Why am I passionate about this?
For decades, I have been identified as a poet-farmer—I have a friendship with the earth forged through many seasons of cultivation, husbandry, and harvest. Enrolled in an MFA program abroad in creative writing, I found my way to Ireland, Oxford, and eventually to Cornwall, England, where I learned the art of cliff meadow farming. Returning to America, I became part of an agricultural revival called Community Supported Agriculture. I continued to write and teach poetry, enlivened by literature and the silt-loam soil of the Long Island peninsula. The language of the garden and the language of poetry and prose in sympathy with the earth, for me, are inseparable.
Scott's book list on our human relationship with the natural world
Why did Scott love this book?
I feel the same about this book as Barry Lopez—who wrote a most wonderful introduction—when he notes that throughout his reading of the text, he often had to take a break to walk outside; the writing was just so stimulating.
Appealing to me as a poet, this is a slim book—about 90 pages—really a meditative essay that I return to again and again. I am fascinated by the originality of the author’s thought process, his supple prose, and his discussion of the polarities that exist between cultivated nature and wildness.
One singular sentence in this book (“The wood waits…”) has such resonance for me that I chose it as an epigraph for a book of my own.
3 authors picked The Tree as one of their favorite books, and they share why you should read it.
John Fowles' writing life was dominated by trees. From the orchards of his childhood in suburban Essex,to the woodlands of wartime Devon, to his later life on the Dorset coast, trees filled his imagination and enriched his many acclaimed and best-selling novels.Told through his lifelong relationship with trees, blending autobiography, literary criticism, philosophy and nature writing, The Tree is a masterly, powerful work that laid the literary foundations for nature-as-memoir, a genre which has seen recent flourishings in Roger Deakin's Wildwood, Richard Mabey's Nature Cure, Robert Macfarlane's The Old Ways and Helen Macdonald's H is for Hawk.As lyrical and precise…