I am a British writer and avid reader of a wide range of genres who’d harbored a life-long ambition to be an author. It wasn’t until I became addicted to seductive romance that I found my own writing flow. I love books that have the power to transport you. Indulging in an adult ideal for a few minutes (or hours) in a day, when your body reacts viscerally to the words on a page, makes you swoon, your cheeks flush and your heart race is my reading and writing heaven. I hope you will experience the same delicious escapism in my book choices as I have.
I want to include a fellow British writer in my list and JEM is my favorite for suspenseful steamy stories. The Brit is the first in the Unlawful Men series. Dark and broken, mafia anti-hero Danny Black is brooding and bad. He is not supposed to fall in love with the women he takes as ‘collateral’ in a deadly game of power. Rose Cassidy has learnt to be tough to survive. Danny sees her as the mirror of himself. Their twisted attraction is not for the feint-hearted but I loved it!
Rose Cassidy doesn't truly live; she just exists. Numbing herself to fear and pain is the only way she can survive in this cruel world. So when she's taken as collateral by the notorious Danny Black in a deadly game of power, she's thrown by the deep fear she feels rising within her. And, worse than fear, a profound desire. She's heard tales of The Brit. He's callous. Coldblooded. But no one ever said he was wickedly beautiful and darkly captivating. He sees past her mask, giving her a cruel sense of hope. But…
Over the years, as a Professor of English at St. John's University, NY, I have shifted my research from American literature to popular culture, specifically rock music, a passion first ignited when I watched the Beatles on The Ed Sullivan Show, and re-ignited time and time again over the years. I have written articles, reviews, interviews, and a few books and I edit Popular Music and Society and Rock Music Studies.
With Gender, Branding, and the Modern Music Industry, Kristin Lieb provides an enlightening but often troubling account of the contemporary pop music industry. By focusing on women artists in the post-MTV era, Lieb demonstrates that female pop singers are judged more than ever on their sex appeal—despite the advances of the women’s movement over the past several decades. Lieb draws from both theorists and music industry insiders, giving her conclusions weight and credibility. Yet despite its frequently disturbing findings, the book is not overly cynical. Lieb, an energetic writer, has managed to maintain her enthusiasm for pop music.
Gender, Branding, and The Modern Music Industry combines interview data with music industry professionals with theoretical frameworks from sociology, mass communication, and marketing to explain and explore the gender differences female artists experience.
This book provides a rare lens on the rigid packaging process that transforms female artists of various genres into female pop stars. Stars -- and the industry power brokers who make their fortunes -- have learned to prioritize sexual attractiveness over talent as they fight a crowded field for movie deals, magazine covers, and fashion lines, let alone record deals. This focus on the female pop star's…
Whip smart funny and touching. I cannot believe this is the same author who wrote The American Wife. An entirely different book both in subject matter and tone. A romantic story for those who do not generally read romances. A romantic heroine who does not believe in romance. The biggest obstacle to Sally’s happiness if her inability to believe that Noah is really attracted to her. Described with such honesty, precision and affection that it leaves you gasping. Set in the world of sketch writers for a fictional copy of Saturday Night Live. A novel that shows it is possible to write a fresh and original romance in an intelligent way. And it explores the whole issue of physical beauty and fame. The rich and glamorous alongside the ordinary. Self confidence and self-belief. Delightful.
I'm the writer and artist of the Johnny Hiro graphic novels. In those books, I use pop culture reference humor, but never simply as a joke. A reference can act as a hint to a world beyond the story the writer tells. I often dig slightly into an emotional resonance behind that reference—perhaps the (fictional) story of why it exists, or perhaps it even becomes an integral plot point. Popular media and culture often have a direct influence on our creative arts projects. And just sometimes, that art becomes an integral part of the popular culture itself.
I love the publications of cartoonists’ sketchbooks—getting a peek into the visual culmination of ideas that eventually gets turned into comics. Farel Dalrymple is an indie comics creator whose book Pop Gun War astounded me when I first saw it. His illustrations involve cityscapes and brownstones, and very slow-feeling movements, kind of urban-ethereal. It’s quite obvious Dalrymple has a respect for the settings his comics take place in. In Delusional, we get to see his quiet yet bizarre sketches and unpublished slices of comics that take place in his Pop Gun War and Wrenchies worlds.
Delusional is a book of comics and drawings by cartoonist Farel Dalrymple. You might have seen them in various anthologies, or posted on the internets, but now they are collected into one beautiful tome. Farel’s previous work includes Pop Gun War, Omega the Unknown and the occasional Prophet. Farel has won both the Xeric Grant and a Gold Medal from the Society of Illustrators for his work.
I’ve always been intrigued by how quickly mushrooms pop up in my yard and nearby forest, and now I’m fascinated at the science behind that, thanks to this picture book!
The energetic text combined with the gorgeous, large-scale illustrations immediately pulled me in, and made the world of fungi dramatic and exciting. We even get a look at how mushrooms spread underground. And I learned that there actually is such a thing as mushroom rain!
This is a fabulous book to share with kids–or anyone. You’ll definitely want to take a closer look at mushrooms during your next nature walk!
What can smell like bubble gum, glow neon green at night, be poisonous and yet still eaten by humans, and even help create rain? The answer is mushrooms! From their hidden networks underground to the fruiting body above, mushrooms can do incredible things. But don't call them plants--mushrooms are fungi. They're more closely related to animals like you! Through lyrical text and colorful, detailed artwork, the wonderful, mysterious, and sometimes bizarre world of mushrooms is explored. Back matter includes a glossary, additional mushroom facts, and a science activity.
I grew up in a small town, with wonderful librarians who introduced me to books I remember fondly to this day. The Flicka, Ricka, Dicka series, the Bobbsey Twins, Trixie Beldon, Nancy Drew, and, of course, Little Women shaped my love for stories about relationships and the simple pleasures of daily life. Whether it’s a mystery or a memoir, I want interesting interactions between the main characters, meaty descriptions of daily activities and affairs, and, of course, a happy ending. As I’ve gotten older, I like books with older protagonists; those are hard to come by—one reason I wrote a novel about the adventures of five middle-aged girlfriends!
Hard to imagine a memoir about suicide can be entertaining but, honestly, it was.
Sean Dietrich’s father shot himself when Sean was a child. The book is a roller-coaster ride of emotions Sean experiences as he comes to terms with that event. While the backdrop of the story is that sad beginning, the details of Sean’s life lived along the way are often funny.
His description of math and why he hates it is downright hilarious: “Math is one of those things the good Lord allowed on this earth to remind mankind that the devil is real,” that paragraph begins. Sean details his journey from being a high school dropout to becoming an award-winning, hugely popular author and columnist with brute honesty, a distinctly Southern perspective, and a wit that puts him right up there with Will Rogers.
From celebrated storyteller "Sean of the South" comes an unforgettable memoir of love, loss, the friction of family memories, and the unlikely hope that you're gonna be alright.
Sean Dietrich was twelve years old when he scattered his father's ashes from the mountain range. His father was a man who lived for baseball, a steel worker with a ready wink, who once scaled a fifty-foot tree just to hang a tire swing for his son. He was also the stranger who tried to kidnap and kill Sean's mother before pulling the trigger on himself. He was a childhood hero, now…
This
is a book written by two members of a band that I really love deeply – The
Walker Brothers.
Hardly a contemporary book since their main period of chart
success was the 1960s, but good music is eternal. It’s from the point of view
of John and Gary, the two lesser known members, since most people focus on the
main singer, Scott Walker. He was of course, fantastic beyond words, but the
experiences and contributions of John and Gary should be known and respected
too.
We read in this book, in their own words, the ups and downs of the musical
careers and their personal lives. I learned a lot more about this band I love.
The Walker Brothers - John, Scott and Gary - were one of the biggest pop groups of the 1960s. Gifted with stunning voices and drop-dead-gorgeous looks, their appeal was irresistible. Massive hits such as 'Make It Easy On Yourself' and 'The Sun Ain't Gonna Shine Anymore' have become evergreen classics. This is their story.
Ever since I was a kid, I’ve been more drawn to nonfiction than fiction. I remember spending hour after hour with my mother’s World Book Encyclopedias, memorizing breeds of dogs, US state capitals, and how to sign the alphabet. I loved reading books to learn about all kinds of things, and still do. But when it comes to fiction, unless the words are arranged like musical notes on the page, I struggle to read past chapter three. I need the narrator’s voice to make my brain happy and interested. While reading, I need to feel something deeply—to laugh, cry, or have my thoughts dance so rhythmically I find myself fast-blinking.
This book is well-written with language that’s easy off the tongue and sweet on the ears. I appreciate the main character, Dèja’s, spunk, and confidence despite her family being unhoused. I also enjoyed how the story’s characters, though from different cultural backgrounds, get along organically while working together on a difficult school assignment.
The ending is satisfying and hopeful. And I truly appreciate the story’s takeaway theme—confronting the past is more empowering than ignoring it.
When her fifth-grade teacher hints that a series of lessons about home and community will culminate with one big answer about two tall towers once visible outside their classroom window, Deja can't help but feel confused. She sets off on a journey of discovery, with new friends Ben and Sabeen by her side. But just as she gets closer to answering big questions about who she is, what America means, and how communities can grow (and heal), she uncovers new questions, too. Like, why does Pop get so angry when she brings up anything about the towers?
After years as a London-based music journalist for publications such as Melody Maker, Q, and The Guardian, I turned to ghostwriting rock autobiographies and discovered how much more satisfying it is to tell someone’s full, unadulterated life story rather than to feed on carefully cultivated scraps gleaned from half-hour interviews. I never imagined anybody would be as lewdly transparent as my first memoir subject, Nikki Sixx, but many others have run him close—not least Judas Priest singer Rob Halford, in 2020’s appositely named Confess. Its follow-up, Biblical, is imminent. Does it go the extra mile? I don’t think it will disappoint…
It’s not an easy task to convey the carnal intensity and animal abandon of a performer whose default mode has always been unadulterated excess, but Paul Trynka’s masterful study of Iggy Pop hit the motherlode. Trynka went the extra mile and then some, tracking down hundreds of key witnesses to, and victims of, Pop’s creative chaos, and even attending his high school reunion (which is more than Iggy did). Jaw-dropping anecdotes were legion (taking a mid-gig dump behind the speakers, anyone?) and Trynka captured the driven essence of this brittle soul, perennially fighting the world while never even knowing why.
“Fellow rock stars, casual members of the public, lords and media magnates, countless thousands of people will talk of their encounters with this driven, talented, indomitable creature, a man who has plumbed the depths of depravity, yet emerged with an indisputable nobility. Each of them will share an admiration and appreciation of the contradictions and ironies of his incredible life. Even so, they are unlikely to fully comprehend both the heights and the depths of his experience, for the extremes are simply beyond the realms of most people’s understanding.”
I was born in 1947, in the first wave of the baby boom, and was part of the first generation to grow up immersed in television, movies, and popular music. I have always felt the force of pop culture in my life. But it was only at a certain point that it became something that I felt I could write about and be taken seriously. Writers like Pauline Kael made it possible for me because they obviously adored popular culture but they neither puffed it up nor dumbed it down. They wrote about it with intelligence, honesty, and curiosity and also as a barometer of where people were at and where society was going. That’s what I’ve aimed at in my own writing, from my books on the male and female body to those on politics and the media to my most recent exploration of the impact of television on our lives.
Where the Girls Are is about a particular generation of women growing up in post War America, and the impact popular media had on their lives, both for good and for bad. It weaves wonderfully smart, often funny, always engagingly written discussions of pop music, movies, and television shows with Douglas’s own experiences at the time. It’s unabashedly feminist—but it isn’t a speech or a political manifesto. It’s an exploration of the push-pull of growing up female at a transitional time, a time in which attitudes toward women were changing, unevenly, and how pop culture reflected the tensions of the times. This book is history, memoir, sociology, media studies, all at once – immensely informative and very entertaining.
Media critic Douglas deconstructs the ambiguous messages sent to American women via TV programs, popular music, advertising, and nightly news reporting over the last 40 years, and fathoms their influence on her own life and the lives of her contemporaries. Photos.
