I can’t guess how many great poems I have committed to memory. In waiting rooms, or in the checkout line, I recite them to myself. In this way, poetry helps me not only understand the world we live in, but live in it without going crazy. And while I love all poetry, I’ve always found that poetry in traditional forms—with meter and rhyme—is easier to remember. That’s one reason why I’ve always been drawn to formal verse. In my own poetry, I strive to uphold that tradition, while inventing new forms that spring organically from the subject at hand. I trust these books will demonstrate I’m not alone.
This book once again shows that dead white men do not hold a monopoly on great formalist verse. Espaillat hails from the Dominican Republic, and Spanish is her first language.
Many of the poems in this book deal directly with the difficulties, ambiguities, and opportunities of straddling two languages and cultures—particularly the troubling association with colonialism and imperialism inherent in both English and Spanish (conquistadors, anyone?).
I admire her easy handling of traditional forms—sonnets are apparently her favorite. What I love most is how these poems behave like the poems we knew as children, with satisfying rhyme and meter, while entertaining the themes we ponder as adults—power, history, exile, and language itself.
I find it interesting that this book—her first—was published relatively late in her life; perhaps that’s why it marries the energy of an author’s first book with the wisdom and understanding of an author’s last.
By Laura Hooton, Paul Spickard, and Francisco Beltrán
Author
Why are we passionate about this?
Paul Spickard wrote the first edition of Almost All Aliens. He invited Francisco Beltrán and Laura Hooton, who worked under Dr. Spickard at UC Santa Barbara, to co-author the second edition after working as research assistants and providing suggestions for the second edition. We are all historians of race, ethnicity, immigration, colonialism, and identity, and in our other works and teaching we each think about these topics in different ways. We did the same for this list—this is a list of five books that talk about topics that are important to Almost All Aliens and approaches that have been influential in how we think about the topic.
Why did Laura, Paul, and Francisco love this book?
Kendi’s book is the most recent in a long line of fantastic scholars who have tackled discussions of racism in America, especially anti-Black racism. Kendi focuses specifically on racist ideas, and how those ideas were created and then used to rationalize policies and inequalities for generations. The book is a New York Times Bestseller for a reason: it is accessible, has important ideas that are well-supported, and the reader doesn’t get lost in a history that covers a wide span of time.
Stamped from the Beginning is a redefining history of anti-Black racist ideas that dramatically changes our understanding of the causes and extent of racist thinking itself.
** Winner of the US National Book Award**
Its deeply researched and fast-moving narrative chronicles the journey of racist ideas from fifteenth-century Europe to present-day America through the lives of five major intellectuals - Puritan minister Cotton Mather, President Thomas Jefferson, fiery abolitionist William Lloyd Garrison, brilliant scholar W.E.B. Du Bois, and legendary anti-prison activist Angela Davis - showing how these ideas were developed, disseminated and eventually enshrined in American society.
Dillon Stone Tatum is an Assistant Professor of Political Science at Francis Marion University. His research interests are on the history, development, and politics of liberal internationalism, international political theory, and critical security studies.
Italian philosopher and historian Domenico Losurdo’s book Liberalism: A Counter-History represents one of the most ambitious attempts to conceptually and historically tie the liberal tradition to the politics of slavery, empire, and genocide. What I find to be most evocative about Losurdo’s “counter-history” is both his sweeping narrative of the liberal tradition balanced against a close reading of key figures in that tradition. Losurdo provides an important critique of liberalism, and provides us with the analytic and methodological tools to interrogate its legacy, its past, its future.
In this definitive historical investigation, Italian author and philosopher Domenico Losurdo argues that from the outset liberalism, as a philosophical position and ideology, has been bound up with the most illiberal of policies: slavery, colonialism, genocide, racism and snobbery.
I started my academic life with two passions: listening to those I was researching and writing in ways that were accessible to all readers. I wasn’t willing to bow down to orthodoxies that would stifle my capacity to think and to write and make my way into new and emergent ideas and practices. Questions of ethics threaded their way through it all, not the kind of rule-based nonsense of university ethics committees, but ethics that enabled me to consider how matter matters and to re-think what we are in relation to each other and to the Earth.
I could not bear to put this book down. Each time I reached the end, I started again from the beginning. It lived on my bedside table for months. It was only after three readings that I could let it go.
Gregory Day had drawn me right into the places and times of early settler colonialism; his characters formed, against the odds, a way of life that was creative—poetic, musical, sensual, and, above all, ecological. They listened to the earth and found their place as part of it, belonging to it and belonging to the Earth.
When a troubled Sarah Hutchinson returns to Australia from boarding school in England and time spent in Europe, she is sent to live with her eccentric Uncle Ferny on the family property, Ngangahook. With the sound of the ocean surrounding everything they do on the farm, Sarah and her uncle form an inspired bond hosting visiting field naturalists and holding soirees in which Sarah performs on a piano whose sound she has altered with items and objects from the bush and shore.
As Sarah’s world is nourished by music and poetry, Ferny’s life is marked by Such is Life, a…
I find it crucially important that we acknowledge that slavery is a global phenomenon that still exists this very day. Dutch historians like me have an obligation to show that the Dutch East India Company, called the world’s first multinational, was a major slave trader and employer of slavery. I am also personally involved in this endeavour as I am one of the leaders of the “Exploring the Slave Trade in Asia” project, an international consortium that brings together knowledge on this subject, and is currently a slave trade in Asia database.
Salman shows how the anti-slavery discourse became part of American imperialism and how contentious this issue became during US colonial administration over the Philippines. While the American administration acted with growing determination and harshness against slave-holding societies particularly in the Muslim southern part of the Philippines, it also adopted abolitionism as a legitimation for colonial rule over the entire Philippines. Salman exposes the paradoxes of imperialist rhetoric in which people were subjugated to free them from slavery.
A series of controversies over the existence and meaning of slavery shaped American colonialism and nationalist resistance in the Philippines. While American officials claimed colonialism would free Filipinos from various forms of slavery and American anti-imperialists countered that colonialism itself would constitute new kinds of bondage, the first generation of Filipino nationalists had already appropriated anti-slavery rhetoric in their struggles with Spanish colonialism in the late nineteenth century. From these contentions about slavery as a political metaphor, new disputes erupted when American officials 'discovered' the practice of slavery among minority groups, such as the Moro (Muslim) societies of the southern…
I was immediately drawn in by the struggles of the indigenous people to the conquering settlers through excellent characters who I cared about. The irony of what the indigenous peoples must do to save themselves runs subtle but tragic throughout the narrative. Given its relevance to our own colonial history and present situation, this simple tale rang through me like a tolling bell.
When the inhabitants of a peaceful world are conquered by the bloodthirsty yumens, their existence is irrevocably altered. Forced into servitude, the Athsheans find themselves at the mercy of their brutal masters.
Desperation causes the Athsheans, led by Selver, to retaliate against their captors, abandoning their strictures against violence. But in defending their lives, they have endangered the very foundations of their society. For every blow against the invaders is a blow to the humanity of the Athsheans. And once the killing starts, there is no turning back.
I have been to, and loved, North, Central, and especially East Africa for over fifty years. Only six times have I been to Africa on holiday; more often, perhaps twenty or more times, as a television producer. Working in Africa gains a perspective of reality that the glories of vacation do not. Each has its place, each its pitfalls like stalled plane rides with emergency landings in the bush or attacks by wildlife. But, in the end, the magic of the “otherness,” what an old friend called “primitava” captures one’s soul and changes your life.
A man bereft of connection to the modern world is used, agreeing to be so, by the spy world with consequences neither he nor his handlers predicted. A wonderful journey undercutting & exposing Western misuse of Africa and African rights. Nobody writes the ordinary man stepping up to a great task in thrillers better than Le Carré. Le Carré uses intellect as demonstration of character, and in so doing, he finds redemption in morals needed to achieve a thriller’s conclusion.
As an interpreter of African languages, Bruno Salvador is much in demand. He makes it a principle to remain neutral - no matter what he hears. But when he is summoned on a secret job for British Intelligence, he is told he will have to get his hands dirty. His mission is to help bring democracy to the Congo - democracy that will be delivered at the end of a gun barrel.
The Mission Song is an excoriating depiction of a corrupt world where loyalty can be bought and war is simply an opportunity to settle old…
I am a retired university professor. My research, in which I am still actively engaged, deals with decision-making under deep uncertainty: how to make a decision, or design a project, or plan an operation when major relevant factors are unknown or highly uncertain. I developed a decision theory called info-gap theory that grapples with this challenge, and is applied around the world in many fields, including engineering design, economics, medicine, national security, biological conservation, and more.
The author presents a reasoned rational explanation of historical events: Agents act rationally from self-interest. History makes sense.
As I read the book, I was challenged to ask: how rational is human behavior? What does rationality mean in a world that we hardly understand because it is fraught with uncertainty?
Uncertainty and surprise are important in history: What will be the next revolutionary invention? Who will be the next charismatic leader? What new ideology will sweep away conventions? Does history really make sense? Can we really make rational decisions when we face deep uncertainty about the world?
In this magnificent synthesis of military, technological, and social history, William H. McNeill explores a whole millennium of human upheaval and traces the path by which we have arrived at the frightening dilemmas that now confront us. McNeill moves with equal mastery from the crossbow-banned by the Church in 1139 as too lethal for Christians to use against one another-to the nuclear missile, from the sociological consequences of drill in the seventeenth century to the emergence of the military-industrial complex in the twentieth. His central argument is that a commercial transformation of world society in the eleventh century caused military…
Typically, climate journalists share stories of disastrous extreme weather events made more extreme by climate change. But over the past decade, I’ve discovered that every sector of the economy and every country on the planet that I’ve had the privilege to explore has people working on climate solutions. Crucially, in many places, these are now working at scale.
A series of lectures that shames the literary world for its lack of imagination in weaving the greatest threat humanity faces–climate change–into stories.
Ghosh is a first-rate novelist, but his greatest legacy will be his nonfiction work on climate, colonialism, and migration.
Are we deranged? The acclaimed Indian novelist Amitav Ghosh argues that future generations may well think so. How else to explain our imaginative failure in the face of global warming? In his first major book of nonfiction since In an Antique Land, Ghosh examines our inability--at the level of literature, history, and politics--to grasp the scale and violence of climate change. The extreme nature of today's climate events, Ghosh asserts, make them peculiarly resistant to contemporary modes of thinking and imagining. This is particularly true of serious literary fiction: hundred-year storms and freakish tornadoes simply feel too improbable for the…
I’ve always adored mysteries. My dad has the entire collection of Agatha Christie books, but even before I read those, I worked through his ancient original hardbacks of Enid Blyton's Famous Fivebooks and the less well-known Malcolm SavilleLone Pineseries. I love getting totally engrossed in a series, so I really get to BE the main character–I am one of four siblings, and when I wasn’t too busy reading, we were the Famous Five. I was George. I think I still am, to be perfectly honest–she was fiery, passionate, loved her dog, and wanted to serve justice and out the bad guys. What a role model!
A year or so ago, I read a lot of factual books about India, so I was delighted to find this Golden Age cozy mystery set in a land I was falling in love with through books. This book took me back to a pre-partition India still under British rule, with a realistic glimpse of life under colonialism alongside a hefty–hopefully less realistic–dose of murder and mystery.
I adored how Harini Nagendra created a strong, independent female character who still feels genuine and believable in the time and place in which the book is set–a time when most women were stifled, submissive, and governed by their husbands–and how the observations of colonization feel true to life while remaining both sympathetic and observant to the Indian culture and ways of life.
The setting is vividly portrayed, and the sights and sounds of 1920s India are an absolute delight. The main characters…
'The first in an effervescent new mystery series. . . a treat for historical mystery lovers looking for a new series to savour (or devour)' NEW YORK TIMES
'A gorgeous debut mystery with a charming and fearless sleuth . . . spellbinding' SUJATA MASSEY
'Told with real warmth and wit. . . A perfect read for fans of Alexander McCall Smith and Vaseem Khan' - ABIR MUKHERJEE
A NEW YORK TIMES NOTABLE BOOK OF 2022
Murder and mayhem . . . monsoon season is coming. _____________________________
Solving crimes isn't easy.
Add a jealous mother-in-law and having to wear a flowing…
