I was so taken by this book about the wives of a couple of engineers in Vietnam in 1963. The narrator is green in every sense (in her marriage, in her understand of the political landscape, in her desires), and the woman she becomes close to, though also trapped by her circumstances, is the opposite, refusing to be simply so. I found their dynamic and the way they are both ultimately held in place to be so revealing of power and lack thereof.
Named a Best Book of the Year by Time, Esquire, Good Housekeeping, Kirkus Reviews, Los Angeles Times, NPR, Oprah Daily, Real Simple, and Vogue
A riveting account of women’s lives on the margins of the Vietnam War, from the renowned winner of the National Book Award.
You have no idea what it was like. For us. The women, I mean. The wives.
American women―American wives―have been mostly minor characters in the literature of the Vietnam War, but in Absolution they take center stage. Tricia is a shy newlywed, married to a rising attorney on…
In the crucial period after the end of WW2 the stage became set for thirty years of war in Vietnam, yet there’s very little written of it. My stepfather was there, and Hanoi, Adieu is a memoir of his experiences and his sentiments about what happened in the country he’d grown to love. I have a fascination for Southeast Asian history and he was keen for me to tell his story such that readers could absorb the history through his book. I have recommended here those I enjoyed and found useful from a historical or atmospheric perspective in the larger context of French Indochina. I hope you will too.
If you don’t mind a long read and are after a novel rather than non-fiction then this is my pick. It is an epic saga of the last decades of the French in Indochina, following the story of American Joseph Sherman who becomes enchanted by the country and entangled in the lives of two different families, one French and one Vietnamese. It is essentially a love story involving a Mandarin’s daughter but it will give you a flavour of the political plot twists and military conflicts that were the reality of this turbulent period of history. The book spans 50 years to the end of the Vietnam War in 1975, but refreshingly does not try to push any real political perspective. Once again, it is a novel but it will certainly give you a taste of Indochineand an idea of the grand sweep of Vietnam’s tumultuous history.
An epic saga of love, blood, and destiny in twentieth-century Vietnam: "This superb novel could well be the War and Peace of our age" (San Francisco Chronicle).
Joseph Sherman first visits Saigon-the capital of French colonial Cochin-China-as a young man on his father's hunting trip in 1925. But the exotic land lures him back again and again as a traveler, soldier, and reporter. He returns because of his fascination for the enchanting city-and for Lan, a mandarin's daughter he cannot forget.
Over five decades Joseph's life becomes enmeshed with the political intrigues of two of Saigon's most influential families, the…
There’s
so much to love in Daughters of the New Year. I was captivated by the
way the mythology of the Vietnamese zodiac provides a frame for this story of
family and immigration and the generational legacy of trauma.
In the present
generation of Vietnamese women, one of the daughters is on a reality TV show, and I’m always a sucker for books about reality TV. But what really stuck out
to me is the book’s structure, moving backward in time through the
generations of women, the narrative becoming fuzzier and fuzzier in the distant
past.
It shouldn’t work, but it does and creates a perfect picture of
assimilation and resistance.
A Recommended Read from: Salon * Good Morning America * People Magazine * Electric Lit * Goodreads * Buzzfeed * The Seattle Times * Deep South Magazine * Book Culture * Debutiful
A lively, spellbinding tale about the extraordinary women within a Vietnamese immigrant family—and the ancient zodiac legend that binds them together
What does the future hold for those born in the years of the Dragon, Tiger, and Goat?
In present day New Orleans, Xuan Trung, former beauty queen turned refugee after the Fall of…
When I was invited to write a historical fiction that appealed to male readers, I wanted to showcase the struggles and dramas in peacetime rather than in war. Scientists vilifying the fly in order to demonstrate the connection between microbes and disease—and enlisting children to kill the fly—now that was a battle I could get behind. Revenge on the Fly, in all the forty books I’ve written, is my only foray into historical fiction. However, like most writers, I read across the genres voraciously. What I most love to read and write about are strong characters who demonstrate unwavering resilience.
Many authors like to use the drama of battle to engage readers in history but instead in Last Airlift Marsha Skrypuch uses the emotional aftermath and upheaval. Thisis the real-life story of Son Thi Anh Tuyet at eight years old when she is rescued from a Saigon orphanage and airlifted to Toronto in April of 1975. Tuyet has survived polio and feels her limp will prevent her from being adopted so she makes herself useful and looks after the orphan babies. When she arrives in Canada, she expects to continue her role as a caregiver for children but instead finds a family that cares about her.
A true story about life in a Saigon orphanage, a dramatic rescue flight from Vietnam to Canada, adoption by a Canadian family, and growing up in Canada.
Last Airlift is the true story of the last Canadian airlift operation that left Saigon and arrived in Toronto on April 13, 1975. Son Thi Anh Tuyet was one of 57 babies and children on that flight. Based on personal interviews and enhanced with archive photos, Tuyet's story of the Saigon orphanage and her flight to Canada is an emotional and suspenseful journey brought to life by award-winning children's author, Marsha Forchuk Skrypuch.…
Who hasn’t seen the classic American movies on the Vietnam War–Apocalypse Now, The Deer Hunter, or Platoon? They are fine films, but have you ever asked yourself where the Vietnamese are? Save for a few stereotyped cameo appearances, they are remarkably absent. I teach the history of the wars in Vietnam at the Université du Québec à Montréal. My students and I explore the French and the American sides in the wars for Vietnam, but one of the things that I’ve tried to do with them is weave the Vietnamese and their voices into our course; this list provides a window into those Vietnamese voices.
If you like graphic memoirs and want one on the Vietnam War, Marcelino Truong’s Such a Lovely Little War is for you.
It’s an autobiographical tale of Truong’s life as the son of a Vietnamese diplomat working for the South Vietnam government and a French mother. We see the war through his eyes, but we also see the world he encountered as a teenager in London, Washington, and then back in Saigon.
The dialogue and the graphics are superb. The juxtaposition between his family and this “lovely little war” turning around it makes this memoir of the Vietnam War a highly original one.
This riveting, beautifully produced graphic memoir tells the story of the early years of the Vietnam war as seen through the eyes of a young boy named Marco, the son of a Vietnamese diplomat and his French wife. The book opens in America, where the boy's father works for the South Vietnam embassy; there the boy is made to feel self-conscious about his otherness thanks to schoolmates who play war games against the so-called "Commies." The family is called back to Saigon in 1961, where the father becomes Prime Minister Ngo Dinh Diem's personal interpreter; as the growing conflict between…
From an early age, I have made a life out of listening to, telling, teaching, and writing about war stories. I am intrigued by their widespread personal and public importance. My changing associations with these stories and their tellers have paralleled evolving stages in my life—son, soldier, father, and college professor. Each stage has spawned different questions and insights about the tales and their narrators. At various moments in my own life, these war stories have also given rise to fantasized adventure, catharsis, emotional highs and lows, insights about human nature tested within the crucible of war, and intriguing relationships with the storytellers—their lives and minds.
As a Vietnam veteran, teacher of war literature, and writer, I am disappointed that I never interviewed Michael Herr. I can only imagine what such an encounter might have been like with this larger-than-life figure, at least the persona (adrenaline junky, reporter on drugs) found in this fragmented collection of war reportage. With its New Journalistic style and content, the sensory-overload writing might be best described as a collection of literary illumination rounds (their underlying message—war is hell and addictive). As a freelance journalist, Herr arrived in Vietnam wanting to reveal the large ugly truths about the war, which he succeeds in doing, but I find the soldiers’ personal war stories more gripping and truthful. For me and even Herr, the real surprise is that this book ultimately chronicles the author’s own war story of innocence lost: the anti-war reporter becomes just as addicted to war as some of his…
A groundbreaking piece of journalism which inspired Stanley Kubrick's classic Vietnam War film Full Metal Jacket.
We took space back quickly, expensively, with total panic and close to maximum brutality. Our machine was devastating. And versatile. It could do everything but stop.
Michael Herr went to Vietnam as a war correspondent for Esquire. He returned to tell the real story in all its hallucinatory madness and brutality, cutting to the quick of the conflict and its seductive, devastating impact on a generation of young men. His unflinching account is haunting in its violence, but…
Born into a powerfully matrilineal family (my mother chose my name when she was twelve) in small town Appalachia, I believe that we inherit our parents’ unresolved emotional dilemmas as well as their physical characteristics, and that the sensual elements of places our families may have inhabited for generations are “bred in the bone.” I’ve always said that history tells us the facts, but literature tells us the story. I’m a language-conscious writer who began as a poet, so that each line has a beat and a rhythm. Words awaken our memories and the powerful unconscious knowledge we all possess. The reader meets the writer inside the story: it’s a connection of mind and heart.
I loved Waltzing With The Dragons for its autobiographical sense of history and description of mother/daughter bonds that are truly universal.
The story begins in 1922 with Ly, the daughter of one of the last Mandarins in north Vietnam, who flees an arranged marriage at thirteen to stay with her father’s friends, a French couple, and lives through the WWII Japanese occupation, finally fleeing to the South where she falls in love with a French Army doctor and gives birth to a daughter, Mai-Tam, in 1952.
Mai-Tam, who is Eurasian and never feels she belongs, grows up in the shadow of the American-Vietnam war. The novel ends in 1967, preserving a mother-daughter kinship that sustains migration and separation.
Waltzing with the Dragons is the true story of a Vietnamese woman and her Eurasian daughter.Born in 1922 in the north of Vietnam, under French colonial rule, Ly was the daughter of one of the last Mandarins, a childhood friend of Ho Chi Minh. After she rebelled against her family, by refusing an arranged marriage at thirteen, she was sent to live with her father’s best friends, a French couple. It was the beginning of a life-long love affair with French culture and lifestyle. At seventeen, she married a French army officer who, shortly there after, was killed in action.…
This is a haunting novella. It's so well-written and captivating at the same time. It looks back on a complicated relationship with precision and emotional honesty. Highly recommended.
A sensational international bestseller, and winner of Frances' coveted Prix Goncourt, 'The Lover' is an unforgettable portrayal of the incandescent relationship between two lovers, and of the hate that slowly tears the girl's family apart.
Saigon, 1930s: a poor young French girl meets the elegant son of a wealthy Chinese family. Soon they are lovers, locked into a private world of passion and intensity that defies all the conventions of their society.
A sensational international bestseller, 'The Lover' is disturbing, erotic, masterly and simply unforgettable.
Myra MacPherson is an acclaimed author of five books and a journalist. She was hired by Ben Bradlee for the Washington Post where she spent twenty years and specialized in politics, in-depth human interest stories, profiles, and covered five presidential campaigns. During four decades of reporting she interviewed famous figures such as Fidel Castro, Helen Keller, and the mother of serial killer, Ted Bundy, as well as several Presidents. Of all the milestone political moments MacPherson covered nothing impressed friends and family more than the 1964 landmark and legendary first American live concert of the Beatles (in the Nation’s Capital), which propelled them into international fame. MacPherson has continued her long career as a journalist, with articles in national magazines on the internet. Her most current -- Forgotten Father of the Abortion Movement, in The New Republic -- tackles abortion rights, which remains a highly controversial politicized battle nearly a half-century since abortion was declared legal in 1973.
Sherry Buchanan takes us on the HoChi Minh trail in a riveting and as relevant a journey to study today as it was 50 years ago. She charts new territory - especially in the vivid, often heartbreaking stories of women who fought in the war as teenagers and the forced roles of housewives who stood on rooftops facing death to shoot down US planes that bombed their homes. Buchanan details the countless centuries of Vietnam's perilous path to freedom. But her vivid writing and crystal clear interviews with women--their youthful dreams and present-day realities--shine a powerful light on a war and a previously unexplored dimension that should never be forgotten.
Part travelogue, part history, and part reflective meditation on conflict and reconciliation, Sherry Buchanan's new book offers both a personal and historical exploration of the Ho Chi Minh Trail, highlighting the critical role women militia and soldiers played in defending the Ho Chi Minh Trail during the Vietnam War. Accompanied by two travelling companions, Buchanan winds her way from Hanoi in the north to Ho Chi Minh City, formerly Saigon, in the south. Driving through the spectacular scenery of Vietnam and Laos, she encounters locations from the Truong Son mountains, the Phong Nha Caves, ancient citadels and Confucian temples to…
The End of the World is Flat is my fifth novel. All my previous work has used comedy to help tell a story, often viewing historical lives and themes through a light-hearted modern prism. This one reverses the process, using historical material – various accounts of Columbus’ first voyage to the Caribbean – to explore a bizarre modern movement. Because I’m critiquing gender ideology – a taboo undertaking in most of the publishing world – I’ve deliberately borrowed the allegorical methods of Bulgakov, Kadare, and, especially, Orwell. I hope the ‘samizdat’ way in which my novel has become a word-of-mouth bestseller makes that homage all the more fitting.
Bulgakov, a Russian born in Kyiv, wrote The Heart of a Dogin 1925 when the Soviet Union was in its infancy. It’s the breezy tale of a surgeon who transplants a human gland into a stray dog, turning an amiable mutt into a vile man.
There’s a punning reference to Stalin in the name of the least flattering character, and the author was clearly inviting his readers to read between the lines: this was an early satire on the Bolshevik social experiment.
It was rejected for publication and circulated instead in samizdat form. Remarkably though, Stalin took the writer under his wing and, while Bulgakov died young, he did so in his own bed. A political satirist can get away with a lot if they do it with charm.
I first read Mikhail Bulgakov's The Master and Margarita on a balcony of the Hotel Metropole in Saigon on three summer evenings in 1971. The tropical air was heavy and full of the smells of cordite and motorcycle exhaust and rotting fish and wood-fire stoves, and the horizon flared ambiguously, perhaps from heat lightning, perhaps from bombs. Later each night, as was my custom, I would wander out into the steamy back alleys of the city, where no one ever seemed to sleep, and crouch in doorways with the people and listen to the stories of their culture and their…
