In the 1980s I was bullied for playing Dungeons and Dragons. Kids like to bully each other, but this was different: The bullies felt they had been given a moral license to pick on D&D players because pastors, talk-show hosts, and politicians were all claiming it was a Satanic, anti-Christian game. Those claims were my first inkling that adults did not know what they are talking about. After getting a PhD in the sociology of religion, I was finally able analyze and articulate why religious authorities felt threatened by a simple game of imagination.
Barrowcliffe is a humorist, but reading his autobiographical account of playing D&D in the United Kingdom in the 1970s, you realize humor is a way of coping with tragedy.
This book contains fascinating descriptions of the early history of D&D outside of the United States. Barrowcliffe is also adept at articulating what exactly is so compelling and fascinating about D&D. Most importantly, this book portrays the brutal culture of toxic masculinity that often existed around this game in its first decades.
Gen Z players may be shocked by Barrowcliffe’s account of how players treated one another.
Coventry, 1976. For a brief, blazing summer, twelve-year-old Mark Barrowcliffe had the chance to be normal.
He blew it.
While other teenagers concentrated on being coolly rebellious, Mark - like twenty million other boys in the `70s and '80s - chose to spend his entire adolescence in fart-filled bedrooms pretending to be a wizard or a warrior, an evil priest or a dwarf. Armed only with pen, paper and some funny-shaped dice, this lost generation gave themselves up to the craze of fantasy role-playing games, stopped chatting up girls and started killing dragons.
I am a former journalist and corporate public relations expert with a Ph.D. in Foreign Languages, I’ve always been passionate about World War 2 history and truly fascinated by the deceptions put in place by both the Allies and the Axis. I believe that a story that mixes fiction with history is highly powerful and evocative. I set my debut novel in the Rome in 1942 because I was inspired by the numerous stories heard from both my grandfathers who fought in the war and because Fascist Italy is not as well-known as it should be. As one of the very few female thriller writers in this genre, I wanted to celebrate the contribution of women in World War 2!
Another great thriller by Follett, what I found different and interesting for this book was the setting, Nazi-occupied Denmark during World War 2. The mixing of fictional and historical events is well accomplished. Typical of Follett, the novel presents intertwining stories in an adept way that builds tension throughout. It is very well researched and the places really come to life. I loved the abundance of technical details that don’t feel overwhelming, though. With memorable, strong characters, all determined to reach their goals, the writer did a great job in placing them into a well portrayed, true-life context. I loved the spinning swirl of actions that accompany the reader until the very end.
Ken Follett and the intrigue of World War II-"a winning formula" (Entertainment Weekly) if ever there was one. With his riveting prose and unerring instinct for suspense, the #1 New York Times bestselling author takes to the skies over Europe during the early days of the war in a most extraordinary novel. . . .
It is June 1941, and the war is not going well for England. Somehow, the Germans are anticipating the RAF's flight paths and shooting down British bombers with impunity. Meanwhile, across the North Sea, eighteen-year-old Harald Olufsen takes a shortcut on the German-occupied Danish island…
When I was a kid on the farm in Saskatchewan, I had a handful of books to read and re-read and read yet again. No television, no radio—just books. Then we moved to the city and I discovered the bookmobile, but I could only take out three books at a time. Deciding was torture. From bookmobile to library to bookstore to e-reader. Life is good. With all that reading, I knew I had to write a novel. I finally did. One became seven. How on earth did that happen? Re-reding my books I realized that teens play significant roles in all my novels. I’m a retired teacher—go figure!
I liked this book so much, I read it twice. What made it so good? O’Dell’s mastery of creating “real” people. I cared about them. I wanted to be in the story with them such was the power of her writing—a captivating story with an unusual set of characters, their lives intersecting in unexpected ways. Spain, the US, bulls and bullfighters, an old lady, a couple of teen brothers, a dysfunctional family, love and hate, baseball…
When their hard-drinking, but loving, father dies in a car accident, teenage brothers Kyle and Klint Hayes face a bleak prospect: leaving their Pennsylvania hometown for an uncertain life in Arizona with the mother who ran out on them years ago. But in a strange twist of fate, their town’s matriarch, an eccentric, wealthy old woman whose family once owned the county coal mines, hears the boys’ story. Candace Jack doesn’t have an ounce of maternal instinct, yet for reasons she does not even understand herself, she is compelled to offer them a home.
In my stories and novels, in my reading, and in my life, I'm inspired and captivated by what I call resonant places, places with deep connections to the past as well as the present moment. I grew up in a mid-century modern house my parents built. Although no other family had lived in it before, our own family—like all families—was haunted by ghosts of our past. My childhood home was bulldozed by the next owners; the house has become a ghost itself. But memories remain long after a family or a home is gone. As a writer, a reader, and a psychotherapist, I believe that memories are the seeds for both remembering and imagining.
InSo Long, See You Tomorrow, an adult narrator looks back at childhood and the lingering effects of childhood loss and displacement. He recalls his mother’s death, his father’s remarriage, and moving from a beloved home. The author also tells a parallel story of the scandal that befell his friend Cletus: his father shot his mother’s lover, and then drowned himself. For the narrator, his lost boyhood home is recalled like a dream of paradise lost, a mirage of another life: “I dream about it, the proportions are so satisfying to the eye and the rooms so bright, so charming and full of character that I feel I must somehow give up my present life and go live in that house: that nothing else will make me happy.” This novel about haunting memories of a lost place and past will haunt the reader. This was one of my father’s…
A novel which charts the lives of two former friends until the father of one was responsible for the murder of the father of the other. They do not speak following the tragedy, but the victims son realises fifty years later that he has failed in a fundamental act of friendship.
This book is set in the scorching hot summer of 1900, often noted by young people of the time as a moment of hope, peace, and infinite possibility. They didn’t know what was coming for them. Neither does Hartley’s narrator, a fatherless 12-year-old boy spending his summer holiday with the wealthy family of a school friend.
I loved the imagery in the book: a stolen afternoon of coed swimming in a sky-blue river; a village cricket game that exposes both class tension and a forbidden romance; a green summer suit with smoked-pearl buttons that makes a boy suddenly conscious of how he is seen in the world.
When the boy becomes an unknowing accomplice in the affair between his friend’s debutante older sister and a tenant farmer, the course of his life is permanently distorted. Fans of Atonement and Lady Chatterley’s Lover will adore this book.
L.P. Hartley's moving exploration of a young boy's loss of innocence The Go-Between is edited with an introduction and notes by Douglas Brooks-Davies in Penguin Modern Classics.
'The past is a foreign country: they do things differently there'
When one long, hot summer, young Leo is staying with a school-friend at Brandham Hall, he begins to act as a messenger between Ted, the farmer, and Marian, the beautiful young woman up at the hall. He becomes drawn deeper and deeper into their dangerous game of deceit and desire, until his role brings him to a shocking and premature revelation. The…
You’ve got to root for the underdog, right? And there’s no bigger underdog than fictional villains. While real-life criminals are doing very nicely, thank you very much, in fiction, the bad guy is screwed from the start. What could be more relatable than knowing on a bone-deep, existential level that you’ve already lost? And what could be more heroic than stepping out onto the field of play knowing that no matter how hard you play, you’re still going down? Keep your flawed anti-heroes; they’re just too chicken to go over to the losing side. I’ll cheer for the doomed bad guy every single time.
Everyone loves a bastard, and Pinkie, the hero of Brighton Rock, is such an awful bastard. He doesn’t like his friends, hates his girlfriend, and is driven by a pathetically brittle ego that can never be satisfied. But it’s the fact he’s so hopelessly trapped in the prison of his own angry, petty horizons that makes me love him. I love a doomed character.
When an author can make you know, it’s all going to end badly and still make you hope it won’t? That’s magic. I love it when I’m reading books that I can feel playing with my emotions but I’m enjoying it so much I don’t care. Pinkie is a bastard, and he sort of knows it, when it comes to the crunch, and he goes out like a coward, I can’t help but wish he’d managed to pull it off.
Pinkie Brown, a neurotic teenage gangster wielding a razor blade and a bottle of sulfuric acid, commits a brutal murder - but it does not go unnoticed. Rose, a naive young waitress at a rundown cafe, has the unwitting power to destroy his crucial alibi, and Ida Arnold, a woman bursting with easy certainties about what is right and wrong, has made it her mission to bring about justice and redemption.
Set among the seaside amusements and dilapidated boarding houses of Brighton's pre-war underworld, Brighton Rock by Graham Greene is both a gritty thriller and a study of a soul…
I came of age in Oklahoma as a gay youth in the late 1970s and early 1980s, keeping myself hidden out of safety and shame. Once I was old enough to leave my small-minded town and be myself, I crashed headlong into the oncoming AIDS epidemic. It set me on a path to understanding the world and my place in it as a homosexual. I turned to reading about the lives and histories of those who came before me, to learn about their deaths and survivals in what could be an ugly, brutal world. These works continue to draw me, haunt me, and inspire me to share my story through my writing.
The sweeping saga of two seemingly socially disparate boys caught up in the volatile world of early 1900s Ireland from which springs forth the Easter Uprising. As a writer and a reader,I am amazed at the historical details and language that are completely immersive, as well as by the structure and control O’Neill wields over the book. Yet he never overwhelms with the “history,” nor does he ever lose sight of the true story, the true heart of his stunning novel.
The love story between the boys is timeless and beautiful and, of course, tragic, as is so often the case with gay love stories from our history. It has haunted me since I first read the novel some twenty-two years ago. It is yet another book I often come back to reread, and I am astounded all over…
Praised as “a work of wild, vaulting ambition and achievement” by Entertainment Weekly, Jamie O’Neill’s first novel invites comparison to such literary greats as James Joyce, Samuel Beckett and Charles Dickens.
Jim Mack is a naïve young scholar and the son of a foolish, aspiring shopkeeper. Doyler Doyle is the rough-diamond son—revolutionary and blasphemous—of Mr. Mack’s old army pal. Out at the Forty Foot, that great jut of rock where gentlemen bathe in the nude, the two boys make a pact: Doyler will teach Jim to swim, and in a year, on Easter of 1916, they will swim to the…
After picking up a copy of James Herbert’s Lair (the second in his Rats trilogy) back in the early 80s, I decided I wanted to write something myself one day. That day came in about 1990, when I finished my first manuscript, Minstrel’s Bargain. I also wrote another MS around that time called Point of Contact, but nothing happened with these stories and I gave up on my writing dreams to concentrate on bringing up a family. Fast forward to 2015, and I sent the MS for Minstrel’s Bargain to an indie publisher. To my surprise, they took it on, and that book has spawned two sequels, entitled the Prophecy Trilogy.
Writing as Richard Bachman, this quite short story (for King) is set in a future where once a year, young people are invited to take part in the ‘Long Walk.’ The premise is simple; you walk until you can’t walk any further. Keep above a certain speed limit or, after a couple of warnings, the soldiers who trail the walkers will shoot you dead. The winner is the one who survives. It sounds stupid, but, my God, when I first read it, I felt as if I had been on the walk with the characters you get to know. Horrifying simply because of the skill of King’s writing in describing the feelings of utter exhaustion and terror along the way. Human horror at its peak.
In this #1 national bestseller, “master storyteller” (Houston Chronicle) Stephen King, writing as Richard Bachman, tells the tale of the contestants of a grueling walking competition where there can only be one winner—the one that survives.
“I give my congratulations to the winner among your number, and my acknowledgements of valor to the losers.”
Against the wishes of his mother, sixteen-year-old Ray Garraty is about to compete in the annual grueling match of stamina and wits known as The Long Walk. One hundred boys must keep a steady pace of four miles per hour without ever stopping...with the winner being…
Bad boys in young adult romance have always been one of my favorite tropes to read. For seven years, I facilitated a poetry workshop with teens in a juvenile detention center and got to hear their stories—the heartbreak, the challenges, and the triumphs under all that bad boy façade. My memoir, Kids in Orange: Voices from Juvenile Detention, is about the workshops and helped me understand both myself as a writer and the “bad boys” who wrote poetry each week. There are a lot of complexities to bad boy characters and the most satisfying stories are the ones where the bad boys redeem themselves and find love.
Bad boy, Tim, has struggled with drinking and now is a member of AA and is trying to start his life over. He and my character, Christopher, could attend AA meetings together and I am always happy to find a young adult character who is a reformed bad boy and trying to stay sober with AA and this story does not disappoint.
For fans of Morgan Matson's Since You've Been Gone, Rainbow Rowell's Fangirl and John Green's Paper Towns
Tim Mason was The Boy Most Likely To find the drinks cabinet blindfolded, need a liver transplant, and drive his car into a house.
Alice Garrett was The Girl Most Likely To ... well, not date her little brother's baggage-burdened best friend, for starters.
For Tim, it wouldn't be smart to fall for Alice. For Alice, nothing could be scarier than falling for Tim. But Tim has never been known for making the smart choice, and Alice is starting to wonder if the…
As the author of a novel where basketball plays a huge role in the main character's life, I've come to delight in and respect when an author can expertly take what is surely a passion in their own lives and turn it into a colorful and important background for the characters they've created.
This criminally overlooked gem of a novel follows Owen Webb, a troubled young man with trouble at home. And the boy he befriends (or more accurately befriends him). Even more trouble. Basketball is Owen's obsession and outlet, and while it simmers in the background of this novel, it's one of the most accurate and lovingly depicted hoops books you'll ever read.
When Owen Webb, the son of working-class parents, receives a scholarship to the prestigious Rockcastle Preparatory Academy, the mysterious and enigmatic Carson Bly, an upperclassman from a wealthy and powerful family, befriends him. Their friendship, deepened through a love of basketball, becomes an obsession for Owen, who is desperate to avoid the growing trouble at home between his parents. When Owen's father is arrested for a shocking and unexpected crime, his family is torn apart, and Owen's anger and fear are carefully manipulated by Carson's mercurial and increasingly dangerous personality. Owen, who has fallen in love with Carson's beautiful but…
