Here are 100 books that The Word for World Is Forest fans have personally recommended if you like
The Word for World Is Forest.
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I’ve loved both nature and writing since childhood. My birdwatching and prior work as a geologist have taken me to the coasts, forests, and grasslands of New England, the Pacific Northwest, Alaska, Brazil, and beyond. Through it all, I’ve kept my pen busy writing about my adventures. A former writer-in-residence at the Shoals Marine Laboratory in Maine and beach naturalist with the Seattle Aquarium, I now teach at Smith College in Massachusetts, where I live with my family, many notebooks, and a garden full of native plants and wild birds.
Running away to live for a year alone in the woods–as a kid, I couldn’t have dreamed up a better fantasy.
Twelve-year-old protagonist Sam Gribley makes the dream feel realistic. Carving your own home in a huge hollow tree? Check. Learning how to set traps for fish and game? Check. Stitching your own clothes out of a deer hide “borrowed” from a reckless hunter who couldn’t find the carcass? Check. Learning the daily rhythms of wildlife, from chickadees to raccoons to stoats? Oh yes. I could have lived in Sam’s world forever.
Plus, the author’s line illustrations perfectly evoke an outdoor notebook worthy of a young Thoreau. It broke my heart when Sam’s year of wild freedom drew to a close.
"Should appeal to all rugged individualists who dream of escape to the forest."-The New York Times Book Review
Sam Gribley is terribly unhappy living in New York City with his family, so he runs away to the Catskill Mountains to live in the woods-all by himself. With only a penknife, a ball of cord, forty dollars, and some flint and steel, he intends to survive on his own. Sam learns about courage, danger, and independence during his year in the wilderness, a year that changes his life forever.
"An extraordinary book . . . It will be read year after…
I am a cultural historian, film critic, literary critic, editor, and essayist–and a frustrated fiction writer–fascinated by ‘the fantastic’ in art or in life. Answering that fascination, I wrote Savage Girls and Wild Boys: A History of Feral Children (2002), and I’ve written two books for the BFI Film Classics series on two great movies of the fantastic, Rosemary’s Baby (2020) and It’s A Wonderful Life (2023). I also edited three anthologies of Victorian and Edwardian fantasy, The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (2010) and Victorian Fairy Tales (2015), and now an anthology, Origins of Science Fiction (2022) for Oxford World’s Classics.
I recently re-read this book, and it returned me at once to the joy and strangeness of the first time I read it.
Lewis offers up the theory that perhaps what we know in this world as myth and archetype exists in reality on other planets. The book brings that thought to vivid life. It detonates all the power and perplexity of the first chapters of "Genesis" and replays "Paradise Lost" on the floating blissful islands of Venus.
Though the endnote is one of glorious joy, few have been as good at depicting evil as Lewis was. Written at the height of the horrors of the Second World War, the Un-Man has haunted my nightmares for much of my life.
The second novel in Lewis's science fiction trilogy tells of Dr Ransom's voyage to the planet of Perelandra (Venus).
In the second novel in C.S. Lewis's classic science fiction trilogy, Dr Ransom is called to the paradise planet of Perelandra, or Venus, which turns out to be a beautiful Eden-like world. He is horrified to find that his old enemy, Dr Weston, has also arrived and is putting him in grave peril once more. As the mad Weston's body is taken over by the forces of evil, Ransom engages in a desperate struggle to save the innocence of Perelandra...
I’ve always had a longstanding interest in space, and particularly in aliens. In researching my breakthrough novel Not Alone, I extensively read as much nonfiction content on the topic as I could find, including governmental-backed scenario analyses of how things might actually play out in a contact or invasion scenario. Naturally, I have also read widely in the sci-fi genre for my own pleasure, with most of my interest in this specific topic.
The whimsy and humor of this book make it an easy choice to round out an otherwise serious list! An engrossing story lurks behind the comedy, which is no doubt why this book has transcended generations and cultures to persist as a worldwide fan favorite.
The truth is that we have no idea what humanity’s first encounter with aliens will look like, even if Arthur Dent’s experience with the bureaucratic Vogons is a little more tongue-in-cheek than those in our more “serious” picks.
This box set contains all five parts of the' trilogy of five' so you can listen to the complete tales of Arthur Dent, Ford Prefect, Zaphod Bebblebrox and Marvin the Paranoid Android! Travel through space, time and parallel universes with the only guide you'll ever need, The Hitchhiker's Guide to the Galaxy.
Read by Stephen Fry, actor, director, author and popular audiobook reader, and Martin Freeman, who played Arthur Dent in film version of The Hitchhiker's Guide to the Galaxy. He is well known as Tim in The Office.
The set also includes a bonus DVD Life, the Universe and…
Growing up, I was exposed to the same influences as most other SF writers of my generation – Clarke, Heinlein, and Asimov. But I was also exposed to the more nuanced, more psychologically realistic work of writers like Harlan Ellison, Norman Spinrad, Ursula K. LeGuin, and J.G. Ballard, none of whom shared the unquestioning techno-utopianism of an earlier generation of writers. They taught me not to automatically respect power or authority, and to always question ideas that might otherwise be taken for granted. It’s an approach that’s carried over into my own writing ever since.
Quite possibly one of the most divisive SF novels of recent years, this starts with a familiar scenario: the launch of a generation ship to transport thousands of colonists – and, ultimately, their descendants – to a distant habitable world. Despite having written Red Mars, one of the best novels about colonizing another world, Robinson has disparaged the idea that any such thing is, in fact, possible or even desirable. In Aurora, he confronts the question of what happens when those descendants, born on a ship they didn’t choose to be passengers on, decide they have a quite different idea of where they should go, and why.
I have always been fascinated by science and everything mysterious. I love to read science fiction and mystery stories. I use art and literature to explore reality. Writing or painting allows me to link seemingly unrelated topics together to create my own explanations for why things are the way they appear to be. The biggest things in the universe are replicated on Earth right down to sub-atomic size. I call that life imitating stars. Life is an endless resource found everywhere in the universe, and it's not restricted to just light or heat to grow; it only needs energy.
I liked this book because it's a collection of stories about unrelated people's exploits, real and imagined, as they work together to make their mark in a new frontier.
The stories portray amazing accounts of people ranging from the mundane to the supernatural. It's one of the last stories to describe Mars with a somewhat hospitable climate, and that doesn't matter.
The incredible storytelling of Ray Bradbury makes anything that his characters are doing always believable no matter where they are because he writes from the heart.
The Martian Chronicles, a seminal work in Ray Bradbury's career, whose extraordinary power and imagination remain undimmed by time's passage, is available from Simon & Schuster for the first time.
In The Martian Chronicles, Ray Bradbury, America’s preeminent storyteller, imagines a place of hope, dreams, and metaphor— of crystal pillars and fossil seas—where a fine dust settles on the great empty cities of a vanished, devastated civilization. Earthmen conquer Mars and then are conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race. In this classic work…
I grew up playing in nature: body surfing the waves in Southern California, backpacking in the Sierra Nevada Mountains, swimming in rivers. For the past thirty years, I’ve lived in the redwoods of Northern California. Spending so much time in the peace and beauty of nature has filled me with joy and deep respect for the incredibly interconnectedness of living ecosystems. I’ve also had a lifelong passion for reading, especially fairy tales, fables and fantasies. Combining nature and fantasy in my writing allows me to explore ideas and inspirations about how we can live in harmony on our one beautiful planet.
A fable about forest creatures coming together and putting differences aside to save their home from the Smashbasher. This book is an early chapter book for 7-9-year-olds and includes beautiful illustrations. The trees have names and are inhabited by various creatures. Heartwood will bring children closer to the magic of the forest and nature.
I recommend this book because I live in the redwood forest and love trees myself. The book captures the essence of the magic we feel when we enter an unspoiled forest, and how important it is to protect these sacred and life-giving places. The fact that the only way for the forest creatures to save their home is to find their similarities and work together strikes me as particularly relevant today.
"Quarrelling erupted. The faeries bickered amongst themselves. The magpies and squirrels tossed spiteful comments at each other across the clearing. The mushrooms started to wilt in the nasty atmosphere created by the squabbling. And the Smashbasher crept closer, gobbling up the forest, chomping the old ones, crushing and crunching its way toward The Linney."
Will the forest creatures find a way to save their homes? Can they put their squabbles aside and come up with a plan to stop the Smashbasher? You can find out by sitting down somewhere comfortable and reading this book.
I grew up playing in nature: body surfing the waves in Southern California, backpacking in the Sierra Nevada Mountains, swimming in rivers. For the past thirty years, I’ve lived in the redwoods of Northern California. Spending so much time in the peace and beauty of nature has filled me with joy and deep respect for the incredibly interconnectedness of living ecosystems. I’ve also had a lifelong passion for reading, especially fairy tales, fables and fantasies. Combining nature and fantasy in my writing allows me to explore ideas and inspirations about how we can live in harmony on our one beautiful planet.
Soon to be a musical, this enchanting story is about an eleven-year-old girl who doesn’t know she can sing until she gets to know an oak tree in her garden, Annie Oakly, who becomes her best friend and is actually a tree spirit. As the story unfolds, and Emma is confronted with family troubles, she learns of her own vital role in saving the trees; Emma must sing!
I’m recommending this book because of my own love for both trees and music. In fact, I often sing to the redwoods where I live and sometimes imagine they are singing along with their rustling squeaks and creaks. The author tells a story grounded in everyday problems, such as living with a grandmother with dementia, while bringing the fantastical and magical world of nature vividly alive.
Eleven-year-old Emma doesn't know that she comes from generations of tree singers, passed from mother to daughter. She doesn't believe she can sing. Her ailing grandmother has just come to live with the family. Her father is hardly ever at home. Her mother has been acting strange. To add to Emma's troubles, her mother's great uncle from England is coming to stay. Then, a strange old woman wearing a hat full of feathers appears mysteriously in her garden. She gives Emma a white swan feather that emits a haunting melody. Emma's only solace is the oak tree in her garden,…
I have no wilderness survival skills and certainly no wish to be thrown into any of the scenarios in the books I’ve recommended. What I do have is great empathy for those who struggle to survive loss—in whatever form it might come—be it loss of home, or security, or family. I know what it is to struggle through darkness and survive what I would have previously thought “unsurvivable.” That’s why two of my middle grade books, but especially MacKenzie’s Last Run, are about speaking up when you’re hurting or frightened. Lost in the dark woods or lost in grief–it’s all ultimately about survival.
I love the way A Long Walk to Waterfollows two characters in two different timelines to reinforce the importance of water to survival. It’s an exciting combination of a true story and fictionalized one that intersect in an unexpected but wonderful way. Readers of any age, but especially younger ones, will be shocked by what one 11-year-old girl must do to obtain just a minimal daily amount of water for her family’s survival. They will also be inspired by how one 11-year-old boy, after barely surviving wartime experiences in his African homeland, returns years later to make a lasting impact on the lives of others. The double-pronged impact of these characters and their suspenseful stories will instantly engage readers, keep them enthralled to the final page, and leave a long-lasting impression.
This is more than a story, although it is a wonderful one. It is an eye-opener to the…
Cherished by millions of readers, this #1 New York Times bestselling novel is a powerful tale of perseverance and hope. Newbery Medalist Linda Sue Park interweaves the stories of two Sudanese children who overcome mortal dangers to improve their lives and the lives of others.
A Long Walk to Water begins as two stories, told in alternating sections, about two eleven-year-olds in Sudan, a girl in 2008 and a boy in 1985. The girl, Nya, is fetching water from a pond that is two hours’ walk from her home: she makes two trips to the pond every day. The boy,…
Growing up, I was exposed to the same influences as most other SF writers of my generation – Clarke, Heinlein, and Asimov. But I was also exposed to the more nuanced, more psychologically realistic work of writers like Harlan Ellison, Norman Spinrad, Ursula K. LeGuin, and J.G. Ballard, none of whom shared the unquestioning techno-utopianism of an earlier generation of writers. They taught me not to automatically respect power or authority, and to always question ideas that might otherwise be taken for granted. It’s an approach that’s carried over into my own writing ever since.
Pohl drew heavily on his experience as an advertising copywriter in this, perhaps his most famous novel co-written with C.M. Kornbluth. Although not directly set on a colonized world, it’s easily one of the darkest takes on the subject as the protagonist, a ‘star-class copysmith’ is given the job of selling people on the idea of emigrating to Venus…while carefully avoiding the reality of Venus being barely, if at all, habitable, with nothing to promise but a harsh existence and generations of toil before the planet can be fully terraformed.
In a vastly overpopulated near-future world, businesses have taken the place of governments and now hold all political power. States exist merely to ensure the survival of huge transnational corporations. Advertising has become hugely aggressive and boasts some of the world's most powerful executives.
Through advertising, the public is constantly deluded into thinking that all the products on the market improve the quality of life. However, the most basic elements are incredibly scarce, including water and fuel.
The planet Venus has just been visited and judged fit for human settlement, despite its inhospitable surface and climate; colonists would have to…
Growing up, I was exposed to the same influences as most other SF writers of my generation – Clarke, Heinlein, and Asimov. But I was also exposed to the more nuanced, more psychologically realistic work of writers like Harlan Ellison, Norman Spinrad, Ursula K. LeGuin, and J.G. Ballard, none of whom shared the unquestioning techno-utopianism of an earlier generation of writers. They taught me not to automatically respect power or authority, and to always question ideas that might otherwise be taken for granted. It’s an approach that’s carried over into my own writing ever since.
I first read Pohl’s Jem when I was a kid, and his fatalistic, even cynical take on first contact and interstellar colonization, along with the works of Harlan Ellison, Philip K. Dick, and Ursula LeGuin, greatly informed my developing views on politics and society. A near-future Earth divided into three major power blocs discovers a world ripe for exploitation and populated by not one, but three, sentient species, It’s not long before each bloc is currying the favor of different species in order to set each against the other, with absolutely no one thinking beyond their own immediate needs or with any concern about the consequences of their actions.
A cynical and compelling tale of politics, exploitation and colonisation on another planet
The discovery of another habitable world might spell salvation to the three bitterly competing power blocs of the resource-starved 21st century; but when their representatives arrive on Jem, with its multiple intelligent species, they discover instead the perfect situation into which to export their rivalries.
Subtitled, with savage irony, 'The Making of a Utopia', JEM is one of Frederik Pohl's most powerful novels.
