“Truth may be stranger than fiction, but fiction is truer.” Frederic Raphael. When I was a child, a relative often told stories of a cowboy gear clad cousin who visited our New York family from Texas and claimed he’d once served in Pancho Villa’s army. These tales were the spark that eventually led to Viva, Rose! and my interest in storytelling as well. There’s something about the combination of lived experience and fiction that I find irresistibly engaging and exciting. I’ve worked as a journalist, ghostwriter, and editor, but my happiest happy place is writing and reading stories birthed from a molten core of real life.
This book was inspired by the author’s family stories of the Mexican Revolution. When government armies destroy twelve-year-old Petra’s village and home, she’s forced to lead her grandmother, younger sister, and baby brother through the trackless desert to survive. They encounter kindly monks, ruthless federales, and a band of Villistas who want Petra to join them, but she never veers from her determination to take her family to safety and freedom. This is a powerful read, and I’m thankful and appreciative for the insight it offers into war’s effect on helpless citizens, and the enormous courage, strength, and determination required of every refugee forced to flee their homeland.
I became passionate about the Mexico/US border question after meeting someone who is now a close friend, a Mexican academic who introduced me to some of the issues. She helped me write Saint Death as a way to explore the politics of ultra-capitalism, in the form of multinational business, and the action of drug cartels.
I could have picked almost any of Bowden’s books on the border, for example, the excellent Murder City, but I’m choosing Laboratory of the Future as it’s the first piece of his writing I came across. Bowden, who lived on both sides of the US/Mexican border for many years, was intimate with his subject, and the brutal power of his journalistic writing puts most novelists to shame. He is not afraid to question us or confront us, or hide his anger, but it is never unwarranted. In this book, he, and the thirteen Mexican photographers whose frequently shocking images accompany the text, paints a grim picture of the nature of ultra-capitalism when allowed to run free just south of the border – it is, he says, an experiment: it is the laboratory of our future.
Investigates the myth and reality of the current relationship between the United States and Mexico, with a focus on the more intimate connection between El Paso and the border town of Juarez. The photographers take on issues of immigration, NAFTA, gangs, corruption, drug trafficking, and poverty, and uncover a different Mexico.
I wrestled with big questions as a child, particularly concerning gender inequality. I was aware of the issue as young as 7 years old. I didn’t even feel comfortable challenging the way things were until I was a young adult. Thus began my journey of researching, studying, and embracing women’s rights and gender equality. I feel very passionate about presenting those big questions earlier in the lives of girls, so they start feeling comfortable challenging the places where things don’t make sense, or the areas where inequality still exists. There is a need for more books like these in the market, but I hope you enjoy this list!
Addie Ramirez, the main character of Tumble, is the kind of girl who takes charge of her situation—whether it’s searching for her father or meeting new people or speaking her mind about wrestling.
I felt such a personal connection to Addie; she loves her stepdad, but she still wonders about her father and embarks on a journey to find him and get to know him. And along the way, she meets her wrestling family and learns firsthand how powerful women wrestlers can be.
I loved that readers get to see powerful women in a sport traditionally dominated by men!
Twelve-year-old Adela "Addie" Ramirez has a big decision to make when her stepfather proposes adoption. Addie loves Alex, the only father figure she's ever known, but with a new half brother due in a few months and a big school theater performance on her mind, everything suddenly feels like it's moving too fast. She has a million questions, and the first is about the young man in the photo she found hidden away in her mother's things.
Addie's sleuthing takes her to a New Mexico ranch, and her world expands to include the legendary Bravos: Rosie and Pancho, her paternal…
I have always believed in the extraordinary capacity of ordinary people to illuminate the contours of any particular place at any particular time. While the time periods have varied, for me the particular place has always been Mexico. Mexico is my aleph – the daybreak and nightfall of my own personal intellectual and emotional development, consisting of seemingly interminable fits of research and writing and huevoneando, each in equal measures and of equal import. Mexico and its history have become my life’s work. I am a professor at Hobart and William Smith Colleges in New York, and these are my favorite “little” stories to use in teaching, representing five distinct periods in Mexico’s history.
This is not just the story of José de León Toral – the man who killed President Álvaro Obregón in 1928 – but the story of the world he inhabited. Often dismissed as a religious fanatic, Robert Weis seeks (in a sense) to redeem Toral by contextualizing him in a very peculiar postrevolutionary cultural milieu: Mexico City’s network of lay Catholics, forced underground by the revolutionary state. Weis masterfully reconstructs this clandestine ecosystem of private masses and informal convents, and their cat-and-mouse games with the agents of state repression. I love the layers of detail, the reconstructions of daily life, and the author’s compassion for his subjects. I was skeptical at first, but by the end I was convinced that Toral’s action was political, and not driven (just) by religious zealotry.
Why did Jose de Leon Toral kill Alvaro Obregon, leader of the Mexican Revolution? So far, historians have characterized the motivations of the young Catholic militant as the fruit of fanaticism. This book offers new insights on how diverse sectors experienced the aftermath of the Revolution by exploring the religious, political, and cultural contentions of the 1920s. Far from an isolated fanatic, Leon Toral represented a generation of Mexicans who believed that the revolution had unleashed ancient barbarism, sinful consumerism, and anticlerical tyranny. Facing attacks against the Catholic essence of Mexican nationalism, they emphasized asceticism, sacrifice, and the redemptive potential…
I learnt to read at about the age of three or four and have been devouring books ever since. However, it took a few decades for me to begin creating my own stories. I have a passion for writing and whenever I can, I try to help new writers improve their expertise. I’m a strong believer in writing groups, for that reason. My first book, born from a few-hundred-word short story at my writing group, turned into a three-book thriller series. Since then I’ve branched out by publishing a rom/com, a humorous ghost story as well as a standalone thriller.
I’ve selected this title as it’s one of the first Jeeves and Wooster books but, to be honest, you could choose any one; they’re all brilliant.
That goes for pretty much all of Wodehouse’s stories. I realise everyone knows these two characters from the various TV series produced over the years. But they may not have read the books. They should. It’s a great credit to the author that whichever actors portray this pair, and others such as Lord Emsworth of Blandings, the characters are instantly recognisable.
I think PG Wodehouse’s characterisation is superb. I admire his eye for details, not only in appearance but in mannerisms and speech. Wooster – the young gentleman – is wealthy, foppish, dapper, scatterbrained and idle. Jeeves – the gentleman’s gentleman – is someone who “from the collar upwards, stands alone.” That phrase alone tells the reader everything they need to know about the…
As a child, Robin Bayley was enchanted by his grandmother's stories of Mexican adventures: of bandits, wild jungle journeys, hidden bags of silver and a narrow escape from the bloody Mexican Revolution. But Robin sensed there was more to these stories than anyone knew, and so he set out to follow in the footsteps of his great-grandfather.
The Mango Orchard is the story of parallel journeys' a hundred years apart, into the heart of Latin America. Undaunted by the passage of time and a paucity of information, Robin seeks out the places where his great grandfather Arthur 'Arturo' Greenhalgh travelled…
My twin passions are science and history, and I try to have it both ways by writing a mix of alternate history and hard SF. I grew up in Yorkshire, England, enjoyed lots of family vacations at Hadrian’s Wall and other Roman-rich areas, and acquired degrees in Physics and Astrophysics from Oxford, but I’ve lived in the US for over half my life and now work for NASA (studying black holes, neutron stars, and other bizarre celestial objects). My novella of a Roman invasion of ancient America, A Clash of Eagles, won the Sidewise Award for Alternate History and formed the starting point for my Clash of Eagles trilogy from Del Rey, and Hot Moon, my alternate-Apollo thriller set entirely on and around the Moon, will be published by CAEZIK SF & Fantasy in 2022.
Meanwhile, in the American Southwest we have the Great House civilization of the “Anasazi” -- more correctly, the Ancestral Puebloan people -- renowned for creating Chaco Canyon and many other great cultural centers. (Chaco and its inhabitants figure strongly in my third book, Eagle and Empire.) Craig Childs’ book makes this area, and its peoples, and the sheer extent of their civilization, come alive. It’s a beautiful and evocative work of archeological detective work and exploration.
The greatest 'unsolved mystery' of the American Southwest relates to the Anasazi, the native peoples who in the 11th century converged on Chaco Canyon (now New Mexico) and built a flourishing cultural center that attracted pilgrims from far and wide, a vital crossroads of the prehistoric world. The Anasazis' accomplishments - in agriculture, in art, in commerce, in architecture and engineering - were astounding, rivaling those of the Mayans in distant Central America. By the 13th century, however, the Anasazi were gone from Chaco. Vanished. What was it - drought? pestilence? war? forced migration? mass murder or suicide? Craig Childs…
Growing up in a sheltered environment on Long Island, NY, I had little sense of a larger world, except for seeing images of the Vietnam War. Going to college in the early 70s and becoming an anthropology major, the world began to open up, yet I hadn't experienced life outside the U.S. until my mid-20s as a graduate student living in Mexico to do dissertation research. That experience and travels to Guatemala, Peru, Cuba, and Costa Rica helped me to see how diverse Latin America is, and how real poverty and suffering are as well. Coming into my own as a historian, teacher, and writer, my fascination with women’s voices, experiences, and activism only grew.
This superb book is a culturally and indigenous-language-focused study of women in four central Mesoamerican native societies—Aztecs (Nahuas), Mixtec, Zapotec, and Mixe.
In addition to a deep dive into texts dealing with all facets of women’s lives, Sousa uses visual evidence to great effect, showing how images contain much information about women’s and gender history, a history in which women struggled over centuries to maintain agency and authority despite efforts by a newly imposed colonial state to erode their power and status and exploit their labor.
This book is an ambitious and wide-ranging social and cultural history of gender relations among indigenous peoples of New Spain, from the Spanish conquest through the first half of the eighteenth century. In this expansive account, Lisa Sousa focuses on four native groups in highland Mexico-the Nahua, Mixtec, Zapotec, and Mixe-and traces cross-cultural similarities and differences in the roles and status attributed to women in prehispanic and colonial Mesoamerica.
Sousa intricately renders the full complexity of women's life experiences in the household and community, from the significance of their names, age, and social standing, to their identities, ethnicities, family, dress,…
I have always had an interest in reading factual information about other people’s lives. I am a realist, and prefer reading non-fiction that is true. I am especially interested in reading inspirational stories from people that have overcome adversity, illness, or discrimination.
We all need a laugh from time to time, and this book is pleasant light-hearted reading. ‘Ladies of a certain age’ look back with amusement and sometimes embarrassment at their younger selves. All women of a certain age can identify with this group of authors and the silly things we did during our youth way back when there was no internet or mobile phones and we had to actually talk to people face to face!
Remember ironing your hair? Rolling it in soda cans to straighten it? Lacquering it with enough spray that it could ward off bullets? Ever slather on cement-colored lipstick so heavy, you looked like a zombie princess? Remember hot pants and platform heels? The danger of patent-leather shoes? Were you a secretary, nurse, or teacher, but only, as our mothers urged us, until you found “Mr. Right.” In her new book, LAUGH OUT LOUD: 40 WOMEN HUMORISTS CELEBRATE THEN AND NOW…BEFORE WE FORGET, Allia Zobel Nolan and 40 funny ladies from the Erma Bombeck Writers’ Workshop chronicle these blips in time…
My father introduced me to the world as we paged through his old pre-WWII atlas. We traced borders and rivers with our fingers and he spoke names that were magical incantations and invitations to a world more exciting and mysterious than our midwestern home. As a reader, I was drawn to books about travel and as a budding writer, I was inspired by the adventures of “Brenda Starr, Girl Reporter” featured in the Sunday comics of my youth. I packed my bags early and my passport is never out of date. I continue to read traveloirs, and I write in my journal every day. Oh! The places I will go.
With this “traveloir,” Mary Morris showed me how to do it: How to travel alone as a single woman when you didn’t have a plan or an agenda; how to write about people and places that bring them alive; how to find your own story in your travels and in your writing.
Mary Morris published this book in 1989, the year before I set off on my own—a (much older) single woman traveling without a plan or agenda. As I opened the yellowed pages again, after many years, I read this line: “I settled into loneliness once again.” Next year I’ll be traveling to San Miguel de Allende, one of the settings in Nothing to Declare. I may take this book with me and read it again.
Chronicling her travels throughout Central America, the author offers an unvarnished view of the precarious realitie's of everyday life in a harsh and ruthless land
As a college instructor and a student of Western American Literature for many, many years I have read a great number of western novels for my classes and for my literary studies. In addition to my doctoral dissertation on the topic, I have written and published numerous articles and reviews on western writers, and I have given many public presentations as well. I have a long-standing interest in what makes good works good. As a fiction writer, I have published more than thirty traditional western novels with major publishers, and have won several national awards for my western novels and short stories.
The Sea of Grass is a short novel, standard in length for the time in which it was published (1936), close in time to other short classics such asThe Grapes of Wrath and The Postman Always Rings Twice. It is written in first person, and in some respects, it suggests the influence ofThe Great Gatsby, another short masterpiece some ten years earlier, with an observer narrator, an elegiac tone, an evocative prose style, and interesting figurative language. This novel, like many, draws upon the range war (nesters versus the cattle empire) for its premise, but it becomes a very interesting exploration of human nature and the inevitable passing of time.
Published in 1936, this novel presents in epic scope the conflicts in the settling of the American Southwest. Set in New Mexico in the late 19th century, The Sea of Grass concerns the often violent clashes between the pioneering ranchers, whose cattle range freely through the vast sea of grass, and the farmers, or "nesters," who build fences and turn the sod. Against this background is set the triangle of rancher Colonel Jim Brewton, his unstable Eastern wife Lutie, and the ambitious Brice Chamberlain. Richter casts the story in Homeric terms, with the children caught up in the conflicts of…
