Fans pick 100 books like The Go-Between

Speaking of nihilism, Cormac McCarthy’s book is a miasma of sin without redemption. The characters—a band of psychopaths who scalp, murder, and torture their way across the American Southwest during the mid-19th century—are manifestations of pure evil motivated by nothing but animal desire. As much as I dig Larry McMurtry, his Old West novels can play on a need for moral certainty, thus raising doubt as to their verisimilitude.

In contrast, McCarthy‘s characters behave the way you’d expect desperate men far removed from the inhibiting influence of civilization would act in that time and place. I was often repulsed by the brutality, but by the time I finished, I was convinced I had read the Great American Novel.

I’m a huge fan of Dickens but this was a serendipitous Covid discovery.

In 1841, Dickens set his tale at the time of the 1780 Gordon Riots. I hadn’t realised how virulently anti-Catholic they were, nor how violent, the most destructive in the history of London. Barnaby himself, a vulnerable ‘innocent’, is sympathetically drawn. Above all the descriptions of the riots are so real that I found myself wondering if Dickens had spoken to somebody who had witnessed them in his youth – which would have been perfectly possible.

This is as vivid a depiction of what it feels like to be caught up in violent insurrection as you’re likely to find anywhere. You’ll also find out the origin of the ‘Dolly Varden hat’ along the way.

This was difficult to do well, but Ackroyd makes it work–and he makes it look easy: One half of the story is told in a very idiosyncratic version of early eighteenth-century English (the other half in contemporary English). The level of sheer craftsmanship is impressive.

The story gripped me: a serial killer mystery with touches of the occult and supernatural. London is a haunted place in this story, but not only the victims of the past but also the killers are still with us today. We come to understand that our entire world is built on the flawed achievements of the past.

For comfort reading, I like period children’s stories, as written by, say, E.Nesbit, Noel Streatfield, Richmal Crompton. Childhood seems to have been more fun when it came up against the constraints of an adult society more formal than our own. Gillian Avery’s achievement was to write spirited historical children’s stories that have all the social nuance you would find in the above authors. The Greatest Gresham (written in 1962, set in the 1890s) is about the timid children of one family who are brought out of their shells by the bolder kids next door, and it all feels just right. For instance, when the mother of the timid children is out on her ‘calling’ (or visiting) day, they always have tea with the family maids, one of whom habitually reads their fortune in their tea leaves. 

Despite its title, this engaging book is actually about memory, especially “autobiographical memory” – memories of our own personal experiences.

The chapters describe some classical cases of memory excellence and memory failure, and provide thoughtful discussions of many topics that puzzle readers.

These include the power of smell to evoke past experiences, the astonishing memories of chess and draughts grandmasters, the downside of remembering everything, the highly specific memories of some people with savant syndrome, and indeed why life seems to speed up as we get older – the relationship between memory and time.

I was struck at the time, reading The Dyslexic Advantage, by the detail and nuance Drs. Brock and Fernette Eide presented about many of the common strengths of dyslexic brains.

Dyslexia, like other forms of neurodivergence, has typically been seen in (only) a negative light – yet many famous and successful business people are dyslexic, and credit this with their success. Indeed, a study in 2006 found that as many as a third of all entrepreneurs are dyslexic!

In a business world reliant on innovative thinking, The Dyslexic Advantage highlights the multiple attributes of dyslexic thinkers – from insight to pattern matching – and makes an overwhelming case for the (better) inclusion of dyslexic thinkers in society and at work. 

The Selection is based on reality TV shows like The Bachelor – only he’s a prince and girls compete to be selected into a life of royal privilege.

Just one problem for America Singer, she’s already in love with someone from a lower class and isn’t interested in crowns or jewels…until she meets the prince and realizes not everything is as it appears.

Fated or chosen mate relationships aren’t just a YA dystopian trope; finding the perfect partner is something most of us aspire to, and it’s always thrilling to read about a heroine who refuses her destined path and challenges the social status quo; throwing away a happily ever after in favor of freedom and adventure strikes a chord I can relate to.

This is one of my favorite books—probably because I was a stressed-out corporate lawyer who definitely can’t iron.

The Undomestic Goddess is the story of a workaholic lawyer who is trying to become a partner at her law firm—only to get fired for an egregious mistake that she can’t believe she made. In her shock, she agrees to become a housekeeper. The only problem is she has no idea how to do any housework, which leads to some hilarious scenes.

I also loved how she figured out the mystery leading to her dismissal. This book made me feel less alone as a stressed-out workaholic lawyer and also made me consider that maybe being a partner at a law firm was not what I really wanted in life.

The butler in this novel represents a social order that is past and virtues that are obsolete. Ishiguro manages to use the butler's voice to hint at the wrongness of the decisions he made in the name of dedication to his position, like a soldier fighting the wrong war.

Becky Sharpe is a character impossible to forget.

Through all the twists and turns of this plot, Becky shows herself to be both conniving and resilient in her quest to use those around her for her own gain. While not an attractive rendition of human nature, she forever has a wolf at her door and does what she thinks she must to stay one step ahead.

One gets whiplash from sympathizing with her one minute and being appalled by her lack of scruples the next, but, like all the characters she hoodwinks, we are captivated by her as someone who is never boring. She hops from one doomed circumstance to the next, and we are along for the ride.