Here are 100 books that The Chinatown Death Cloud Peril fans have personally recommended if you like
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As a career journalist/communications specialist and historical suspense novelist, the intersection of fact and fiction has always been a fascination and an inspiration. In journalism and nonfiction reportage, the best we can hope to ascertain are likely facts. But in fiction—particularly fiction melded with history—I believe we can come closest to depicting something at least in the neighborhood of truth. My own novels have consistently employed real people and events, and as a reader, I’m particularly drawn to books that feature a factual/fictional mix, something which all five of my recommended novels excel in delivering with bracing bravado.
James Ellroy’s 1987 novel exploring the infamous unsolved and ghoulish murder of Elizabeth Short, the so-called “Black Dahlia,” gripped me with its chilling portrayal of two very different cops who become obsessed with solving the 1947 murder.
Although this is a relatively early work of Ellroy’s and extremely visceral owing to the nature of the historical crime, it’s arguably the author’s first mature novel, proved to be his breakout book, and pre-dates the rather alliterative, staccato prose style he would adopt not long after.
Post-war Los Angeles is seedily, disturbingly rendered in surreal and gothic relief, while Ellroy also masterfully portrays many of the haunted LAPD detectives who actually worked the case.
The highly acclaimed novel based on America's most infamous unsolved murder case. Dive into 1940s Los Angeles as two cops spiral out of control in their hunt for The Black Dahlia's killer in this powerful thriller that is "brutal and at the same time believable" (New York Times). On January 15, 1947, the torture-ravished body of a beautiful young woman is found in a Los Angeles vacant lot. The victim makes headlines as the Black Dahlia -- and so begins the greatest manhunt in California history. Caught up in the investigation are Bucky Bleichert and Lee Blanchard: Warrants Squad cops,…
I’ve always been fascinated by the Golden Age of science fiction, when a group of young dreamers formed the genre as we know it today. I grew up far away from their world, on a small kibbutz in Israel, and the lives of those god-like beings seemed as remote and as impossible as the moon. I grew up to eventually write stories of my own, and even got to meet some of my childhood heroes, and eventually I thought it would be fun to write a book that was partially about them. I read every book I could get my hands on to try and better understand that time when science fiction was born.
The first part of Isaac Asimov’s autobiography provides a fascinating, clear-eyed glimpse into the emerging world of science fiction as the young Asimov grows up in New York, works in his immigrant parents’ candy store, and dreams of writing stories.
There’s a certain innocence in the pre-war world where young kids were dreaming up science fiction, and Asimov is at his best here, relying on extensive diary records to recall his first meetings with Campbell, Heinlein, and L. Ron Hubbard, to name a few. A window into a long-vanished world, it is never less than compelling.
Candidly recounting his lifetime in science and science fiction, Asimov describes his life as a child prodigy, a fifteen-year-old college freshman, and a brilliant teacher whose classes ended with standing ovations
I’ve always been fascinated by the Golden Age of science fiction, when a group of young dreamers formed the genre as we know it today. I grew up far away from their world, on a small kibbutz in Israel, and the lives of those god-like beings seemed as remote and as impossible as the moon. I grew up to eventually write stories of my own, and even got to meet some of my childhood heroes, and eventually I thought it would be fun to write a book that was partially about them. I read every book I could get my hands on to try and better understand that time when science fiction was born.
Growing up in New York around the same time as Asimov was Fred Pohl, young, ambitious, argumentative, and occasionally brilliant.
We meet many of the same people – and see the same events – that Asimov describes, in a somewhat different light, as Pohl forges his own path through the emerging world of science fiction, as an agent, editor, and writer in his own right.
It’s beautifully written and again, provides a fascinating insight into that long-ago world, complete with its many petty feuds – that the socialist Pohl was banned from the first Worldcon only to start his own competing event across the street is a marvelously entertaining anecdote recounted both here and by Asimov.
I’ve always been fascinated by the Golden Age of science fiction, when a group of young dreamers formed the genre as we know it today. I grew up far away from their world, on a small kibbutz in Israel, and the lives of those god-like beings seemed as remote and as impossible as the moon. I grew up to eventually write stories of my own, and even got to meet some of my childhood heroes, and eventually I thought it would be fun to write a book that was partially about them. I read every book I could get my hands on to try and better understand that time when science fiction was born.
Merrill, a brilliant editor and writer in her own right, was a rare woman to cut through the chauvinistic world of the Golden Age writers.
The book recounts her journey as a writer (she wrote the classic SF story “That Only a Mother”), editor (as in the ground-breaking 60s anthology England Swings SF), her short-lived marriage to Fred Pohl and her fascination with socialism. It certainly gives you a different view of the male-dominated world of science fiction at the time, and an insight into one of SF’s important practitioners.
Judith merril was a pioneer of twentieth-century science fiction, a proflific author, and editor. She was also a passionate social and political activist. In fact, her life was a constant adventure within the alternative and experimental worlds of science fiction, left politics, and Canadian literature.
I’ve always been fascinated by the Golden Age of science fiction, when a group of young dreamers formed the genre as we know it today. I grew up far away from their world, on a small kibbutz in Israel, and the lives of those god-like beings seemed as remote and as impossible as the moon. I grew up to eventually write stories of my own, and even got to meet some of my childhood heroes, and eventually I thought it would be fun to write a book that was partially about them. I read every book I could get my hands on to try and better understand that time when science fiction was born.
Anthony Boucher straddles the history of both crime fiction and science fiction.
As the founding editor of The Magazine of Fantasy & Science Fiction he has an oversized role in the history of the genre. As a crime writer, he gave his name to the Anthony Awards, which are handed out every year at the annual Bouchercon.
His SF story “The Quest for Saint Aquin” is a classic. None of this, admittedly, has much to do with Rocket to the Morgue, Boucher’s roman-à-clef mystery set in pre-WW2 California in which the emerging world of science fiction comes to glorious life. A young L. Ron Hubbard makes an appearance, as do Robert A. Heinlein and the rocket scientist and occultist Jack Parsons.
The mystery matters less than the characters, who though moving under different names are all very much true to life.
A Golden Age mystery set in the Golden Age of science fiction
Legendary science fiction author Fowler Faulkes may be dead, but his creation, the iconic Dr. Derringer, lives on in popular culture. Or, at least, the character would live on if not for Faulkes’s predatory and greedy heir Hilary, who, during his time as the inflexible guardian of the estate, has created countless enemies in the relatively small community of writers of the genre. So when he is stabbed nearly to death in a room with only one door, which nobody was seen entering or exiting, Foulkes suspects a…
As a career journalist/communications specialist and historical suspense novelist, the intersection of fact and fiction has always been a fascination and an inspiration. In journalism and nonfiction reportage, the best we can hope to ascertain are likely facts. But in fiction—particularly fiction melded with history—I believe we can come closest to depicting something at least in the neighborhood of truth. My own novels have consistently employed real people and events, and as a reader, I’m particularly drawn to books that feature a factual/fictional mix, something which all five of my recommended novels excel in delivering with bracing bravado.
I was immediately taken with author/filmmaker Nicholas Meyer's brilliant pairing of a flailing, cocaine-addicted Sherlock Holmes with a winningly rendered Sigmund Freud, whom a desperate Doctor Watson has recruited to save the self-destructive detective.
Freud’s efforts eventually teased out the darkest of secrets driving Holmes’ notorious substance abuse in a manner I found enthralling. I believe the best historical novels confidently ground you in a time and a place that captivates but also conjures a reality all their own in their blending of fact and fiction, which this novel does in spades.
I’ve revisited it many times over the years. A wonderful film adaptation by Meyer was also released many years ago, starring Nichol Williamson as Holmes and Alan Arkin as Freud.
First discovered and then painstakingly edited and annotated by Nicholas Meyer, The Seven-Per-Cent Solution related the astounding and previously unknown collaboration of Sigmund Freud with Sherlock Holmes, as recorded by Holmes's friend and chronicler, Dr. John H. Watson. In addition to its breathtaking account of their collaboration on a case of diabolic conspiracy in which the lives of millions hang in the balance, it reveals such matters as the real identity of the heinous professor Moriarty, the dark secret shared by Sherlock and his brother Mycroft Holmes, and the detective's true whereabouts during the Great Hiatus, when the world believed…
As a career journalist/communications specialist and historical suspense novelist, the intersection of fact and fiction has always been a fascination and an inspiration. In journalism and nonfiction reportage, the best we can hope to ascertain are likely facts. But in fiction—particularly fiction melded with history—I believe we can come closest to depicting something at least in the neighborhood of truth. My own novels have consistently employed real people and events, and as a reader, I’m particularly drawn to books that feature a factual/fictional mix, something which all five of my recommended novels excel in delivering with bracing bravado.
This novel sparked my lifetime obsession regarding Mexican Revolutionary Francisco “Pancho” Villa and the U.S. Army’s eventual pursuit of Villa deep into Mexico following his presumed attack on Columbus, New Mexico.
In some ways evoking aspects of Hemingway’s A Farewell To Arms, this is a blood and thunder coming-of-age novel set against a wartime backdrop and narrated by a young (and future silent movie cowboy star) Tom Mix, who on a romantic whim, decides to cross the border and fight with Villa to overthrow Mexico’s despotic president.
I believe I reread this novel perhaps six times within a year of its 1982 release. Irving also knows something about effectively mixing fact and fiction as the convicted (and incarcerated) author of the notoriously fake Autobiography of Howard Hughes.
In 1913 a young Tom Mix meets revolutionary Pancho Villa and travels with his band across Mexico on a journey that opens his eyes to life, love, violence, and his own illusions
As a career journalist/communications specialist and historical suspense novelist, the intersection of fact and fiction has always been a fascination and an inspiration. In journalism and nonfiction reportage, the best we can hope to ascertain are likely facts. But in fiction—particularly fiction melded with history—I believe we can come closest to depicting something at least in the neighborhood of truth. My own novels have consistently employed real people and events, and as a reader, I’m particularly drawn to books that feature a factual/fictional mix, something which all five of my recommended novels excel in delivering with bracing bravado.
Victorian serial killer Jack the Ripper and fictional detective Sherlock Holmes have squared off countless times on screen and in various novels to varying degrees of success, but for me, this is the best story pitting the still unidentified serial killer against the most famous of fictional detectives.
Steeped in an immersive Victorian atmosphere and detail that drew me in, Hanna also effectively breathes life into several historical figures associated with the notorious case while remaining faithful to Arthur Conan Doyle's overall spirit.
In my opinion, Hanna’s version of Holmes subtly suggests inspiration was drawn from the late great Jeremy Brett, arguably the finest screen Holmes, while also giving Dr. Watson his intellectual due.
My passion for old-school genre fiction began as that of a writer learning to write. What started out as self-education soon turned into a love of all things thrilling and fantastic. I was able to truly enjoy reading, something I felt discouraged from in school (beyond the classics and a few exceptions). I discovered a great many works and writers in my studies who I look up to now, for they taught me some key ingredients, from creating intelligent, dynamic heroes to captivating world-building to, above all else, well-paced prose, whether in action, dialogue, or exposition. These five are not only great teachers; they are simply great fun.
To read an adventure of The Shadow is to white-knuckle a trip through the underworld, upon whose end there is only justice for the guilty. Much like the dark avenger’s dual identities, “Maxwell Grant” is, in reality, Walter B. Gibson, reporter, magician, and author of hundreds of Shadow magazines across 18 years.
Gibson is a role model of mine for both his productivity and craft, of which this is a stellar example of both. From the tightly-paced action to the dastardly eponymous villain to The Shadow’s ingenious thwarting, its a quintessential pulp thriller from top to bottom, the kind of clever crime-fighting that always leaves readers (myself included) with smile on their face, and proves to all that “crime does NOT pay!”
Magic hooked me at the age of eight and never let go. I began with a Mysto Magic Set, graduated to books and more books, joined magic societies, and studied with a true master, Tony Slydini, and finally began writing books about magic and magic lore (The Secrets of Alkazar,The Sorcerer’s Companion—A Guide to the Magical World of Harry Potter). What keeps my interest alive is the astonishing flow of invention that daily bubbles out of the magic community. And lucky me, I perform weekly at a fabulous little venue in the town where I live. This is a great time to learn and perform magic.
This is the first book I responded to in a big way when I was fourteen.
It had everything: close-up tricks, illusion secrets, magic history, an exposé of phony mediums and spiritualists, how to escape from ropes and boxes, pick locks, read minds, and walk through a brick wall.
And most important, it also had a hero I could identify with – Houdini, master magician, escapologist, daredevil, pilot, author, historian, and champion of truth and justice. And he was Jewish, like me.
I found the book incredibly rich on many levels. It confirmed in me that I wanted to be a magician and that magic was wonderful.
This early work by Walter B. Gibson and Morris N. Young was originally published in the early 20th century and we are now republishing it. 'Houdini on Magic' contains a wealth of information on Houdini's approach to magic and the various tricks he performed in front of stunned crowds.
