As a forensic sculptor at the FBI, I was always trying to envision the best way to sculpt features from an unidentified skull. This is what led me to create a research project with the University of Tennessee to collect 3D scans of skulls and live photos of donors to use as a reference in my forensic casework. I’ve also diagrammed crime scenes, created demonstrative evidence for court, and worked with detectives, FBI agents, medical examiners, and forensic anthropologists on casework. Forensic art was never just a job to me; I feel it was what I was meant to do in my life.
I felt an affinity with Dr. Melinek partly because we both started our careers right before or right after 9/11 when we were both “learning the ropes” in our respective fields. In Dr. Melinek’s case, she had been working as an ME in New York City for two months before the 9/11 terrorist attacks; I started as a graphic artist at the FBI just two months after, in November 2001.
I loved this book because it gives the real day-to-day experiences of a woman working in what could be a depressing, ghastly environment. However, the author keeps her sense of humor throughout while showing the utmost compassion for victims. I found myself nodding my head in agreement at some of the cases she worked on, especially the one with an unidentified victim.
Just two months before the September 11 terrorist attacks, Dr. Judy Melinek began her training as a New York City forensic pathologist. While her husband and their toddler held down the home front, Judy threw herself into the fascinating world of death investigation-performing autopsies, investigating death scenes, counseling grieving relatives. Working Stiff chronicles Judy's two years of training, taking readers behind the police tape of some of the most harrowing deaths in the Big Apple, including a firsthand account of the events of September 11, the subsequent anthrax bio-terrorism attack, and the disastrous crash of American Airlines Flight 587.
I’ve been reading sapphic or lesbian romances ever since I got my hands on Touchwood and Curious Wine decades ago. When not writing contemporary sapphic romances, I’m always reading them. Happily ever afters haven’t always been the case for two women in love, least of all in fiction. I write sapphic romances to provide for other women like me what I hoped to find in bookstores when I was younger. It wasn’t easy to find a romantic story between two women, let alone have choices. Representation matters, and writing–and reading–books about two women in love is important to me and women like me, especially as states ban such books.
Set in post 9-11 days, Honor Reclaimed is best read as part of Radcyffe’s Honor series, a recommendation in itself.
The novel is packed with emotions and some angst, which always ups the ante. I rarely find romantic intrigue books swoon-worthy because so much of the book is dedicated to action and intrigue versus romance, yet Radclyffe works multiple romances into this book.
The pairings are unique, memorable, and will make your heart ache in a good way. I suffered alongside the couples as they overcame unimaginable hurdles. The sweet whispered yearnings and admissions between lovers make the book exceptional. Radclyffe writes intimacy like no other.
In the chaotic aftermath of 9/11, Secret Service agent Cameron Roberts and her lover, first daughter Blair Powell, must contend with recriminations from within the government and danger from without as they struggle to uncover those who betrayed the nation and nearly claimed Blair's life.
The hunt is a very personal quest for Cam, who fears that another strike on Blair is imminent. Her search takes her deep into the shadow worlds of counter-intelligence where even a friend might be a foe. While Cam races against time to uncover the traitor's trail, Blair becomes the target of an even deadlier…
I was a reporter for the New York Daily News at the time of the 9/11 attack on the World Trade Center and covered the FDNY in the aftermath of 9/11. Being on the site the day after the attack and following the recovery efforts, I came to know some of the FDNY family members who lost loved ones that day, as well as members of the department, as they struggled to rebuild. The family members’ stories stayed with me long after the attack. I always felt that the story of what happened to the FDNY members killed that day and the story of their family members who wanted answers had not been fully told.
The author is the former FDNY Commissioner during 9/11 who provides an honest account of his time in the FDNY, starting as a firefighter in the Bronx in the 1970s, rising to lead the firefighters union and then the department when former Mayor Rudy Giuliani picked him to be the FDNY Commissioner.
He pulls no punches and examines the challenges the department faced before and during 9/11, including his own role. I liked the book because it is an authentic account from somewhere who was there on 9/11 and who knows the FDNY inside and out.
New York City's thirtieth Fire Commissioner shares his personal experiences during and after the September 11 attacks, from his work beside Mayor Rudolph Giuliani and Police Commissioner Bernard Kerik, to his remembrance of lost colleagues and friends. 125,000 first printing.
I am a private practice therapist who has treated adolescents for over 15 years. Since 2016, I’ve helped teens and young adults struggling with gender identity. I discovered, through working with hundreds of families and dozens of adolescents, that many teens develop gender dysphoria only after intellectually questioning their “gender identity.” I found this fascinating and have spent the last 10 years trying to understand this phenomenon. Through my work with parents and adolescents and as a podcast co-host on Gender: A Wider Lens, I’m exploring the following questions: How do individuals make meaning of their distress? What happens when we turn to culturally salient narratives about illness, diagnoses, and treatment pathways?
My favorite kinds of books are ones that challenge conventional wisdom in a way that feels intuitively familiar and true. This is how I felt while reading this book.
As a therapist, I know how capable and resilient people can be, but I also come into contact with prolonged suffering in my work. I really enjoyed reading about the heroic and remarkable people he profiled, and I loved how Bonanno weaves in science with personal narrative.
I felt like his examples and interviews really brought to life the data on resilience, and I got a ton of practical and useful ideas for how to respond to challenging situations, from big-T trauma to everyday difficulties.
After 9/11, thousands of mental health professionals from across the country assembled in Manhattan to help handle the almost certain avalanche of traumatized New Yorkers. Curiously, it never came. While plenty of people did seek mental health counseling after 9/11, the numbers were nowhere near expected.
As renowned psychologist George Bonanno argues, psychiatrists failed to predict the response to 9/11 because our model of trauma is wrong. Psychiatrists only study clinically traumatized people, and over time this skewed sample has led us to believe that trauma was the natural response to stress. But what about all the people who never…
This is a book of poems. I'm not usually a huge poetry fan, but these poems somehow manage to be funny, brilliant, and touching all at once. Delightfully written by Lyndsay Rush, who calls herself "Mary Oliver's Drunk Cousin" on Instagram, and who didn't know she liked poetry until she started writing it in her 30s, I laughed out loud, I cried, I devoured this book. I read through the whole thing in one afternoon, but I definitely see myself picking up a section like "When You Have Main Character Syndrome and Aren't Looking for a Cure," and browsing the poems when I want to feel present, self-assured, loud, and proud. She helpfully labels each selection of poems with the current or desired mood. You'll walk away feeling seen, celebrated, and wholly convinced that joy is an urgent, worthwhile pursuit.
I am a historian of twentieth century Germany and the Holocaust, but I am also a voracious consumer of popular culture. How do I justify spending so much time watching and analyzing horror and science fiction film and television? Well, write a book about it, of course. The first thing I realized is that many other brilliant scholars have thought about why this imagery permeates contemporary culture, even if I asked different questions about why. I hope you are as inspired and enlightened by this book list as I was.
How do nations process a trauma like Auschwitz, the Vietnam War, 9/11, or Hiroshima and Nagasaki? Linnie Blake argues in The Wounds of Nationsthat the horror genre provides a medium through which nations can process recent historical traumas “from a distance.” Examining horror films produced in Germany, the US, Japan, and others countries with a vested interest in burying violent history can tell us a great deal about national identity formation in the wake of war, terrorism, and seismic political changes.
The wounds of nations: Horror cinema, historical trauma and national identity explores the ways in which the unashamedly disturbing conventions of international horror cinema allow audiences to engage with the traumatic legacy of the recent past in a manner that has serious implications for the ways in which we conceive of ourselves both as gendered individuals and as members of a particular nation-state.
Exploring a wide range of stylistically distinctive and generically diverse film texts, its analysis ranges from the body horror of the American 1970s to the avant-garde proclivities of German Reunification horror, from the vengeful supernaturalism of recent…
I am a word gatherer. I can sweet-talk a phrase here and surprise a pun there—finding the words to hold a feeling. I revel in playing with words for the sheer joy of writing. My passion is cultivating the heart-to-heart writer/reader connection. A joy-bringer, my glass is always half-full. A former Poetry Day Liaison for OCTELA (Ohio Teachers of English Language Arts), a Teacher Consultant with the National Writing Project, educator, author, and poet, I share hope-filled stories and poems.
The true story of the survivor tree—the pear tree that survived the 9/11 attack—is tenderly told by Ann Magee. As a mom of a veteran, it takes me back to that time. After this tragedy, my youngest son enlisted in the National Guard and was eventually deployed. His motivation? “There’s all the more reason now,” he replied. The tree’s resilience represents the strength of our nation and its helpers. This picture book is a beautiful tribute to all first responders and gives us hope for the future.
“This true-life fable about a tree that survived 9/11 commemorates the attack while evoking a resilient spirit and the healing power of nature." —Carole Boston Weatherford, author of Newbery Honor book BOX
“Branches of Hope is a tribute to resilience and hope, a gentle way to talk with our youngest readers about the memory of 9/11.” —Kate Messner, author of The Brilliant Deep: Rebuilding the World's Coral Reefs
The branches of the 9/11 Survivor Tree poked through the rubble at Ground Zero. They were glimpses of hope in the weeks after September 11, 2001.
I am an Australian writer living in Europe. Returning to my hometown on the East Coast of Australia post-COVID, I confronted relentless rain and king tides threatening the beach promenade cafes. Witnessing the potential demise of these familiar spots sparked the idea for my novel. Opening with a dystopian scene of future tourists exploring submerged coastal cafes with snorkels, my work delves into the realm of "cli-fi" (climate fiction). Against the backdrop of imminent climate danger, my characters, a lovable yet obstinate Australian ensemble, navigate a world profoundly altered by the impacts of climate change. I hope what I have written is an exaggeration. I fear it may not be.
I am sure everyone remembers where they were on the day of September 11, 2001. I was in Mexico, having flown past the Twin Towers the day before.
This is the first real-life account I have read about what happened on the ground that day and is a moving depiction of an everyday hero. As a reader, you can only imagine if you could have acted in the same way.
This non-fiction account introduces us to Welles Crowther, an equities trader and former firefighter who always carried a red bandanna in honor of his father. In the South Tower that day, directly after the attack, he used that bandanna to shield his face from smoke as he led people to safety, returning into the South Tower over and over again until it collapsed.
He sadly didn't survive, but his legacy as the "Man in the Red Bandanna" lives on in…
The story of Welles Crowther, whose actions on 9/11 offer a lasting lesson on character, calling and courage
One Sunday morning before church, when Welles Crowther was a young boy, his father gave him a red handkerchief for his back pocket. Welles kept it with him that day, and just about every day to come; it became a fixture and his signature.
A standout athlete growing up in Upper Nyack, NY, Welles was also a volunteer at the local fire department, along with his…
An American
Muslim is chosen blindly by a jury to design a memorial to the 9/11 victims,
opening it up to vociferous debates and dissensions, much like the Ground Zero
Mosque controversy.
The author uses
her vast experience as a New York Times journalist to eloquently describe the
warps and wefts of the fabric of New York society, and starts tugging at
several threads as it all unravels. The players’ tug-of-war is well portrayed
in rich texture, while the politicians’ intent on not letting a good crisis go
to waste adds satirical color to the expansive tapestry.
As a creator, one
feels that art has no religion and has no boundaries. The axiom is severely
tested in the face of rabid nationalism, parochial intolerance, and a media
free-for-all.
A jury gathers in Manhattan to select a memorial for the victims of a devastating terrorist attack. Their fraught deliberations complete, the jurors open the envelope containing the anonymous winner's name - and discover he is an American Muslim. Instantly they are cast into roiling debate about the claims of grief, the ambiguities of art, and the meaning of Islam.
The memorial's designer is Mohammad Khan, an enigmatic, ambitious architect. His fiercest defender on the jury is its sole widow, the mediagenic Claire Burwell. But when the news of his selection leaks to the press, Claire finds herself under pressure…
Ever since I was a kid, I’ve been more drawn to nonfiction than fiction. I remember spending hour after hour with my mother’s World Book Encyclopedias, memorizing breeds of dogs, US state capitals, and how to sign the alphabet. I loved reading books to learn about all kinds of things, and still do. But when it comes to fiction, unless the words are arranged like musical notes on the page, I struggle to read past chapter three. I need the narrator’s voice to make my brain happy and interested. While reading, I need to feel something deeply—to laugh, cry, or have my thoughts dance so rhythmically I find myself fast-blinking.
This book is well-written with language that’s easy off the tongue and sweet on the ears. I appreciate the main character, Dèja’s, spunk, and confidence despite her family being unhoused. I also enjoyed how the story’s characters, though from different cultural backgrounds, get along organically while working together on a difficult school assignment.
The ending is satisfying and hopeful. And I truly appreciate the story’s takeaway theme—confronting the past is more empowering than ignoring it.
When her fifth-grade teacher hints that a series of lessons about home and community will culminate with one big answer about two tall towers once visible outside their classroom window, Deja can't help but feel confused. She sets off on a journey of discovery, with new friends Ben and Sabeen by her side. But just as she gets closer to answering big questions about who she is, what America means, and how communities can grow (and heal), she uncovers new questions, too. Like, why does Pop get so angry when she brings up anything about the towers?
