100 books like Tom Mix and Pancho Villa

James Ellroy’s 1987 novel exploring the infamous unsolved and ghoulish murder of Elizabeth Short, the so-called “Black Dahlia,” gripped me with its chilling portrayal of two very different cops who become obsessed with solving the 1947 murder.

Although this is a relatively early work of Ellroy’s and extremely visceral owing to the nature of the historical crime, it’s arguably the author’s first mature novel, proved to be his breakout book, and pre-dates the rather alliterative, staccato prose style he would adopt not long after.

Post-war Los Angeles is seedily, disturbingly rendered in surreal and gothic relief, while Ellroy also masterfully portrays many of the haunted LAPD detectives who actually worked the case.

Pulp magazines were the forerunners of comic books, and two of the greatest pulp characters, Doc Savage and the Shadow, inspired Superman and Batman, essentially kickstarting the superhero industry. I grew up and cut my future fiction writer’s teeth on paperback Doc Savage and Shadow pulp reprints—the primary authors behind these respective pulp heroes.

Lester Dent and Walter B. Gibson clash and eventually join forces to combat a Depression-era menace that could only spring from classic pulps in Malmont’s brilliant meta novel. L. Ron Hubbard and H.P. Lovecraft also make the scene creepily in this intoxicating brew tailor-made for pulp fiction and 20th-century noir-fiction lovers.

I was immediately taken with author/filmmaker Nicholas Meyer's brilliant pairing of a flailing, cocaine-addicted Sherlock Holmes with a winningly rendered Sigmund Freud, whom a desperate Doctor Watson has recruited to save the self-destructive detective.

Freud’s efforts eventually teased out the darkest of secrets driving Holmes’ notorious substance abuse in a manner I found enthralling. I believe the best historical novels confidently ground you in a time and a place that captivates but also conjures a reality all their own in their blending of fact and fiction, which this novel does in spades.

I’ve revisited it many times over the years. A wonderful film adaptation by Meyer was also released many years ago, starring Nichol Williamson as Holmes and Alan Arkin as Freud.

Victorian serial killer Jack the Ripper and fictional detective Sherlock Holmes have squared off countless times on screen and in various novels to varying degrees of success, but for me, this is the best story pitting the still unidentified serial killer against the most famous of fictional detectives.

Steeped in an immersive Victorian atmosphere and detail that drew me in, Hanna also effectively breathes life into several historical figures associated with the notorious case while remaining faithful to Arthur Conan Doyle's overall spirit.

In my opinion, Hanna’s version of Holmes subtly suggests inspiration was drawn from the late great Jeremy Brett, arguably the finest screen Holmes, while also giving Dr. Watson his intellectual due.

I was immediately hooked by Dr. John Womack's Zapata when I read it in graduate school. His combined storytelling and scholarship abilities are precisely what made me fall in love with history. Furthermore, this book inspired me to write Pancho Villa to complement the narrative of the revolution. Because, while Pancho Villa is the revolutionary leader fighting for the rights of mixed-race working class of the Mexican north, Zapata is the revolutionary leader committed to restoring the dignity and the ancestral lands of the indigenous population of the Mexican south. Here, Womack masterfully weaves Zapata's life with the Mexican Revolution. An unquestionably classic, this book is a praised scholarly work that reads like a novel.

The opening, hook, if you will, of this book is exactly why I loved it. She is an attorney.

He is a huge over-the-top movie star whose next role is in a courtroom. When he is late, she blows him off and he can’t believe it. I love love love how she stands up to him and basically, puts him in his place. But when he sees her in action, he’s stunned. And, that is what I love!

It’s convincing and I know that in the end things will work out. That’s the joy of Romance. The journey to the ending you know you’ll love.

To me, the star of this novel is the witty banter between the characters and the super sexy will-they-or-won’t-they tension.

The main character is a divorced journalist who writes an in-depth profile about a very well-known actor. I particularly enjoyed how normal seeming the female main character was, and yet it was highly believable that the male actor would find her deeply attractive and interesting.

Just the way a true romance should be!

For those who don’t know, Errol Flynn was the “bad boy” of Hollywood’s golden era in addition to serving as the king of adventure pictures from 1935, when he appeared as Captain Blood, to 1953, when he made The Master of Ballantrae. In between, he starred in 40 other films, wrote two books, married three times, survived a spurious rape charge and trial, and debauched himself with booze and drugs.

Just a year before his death at age 50, Flynn sat down with a ghostwriter to create a memoir both candid and poignant. This book has gone on to sell millions of copies since its release in 1959 and remains in print today—a testament to the power of Flynn’s personal history and narrative.

This book made me think about what it would be like to be a famous actress—the scandals, the romance, and the idea of constantly being watched. Taylor paints an impressive image of what a woman such as Evelyn Hugo would go through to make it in such a cutthroat world.

One wrong move could cause you to lose everything you worked so hard to achieve. The story had me hooked from the beginning, and I greatly enjoyed the little mystery she tossed in with Evelyn and why she chose Monique as her reporter. Scandal and mystery are always a tasty treat in the world of fiction.

As someone who adores all things Pickford (and has written about Mary’s sister-in-law, Olive Thomas), there’s no way I couldn’t include this book, which covers the association between silent star Mary Pickford and her scenarist Frances Marion. 

I love the dynamic between these two powerful women, and Benjamin does a good job of establishing their relationship. There is a lot to love about this book: the writing, the dialog, and the detail. I love this book!

My only quibble is the picture they used for the front cover. I’d have picked it up long before I did if they’d actually used a picture of Mary and Frances because I would have recognized instantly who it was about.