Fans pick 81 books like The Whitechapel Horrors

James Ellroy’s 1987 novel exploring the infamous unsolved and ghoulish murder of Elizabeth Short, the so-called “Black Dahlia,” gripped me with its chilling portrayal of two very different cops who become obsessed with solving the 1947 murder.

Although this is a relatively early work of Ellroy’s and extremely visceral owing to the nature of the historical crime, it’s arguably the author’s first mature novel, proved to be his breakout book, and pre-dates the rather alliterative, staccato prose style he would adopt not long after.

Post-war Los Angeles is seedily, disturbingly rendered in surreal and gothic relief, while Ellroy also masterfully portrays many of the haunted LAPD detectives who actually worked the case.

Pulp magazines were the forerunners of comic books, and two of the greatest pulp characters, Doc Savage and the Shadow, inspired Superman and Batman, essentially kickstarting the superhero industry. I grew up and cut my future fiction writer’s teeth on paperback Doc Savage and Shadow pulp reprints—the primary authors behind these respective pulp heroes.

Lester Dent and Walter B. Gibson clash and eventually join forces to combat a Depression-era menace that could only spring from classic pulps in Malmont’s brilliant meta novel. L. Ron Hubbard and H.P. Lovecraft also make the scene creepily in this intoxicating brew tailor-made for pulp fiction and 20th-century noir-fiction lovers.

I was immediately taken with author/filmmaker Nicholas Meyer's brilliant pairing of a flailing, cocaine-addicted Sherlock Holmes with a winningly rendered Sigmund Freud, whom a desperate Doctor Watson has recruited to save the self-destructive detective.

Freud’s efforts eventually teased out the darkest of secrets driving Holmes’ notorious substance abuse in a manner I found enthralling. I believe the best historical novels confidently ground you in a time and a place that captivates but also conjures a reality all their own in their blending of fact and fiction, which this novel does in spades.

I’ve revisited it many times over the years. A wonderful film adaptation by Meyer was also released many years ago, starring Nichol Williamson as Holmes and Alan Arkin as Freud.

This novel sparked my lifetime obsession regarding Mexican Revolutionary Francisco “Pancho” Villa and the U.S. Army’s eventual pursuit of Villa deep into Mexico following his presumed attack on Columbus, New Mexico.

In some ways evoking aspects of Hemingway’s A Farewell To Arms, this is a blood and thunder coming-of-age novel set against a wartime backdrop and narrated by a young (and future silent movie cowboy star) Tom Mix, who on a romantic whim, decides to cross the border and fight with Villa to overthrow Mexico’s despotic president.

I believe I reread this novel perhaps six times within a year of its 1982 release. Irving also knows something about effectively mixing fact and fiction as the convicted (and incarcerated) author of the notoriously fake Autobiography of Howard Hughes.

I loved the creativity and intensity of this mystery, which features Margaret Harness and Arthur Conan Doyle. 

I was captivated by the setting of London, UK, in 1888–the time of the Whitechapel murders (Jack the Ripper). Harper brings fascinating characters to life and paints a vivid scene of abject poverty. 

I was enthralled by this piece of historical fiction and loved Harper’s ingenuity in casting Arthur Conan Doyle as a detective, much like his creation, Sherlock Holmes.  

This is the first book in a series that is as witty, complex, charming, and dark as Oscar Wilde himself. (“I can resist everything but temptation.”) The author is steeped in Wilde and his world, quotes him extensively (but appropriately) and also delivers a great mystery set in the fascinating era of Victorian decline and fin de siècle artistic fervor. Arthur Conan Doyle, in a great turnabout, plays “Watson” to Wilde’s “Sherlock” in all the mysteries. A later book in the series takes on Jack the Ripper, with some surprising suspects!

This is such a wonderful mash-up of different elements all brought together.

Frankenstein, the werewolf, Dracula, Jack the Ripper, elder gods, and so much more. This book showed me that a writer can take a traditionally bleak subject and turn it around into something fun. One of the most interesting parts of this book comes from the readers rather than the author.

The book is split into thirty-one chapters, one for each day in October. Fans of this novel will read it one chapter per night throughout that month, experiencing each occurrence at the same time as the characters.

This is the first in a series of alternate history stories, set in 1888 (later volumes run right through the 20th century), in a world in which Count Dracula triumphed over his arch-enemy Professor Van Helsing. He’s now married to Queen Victoria and ruling over a London full of bloodsuckers!

A very clever idea which neatly ties in all sorts of vampire-related fictional strands.

This historical fiction is one of three novels set in London, the one featured is contemporary, and set upon the streets walked by Jack the Ripper. What I found compelling was the detailed presentation of the lives of ordinary, working-class women, that was gritty and most believable in presentation. The characters came alive and the story flowed; some working girls vanished, who would be next? This is not a story about Jack. It is a story about those nearby and affected by the beast.

No true crime list would be complete without reference to the infamous Jack the Ripper, and of the many books I have read, this one stands out. True, the subject is gory, and for that reason, some might think that humour is out of place, but I like the bumbling detective Lestrade, and the author clearly knows his stuff. The detailed historical research accurately portrays the setting and times of the novel. Trow brings a different approach to a Sherlock Holmes-type story with an easy-to-read and witty style in a book well worth trying.