Here are 55 books that Dark Origins fans have personally recommended if you like
Dark Origins.
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I’ve been reading Lovecraft, and those inspired by him, since I was in high school. I’ve always been fascinated by the idea that there could be a whole world just outside of sight that we never see, and once we do see we can never un-see. After I’d been writing for a few years a friend of mine suggested/demanded I write a story for him inspired by Lovecraft’s world. Mostly I started it to satisfy him but once the jar was open it all spilled out. I wove in real elements from history, including historical figures. This story ended up winning a major award, but there was still so much more to tell.
The first of Lovegrove’s Cthulhu Casebooks series. This was my introduction to the idea of a mash-up between classic and modern stories.
In Shadwell Shadows we see the brilliant Holmes and loyal Watson that everyone is familiar with, but Lovegrove takes the characters and shakes up their worlds.
He takes their documented histories and adds new, darker elements among the old. These are the hidden stories which Watson could never commit to paper for fear of what they would do to humanity.
What if, while pursuing Doctor Moriarity, Holmes and Watson were actually on the trail of something much older and more evil.
It is the autumn of 1880, and Dr John Watson has just returned from Afghanistan. Badly injured and desperate to forget a nightmarish expedition that left him doubting his sanity, Watson is close to destitution when he meets the extraordinary Sherlock Holmes, who is investigating a series of deaths in the Shadwell district of London. Several bodies have been found, the victims appearing to have starved to death over the course of several weeks, and yet they were reported alive and well mere days before. Moreover, there are disturbing reports of creeping shadows that inspire dread in any who stray…
I’ve been reading Lovecraft, and those inspired by him, since I was in high school. I’ve always been fascinated by the idea that there could be a whole world just outside of sight that we never see, and once we do see we can never un-see. After I’d been writing for a few years a friend of mine suggested/demanded I write a story for him inspired by Lovecraft’s world. Mostly I started it to satisfy him but once the jar was open it all spilled out. I wove in real elements from history, including historical figures. This story ended up winning a major award, but there was still so much more to tell.
This is such a wonderful mash-up of different elements all brought together.
Frankenstein, the werewolf, Dracula, Jack the Ripper, elder gods, and so much more. This book showed me that a writer can take a traditionally bleak subject and turn it around into something fun. One of the most interesting parts of this book comes from the readers rather than the author.
The book is split into thirty-one chapters, one for each day in October. Fans of this novel will read it one chapter per night throughout that month, experiencing each occurrence at the same time as the characters.
"One of Zelazny's most delightful books: Jack the Ripper's dog Snuff narrates a mad game of teams to cause or prevent armageddon." NEIL GAIMAN
All is not what it seems.
In the murky London gloom, a knife-wielding gentleman named Jack prowls the midnight streets with his faithful watchdog Snuff - gathering together the grisly ingredients they will need for an upcoming ancient and unearthly rite. For soon after the death of the moon, black magic will summon the Elder Gods back into the world. And all manner of Players, both human and undead, are preparing to participate.
I’ve been reading Lovecraft, and those inspired by him, since I was in high school. I’ve always been fascinated by the idea that there could be a whole world just outside of sight that we never see, and once we do see we can never un-see. After I’d been writing for a few years a friend of mine suggested/demanded I write a story for him inspired by Lovecraft’s world. Mostly I started it to satisfy him but once the jar was open it all spilled out. I wove in real elements from history, including historical figures. This story ended up winning a major award, but there was still so much more to tell.
Okay, so maybe you didn’t exactly miss at least hearing about this novel, but many readers skip over the original Lovecraft stories as being too difficult to read which is a shame.
This is the where the elder god mythos truly began for me, the first of any Lovecraft story I ever read. Split into three sections this book is linked together around nightmares, cults, and a sleeping god.
Call of Cthulhu was where I learned that not every question in a story requires an answer, and that heroes can face overwhelming odds and lose in the end. It is bleak and the perfect introduction to this world.
One of the feature stories of the Cthulhu Mythos, H.P. Lovecraft's 'the Call of Cthulhu' is a harrowing tale of the weakness of the human mind when confronted by powers and intelligences from beyond our world.
I’ve been reading Lovecraft, and those inspired by him, since I was in high school. I’ve always been fascinated by the idea that there could be a whole world just outside of sight that we never see, and once we do see we can never un-see. After I’d been writing for a few years a friend of mine suggested/demanded I write a story for him inspired by Lovecraft’s world. Mostly I started it to satisfy him but once the jar was open it all spilled out. I wove in real elements from history, including historical figures. This story ended up winning a major award, but there was still so much more to tell.
Craft’s books are not as well known as some other Lovecraftian writers on this list, but they should be.
He takes the expected details for any Lovecraft-inspired story then turns it sideways. He weaves in an atmosphere from the hardboiled mystery writers of Lovecraft’s era, such as Dashiel Hammett and Raymond Chandler.
Cthulhu’s Minions starts a series which follows the Arkham Detective as he falls deeper into a world he never knew existed. This book taught me that a writer can take an existing world that is familiar to readers and still make it their own.
Cthulhu’s Minions, in this story, are Pilot Demons. They originally came into being in my novel “The Alchemist’s Notebook” based on my screenplay for “The Cry of Cthulhu.” They are creepy little things that became such great supporting characters (in a terrible sort of way) that I thought that they deserved their own separate story.“Cthulhu’s Minions” takes place in an alternate universe somewhat like the 1930’s when H.P. Lovecraft was writing his Cthulhu Mythos and writers like Dashiell Hammett and Raymond Chandler were creating the hardboiled mystery drama. Indeed, it is as if we are being treated to a Dashiell…
I’m a kid that grew up during the Blockbuster era. I spent a lot of time in the horror and sci-fi section, going aisle by aisle renting everything they had. Monsters were like vital nutrients to me, but it wasn’t just the monsters themselves that I found appealing. It was what they taught us about ourselves. So many good stories use monsters as a tool to tell interesting and poignant stories about humanity. Doesn’t matter if it’s a walking undead creature or an otherwordly cosmic destroyer, monsters reflect people, and I try to embody that sentiment in my own work.
HP Lovecraft created a great cast of cosmic characters, but it’s debatable that other writers have done a better job utilizing them. Cthulhu Armageddon takes Lovecraftian horror and puts an adventure spin on it. The real highlight is the book’s main character, who has to navigate this post-apocalyptic world and the various creatures within it while coming to terms with his own insecurities.
“Under an alien sky where gods of eldritch matter rule, the only truth is revenge.”
CTHULHU ARMAGEDDON is the story of a world 100 years past the rise of the Old Ones which has been reduced to a giant monster-filled desert and pockets of human survivors (along with Deep Ones, ghouls, and other “talking” monsters).
John Henry Booth is a ranger of one of the largest remaining city-states when he’s exiled for his group’s massacre and suspicion he’s “tainted.” Escaping with a doctor who killed her husband, John travels across the Earth’s blasted alien ruins to seek the life of…
I am passionate about this topic because it dates back to my childhood. I have been interested in this subject for as long as I can remember and, as far as I can tell, gravitated towards it naturally, probably due to those unknown vectors within us all that gear us towards our loves, interests, and passions. I have written many novels in this field, and countless short stories, some published, others lying around my house. For me, this genre defines the best aspects of the imagination and is full of color, fantasy, and the entire broad spectrum of human emotions, including the most potent: fear.
Perhaps my favorite author of all time is Edgar Allan Poe, but HP Lovecraft is certainly within the running of my top five, perhaps three. His fiction is predicated upon the idea that we understand very little about the nature of reality and are ourselves rather insignificant in the grand scheme of things.
This notion in and of itself is rather humbling and petrifying. Not to mention the fact that Lovecraft’s work is downright cool, rife with slime, tentacles, and other unknown and indescribable horrors from beyond the cosmic veil of outer space…and beneath the ocean, which is without a doubt the scariest place on earth.
Another fantastic edition in the Knickerbocker Classic series is The Complete Fiction of H.P. Lovecraft, comprised of the author's fictional stories featuring the world's most bizzarre creatures and supernatural thrills. Written by H.P. Lovecraft between the years 1917 and 1935, the stories in this collection feature many horrific and cautionary science fiction themes that influence today's artists like Stephen King, Alan Moore, Paul Wilson, Guillermo Del Toro, and Neil Gaiman. For Lovecraft fans worldwide, this stunning gift edition has a full cloth binding, foil blocking on the spine, ribbon marker, and is packaged neatly in an elegant slipcase. The Complete…
I write about flawed characters as a reflex. I’m more interested in exploring the journey of an alcoholic monster hunter with literal and figurative demons than a white knight. Throughout my life, I’ve seen the effects of substance abuse up close, and while difficult, it helped me find the humanity in flaws. I choose to write about those flaws with a humorous bend, because life is far too long to go through without jokes. As a result, I gravitate towards pithy antiheroes and dark comedy. To feel a character’s pain is human, to laugh in the midst of their darkest moments is divine.
My second love in literature is unreliable narrators, and from word one, it’s clear the protagonist in John Dies at the End is the worst offender.
There are few likable characters to be found in this book, and none of them are the protagonist. I fell in love with the main character’s sarcastic and often salacious take on monsters, zombies, and everything in between. Every scene feels like a joke to the narrator despite the death and carnage that seems to follow in his wake.
More than any of that, this book felt completely unique. I’ve never read anything quite like it. The words crack like a whip, there’s no slowing down, and even as I re-read lines, I felt like I was starting to lose my mind along with the protagonist. That’s a powerful tale.
It's a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly, a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can't. "John Dies at the End" has been described as a 'Horrortacular', an epic of 'spectacular' horror that combines…
I’m a Canadian author and artist that loves to write and draw the darker side of fantasy. Ever since I was a child, I have adored mythology, horror, and the creatures and worlds that are present within the fantasy genre. The world of fantasy has unlimited imagination, and its lore and structure grow constantly, which gives endless ideas to us writers to create endless brilliant realms and the creatures that dwell within them.
Dread Island was an enjoyable read for me due to its mix of Lovecraftian horror intertwined with the old tales of Huckleberry Fin. The way Joe R. Lansdale depicted his version of the story was incredible and gave me the insight that anything can be made into a horror story. I recommend this book to anyone who enjoys horror, especially Lovecraftian-style horror.
Limited to remaining stock on hand! This "Monster Lit" mash-up novella from modern horror master Joe R. Lansdale, a highlight from the recent Classics Mutilated anthology, combines Lovecraft and Mark Twain in a way that can only be described as brilliant. Or, as Lansdale.
I wouldn't call myself a cosmic horror expert, but I've read quite a few of the expected authors--Dunsany, Machen, Lovecraft, Blackwood, Howard, etc--and I've written novels and short fiction in the genre and have been asked to panel and talk about it for years at professional events. How can a fictional narrative contain villains so powerful that human beings have no way to understand, let alone resist them? I like exploring that impossibility in my own writing, and I feel compelled to subvert its historical legacy of colonialism and racism where I can. It is not a genre that needs reclaiming but rewriting, and it is rife with possibilities.
This book of poems is a truly unexpected combination of current pop culture, social commentary, and cosmic horror--and a hugely enjoyable read. It deals with the themes of sacrifice, thoughtless loyalty, collusion, survival, colonialism, and the very idea of the monstrous. How do we know when the forces around us are asking too much of us? How can we trust what we will get in return? How do our personal histories inform how we will respond to the void when it comes knocking? A lively, thoughtful read.
#1 New Release in Caribbean & Latin American Poetry Cthulhu meets hip-hop in this book of horror poems that flips the eldritch genre upside down. Lovecraftian-inspired nightmares are reversed as O'Brien asks readers to see Blackness as radically significant. Can You Sign My Tentacle? explores the monsters we know and the ones that hide behind racism, sexism, and violence, resulting in poems that are both comic and cosmic.
Since I was young, I’ve suffered from Major Depressive Disorder, coupled with chronic pain that surfaced when I was in middle school. Being in constant pain—mental and physical—obviously drains the spirit. I found no hope whatsoever in phrases such as, “It gets better.” When you have chronic pain, that statement means nothing, because you know it won’t. These books, however, offered me something that I hadn’t encountered before: someone acknowledging that, although it may never get better, there is still something for me here, whatever form it takes. These books do not shame depressives, they console (and even commiserate) with them, and I hope you find them as fulfilling as I have.
Similar to Cioran, Ligotti has a profoundly dark worldview, but not one that is unearned.
Ligotti’s own experiences with anhedonia and despair seep through his writing. I cannot get enough of it. Through his prose, he creates his own world wherein doom is assured and life seems like a poorly written, performed, and directed play that is in profoundly bad taste.
It may seem like work like this would depress you, but for me, it gives me a sense of understanding. Someone out there, even if it’s just Ligotti’s characters, has felt that gloom.
Thomas Ligotti is often cited as the most curious and remarkable figure in horror literature since H. P. Lovecraft. His work is noted by critics for its display of an exceptionally grotesque imagination and accomplished prose style. In his stories, Ligotti has followed a literary tradition that began with Edgar Allan Poe, portraying characters that are outside of anything that might be called normal life, depicting strange locales far off the beaten track, and rendering a grim vision of human existence as a perpetual nightmare. The horror stories collected in Teatro Grottesco feature tormented individuals who play out their doom…
