Azby Brown is a widely published author and authority on Japanese architecture, design, and environment, whose groundbreaking writings on traditional Japanese carpentry, compact housing, and traditional sustainable practices are recognized as having brought these fields to the awareness of Western designers and the general public. His creative work spans many media and has been widely exhibited internationally. In 2003 he founded the KIT Future Design Institute in Tokyo, focussing on cognitive and cultural issues surrounding the human hand and its use in the creative process, conducting collaborative research with neuroscientists and perceptual psychologists. A native of New Orleans, he has lived in Japan since 1985 and is currently on the sculpture faculty of Musashino Art University in Tokyo.
This is the book that got me hooked on Japanese carpentry when I was in college in the late 1970s. There’s not much explanation, really, but the black-and-white photos convey the sheer beauty of Japanese joinery in an evocative and compelling way. The drawings resolve some of the mystery.
This lively introduction to Japanese joinery not only delves lovingly into the unique history and development of Japanese carpentry, but also reveals many secrets of Japanese joinery. Presenting 48 joints, selected from among the several hundred known and used today, this visually exciting book will please anyone who has ever been moved by the sheer beauty of wood.
With the clear isometric projections complementing the 64 pages of stunning photographs, even the weekend carpenter can duplicate these bequests from the traditional Japanese carpenter, which can be applied to projects as large as the buildings for which most of them were…
I’ve been a children’s author for over 35 years, had over 150 books published, and won a number of awards. But I began my professional life as Editorial Director of a major children’s book club, during which time I read thousands of books for young readers, from tiny tots to teenagers. As for scary books, I’ve written quite a number and read them to hundreds of children during school visits. I know what works, and I understand how to control scariness so that it delivers a delightful frisson that leaves children wanting to experience more of the same over and over again.
Scary is sometimes what we anticipate rather than what is actually there, and that’s definitely the case in this wonderful tease of a story. The text is simplicity itself and the accompanying illustrations are beautifully gothic and atmospheric. We follow a black cat across a dark, dark moor, through a dark, dark wood, into a dark, dark house – you get the drift? – but just what is at the end of this dark, dark journey? The surprise is genius and has children tumbling over themselves to go back to the beginning once they are in on the secret. This is a book I must now find for my granddaughter because I know it will be a firm favourite.
Children will delight in following the black cat's progress through the dark wood, into the dark house, and eventually to the surprise discovery at the back of the toy cupboard, in this mysterious, beautifully illustrated picture book.
As a teenager, I worked on cars and motorcycles in my spare time while apprenticing in an architectural millwork shop, paneling the homes of the rich and famous. Thus I discovered the great joys and satisfactions of working with my hands. After a long stint in graduate school, then four years as an editor at Fine Woodworking magazine and for Taunton Press books, I opened a custom design furniture business in 2000. Travel, writing, and reading are aligned passions, and I’ve lived, taught English, and woodworking here and abroad in France, Slovakia, India, and Japan.
There are more comprehensive and detailed books on green woodworking, but none with Alexander’s unedited, liberating spirit, or his pioneering work. Lines such as “You need very few tools to go into the woods and bust a chair out of a tree” gave me a kind of permission to be bold, experiment, and just have fun (which is what he did, and is where the book comes from). You’ll learn how to make chairs (chairs!) with a small set of tools. You’ll likely put the book down before finishing it, and run into the woods to get started.
When a tree is felled, the wood is green and is easy to cut, split, shave and shape. As it dries, the wood shrinks and hardensQand it becomes vastly more difficult to work. In the old days, wood-workers relied on the ease with which green wood could be worked to make the parts they needed, and on the way wood shrinks to hold these parts together. These old ways have almost been lost, but are revived here for the modern woodworker. Make a Chair From a Tree is a lively and informative introduction to the old ways of splitting and…
I grew up playing in nature: body surfing the waves in Southern California, backpacking in the Sierra Nevada Mountains, swimming in rivers. For the past thirty years, I’ve lived in the redwoods of Northern California. Spending so much time in the peace and beauty of nature has filled me with joy and deep respect for the incredibly interconnectedness of living ecosystems. I’ve also had a lifelong passion for reading, especially fairy tales, fables and fantasies. Combining nature and fantasy in my writing allows me to explore ideas and inspirations about how we can live in harmony on our one beautiful planet.
A fable about forest creatures coming together and putting differences aside to save their home from the Smashbasher. This book is an early chapter book for 7-9-year-olds and includes beautiful illustrations. The trees have names and are inhabited by various creatures. Heartwood will bring children closer to the magic of the forest and nature.
I recommend this book because I live in the redwood forest and love trees myself. The book captures the essence of the magic we feel when we enter an unspoiled forest, and how important it is to protect these sacred and life-giving places. The fact that the only way for the forest creatures to save their home is to find their similarities and work together strikes me as particularly relevant today.
"Quarrelling erupted. The faeries bickered amongst themselves. The magpies and squirrels tossed spiteful comments at each other across the clearing. The mushrooms started to wilt in the nasty atmosphere created by the squabbling. And the Smashbasher crept closer, gobbling up the forest, chomping the old ones, crushing and crunching its way toward The Linney."
Will the forest creatures find a way to save their homes? Can they put their squabbles aside and come up with a plan to stop the Smashbasher? You can find out by sitting down somewhere comfortable and reading this book.
I love gathering poets together to celebrate different causes. In fact, I hosted a weekly literary radio show, Gathering Voices, for seven years and published a book/cd collection, Gathering Voice. Since 1972, I have been publishing poetry as well as editing anthologies that collect differing voices, as an activist and poet/editor: gathering voices for women, nature, and social justice is my passion. Given the immensity of suffering in the war on Ukraine, I was galvanized to gather together poems in solidarity with Ukrainians. The anthology, co-edited with Richard-Yves Sitoski, was launched 3 months after the invasion began: a huge endeavor that included 48 activist poets.
Trees are being cleared at a faster rate than any time in history! How can we possibly reverse this? How can poetry raise awareness of the value of our forests, worth more standing? This anthology, in its breadth and scope, offers readers hope, and prompts us to action on behalf of our trees. The anthology features an important introduction by Diana Beresford-Kroeger, author of The Global Forest and renowned expert on trees.
This anthology continues my theme of activism through poetry to raise awareness about our threatened environment. With over 100 poems and contributions from poets all over the country, Heartwood is a tribute to and celebration of the timeless impact of nature on Canadian poetry. “We must turn to the poets to expand dreams. This is because trees are the parents to the child deep within us. Forests bear silent witness to the tides of time upon which we…
I fell in love with reading as a child and have carried that sense of magic and possibility with me ever since. As an adult and a writer, I believe passionately in the power of story to foster empathy, understanding, and greater human connection – and I still turn to children’s literature whenever I need reminding of all that we are capable of becoming and doing as human beings. This list has a strong environmental bent to it – partly because Wildoak is a book about caring for the natural world, and partly because I believe that stories shape our sense of purpose.
This is a gorgeous picture book! It’s poetic and lyrical and bridges the distance between science and story. I especially love the center spread – it brought me right back to that feeling of climbing a strong, solid tree as a child, of being held by a tree. It’s the kind of book that I would want to share with little ones because it’s inspiring and hopeful. I’m a big fan of Dr. Jane Goodall and believe in her mission of inspiring hope when it comes to caring for the environment.
A lyrical, gorgeously illustrated look at the majesty of trees-and what humans can learn from them
Stand tall.
Stretch your branches to the sun.
Be a tree!
We are all like trees: our spines, trunks; our skin, bark; our hearts
giving us strength and support, like heartwood. We are fueled by air and
sun.
And, like humans, trees are social. They "talk" to spread
information; they share food and resources. They shelter and take care
of one another. They are stronger together.
In this gorgeous and
poetic celebration of one of nature's greatest creations, acclaimed
author Maria Gianferrari and illustrator…
I was a bit afraid to read this
book because I Loved Kristin Ward’s Daughter of Erabel series. What if this
book didn’t live up to that? Let me tell you, there was no reason to fear being
let down.
Ward is an exceptional author. Her
characters are real, her landscapes are stunning, and her plots are
well-thought-out. I couldn’t put this book down until the last page was turned,
and then, I couldn’t stop thinking about it.
I am a scientist and inventor, who has always been drawn to grand, overarching narratives, and unifying ideas. I have degrees in Mathematics and Architecture, a PhD in Biophysics, and spent 11 years studying fungal networks at the University of Oxford. I am currently working with the award-winning architect Ben Allen, to commercialize a patent for making POMB (poly-organic mycelium blend): a light-transmitting, thermally insulating, carbon-negative building material.
It is easy to imagine that in the Stone Age, stone tools were the critical thing, that in the Bronze Age, bronze tools were the critical thing, and so on. The truth is that right up until very recent times, most of our technology was made from wood. Even before modern humans evolved, we were deeply shaped by the physical realities of wood, and the challenges and opportunities it provides. Large animals that live in trees need big brains and spatial awareness to avoid falling to their death, and the habitations of early humans were surely closely related to the nests made by non-human primates. Stone tools enabled improvements in wood handling and wood tools, bronze-enabled wooden wheels, and many of the long-term trends in human history make a lot more sense from a wood-centric perspective.
In short, this charming and unique history of humanity casts a familiar and often…
A “smart and surprising” (Booklist) “expansive history” (Publishers Weekly) detailing the role that wood and trees have played in our global ecosystem—including human evolution and the rise and fall of empires—in the bestselling tradition of Yuval Harari’s Sapiens and Mark Kurlansky’s Salt.
As the dominant species on Earth, humans have made astonishing progress since our ancestors came down from the trees. But how did the descendants of small primates manage to walk upright, become top predators, and populate the world? How were humans able to develop civilizations and produce a globalized economy? Now, in The Age of Wood, Roland Ennos…
Often, people don’t understand the emotions of a child. The care and keeping of children have been my life focus as a mother of five,4-H leader, Kindergarten aide, religious education teacher, and owner of Whalen’s Country Childcare. I hold dear the awe and wonder seen in the eyes of a child and hope to forever be inspired by the sight. Since my new book, Little Red Rolls Away was released, I have presented at schools, libraries, appeared in newspapers, magazines, and been featured on CBS Good Day Sacramento. Endorsements include filmmaker Joey Travolta, Founderand Creative Director, Inclusion Films, a company that aims to teach the art of filmmaking to people with developmental disabilities.
It’s a special sadness children have when they lose something given to them by someone they love. Izze misses a kiss blown to her by her mother. No matter how hard she tries to catch it, she can’t. Her mother is wise and doesn’t just tell her it will be alright. Instead, she tells Izze a story and soon Izze is blowing kisses into the wind. The interaction is heartwarming.
Izzie just loves when her mama blows her kisses to catch. Smooch kisses, zig-zag kisses, and even triple decker kisses! But even though she runs and leaps for it, Izzie misses a kiss! Her heart sinks as she watches it zip higher and higher into the sky. When Mama lets Izzie in on a sweet secret she realizes that her mama's love will always come to find her, no matter what! This silly and tender story is a universal one of a parent's love.
Jeff Miller is one of the country’s leading furniture designer/craftsmen. He is also a dedicated teacher and a prolific writer, with over 40 articles and 4 books (with a fifth in preparation). Jeff has exhibited furniture in shows from coast to coast, and has a piece in the permanent collection of the Chicago History Museum. Jeff’s work is heavily influenced by his former career as a professional musician, and he strives to make each of his pieces feel musical in some way.
Jeff is a runner and – despite the hindrance of living in the flat mid-west – an avid skier. A substantial chunk of his time is taken up by dialysis treatments, but he tries not to let that slow him down too much.
This is a foundational text on wood as a material for building furniture, written by someone who knows the material thoroughly as both a wood scientist and as a woodworker. The combined insights give you the information you need to work with wood effectively. It reads well if you feel like plowing through it, but you can also use it as a resource for answering specific questions about wood and its behavior.
Understanding Wood is the definitive reference on wood technology, and is a keystone of every woodworker's library. The first edition (1980) sold over 128,000 copies: this new edition updates the classic text with new information on new materials: composite board, adhesives and finishes which have been developed since the original edition. There are also 225 brand new colour photographs! Up-to-date and Comprehensive: revised and updated edition of a woodworking classic (Taunton Press, 1980; 1-918804-05-1) which continues to sell thousands of copies a year to this day. New four colour photography is clearer and more informative. Comprehensive: everything you know about…
