Here are 90 books that Barnaby Rudge fans have personally recommended if you like
Barnaby Rudge.
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History has always been a captivating adventure for me, a stage to rekindle the echoes of times long past. My journey began amid musty archives in Hobart, where I stumbled upon a handwritten prison record about my wife's feisty ancestor, transported in the 1830s. There and then, I resolved to breathe life into the fading embers of her existence, and after extensive research, I wrote my first novel, a tapestry of historical events intertwined with the resurrection of long-forgotten souls. Since then, I've applied lessons from masters like Conan Doyle to create exciting, atmospheric stories that turn us all into time travelers on an exhilarating voyage.
This is an enthralling adventure story that drags the reader across the rugged mountains, glens, and cities of 18th-century Scotland as the hero seeks to recover his stolen inheritance.
The story gallops along with vivid descriptions that transport the reader back to a time when loyalty and honour were really cherished. The character development, as David Balfour and Alan Breck risk all amongst the failed Jacobite uprising, is exceptional. This is another timeless classic that transports the reader to another age.
I love the interplay of real characters and real events with the underlying story, a technique that I use fully in my novels; it adds depth, veracity, and interest. Stevenson’s prose is also exceptional, creating images that make this a compelling and memorable adventure story.
Robert Louis Stevenson's classic, swashbuckling novel about a young boy who is forced to go to sea and who is then caught up in high drama, daring adventure and political intrigue.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by Louise Welsh and features black and white illustrations.
Headstrong David Balfour, orphaned at seventeen, sets out from the Scottish Lowlands to seek his fortune in Edinburgh. Betrayed by his wealthy Uncle…
As a child, I learned that I was able to lucid dream at will, speaking to the beings I met in these places I’d never seen before, and it always gave me a sense of interconnectedness. A thread that goes through all of us and our histories. I believe that the ancients dedicated so much of their energy and resources to preserving their stories in order to maintain this connection because it’s so important. Inside all of us is a darkness that, if left unchecked would lead us to ruin. These books all demonstrate the inner struggle we have to understand and redirect that darkness toward the light and the good.
I often ask what the nature of laws and authority is. In the "Old West," when there was no overarching central authority, the survival of the fittest was the law. I’m curious how the clash of the old world with the new becomes a never-ending cycle and where it may lead.
I loved how none of the characters were all good or all bad, they were just survivors. This book is not meant to be liked or disliked. It’s meant to be experienced and "danced with."
Blood Meridian by Cormac McCarthy is an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennessean who stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.
When I was a boy, my adoptive father – a star pupil and friend of C.S. Lewis – heard I’d started reading the Sherlock Holmes stories. He bought every Sherlock Holmes book he could find. I remember lifting one to my nose and smelling the pages. I fell in love with books that day. I went on to earn a senior scholarship in English Literature at Cambridge University, and a PhD in storytelling. Since then, I have written over 50 books of my own and ghostwritten over 30 titles. I now host The Christian Storyteller Channel on YouTube, and I run BookLab, dedicated to helping emerging authors. My whole life is books.
I love the idea that books have souls, and I adore this quotation from Zafon’s classic novel: “Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it.”
I was thrilled to find this novel after I’d written my book because it shows that there are others who sense the soulful quality of old books. I also love it because it is written by a Spanish novelist, and it is in the Spanish-speaking world that we find the true literary origins of my most-loved genre of writing – magical realism.
"The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero." -Entertainment Weekly (Editor's Choice)
"One gorgeous read." -Stephen King
Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer's son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julian Carax. But when he sets out to find the author's other works, he makes a shocking discovery: someone has been…
"a fresh narrative whose scale, ambition, and pathos elevate" -Pacific Book Review
"The December Issue warms up the soul from its first chapter to the last." -Chanticleer Book Reviews, 5 Stars
The joys of retirement feel imminent to columnist Paul Scrivensby, a native of the Great Lakes' very own St. Catherine's Cove, but when his penultimate column stirs controversy, the writer soon finds easing into carefree days of leisure a luxury growing more elusive. Embroiled in the unexpected pursuits presented before him while on the verge of retirement, Paul discovers what he and others are capable of and searches for…
The joys of retirement feel imminent to columnist Paul Scrivensby, a native of the Great Lakes' very own St. Catherine's Cove, but when his penultimate column stirs controversy, the writer soon finds easing into carefree days of leisure a luxury growing more elusive. Embroiled in the unexpected pursuits presented before him while on the verge of retirement, Paul discovers what he and others are capable of and searches for understanding of what is truly expected of him at this pivotal point in his life.
A story of discernment amid the challenges and blessings of work, retirement, family, community, and past…
I started reading detective stories in my teens, and I’ve never quit. They’ve become part of my professional identity. I’ve taught detective (and crime) fiction at various universities in the U.S. and the Middle East. I believe the genre is incredibly rich, allowing the writer to explore anything from contemporary social issues to historical events and from psychological phenomena to philosophical problems. Apart from my academic work, I also write and edit detective/crime stories, and I try to keep up with the stream of new works being published every year. The list here contains some of my all-time favorites, and I hope you will enjoy them as much as I have.
This was difficult to do well, but Ackroyd makes it work–and he makes it look easy: One half of the story is told in a very idiosyncratic version of early eighteenth-century English (the other half in contemporary English). The level of sheer craftsmanship is impressive.
The story gripped me: a serial killer mystery with touches of the occult and supernatural. London is a haunted place in this story, but not only the victims of the past but also the killers are still with us today. We come to understand that our entire world is built on the flawed achievements of the past.
'There is no Light without Darknesse and no Substance without Shaddowe'
So proclaims Nicholas Dyer, assistant to Sir Christopher Wren and the man with a commission to build seven London churches to stand as beacons of the enlightenment. But Dyer plans to conceal a dark secret at the heart of each church - to create a forbidding architecture that will survive for eternity. Two hundred and fifty years later, London detective Nicholas Hawksmoor is investigating a series of gruesome murders on the sites of certain eighteenth-century churches - crimes that make no sense to the modern mind . . .…
Most of my novels are historical, and they include ten books set on the railways of the early 20th Century featuring Jim Stringer, a railway policeman. I am romantically drawn to that period: no mobile phones, no fluorescent light or man-made fibres – and plenty of smoke and steam available for atmospheric effects. If you really did travel back in time, you would think you were hallucinating, so I take a visual approach, providing a series of images that I hope are historically accurate whilst also having the force and originality of dream scenes. It seems to me that the writers on my list take a similar approach.
For comfort reading, I like period children’s stories, as written by, say, E.Nesbit, Noel Streatfield, Richmal Crompton. Childhood seems to have been more fun when it came up against the constraints of an adult society more formal than our own. Gillian Avery’s achievement was to write spirited historical children’s stories that have all the social nuance you would find in the above authors. The Greatest Gresham (written in 1962, set in the 1890s) is about the timid children of one family who are brought out of their shells by the bolder kids next door, and it all feels just right. For instance, when the mother of the timid children is out on her ‘calling’ (or visiting) day, they always have tea with the family maids, one of whom habitually reads their fortune in their tea leaves.
Most of my novels are historical, and they include ten books set on the railways of the early 20th Century featuring Jim Stringer, a railway policeman. I am romantically drawn to that period: no mobile phones, no fluorescent light or man-made fibres – and plenty of smoke and steam available for atmospheric effects. If you really did travel back in time, you would think you were hallucinating, so I take a visual approach, providing a series of images that I hope are historically accurate whilst also having the force and originality of dream scenes. It seems to me that the writers on my list take a similar approach.
The Go-Between is a haunting, doom-laden book about a naïve boy – Leo – out of his depth when staying with a socially smarter friend in a British country house. It’s set in the heatwave summer of 1911 and made such a big impression on me that I wrote a novel of my own set in that summer. The first line of The Go-Between is famous: "The past is a foreign country: they do things differently there." Cue the dissolve into an Edwardian dreamworld that slowly turns nightmarish.
L.P. Hartley's moving exploration of a young boy's loss of innocence The Go-Between is edited with an introduction and notes by Douglas Brooks-Davies in Penguin Modern Classics.
'The past is a foreign country: they do things differently there'
When one long, hot summer, young Leo is staying with a school-friend at Brandham Hall, he begins to act as a messenger between Ted, the farmer, and Marian, the beautiful young woman up at the hall. He becomes drawn deeper and deeper into their dangerous game of deceit and desire, until his role brings him to a shocking and premature revelation. The…
I’ve been fascinated by social history since childhood, although I didn’t know that was what it was called, back then. When I did a postgraduate Masters in Folk Life Studies, it helped to confirm my love of books that, in skilfully fictionalising historical events, allow us to see them through the eyes of people most closely affected by them: ordinary people leading their lives throughout difficult and dangerous times or finding themselves in extraordinary relationships. It’s what I try to do in my own work, fiction and non-fiction alike. My book recommendations here are the kind of books I wish I had written.
I came across this novel when I was researching my book, although I had been aware of author Neal Ascherson’s expert writing about Poland and Ukraine for many years.
This is a big, engrossing piece of fiction, based on real events, moving deftly between wartime Scotland and Poland, skilfully portraying the complexities of conflict. As well as an engrossing story, it is one of the best evocations I have read of the unholy muddle of war, where so much that happens is down to fallible human beings trying to cope with appalling situations.
For me, it also made sense of so much that I had found hard to understand about my Polish family history but I suspect anyone whose forebears were refugees might find it enlightening and moving.
A STORY OF SABOTAGE, BETRAYAL AND THE TERRIBLE SADNESS OF EXILE.
'Remarkable'The Times.
'A magnificent novel'The Times.
'Gripping'The Spectator.
Scotland, 1940: The Fronsac, a French warship, blows up in the Firth of Clyde. The disaster is witnessed by three locals. Jackie, a young girl who thinks she caused the explosiong by running away from school. Her mother Helen, a spirited woman married to a dreary young officer; and their lodger, a Polish soldier whose country has just been erased from the map by Hitler and Stalin.
All their lives will be changed by the death of the Fronsac.
I’ve been fascinated by social history since childhood, although I didn’t know that was what it was called, back then. When I did a postgraduate Masters in Folk Life Studies, it helped to confirm my love of books that, in skilfully fictionalising historical events, allow us to see them through the eyes of people most closely affected by them: ordinary people leading their lives throughout difficult and dangerous times or finding themselves in extraordinary relationships. It’s what I try to do in my own work, fiction and non-fiction alike. My book recommendations here are the kind of books I wish I had written.
This was another novel I came across while researching a book of my own.
Galt’s novel is written in the voice of the minister (i.e. priest) of a rural kirk. It is observant, moving, and at times hilarious, the story of a lowland parish and its inhabitants from 1760 to 1809, as seen through the eyes of the minister. It is also an account of a life well lived - ‘douce’ would be the Scots word for the sober and sedate narrator - crammed with interesting, gossipy, everyday details.
I’ve lived in a similar village for many years and it made me realise how little has changed here in rural Ayrshire over the 200 years since The Annals was written!
The Anno Domini one thousand seven hundred and sixty, was remarkable for three things in the parish of Dalmailing.—First and foremost, there was my placing; then the coming of Mrs Malcolm with her five children to settle among us; and next, my marriage upon my own cousin, Miss Betty Lanshaw, by which the account of this year naturally divides itself into three heads or portions.
Although I’m from New Zealand, Europe has been home for a lot of my adult life, and that has included a lot of time in North Yorkshire. It always seems to me that there’s potential for magic around every corner, in the deep sinkholes and high fells of the Dales, or the cobbled charm of the York Shambles and the loom of the Abbey over Whitby harbour. So I do feel that the fact so many stories are set in London is a waste of so many delightfully different settings, and I make a point of hunting out as many alternatives as I can. I hope you enjoy this selection!
Heide Goody and Iain Grant do a great line in funny, inventive stories, both non-fantastical and urban fantasy, but Oddjobs is a favourite for me. Lovecraftian monsters are due to break through into our world at any moment, and Morag works in a top-secret government department in Birmingham that’s tasked with making sure the apocalypse goes as smoothly as possible. Which sounds a lot darker and less entertaining than the story actually is. It’s full of delightfully sharp humour, and a fantastic blend of office drudgery and otherworldly terrors.
It’s the end of the world as we know it, but someone still needs to do the paperwork.Incomprehensible horrors from beyond are going to devour our world but that’s no excuse to get all emotional about it. Morag Murray works for the secret government organisation responsible for making sure the apocalypse goes as smoothly and as quietly as possible. In her first week on the job, Morag has to hunt down a man-eating starfish, solve a supernatural murder and, if she’s got time, prevent her own inevitable death.The first book in a new comedy series by the creators of ‘Clovenhoof’,…
I’m fascinated by the mind-body-spirit’s impact on our human experience. Especially the aspect of mind, because deep within us resides the shadow-self described by Carl Jung. Most of us spend our lives hiding this part, but it’s there, waiting to pounce. These are the stories I tell, and with my background in Health and Wellness and in Creative Writing, I write paranormal, supernatural, and horror stories containing the simple truths about our human experience. All are designed to bring out the shadow lurking within and expose it to the light. As a counterpoint to these dark tales, I write evocative poetry, uplifting children’s stories, and some educational books with my writing partner, Derek R. King.
First of all, Drood is a fantastic trip into the macabre. And, because I love to weave actual truths into my stories, either real-life experiences or real encounters, I am fascinated that Simmons based his novel on the last five years of Charles Dickens's life. Whether this is entirely speculation or otherwise, this novel draws on the character found in Dickens's last and unfinished novel, The Mystery of Edwin Drood. Simmons does precisely what I hope to do with my stories; draw the reader into my world and leave them wondering what parts were based on unexpected truths.
On June 9, 1865, while traveling by train to London with his secret mistress, 53-year-old Charles Dickens--at the height of his powers and popularity, the most famous and successful novelist in the world and perhaps in the history of the world--hurtled into a disaster that changed his life forever. Did Dickens begin living a dark double life after the accident? Were his nightly forays into the worst slums of London and his deepening obsession with corpses, crypts, murder, opium dens, the use of lime pits to dissolve bodies, and a hidden subterranean London mere research ...or something more terrifying?Just as…
