Here are 93 books that A Night in the Lonesome October fans have personally recommended if you like
A Night in the Lonesome October.
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I’m a Shirley Jackson Award-nominated author of horror fiction and have always had an affinity for the autumn season. I grew up in North Carolina and have wonderful memories of the time of year when the summer heat finally ends and the chill returns—the season of long walks in the turning woods, campfires, ghost stories, and, of course, Halloween. There’s something about that time that has always stuck with me and finds its way into my writing even now. My first collection, As Summer’s Mask Slips and Other Disruptions, draws on this period of transition and so I absolutely love sharing those works which have influenced and entertained me.
This graphic novel collection of horror stories is the perfect companion to ease you through the final stages of autumn and into winter. I’ve been a huge fan of author/artist Emily Carroll since her earliest webcomics, and this book perfectly captures how her gorgeous art and inventive use of space combine with poetic prose to invoke the feeling of the creepiest fairytales and fables. Carroll has a real mastery of the horror of the unknown and unexplained, and her stories provide no easy answers or cheap twists but instead linger long after the end. Even years later, I still get a shiver from my favorite, “His Face All Red”! The settings and moods capture the slow creep of autumn into winter’s chill and the darkness beyond.
I’ve been a fan of horror—specifically, supernatural horror—for as long as I can remember. Though the topic of life after death is perhaps one of the most long-standing debates in existence, almost every family has a story or two about things that can’t be explained. I’ve turned my lifelong interest in death, the occult, and how the two can coexist, into slow-burn horror stories for people who like a little weird with their fear. Stories that explore the beautiful complexity of queer people. Stories for the strange at heart.
This book is fast and punchy. It’s filled with twists and a high level of unnerving emotions. Set during autumn harvest, this is an absolutely perfect Halloween read. It is rather short, which means a fast reader or someone with some time could devour it in a day or two. There’s also an upcoming film adaptation.
It is Halloween, 1963. They call him the October Boy, or Ol' Hacksaw Face, or Sawtooth Jack. Whatever the name, everybody in this small Midwestern town knows who he is. How he rises from the cornfields every Halloween, a butcher knife in his hand, and makes his way toward town, where gangs of teenage boys eagerly await their chance to confront the legendary nightmare. Both the hunter and the hunted, the October Boy is the prize in an annual rite of life and death. Pete McCormick knows that killing the October Boy is his one chance to escape a dead-end…
I’ve been reading Lovecraft, and those inspired by him, since I was in high school. I’ve always been fascinated by the idea that there could be a whole world just outside of sight that we never see, and once we do see we can never un-see. After I’d been writing for a few years a friend of mine suggested/demanded I write a story for him inspired by Lovecraft’s world. Mostly I started it to satisfy him but once the jar was open it all spilled out. I wove in real elements from history, including historical figures. This story ended up winning a major award, but there was still so much more to tell.
The first of Lovegrove’s Cthulhu Casebooks series. This was my introduction to the idea of a mash-up between classic and modern stories.
In Shadwell Shadows we see the brilliant Holmes and loyal Watson that everyone is familiar with, but Lovegrove takes the characters and shakes up their worlds.
He takes their documented histories and adds new, darker elements among the old. These are the hidden stories which Watson could never commit to paper for fear of what they would do to humanity.
What if, while pursuing Doctor Moriarity, Holmes and Watson were actually on the trail of something much older and more evil.
It is the autumn of 1880, and Dr John Watson has just returned from Afghanistan. Badly injured and desperate to forget a nightmarish expedition that left him doubting his sanity, Watson is close to destitution when he meets the extraordinary Sherlock Holmes, who is investigating a series of deaths in the Shadwell district of London. Several bodies have been found, the victims appearing to have starved to death over the course of several weeks, and yet they were reported alive and well mere days before. Moreover, there are disturbing reports of creeping shadows that inspire dread in any who stray…
I’m a Shirley Jackson Award-nominated author of horror fiction and have always had an affinity for the autumn season. I grew up in North Carolina and have wonderful memories of the time of year when the summer heat finally ends and the chill returns—the season of long walks in the turning woods, campfires, ghost stories, and, of course, Halloween. There’s something about that time that has always stuck with me and finds its way into my writing even now. My first collection, As Summer’s Mask Slips and Other Disruptions, draws on this period of transition and so I absolutely love sharing those works which have influenced and entertained me.
This one is a bit of a fudge because it takes place in mid-August during the Hungry Ghost Festival, but the full moon and cool evening breeze capture that atmosphere of summer sliding into fall.Bound Feet is a modern ghost story centered on a grieving mother whose friend helps her break into Portland’s Chinese Garden and Ghost Museum in order to try to connect with her late daughter. What she finds, though, is a sinister presence from centuries ago and secrets that may upend her world. I love a story haunted by literal ghosts of the past, and this one had me smiling ear to ear as it descends into a nightmare phantasmagoria and twist after delicious twist is revealed. A great, quick read for beginning the season.
On the night of the Hungry Ghost Moon, when spirits can briefly return to the living world, Jodi Wu and her best friend sneak into Portland’s Chinese Garden and Ghost Museum. Kneeling before the pond where Jodi’s toddler drowned one year before, they leave food offerings and burn joss paper—and Jodi prays that Ella’s ghost will return for the night.
To distract Jodi from her grief, the two friends tell each other ghost stories as they explore the museum. They stop at the main display, a centuries-old pair of lotus slippers belonging to a woman whose toes were broken and…
I’m a Shirley Jackson Award-nominated author of horror fiction and have always had an affinity for the autumn season. I grew up in North Carolina and have wonderful memories of the time of year when the summer heat finally ends and the chill returns—the season of long walks in the turning woods, campfires, ghost stories, and, of course, Halloween. There’s something about that time that has always stuck with me and finds its way into my writing even now. My first collection, As Summer’s Mask Slips and Other Disruptions, draws on this period of transition and so I absolutely love sharing those works which have influenced and entertained me.
The “Cthulhu” in the title is a bit of a misnomer, since the big squid doesn’t actually make an appearance, but this anthology does collect some wonderful contemporary authors of Weird fiction exploring the autumn season. I love fiction that hints at the hidden world(s) behind our own, and these stories capture that immense and unsettling feeling of when the world’s disguises rot and fall away. You can open it to any page and find a gem, but my personal favorites include Laird Barron’s invocation of small-town bizarreness in “Andy Kaufman Creeping Through the Trees”; Nadia Bulkin’s election season meets haunted corn maze allegory “There Is a Bear in the Woods”; and Gemma Files’s archaeological horror “Grave Goods.”
H.P. Lovecraft, the American master of horror, understood with horrible clarity that all things must die. After summer is winter, and life inevitably gives way to frozen sterility. In our modern world, we live cushioned existences, and congratulate ourselves on our supposed escape from the old dangers. We think ourselves caught out of nature’s reach by our technological wizardry. Safely cocooned. This foolishness blinds us to the truth that our elder forebears could not avoid. Engulfed by the rhythms of the world, they understood... Autumn means death.
I’ve been reading Lovecraft, and those inspired by him, since I was in high school. I’ve always been fascinated by the idea that there could be a whole world just outside of sight that we never see, and once we do see we can never un-see. After I’d been writing for a few years a friend of mine suggested/demanded I write a story for him inspired by Lovecraft’s world. Mostly I started it to satisfy him but once the jar was open it all spilled out. I wove in real elements from history, including historical figures. This story ended up winning a major award, but there was still so much more to tell.
Okay, so maybe you didn’t exactly miss at least hearing about this novel, but many readers skip over the original Lovecraft stories as being too difficult to read which is a shame.
This is the where the elder god mythos truly began for me, the first of any Lovecraft story I ever read. Split into three sections this book is linked together around nightmares, cults, and a sleeping god.
Call of Cthulhu was where I learned that not every question in a story requires an answer, and that heroes can face overwhelming odds and lose in the end. It is bleak and the perfect introduction to this world.
One of the feature stories of the Cthulhu Mythos, H.P. Lovecraft's 'the Call of Cthulhu' is a harrowing tale of the weakness of the human mind when confronted by powers and intelligences from beyond our world.
I’ve been reading Lovecraft, and those inspired by him, since I was in high school. I’ve always been fascinated by the idea that there could be a whole world just outside of sight that we never see, and once we do see we can never un-see. After I’d been writing for a few years a friend of mine suggested/demanded I write a story for him inspired by Lovecraft’s world. Mostly I started it to satisfy him but once the jar was open it all spilled out. I wove in real elements from history, including historical figures. This story ended up winning a major award, but there was still so much more to tell.
Craft’s books are not as well known as some other Lovecraftian writers on this list, but they should be.
He takes the expected details for any Lovecraft-inspired story then turns it sideways. He weaves in an atmosphere from the hardboiled mystery writers of Lovecraft’s era, such as Dashiel Hammett and Raymond Chandler.
Cthulhu’s Minions starts a series which follows the Arkham Detective as he falls deeper into a world he never knew existed. This book taught me that a writer can take an existing world that is familiar to readers and still make it their own.
Cthulhu’s Minions, in this story, are Pilot Demons. They originally came into being in my novel “The Alchemist’s Notebook” based on my screenplay for “The Cry of Cthulhu.” They are creepy little things that became such great supporting characters (in a terrible sort of way) that I thought that they deserved their own separate story.“Cthulhu’s Minions” takes place in an alternate universe somewhat like the 1930’s when H.P. Lovecraft was writing his Cthulhu Mythos and writers like Dashiell Hammett and Raymond Chandler were creating the hardboiled mystery drama. Indeed, it is as if we are being treated to a Dashiell…
I’ve been reading Lovecraft, and those inspired by him, since I was in high school. I’ve always been fascinated by the idea that there could be a whole world just outside of sight that we never see, and once we do see we can never un-see. After I’d been writing for a few years a friend of mine suggested/demanded I write a story for him inspired by Lovecraft’s world. Mostly I started it to satisfy him but once the jar was open it all spilled out. I wove in real elements from history, including historical figures. This story ended up winning a major award, but there was still so much more to tell.
Published by the makers of the Arkham Horror board and card games, the four novellas in this book follow characters from the game, giving them depth and background, bringing them to life.
This book is a perfect example of taking an existing license and transporting it to a new medium. The writing itself is modern and accessible while the stories take place in the prohibition era. What I enjoyed most is that these stories show Lovecraft created more monsters than just Cthulhu.
There is more danger in Lovecraftian fiction than one horrible, sleeping god.
The Ancient Ones are coming to consume our world, and only the bold investigators of Arkham Horror stand in their way, in this chilling collection of eldritch novellas.
Hour of the Huntress by Dave Gross - the mysterious disappearance of dilettante Jenny Barnes' beloved sister triggers a frantic search through Arkham's darkest shadows.
The Dirge of Reason by Graeme Davis - for federal agent Roland Banks, investigating a bizarre incident exposes him to the supernatural horrors of Arkham.
Ire of the Void by Richard Lee Byers - the astronomer and professor Norman Withers finds himself the subject of a strange…
I’ve always loved reading but really fell in love with fantasy in my mid teens when I discovered the Lord of the Rings and Steve Jackson and Ian Livingstone’s Fighting Fantasy gamebook series. I haven’t looked back since. My love of fantasy literature and games led me into a degree in English Lit and writing. My first novel, Demonheart, dark fantasy, was published in 2017. As a fantasy writer, I have to fuel up on a steady diet of fantasy novels and I hope you enjoy my recommended list!
I love that this book is set in an alternative Victorian-era Britain where vampires are citizens rubbing shoulders with humankind. At the heart of the book is the Jack the Ripper mystery with vampire, rather than human, prostitutes.
The crimes are investigated by Charles Beauregard, assisted by one of Newman’s original creations – a 400-year-old female vampire, Geneviève Dieudonné.
Along the way, the pair encounter other monsters – with humans as monstrous as the undead – as well as popular 19th-century literary figures and political events like the growth of communism/socialism.
I loved the main characters and unique mystery but also the fascinating cast Newman spiced and seasoned the story with – figures taken from the literature of Conan Doyle, Bram Stoker, and Alexander Dumas among others.
It is 1888 and Queen Victoria has remarried, taking as her new consort Vlad Tepes, the Wallachian Prince infamously known as Count Dracula. Peppered with familiar characters from Victorian history and fiction, the novel follows vampire Genevieve Dieudonne and Charles Beauregard of the Diogenes Club as they strive to solve the mystery of the Ripper murders.
Anno Dracula is a rich and panoramic tale, combining horror, politics, mystery and romance to create a unique and compelling alternate history. Acclaimed novelist Kim Newman explores the darkest depths of a reinvented Victorian London.
As an academic, I have been researching Canadian police and criminal justice history since the 1980s and I teach courses on the history of policing, crime, drugs and homicide, and capital punishment. In 2014 I began to cover a high-profile murder trial in my region of Canada and ended up writing a best-selling book on the case. The Oland case reinforced my interest in true crime, both as a research topic and a cultural phenomenon. True crime, whether set in the distant past or contemporary times, offers writers and readers alike fascinating forays into specific societies and communities as well as human nature.
This is an amazing book that serves as a template for academic writers seeking to reach a wider readership. Flanders delves into not only Victorian Britain’s obsessive fascination with homicide and its detection, but also how newspaper editors and reporters, playwrights, and novelists benefited from and were influenced by particularly gruesome crimes with compelling victims and perpetrators. The book incorporates academic scholarship and recalls some of the most famous crimes of the era and explores their impact on Charles Dickens, Wilkie Collins, Robert Louis Stevenson, and other cultural producers.
'We are a trading community, a commercial people. Murder is doubtless a very shocking offence, nevertheless as what is done is not to be undone, let us make our money out of it.' Punch
Murder in the 19th century was rare. But murder as sensation and entertainment became ubiquitous - transformed into novels, into broadsides and ballads, into theatre and melodrama and opera - even into puppet shows and performing dog-acts.
In this meticulously researched and compelling book, Judith Flanders - author of 'The Victorian House' - retells the gruesome stories of many different types of murder - both famous…
