Before becoming a psychological thriller writer I trained as a Clinical Psychologist, and I continue to practice as a therapist alongside my writing. Clinical Psychologists work in the field of mental health, bringing me into regular contact with the more difficult, distressed, or disturbed aspects of human psychology. Similarly, my novels typically explore the darker sides of what it means to be human, including themes of guilt, loss, fractured relationships, and trauma. The books on my list delve into this compelling and fascinating territory, and have inspired me as both a psychologist and a storyteller.
This book really hooked me because mass hysteria is such a rare and bizarre psychological phenomenon, and Abbott portrays the creepiness and weirdness of it perfectly!
Perhaps also because my own teenage years were so turbulent and I still feel so connected to my younger self, I love to read and write about teenage friendships—in all their dark, obsessive intensity.
The Fever takes you there perfectly, and my fourth novel, A Guilty Secret (which is set in a remote Scottish boarding school), took special inspiration from Abbott’s brilliant tale.
Deenie, Gabby and Lise are best friends - a tight girl-unit negotiating their way through the troubled waters of their teens, a world of sex, secrets and intense relationships.
When first Lise then Gabby falls prey to a mysterious illness, hysteria sweeps their school and, as more girls succumb, Deenie finds herself an outsider, baffled by the terrifying illness and scared that it could all be because of something she has done.
Suffering with Deenie are her dad and her brother, both protective of Deenie, but each with secrets of their own . . .
I first read this YA novel as a teenager and have never forgotten it.
The book has long been out of print in the UK, but a few years ago, I laboriously tracked down an Australian ex-library copy to re-read. I was fascinated to realise the book actually falls into the (psychological) horror genre (having thought I hated horror after being traumatised as a kid by Nightmare on Elm Street!). I could also now see how, at heart, it is also a heartbreaking family drama.
Del-Del later became a huge inspiration for my debut novel Little White Lies, a psychological thriller about a family desperately struggling with the miraculous return of their teenage daughter Abigail following her abduction seven years previously.
A teenage girl in Sydney, Australia, records how her family is devasted by her older sister's death and by the bizarre behavior of her gifted younger brother, who seems to be possessed by a coldly unfeeling entity.
To me, this book brilliantly and unapologetically explores one of the darkest and most taboo areas of human psychology: a mother’s fear and hatred of her own child.
I don’t have children of my own (through choice), but my mother and sister both struggled in their roles as parents, so this theme has always been very personal. We Need To Talk About Kevin bravely spoke the “unspeakable,” bringing into the light thoughts, feelings, and experiences that I had perhaps never been fully able to articulate for myself.
In turn, Shriver’s book paved the way for me to explore similar themes in my own writing, particularly in my second novel.
Eva never really wanted to be a mother; certainly not the mother of a boy named Kevin who murdered seven of his fellow high school students, a cafeteria worker and a teacher who had tried to befriend him. Now, two years after her son's horrific rampage, Eva comes to terms with her role as Kevin's mother in a series of startlingly direct correspondences with her absent husband Franklyn about their son's upbringing. Fearing that her own shortcomings may have shaped what her son has become, she confesses to…
I admit: Gone Girl was my gateway drug into psychological thrillers, a genre I remain addicted to this day.
Before that, I mostly read literary fiction and Penguin Classics, (which was fine, but a little dull). I consider Gone Girl an absolute masterwork and must have read it at least five times, studying every detail of how she pulled it off!
Flynn turns Amy’s utterly taboo actions into a highly-astute commentary about women’s experiences in modern society, articulating and expressing suppressed aspects of the female psyche in a way that I found incredibly validating. IMO, her “Cool Girl” manifesto ought to be a warning to us all!
THE ADDICTIVE No.1 BESTSELLER AND INTERNATIONAL PHENOMENON OVER 20 MILLION COPIES SOLD WORLDWIDE THE BOOK THAT DEFINES PSYCHOLOGICAL THRILLER
Who are you? What have we done to each other?
These are the questions Nick Dunne finds himself asking on the morning of his fifth wedding anniversary, when his wife Amy suddenly disappears. The police suspect Nick. Amy's friends reveal that she was afraid of him, that she kept secrets from him. He swears it isn't true. A police examination of his computer shows strange searches. He says they weren't made by him. And then there are the persistent calls on…
Firstly, I absolutely love that this book is presented in the form of a podcast!
Maybe it’s just me, but epistolary novels always makes me feel the story is more “real”! I love how Wesolowski cleverly blurs the lines between madness, evil, and the paranormal, asking whether “monsters” really exist or are simply manifestations of our human selves.
This resonates so much with me as a clinical psychologist, because mental illness have been demonised and “monstered” throughout history, and I am always working to educate and defeat stereotypes and stigma.
Online investigative journalist Scott King investigates the death of a pop megastar, the subject of multiple accusations of sexual abuse and murder before his untimely demise in a fire ... another episode of the startlingly original, award-winning Six Stories series.
'A captivating, genre-defying book with hypnotic storytelling' Rosamund Lupton
'A chilling, wholly original and quite brilliant story. Deity is utterly compelling, and Matt Wesolowski is a wonderful writer' Chris Whitaker
'Matt Wesolowski taking the crime novel to places it's never been before. Filled with dread, in the best possible way' Joseph Knox
To the outside world, the Goodlights are perfect. Julia is a lawyer, Paul a stay-at-home dad who has dedicated his life to helping their daughter Chrissie achieve her dreams as a talented violinist. But on the night of a prestigious music competition, which has the power to change everything for Chrissie and her family, Chrissie goes missing.
She puts on the performance of a lifetime, then completely disappears. Suddenly every single crack, every single secret that the family is hiding risks being exposed. Because the Goodlights aren’t perfect. Not even close.
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
