Fans pick 100 books like Blood Meridian

I read this collection of loosely connected short stories about Tim O’Brien’s service in the Vietnam War when I was in high school, only a little younger than O’Brien was when he was drafted into the Army. The hazy line between memory and fiction in the book leaves you feeling like you’re strolling through someone else’s dream.

“Sweetheart of the Song Tra Bong” in particular has stuck with me throughout my life, the seemingly impossible yet terrifying realistic narrative of how a young girl who has no business being in a war zone falls in love with combat then with the primordial earth itself and eventually disappears into the heart of darkness. Did it really happen? Was it a tall tale? Memory is such a slippery thing.

This may be considered an odd choice on the surface, given the true events of the Trojan War. This was also another I initially struggled with. Nevertheless, despite the factual elements, it’s viewed as one of the earliest epic fantasies in Western literature, along with The Odyssey, which came after.

Centered on just a few days of the ten-year siege of Troy, the lives of humans and their gods are intricately linked. It is one of the earliest examples of pathos with much sympathy actually lying with the enemies, the Trojans, a people based in Asia Minor, and their allies from all over the region. Outside the gods, it also references monsters such as Bellerophon, the Gorgon, and centaurs, with the gods often used as a plot device to refract the emotions and flaws of the characters.

The world-building is vivid and rich in dactylic hexameter, a rhythmic style.… show more.

Game of Thrones, right? This author has created so many characters that fit this category, and they all handle their situations in a different manner. I love the three major ones, Arya Stark, Sansa Stark, and Daenerys Targaryen, who could not be more different from each other. Sansa and Arya have grown up in privilege, but one scheme to be a pampered lady, and the other would be happy sleeping in the kennel with her dire wolf.

Daenerys has been hidden much of her childhood to protect her, and suddenly, she is thrown into the game with her arranged marriage to a wild horse lord, where she grows up very fast in order to survive. Sadly, as women in Westeros, they do not control their own fates, and following how their lives evolve and intertwine is fascinating.

This book is written basically as a western road movie. The two main protagonists, former Texas Rangers, decide, on little more than a whim, to assemble a cattle herd and drive it north from the Rio Grande to Montana, with the author providing some wonderful descriptions of the topography and hardships they encounter. 

What makes it a classic for me is how the central characters explore their own mettle from the dichotomy of Woodrow, who is moralistic but happily rustles Mexican cattle and won’t acknowledge his son because the young man’s mother was a prostitute.

Gus has a more enlightened outlook towards another prostitute, and his humor allows the young girl to embark on a passage to discover her place in the West. The story is as stunning as the landscapes.

First published in 1959, Naked Lunch was shocking then, and it still retains its power today. Both in content and structure, Naked Lunch is powerful and wholly original.  In effect, it becomes more than a work of fiction, it becomes an experience. Burroughs invented a technique called the “cut-up method,” where he cut up his coherent storyline into paragraphs, scenes, and even sentences, then reordered them both randomly and editorially. The disorder thematically represents the chaos of existence and the universe, and it also disrupts the reader. Like the book or not, it shakes you into realizing that there are possibilities beyond the conventional.

Burrough’s language is honed to a razor’s edge, and I find that many of the sentences in Naked Lunch burn like fire. The meaning of the title as Burroughs explains it is to bare the naked truth of reality on the end of a fork. From… show more.

I picked this book because it is the 1st Jack Reacher novel, but they are all great. They speak to me because they depict a very unusual guy. A tough guy with a brain and a strong sense of right and wrong. A vagrant who fixes problems wherever he goes.

I have been accused of having a white-knight syndrome all my life, so I find this character riveting. Action, plot twists usually a touch of romance. These are all things that speak to me and Jack Reacher novels are full of them.

This book is maybe my favorite novel ever written about politics and the lengths that some men are willing to go in the pursuit of power.

It features a memorable cast of characters, most importantly, of course, the figure of Governor Willie Stark, the quintessential populist politician, who manipulates others for his own gain and demonstrates a total lack of morals. Set in the 1930s, the story of Stark’s rise to power and eventual downfall always strikes me for how contemporary it feels and how many parallels it offers with the populist politics of our own time. 

I found this book in college, and at the time, I thought it was the most unique book I had ever read.

Thompson’s “Gonzo Journalism” was fresh, funny, and thought-provoking, with a subtext of modern poetry, political activism, and a sense of humor I have never seen replicated.

I love Toni Morrison's works and consider her one of my favorite authors. I would argue, as others have, that Morrison is one of the greatest American writers ever. I appreciate that the characters in all of her books, including this one, are always dynamic. I also appreciate how Morrison shares the main characters' traumas, tragedies, and triumphs.

Mixing Faulkner’s gothic language with McCarthy’s sense of history, Blake writes a story of two brothers torn apart by circumstance and their experiences in the Mexican-American War.  Blake captures that sense of aimless wandering that echoes Faulkner’s stories—the rootless characters meandering across the country, not only unsure of their destinations but maybe even indifferent to them. To me, one of the most profound twists in the book is that the brothers don’t seem to care which side of the war they participate in. They are itinerants whose purpose in the world is simply circumstantial; they are instruments of universal forces that they neither question nor understand.