The perfect title reflects how
imperfect life can be, so just accept it!
Is it a memoir or a cookery book? The
recipes are there to add to the background story, as we know how popular cookery
books are when we empathize with the person behind them. In this case, Anita’s
view that food is the basis of making and keeping friends shines through.
Anita’s story is of a professional,
mature Canadian relocating to rural Wales, with anecdotes about people and how they
interact when spread widely across a rural area. Anyone from this county (including
me) will instantly recognize characters and places!
It is a large, sturdy
coffee-table book to dip into with lots of full-color photographs and seasonal
recipes for entertaining friends, a nice, easy read.
All of my recommended books feature female protagonists with complex lives. They are layered with friends, families, work, and romantic challenges. They are not superheroes. Yet they are. They all find a way to do the hard thing in difficult circumstances and at great personal peril. And that’s what bravery is. It’s not Captain Marvel coming in to save the world. It’s a woman with responsibilities and problems who digs deep to act with integrity. And she may not get accolades. Her act may be unseen. But she does it. And I love reading about these everyday women with grit.
I love that the main character, journalist Whitney Chase, is not only an unreliable narrator but also unreliable herself. She confesses she has problems with the “creep.” She adds fake information and lies to get more eyeballs on her writing. I was totally engaged in watching Whitney make poor choices and try to wiggle out of her responsibilities and the consequences of her actions.
It’s like being a voyeur to the train wreck of her life. Yet Whitney is funny, hard-working, tough, and a champion of the vulnerable. She is such an incomplete, contradictory, and frustrating character that I was compelled to turn the page to see if she somehow landed on top.
"A deep, weird and uncanny tale" —Sheila Heti "A book to devour"—Iain Reid "Sinister good fun" —Lee Henderson "Gripping and unassumingly smart" —Lauren Oyler
A journalist with a history of bending the facts uncovers a story about a medical breakthrough so astonishing it needs no embellishment--but behind the game-changing science lies a gruesome secret.
A respected byline in the culture pages of the venerable New York magazine The Bystander, journalist Whitney Chase grapples with a mysterious compulsion to enhance her coverage with intriguing untruths and undetectable white lies. She calls it "the creep"--an overpowering need to improve the story in…
I love gathering poets together to celebrate different causes. In fact, I hosted a weekly literary radio show, Gathering Voices, for seven years and published a book/cd collection, Gathering Voice. Since 1972, I have been publishing poetry as well as editing anthologies that collect differing voices, as an activist and poet/editor: gathering voices for women, nature, and social justice is my passion. Given the immensity of suffering in the war on Ukraine, I was galvanized to gather together poems in solidarity with Ukrainians. The anthology, co-edited with Richard-Yves Sitoski, was launched 3 months after the invasion began: a huge endeavor that included 48 activist poets.
This anthology is as powerful as it is still necessary: beware. Some pieces may be triggering, but they raised my awareness and empathy. These collected poems from writers across the globe declare one common theme: resistance. By exploring sexual assault and violence in their work, each writer resists the patriarchal systems of power that continue to support a misogynist justice system that supports abusers. In doing so, they reclaim their power and their voice. Resistance underscores the validity of all women’s experiences, and the importance of dignifying such experiences in voice, however that may sound. Because once survivors speak out and disrupt their pain, there is no telling what else they can do.
Writers across the globe speak out against sexual assault and abuse in this powerful new poetry anthology, edited by Sue Goyette. These collected poems from writers across the globe declare one common theme: resistance. By exploring sexual assault and violence in their work, each writer resists the patriarchal systems of power that continue to support a misogynist justice system that supports abusers. In doing so, they reclaim their power and their voice. Created as a response to the Jian Ghomeshi case, writers including Joan Crate, Ashley-Elizabeth Best, and Beth Goobie are, as editor Sue Goyette explains, a "multitude, resisting." The…
I was born and raised on the rugged island of Newfoundland and am enthralled by the ocean, its rhythm, its power. The setting of The Kerrigan Chronicles is the setting for my early life: same area, different era. As a child, I was unaware of the sacrifices and struggles of my ancestors. During cross-country telephone conversations with my aging father, I heard stories of poverty, illness, and war. When Dad described the earthquake and tsunami of 1929, I was hooked. I have written other novels, modern-day suspense that could quite frankly have been written by other people butThe Kerrigan Chronicles are mine and mine alone.
Set on a Canadian prairie plain in the 1930s, Who Has Seen the Wind tells the coming-of-age story of a young Saskatchewan boy, Brian O’Connal, as he seeks meaning in life, death, and God. I love this book for its lyrical use of the wind which constantly sweeps across the prairie and through every aspect of the story. This book influenced me as a writer because I hoped to personify the sea the way W.O Mitchell did the wind.
Hailed as “one of the finest Canadian novels ever written” by The Globe and Mail, W.O. Mitchell’s Who Has Seen the Wind is a beloved mainstay of Canadian literature. This new, abridged audio edition is read by the author himself.
Mitchell’s novel follows Brian O’Connal, a young boy growing up in Depression-era Saskatchewan. Curious and eager to explore the impossibly vast Canadian prairie, Brian guides the listener through the inner workings of his small, rural town and its quirky characters. As Brian grows up, navigating faith, loss, and his relationships with his grandmother and his friends, we see him evolve…
I’m a Canadian writer who started writing fiction after a career as a journalist at newspapers across the country. I’ve always marvelled at the diversity of Canada, and I try to portray that diversity in my own stories set in Toronto, one of the world’s most multicultural cities. And I revel in stories by fellow Canadian crime writers, tales filled with First Nations characters, and characters with Ukrainian, Russian, Asian, African, and British backgrounds, stories set in various parts of our far-flung country. The five novels I have focused on here are just a few of my favorites.
Windigo Fire, M.H. Callway’s 2014 debut novel, is set in one of my favorite Canadian locations—the Northern Ontario wilderness. It’s an adventure thriller filled with fast-paced action, psychological suspense, and First Nation legends. It has a fabulous sense of place, and a terrific cast of characters, headed by its Native Canadian protagonist, Danny Bluestone. A truly Canadian crime thriller.
Danny Bluestone, a young Native Canadian drifting through life, settles for a job at a children's camp in his Northern Ontario hometown of Red Dog Lake. Local entrepreneur, Meredith Easter, offers Danny some easy money: play the role of native scout for his wealthy hunting buddies. Danny knows that Easter's roadside attraction, Santa's Fish Camp, is the front for the local grow-op, and probably more, but the money is his way out of Red Dog Lake.
Danny flies the hunters to an island lodge deep in the wilderness. Once there, he learns that he's part of an illegal bear hunt…
Over my past 87 years, I have experienced a multitude of intimate relationships, including “falling in lust,” infidelity, “one-night stands,” one-week trysts to 40-year companionships, two marriages, and fatherhood, but the one that was most lasting and important to me was one of unconditional love.
I love this book because Robert Service is the most famous Canadian author and writes about adventuresome people who don’t fit in.
The poet descriptively pens events foreign to that experienced by most everyday, common people, and romanticizes his characters in such a way
that the reader can’t help but have empathy for them and their situation.
Robert Service, who is known as the “Bard of the Yukon,” is known for his ability to capture the adventure, desolation, and beauty of the Canadian North, and this authoritative collection highlights his most popular works that came to immortalize the Klondike Gold Rush. This expansive edition of the poetry of Robert Service includes his most beloved works, including The Spell of the Yukon and Ballads of a Cheechako, in one beautiful hardbound collection.
Perfect for fans of Jack London and Rudyard Kipling, Service’s work is readable verse that will appeal to adventurers, nature-lovers, and historians. Filled with colorful characters…
Ten-year-old me once looked in the bathroom mirror wondering who I would become. I tried to memorize the patterns in the tiles to hold on to that moment and carry it with me. My fascination with memory and the past permeates my novels. I love a good cold case—and my August Monet thriller trilogy is all about how the past weaves through the present—informing it, haunting it, transporting secrets. Maybe it’s our long, dark winters, but I see this same fascination in the novels of my fellow Canadian thriller writers. Many have created messy characters haunted by their messy pasts. Here’s a list of my favourites.
Clare is on the run and on the hunt for a missing girl.
What kept me reading was the tumult of questions that kept bubbling to the surface as Clare reluctantly and relentlessly searches—so many questions followed her on her solo journey. Who is she really running from and who is she working for? What is her end game? Where is the missing girl, Shayna and who doesn’t want her to discover the truth?
Clare is a woman with a very messy past—which is why she’s perfect for the job. She’s got nothing to lose. But she’s also got the past hot on her heels. There’s nothing like a strong, female character haunted by her past to get me turning the pages.
A taut psychological thriller in the vein of The Good Girl by Mary Kubica.
Clare is on the run.
From her past, from her husband, and from her own secrets. When she turns up alone in the remote mining town of Blackmore asking about Shayna Fowles, the local girl who disappeared, everyone wants to know who Clare really is and what she’s hiding. As it turns out, she’s hiding a lot, including what ties her to Shayna in the first place. But everyone in this place is hiding something—from Jared, Shayna’s secretive ex-husband, to Charlie, the charming small-town drug pusher,…
As both a high school teacher and an activist, I am preoccupied by the world we are leaving to the next generation. And as a long-time Toronto resident, I also just love seeing my city get destroyed in fiction, which is far more cathartic than watching it get bungled up in real life. I am drawn to the type of story that exposes the wounds that run deep in our political, economic, and social structures. The best dystopian fiction shines a mirror on our history and our present, and brings the experiences of marginalized voices—for whom the apocalypse is not merely theoretical—to a broader audience.
Hopkinson’s stunning debut plunges the reader into a wildly inventive future Toronto. She seamlessly weaves together the politics of race, class, and gender, inflected with the rich culture and history of the Caribbean diaspora.
Despite the grim post-apocalyptic setting, the characters are part of a community, surviving through solidarity and mutual aid. There are no easy answers or neat resolutions to be found here—the fraught, tenuous connections between families and lovers are messy and grounded.
Sadly, many of the elements of this 1998 novel have proven prophetic, and this book is still a clarion call 25 years later.
The rich and the privileged have fled the city, barricaded it behind roadblocks, and left it to crumble. The inner city has had to rediscover old ways -- farming, barter, herb lore. But now the monied need a harvest of bodies, and so they prey upon the helpless of the streets. With nowhere to turn, a young woman must open herself to ancient truths, eternal powers, the tragic mystery surrounding her mother and grandmother. She must bargain with gods, and give birth to new legends.
I’m a Canadian writer who started writing fiction after a career as a journalist at newspapers across the country. I’ve always marvelled at the diversity of Canada, and I try to portray that diversity in my own stories set in Toronto, one of the world’s most multicultural cities. And I revel in stories by fellow Canadian crime writers, tales filled with First Nations characters, and characters with Ukrainian, Russian, Asian, African, and British backgrounds, stories set in various parts of our far-flung country. The five novels I have focused on here are just a few of my favorites.
The Suicide Murdersintroduces Benny Cooperman, one of the most beloved characters in Canadian fiction, and a major influence on my own crime fiction. Howard Engel’s 14 Cooperman novels are filled with sharp dialogue and sparkling wit, and play with the tropes of detective fiction. A nice Jewish boy who runs a small detective agency, Benny doesn’t swear or carry a gun, and he’s squeamish about violence—much like my Pat Tierney protagonist--giving the PI genre a distinctly Canadian twist.
The Suicide Murderswas released in 1980, and Engel’s impact on crime fiction was enormous. He set most of the Cooperman books in the fictional town of Grantham, recognizable as St. Catharines, Ontario, where he grew up. Engel proved that writers could set stories on their own turf and have them published.
Ontario PI Benny Cooperman is on the case of a suspicious suicide in this “convincingly complex” mystery “with an ironic sense of humor” (Kirkus Reviews, starred review).
Myrna Yates shows up at Benny Cooperman’s office asking him to check up on her husband, the contractor Chester Yates, who she believes is having an affair. It seems like an open-and-shut case, until Cooperman finds out that the straying spouse has committed suicide. Something doesn’t add up; Mr. Yates bought a 10-speed bicycle just 2 hours before he killed himself. Could this “suicide” in fact be murder? The Jewish detective’s got a…
Ten-year-old me once looked in the bathroom mirror wondering who I would become. I tried to memorize the patterns in the tiles to hold on to that moment and carry it with me. My fascination with memory and the past permeates my novels. I love a good cold case—and my August Monet thriller trilogy is all about how the past weaves through the present—informing it, haunting it, transporting secrets. Maybe it’s our long, dark winters, but I see this same fascination in the novels of my fellow Canadian thriller writers. Many have created messy characters haunted by their messy pasts. Here’s a list of my favourites.
I picked up Tector’s novel because it’s set in my hometown of Ottawa, and I kept reading because she’s crafted a wonderfully flawed character who just won’t quit.
Cate Spencer is a coroner who relies on two things: her instincts and too much scotch to numb her painful past. When a woman is found hanging in the vaults of an archives building, Cate arrives on the scene.
It looks like suicide, but Cate can’t bring herself to rule the death accidental. Not yet. Something’s not right. The more she digs, the more menace stalks her, and the more the past threatens to derail her world completely.
Was the death a murder and if so, why? Dripping with long-buried secrets, this thriller kept me reading long into the night.
“A literary joyride.” —Louise Penny, New York Times bestselling author of the Chief Inspector Gamache novels
More than ten years after The Foulest Things, murder and mayhem return to Ottawa in the highly-anticipated next installment of Amy Tector’s acclaimed Dominion Archives Mystery series.
It’s a stormy summer day when Ottawa coroner Dr. Cate Spencer is called to the scene of an alleged suicide. Inside a narrow vault in the Dominion Archives’ nitrate film storage facility—kept separate from the rest of the collection due to its dangerous combustibility—officers pressure Cate to rule the death a suicide. When parts of the scene…
