I love scary books for kids, and scary mysteries in particular. I’m a strong advocate for literacy and reaching reluctant readers, and the author of the multi-award-nominated middle-grade mystery Daybreak on Raven Island and Midnight at the Barclay Hotel, among others. The recent resurgence of horror has brought a fresh new bunch of scary stories for kids. And I love reading these books, even though I’m well out of the target age range. These new scary books for kids blend genres, tackle difficult issues, and show kids that even in the darkest, smallest hour of the night, you can solve the problem at hand and come out on the other side—better, stronger, smarter.
This book starts with a prank gone wrong, when Rafa and his friend steal the school slushy machine and get busted. As punishment, Rafa is sent to Ranch Espanto in New Mexico for the summer.
Rafa makes a friend in Jennie, but his work at the ranch keeps being sabotaged… He has to solve the (supernatural) mystery of the ranch, and in the end the book has a cool plot twist to satisfy mystery readers like myself. Aside from the strong plot, this book also covers tougher topics affecting these kids, giving it depth and heart.
I loved the New Mexico feel of the book, and appreciated how there was a mystery as well as supernatural (and magical realism) elements. The Ghosts of Rancho Espanto is the perfect book for kids who like a blend of genres, not simply another ghost story.
Sometimes parents are creative when they punish you. But not Rafael's dad. He doesn't bother with a traditional punishment when he finds out Rafael and his friends tried to steal a slushie machine from the school cafeteria. He skips right over creative, too. He blasts all the way to completely unhinged and bonkers.
That's how Rafael ends up on a ranch in Middle of Nowhere, New Mexico, thousands of miles from home in Miami. He's content to keep his head down and do as he's told, but his work is inexplicably sabotaged by a strangely familiar man, one with the…
Having known families affected by substance abuse, I’ve long been fascinated by the resiliency of addicts’ relatives and close friends. Equally compelling to me, as a one-time wannabe psychologist, was how living with substance abusers shaped people’s characters and lives. But while the search for a recovering addict drives Beyond Billicombe’s plot, the book is also an ode of sorts to North Devon, the area of England where I spent three of the happiest years of my life. Though I now live outside New York City, I haven’t given up hope on being able to move back there someday.
Dealing with an addicted child or sibling is traumatic enough; when the addict is your parent, the person who is supposed to protect and support you, the fear and betrayal are ramped up to an unbearable level. One of the Boys captures this in all its harrowing detail. Two barely teenaged boys move with their father from Kansas to New Mexico, where the father’s descent into meth addiction obliterates any sense of responsibility, affection, and decency he might once have possessed. Narrated by the younger son, One of the Boys is more than a realistic depiction of addiction; it also shows how far children will go to gain or retain a parent’s love, which is what makes the story so devastating.
A father and his boys have won 'the war': the father's term for his bitter divorce and custody battle. They leave Kansas and drive through the night to their new apartment in Albuquerque. Settled in new schools, the brothers join basketball teams, make friends. Meanwhile their father works from home, smoking cheap cigars to hide another smell. Soon his missteps - the dead-eyed absentmindedness, the late-night noises, the comings and goings of increasingly odd characters - become sinister, and the boys find themselves watching him transform into someone they no longer recognize.
Citizen Scientist begins with this extraordinary statement by the Keeper of Entomology at the London Museum of Natural History, “Study any obscure insect for a week and you will then know more than anyone else on the planet.”
As the author chases the obscure Western red-bellied tiger beetle across New…
I’m a BIG reader of mysteries and thrillers, but I hate it when you read a thriller and guess who did it on page 20, or it turns out it’s a character so obscure you could never have guessed it! But it’s easy to criticize! I’ve wanted to write a young adult thriller since I was young, and over the last few years, I found myself more able to try. For me, writing my book was like running a marathon…I wasn’t sure if I could do it, but now I’m really happy that I did!
Lois Duncan's book really struck a chord with me, primarily because it takes such a dark turn from what starts as a seemingly typical high school prank (glad I hadn’t read this before writing my book!
The story revolves around a group of students who plan to kidnap their strict English teacher, Mr. Griffin, to scare him into being less harsh with his grading. But when the prank goes horribly wrong, leading to Mr. Griffin's accidental death, the real drama starts.
Duncan does a great job showing the panic and moral dilemmas faced by the students as they decide whether to come clean or cover up their deeds. What I really liked the most was how the book explored peer pressure and how easily authority can be undermined by youthful recklessness. Each character is drawn into this web of deceit, showing how quickly things can spiral out of control when…
From beloved author Lois Duncan comes a frightening novel about a group of students who set out to teach their malicious teacher a lesson -- only to learn that one of them could be a killer. Mr. Griffin is the strictest teacher at Del Norte High, with a penchant for endless projects and humiliating students. Even straight-A student Susan can't believe how mean he is to her crush, Dave, and to the charismatic Mark Kinney. So when Dave asks Susan to help a group of students teach Mr. Griffin a lesson of their own, she goes along with them. After…
As a college instructor and a student of Western American Literature for many, many years I have read a great number of western novels for my classes and for my literary studies. In addition to my doctoral dissertation on the topic, I have written and published numerous articles and reviews on western writers, and I have given many public presentations as well. I have a long-standing interest in what makes good works good. As a fiction writer, I have published more than thirty traditional western novels with major publishers, and have won several national awards for my western novels and short stories.
The Sea of Grass is a short novel, standard in length for the time in which it was published (1936), close in time to other short classics such asThe Grapes of Wrath and The Postman Always Rings Twice. It is written in first person, and in some respects, it suggests the influence ofThe Great Gatsby, another short masterpiece some ten years earlier, with an observer narrator, an elegiac tone, an evocative prose style, and interesting figurative language. This novel, like many, draws upon the range war (nesters versus the cattle empire) for its premise, but it becomes a very interesting exploration of human nature and the inevitable passing of time.
Published in 1936, this novel presents in epic scope the conflicts in the settling of the American Southwest. Set in New Mexico in the late 19th century, The Sea of Grass concerns the often violent clashes between the pioneering ranchers, whose cattle range freely through the vast sea of grass, and the farmers, or "nesters," who build fences and turn the sod. Against this background is set the triangle of rancher Colonel Jim Brewton, his unstable Eastern wife Lutie, and the ambitious Brice Chamberlain. Richter casts the story in Homeric terms, with the children caught up in the conflicts of…
Growing up, I’d always been fascinated by science fiction narratives, having been suckered in by Star Warsat a very young age. But it wasn’t until I stumbled upon The Hitchhiker’s GuideTo The Galaxy that I realized stories didn’t have to take everything so seriously. This pivoted to an obsession with comedy, leading me to write skits for the stage and screen in my late 20s as a fun side-gig along with my own comedic sci-fi novel series. I’ve always appreciated stories that lean into the lighter side of things. Reality is grim and dark enough as it is, our escapism doesn’t need to double down on that.
Old Cold Cannibalis a bit of an outlier in this list, as it doesn’t fully conform to the Douglas Adams/Terry Pratchett style of humor/narration or plotting. But it’s a unique book with an amazing voice. I have a soft spot for harsh 1800s white narrators whose doubling down on arrogance and (historically accurate) racism wrap around from being awful to weirdly and unsettlingly charming. Old Cold Cannibal delivers on that 100% and allows it to infuse some humor into what is otherwise a very dark and disturbing narrative that follows a journey across the pre-Civil War U.S. to find and slay a dragon. It’s a rough, but entertaining read.
1849. Two men —professional con artists on the run— cross the dangerous deserts and plains of Texas and New Mexico, on a quest to find and slay a Dragon that has laid waste to the countryside.
Andrew Vietze was five years old when he told his older sister that one day, he would be a park ranger. Twenty-eight years later, he put on his badge for the first time as a seasonal ranger in one of the premier wilderness areas in the East, Maine’s Baxter State Park. Home of Katahdin and the terminus of the Appalachian Trail, “Forever Wild” Baxter has no pavement, no electricity, no stores, no cell service. As a boy, Vietze imagined a life flying around in helicopters, rescuing hikers off mountaintops, fighting forest fires, chasing wilderness despoilers, and plucking people out of raging rivers. And he's spent the past twenty years doing just that.
Technically not a park ranger (but close enough), Philip Connors works seasonally as a fire lookout in one of the last remaining fire towers in the nation,10,000 feet above sea level in the vast fastness of the Gila National Wilderness of New Mexico. From his 7’ by 7’ tower, he oversees a huge swath of a 2.7 million-acre wilderness that seems to want to burn, seeing more than 30,000 lightning strikes a year. It’s a rugged, remote, lonely landscape – and a singular way of life. Like me, Connors left a job as an editor to take up in the wilderness in 2002, and like me, he returns every season because it’s where he belongs.Fire Season explores the history of the Forest Service, fire management, and wilderness conservation in a can’t-put-it-down fashion.
'I've watched deer and elk frolic in the meadow below me, and pine trees explode in a blue ball of smoke. If there's a better job anywhere on the planet, I'd like to know what it is.'
For nearly a decade, Philip Connors has spent half of each year in a small room at the top of a tower, on top of a mountain, alone in millions of acres of remote American wilderness. His job: to look for wildfires.
Capturing the wonder and grandeur of this most unusual job and place, Fire Season evokes both the eerie pleasure of solitude…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
Alongside writing, I’ve been running workshops, teaching and mentoring writers for nearly twenty years, helping people get unstuck and keep going. So I spend most of my working life thinking about creativity and writing—then suddenly I, too, couldn’t write the book I needed to write. Every book in this list is about not-writing for different reasons, in different circumstances, but between them they tell us so much about how we write, why we write, how we get writing to happen—and what’s happening when we can’t. These very different stories resonate with each other, and I hope some of them resonate with you.
First, because it’s incredibly funny. Geoff Dyer set out—he says—to write a sober, serious study of D. H. Lawrence, but life, travel arrangements, random people and his own inertia kept getting in the way. The story of his odyssey doesn’t just evoke all the things about writing that we’ve always suspected (that it’s hard; that it’s easy; that we often wonder why on earth we do it; that we never question that we want to do it). It also, by stealth, evokes and explains an amazing amount about Lawrence, and why he’s a writer that so many people love—or hate—so passionately.
Recounts the author's experiences visiting the places D.H. Lawrence lived while actively not working on a book about Lawrence and not writing his own novel.
I’m obsessed with travel, and have spent years ambling the planet. I’m also an Associate Professor of Philosophy at Durham University—I spend lots of time reading books, and occasionally writing them. Travel and philosophy can help us make sense of our magnificent, peculiar world.
This entertaining book treats travellers who were also liars - people who went abroad, but ‘embellished’ their journeys on returning home. It includes the tale of John Byron “Foul-Weather Jack”, who circumnavigated the globe and reported meeting nine-foot giants in 1776 Argentina. In the 1690s, traveller Louis Hennepin’s lies dramatically altered the topography of New Mexico, introducing false rivers and land masses that appeared on maps for 250 years. In the 1560s, sailor David Ingram claimed to have trekked America—describing giant cities, ruby-adorned kings, and rivers flowing the wrong way. Adams thoughtfully reflects on why these travellers lied, andwhy people at home believed them. The answers lie in the goods and powers associated with travel: prestige, fame, money, and the difficulty of assessing claims about the faraway.
I’m not an expert in gardening, forestry, or herbal medicine. But like everyone else, I have a growing awareness that our planet Earth is entirely dependent on thriving forests and insects and even weeds. We owe it to our children and future generations to learn about and protect our precious resources. Although I live in the big city of Chicago and have a tiny backyard, last year I turned my little grass lawn into prairie! I have creeping charlie, dandelions, creeping phlox, sedge grass, wild violets, white clover, and who knows what else. (Luckily, my neighbors are on board.) I’ve already seen honeybees and hummingbirds. It’s not much, but it’s something I can do.
Everyone feels lost like Jayden at one time or another: His family has moved from the excitement and color of New York City to the vast, empty desert of New Mexico, where at first all Jayden sees and hears are shadows and silence. How can this ever be home?
But very quickly the desert reveals its glorious sounds and colors. Nikki Grimes’s spare, quiet text does a beautiful job of reminding us that nature is everywhere if we only take the time to look, and that finding comfort and joy in the beauty around us can help make any place a home.
From Children's Literature Legacy Award winner Nikki Grimes and highly-acclaimed illustrator Wendell Minor comes a stunning picture book about the beauty of the natural world and finding a new place to call home.
The beauty of the natural world is just waiting to be discovered . . .
When Jayden touches down in New Mexico, he's uncertain how this place could ever be home. But if he takes a walk outside, he just might find something glorious.
Flowers in bright shades . . . Birds and lizards and turtles, all with a story to tell . . . Red rock…
The American Southwest never gets old. Exploring any of the Ancestral Pueblo sites is like walking back in time. Anasazi Medium takes the reader there. I love the land and the culture that has brought us to the present. My character, Santa Fe reporter Rachel Blackstone, reflects this. She is sarcastic at times, can be funny, and has her poignant moments as she copes with a “talent” she never wanted. In Anasazi Medium, I concocted a mixture of mystery, Hopi traditions and a journalist’s eye to entertain and inform. What resulted is a climate mystery in the most water-challenged state in the U.S. and a high adventure read.
Divorce lawyer Neil Hamel always seems to do more PI work than law. In Parrot Blues (A Neil Hamel Mystery) by Judith Van Gieson, she tries to locate a missing woman—and an indigo parrot. Oddly, the husband seems more concerned about the bird than his wife, who may be on her way out of the marriage anyway. But with the parrot as the only witness, it’s a tough case to crack. There’s plenty of New Mexico history and vistas to satisfy, but I found the information about birds and smuggling to be eye-opening. Her relationship with the “Kid” adds to Neil’s character. She’s her own woman, doing things her way. That alone gained my respect.
She may be a divorce lawyer, but Neil Hamel uses her PI's instincts when a millionaire's rare indigo macaw and newly endangered wife are kidnapped together. The unusual search puts her right in the heart of New Mexico's breathtaking Plains of San Agustin, for a dangerous game of bird smuggling and one-upmanship. Armed with high-tech surveillance equipment and a backpack full of her client's money, Neil treks to a remote exchange point. Alas, she returns with the indigo, but no wife, and she's beginning to get ideas. When she learns that one of her chief suspects has suspiciously expired in…
