that, I’m not necessarily speaking of sorrow; sometimes your heart breaks from expanding, from a surfeit of feeling. Your heart breaks only to grow larger.

Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.

Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.

My travels have been quite adventurous, purposely or by accident. I’ve visited 32 countries, 5 of them Communist. I look below the surface. I love the jungle and even Mexican police. My young reader novels have elements of crime. I knew and know a lot of tough guys and use elements of them in my characters. Crime weaved through much of my 32-year firefighting career. Firefighter crime thrillers are rare. Firefighters do come in contact with crime: bomb threats, meth labs, child abuse, arson of all sorts, murder, assaults, drownings, and as they say ‘much, much more’. I’m glad to be retired.

I'm a writer and journalist with an eye on South and Southeast Asia. I first visited Cambodia in 1995, an ill-fated trip into Koh Kong, then a war-torn backwater town. I returned in 2001 to research a TV documentary about the likely effects of tourism on the Angkor monuments, Cambodia’s tourist magnet. I’ve visited many times since, traveled on trucks, motorbikes, beaten-up Toyotas, and by bicycle, and have written extensively about the southeast Asian kingdom’s post-war recovery, popular culture, tragic politics, and seedy underbelly. Cambodia is a small country, but its turbulent past and uncertain future, along with its wonderful people, touched me like few other places.

Visceral, transformative books have the capacity to improve lives. I am impassioned about books of oppression because of their ability to lend a voice to unspeakable, excruciating accounts of subjugation. Voices that might’ve otherwise went unheard or not as deeply understood as within the integral pages of a book to readers. Therefore, I believe it's important to recommend life-changing books to the youth to inform them of world oppression. As they, themselves, enter into responsibility and power. Whether it’s through brilliant, allegorical fiction or pivotal nonfiction, we can educate the future of humanity itself. Together, we can all foster a better world.

As a child, I fell in love with horses. As a teen, I fell in love with a cowboy. That’s how I became the wife and mother of professional rodeo bullfighters and wrote for rodeo magazines. Today I write historical cowboy romances. The Western way of life is down-to-earth, honest, and God-fearing—even in our contemporary world, and I’ve written several of those stories as well. But my favorite challenge takes me back to the 1800s when life was simpler. Not easier, just simpler even though people faced the same emotional challenges we face today. I love writing about their journeys and encouraging readers that there is hope.

Like many of us over (ahem…we’ll say) 40, I grew up reading historical romance—those were the first full-length romance novels on store shelves. My mum is British and visits there added to my interest in Regency England. Then 50 Shades exploded and people’s spice level tolerance increased. But mainly in contemporary romance, with all the tools and toys. Curious as to how spice in the Regency would look, I went searching. I found a few of these fabulous authors, but not many choices, so I decided to write one. Now there are more authors published in this subgenre, and I’m proud to be one of them.

Having grown up with an older generation—my great-grandparents, great-great aunts and uncles, and a godmother, all who were born between 1877 and 1900—I learned to appreciate how they lived and what they went through. As a child, I found a hand-written poem about a brothel queen who caused a gunfight between her paramour and a stranger. Then, in college, I met a wonderful old man who told me stories about the former red-light district right in my own neighborhood. Once I learned the often tragic, but also successful stories of these ladies, I decided to be their voice and remind America how important they were to our history.