Here are 100 books that The Go-Between fans have personally recommended if you like
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As a child, I learned that I was able to lucid dream at will, speaking to the beings I met in these places I’d never seen before, and it always gave me a sense of interconnectedness. A thread that goes through all of us and our histories. I believe that the ancients dedicated so much of their energy and resources to preserving their stories in order to maintain this connection because it’s so important. Inside all of us is a darkness that, if left unchecked would lead us to ruin. These books all demonstrate the inner struggle we have to understand and redirect that darkness toward the light and the good.
I often ask what the nature of laws and authority is. In the "Old West," when there was no overarching central authority, the survival of the fittest was the law. I’m curious how the clash of the old world with the new becomes a never-ending cycle and where it may lead.
I loved how none of the characters were all good or all bad, they were just survivors. This book is not meant to be liked or disliked. It’s meant to be experienced and "danced with."
Blood Meridian by Cormac McCarthy is an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennessean who stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.
I’ve been fascinated by social history since childhood, although I didn’t know that was what it was called, back then. When I did a postgraduate Masters in Folk Life Studies, it helped to confirm my love of books that, in skilfully fictionalising historical events, allow us to see them through the eyes of people most closely affected by them: ordinary people leading their lives throughout difficult and dangerous times or finding themselves in extraordinary relationships. It’s what I try to do in my own work, fiction and non-fiction alike. My book recommendations here are the kind of books I wish I had written.
I’m a huge fan of Dickens but this was a serendipitous Covid discovery.
In 1841, Dickens set his tale at the time of the 1780 Gordon Riots. I hadn’t realised how virulently anti-Catholic they were, nor how violent, the most destructive in the history of London. Barnaby himself, a vulnerable ‘innocent’, is sympathetically drawn. Above all the descriptions of the riots are so real that I found myself wondering if Dickens had spoken to somebody who had witnessed them in his youth – which would have been perfectly possible.
This is as vivid a depiction of what it feels like to be caught up in violent insurrection as you’re likely to find anywhere. You’ll also find out the origin of the ‘Dolly Varden hat’ along the way.
'One of Dickens's most neglected, but most rewarding, novels' Peter Ackroyd
Set against the backdrop of the Gordon Riots of 1780, Barnaby Rudge is a story of mystery and suspense which begins with an unsolved double murder and goes on to involve conspiracy, blackmail, abduction and retribution. Through the course of the novel fathers and sons become opposed, apprentices plot against their masters and anti-Catholic mobs rampage through the streets. With its dramatic descriptions of public violence and private horror, its strange secrets and ghostly doublings, Barnaby Rudge is a powerful, disturbing blend of historical realism and Gothic melodrama.
I started reading detective stories in my teens, and I’ve never quit. They’ve become part of my professional identity. I’ve taught detective (and crime) fiction at various universities in the U.S. and the Middle East. I believe the genre is incredibly rich, allowing the writer to explore anything from contemporary social issues to historical events and from psychological phenomena to philosophical problems. Apart from my academic work, I also write and edit detective/crime stories, and I try to keep up with the stream of new works being published every year. The list here contains some of my all-time favorites, and I hope you will enjoy them as much as I have.
This was difficult to do well, but Ackroyd makes it work–and he makes it look easy: One half of the story is told in a very idiosyncratic version of early eighteenth-century English (the other half in contemporary English). The level of sheer craftsmanship is impressive.
The story gripped me: a serial killer mystery with touches of the occult and supernatural. London is a haunted place in this story, but not only the victims of the past but also the killers are still with us today. We come to understand that our entire world is built on the flawed achievements of the past.
'There is no Light without Darknesse and no Substance without Shaddowe'
So proclaims Nicholas Dyer, assistant to Sir Christopher Wren and the man with a commission to build seven London churches to stand as beacons of the enlightenment. But Dyer plans to conceal a dark secret at the heart of each church - to create a forbidding architecture that will survive for eternity. Two hundred and fifty years later, London detective Nicholas Hawksmoor is investigating a series of gruesome murders on the sites of certain eighteenth-century churches - crimes that make no sense to the modern mind . . .…
Most of my novels are historical, and they include ten books set on the railways of the early 20th Century featuring Jim Stringer, a railway policeman. I am romantically drawn to that period: no mobile phones, no fluorescent light or man-made fibres – and plenty of smoke and steam available for atmospheric effects. If you really did travel back in time, you would think you were hallucinating, so I take a visual approach, providing a series of images that I hope are historically accurate whilst also having the force and originality of dream scenes. It seems to me that the writers on my list take a similar approach.
For comfort reading, I like period children’s stories, as written by, say, E.Nesbit, Noel Streatfield, Richmal Crompton. Childhood seems to have been more fun when it came up against the constraints of an adult society more formal than our own. Gillian Avery’s achievement was to write spirited historical children’s stories that have all the social nuance you would find in the above authors. The Greatest Gresham (written in 1962, set in the 1890s) is about the timid children of one family who are brought out of their shells by the bolder kids next door, and it all feels just right. For instance, when the mother of the timid children is out on her ‘calling’ (or visiting) day, they always have tea with the family maids, one of whom habitually reads their fortune in their tea leaves.
I’m a cognitive psychologist, originally from Scotland, but I have lived and worked in Canada for the last 50 years, first at the University of Toronto, and then at a research institute in Toronto. My passion has always been to understand the human mind – especially memory – through experimental research. Memory is fundamental to our mental life as humans; to a large extent it defines who we are. It is a complex and fascinating topic, and my career has been devoted to devising experiments and theories to understand it better. In our recent book, Larry Jacoby and I attempt to pass on the excitement of unravelling these fascinating mysteries of memory.
Despite its title, this engaging book is actually about memory, especially “autobiographical memory” – memories of our own personal experiences.
The chapters describe some classical cases of memory excellence and memory failure, and provide thoughtful discussions of many topics that puzzle readers.
These include the power of smell to evoke past experiences, the astonishing memories of chess and draughts grandmasters, the downside of remembering everything, the highly specific memories of some people with savant syndrome, and indeed why life seems to speed up as we get older – the relationship between memory and time.
Entertaining and educational, Douwe Draaisma's Why Life Speeds Up As You Get Older raises almost as many questions as it answers. Draaisma applies a blend of scholarship, poetic sensibility and keen observation in exploring the nature of autobiographical memory, covering subjects such as deja-vu, near death experiences and the effect of severe trauma on memory recall, as well as human perceptions of time at different stages in life. A highly accessible and personal read, this book will not fail to touch or provoke thought in its readers.
As a young businessperson in London in my early 30s, I was as ignorant of neurodiversity as much of the rest of the world. In the mid-2010s, I got fascinated by the topic thanks to conversations with autistic family members, who encouraged me to bring some of my expertise in corporate diversity programs to the field of “neurodiversity at work”. The topic of neurodiversity chimed with me, too, as I’d suffered a traumatic brain injury in a serious car accident, and there were aspects I could relate to. I founded neurodiversity training company Uptimize to help ensure organizations across the world understand how the importance of embracing and leveraging different types of thinkers.
I was struck at the time, reading The Dyslexic Advantage, by the detail and nuance Drs. Brock and Fernette Eide presented about many of the common strengths of dyslexic brains.
Dyslexia, like other forms of neurodivergence, has typically been seen in (only) a negative light – yet many famous and successful business people are dyslexic, and credit this with their success. Indeed, a study in 2006 found that as many as a third of all entrepreneurs are dyslexic!
In a business world reliant on innovative thinking, The Dyslexic Advantage highlights the multiple attributes of dyslexic thinkers – from insight to pattern matching – and makes an overwhelming case for the (better) inclusion of dyslexic thinkers in society and at work.
An updated edition of Drs. Brock and Fernette Eide's popular dyslexia book with a wealth of new material and improved dyslexic-friendly font.
What if we viewed dyslexia as a learning and processing style rather than as a learning disorder?
Drs. Brock and Fernette Eide use their impressive backgrounds in neurology and education to debunk the standard deficit-based approach to dyslexia. People typically define “dyslexia” as a reading and spelling disorder. But through published research studies, clinical observations, and interviews with dyslexic individuals, the Eides prove that these challenges are not dyslexia’s main features but are instead trade-offs resulting from an…
I love YA dystopian as a genre because the stakes are always high, and we get more action and tragedy in a survivalist, future-fantasy setting. There are usually mutants, zombies, or even superhuman powers involved, which raises the tension and keeps things moving. The subtle social commentary and epic, poignant twists make them much more than simple teenage novels. My own dystopian series explores these themes, but with aliens, time travel, vampires, floating kingdoms, or technology. As an adventure junkie from Oregon, I love the rich, ruined dystopian landscapes of decay and natural overgrowth; and as a philosophy major I enjoy stories that grapple with humanity’s purpose.
The Selection is based on reality TV shows like The Bachelor – only he’s a prince and girls compete to be selected into a life of royal privilege.
Just one problem for America Singer, she’s already in love with someone from a lower class and isn’t interested in crowns or jewels…until she meets the prince and realizes not everything is as it appears.
Fated or chosen mate relationships aren’t just a YA dystopian trope; finding the perfect partner is something most of us aspire to, and it’s always thrilling to read about a heroine who refuses her destined path and challenges the social status quo; throwing away a happily ever after in favor of freedom and adventure strikes a chord I can relate to.
It's the chance of a lifetime and 17-year-old America Singer should feel lucky. She has been chosen for The Selection, a reality TV lottery in which the special few compete for gorgeous Prince Maxon's love.
Swept up in a world of elaborate gowns, glittering jewels and decadent feasts, America is living a new and glamorous life. And the prince takes a special interest in her, much to the outrage of the others.
Rivalry within The Selection is fierce and not all of the girls are prepared to play by the rules. But what they…
I am Peter C. Bradbury, and it was reading the books of P.G. Wodehouse that attracted me to the career of being a butler. I have also always loved murder mysteries, so when I started writing, I combined those aspects into my first book. I chose these particular books because of the details and the subjects. I was a butler for over twenty years in the UK and the USA, and it annoys me when household staff are incorrectly portrayed. I love movies like Gosford Park and series like Upstairs Downstairs and Downton Abbey. The butler sees and hears everything, so I like the writers who know that.
I loved this book and the movie. The attention to detail was wonderful, and the butler’s relationship with the housekeeper was spot-on for the period. I could really relate to the butler, being one myself, and to his loyalty to his employer. The only quibble I had was that the butler didn’t say anything when he was asked for his opinion. I understood why he didn’t, but you are rarely asked, so you have to speak up when given the opportunity. It's just a great book!
*Kazuo Ishiguro's new novel Klara and the Sun is now available to preorder*
The Remains of the Day won the 1989 Booker Prize and cemented Kazuo Ishiguro's place as one of the world's greatest writers. David Lodge, chairman of the judges in 1989, said, it's "a cunningly structured and beautifully paced performance". This is a haunting evocation of lost causes and lost love, and an elegy for England at a time of acute change. Ishiguro's work has been translated into more than forty languages and has sold millions of copies worldwide.
Stevens, the long-serving butler of Darlington Hall, embarks on…
I like to read about people pursuing their dream because that’s not an easy thing to do. When I was working as a lawyer at a corporate law firm, I was sure I wanted to become a partner. But eventually I realized that being in-house counsel at a company was a much better fit for me so I changed jobs. And similarly, I’d always wanted to write a romantic comedy and so, after many years as a lawyer, I started taking courses at night, and eventually I found the courage to quit my legal job and pursue this passion. The underlying theme of all of my books is to encourage readers to pursue their dreams.
This is one of my favorite books—probably because I was a stressed-out corporate lawyer who definitely can’t iron.
The Undomestic Goddess is the story of a workaholic lawyer who is trying to become a partner at her law firm—only to get fired for an egregious mistake that she can’t believe she made. In her shock, she agrees to become a housekeeper. The only problem is she has no idea how to do any housework, which leads to some hilarious scenes.
I also loved how she figured out the mystery leading to her dismissal. This book made me feel less alone as a stressed-out workaholic lawyer and also made me consider that maybe being a partner at a law firm was not what I really wanted in life.
The hilarious romantic comedy from NUMBER ONE BESTSELLING AUTHOR Sophie Kinsella
Samantha thrives under pressure. A high-powered London lawyer, all she can concentrate on is taking the next step in her career; eating, sleeping, seeing friends - even taking a breath - will have to wait.
But just when she's about to get everything she has ever wanted, Samantha makes a mistake. A fifty-million-pound, career-destroying mistake. Unable to face the consequences, she does the unimaginable and runs away...
Catching the first train she can, she finds herself in the countryside, outside…
Even the purest of artists thrive under tension. For some artists, politics has provided a crucial source of tension which has led to great achievement. Usually, it doesn’t. Why? Because artists, like critics, are often poor at gauging political realities. (Artists are usually better off not getting involved with “ideological confusion and violence,” as Greenberg put it.) Occasionally, though, problems become so acute that being unserious about the world is not an option—the 1930s was like this for some, and maybe a second Trump presidency will have a similar effect on artists and critics today, although there is real room for doubt.
Ok, I cheated (already). This is not really about art, but it is about politics. There are some essays on art, but all of it is about how badly we have screwed up how we think about politics, especially in the United States.
We think and talk—incessantly, endlessly—about disparities between groups. What this book shows, from every angle, is that this way of talking and thinking is how exploiters want us to talk and think. Sounds counterintuitive, I know.
The point is to stop talking about disparities and disproportionalities of awfulness and start talking about class inequality. The point is also to say that addressing class inequality is addressing disparities, but not vice versa.
Denouncing racism and celebrating diversity have become central to progressive politics. For many on the left, it seems, social justice would consist of an equitable distribution of wealth, power and esteem among racial groups. But as Adolph Reed Jr. and Walter Benn Michaels argue in this incisive collection of essays, the emphasis here is tragically misplaced. Not only can a fixation with racial disparities distract from the pervasive influence of class, it can actually end up legitimising economic inequality. As Reed and Michaels put it, “racism is real and anti-racism is both admirable and necessary, but extant racism isn’t what…
