Like most people raised in the
US, I thought I learned the history of westward expansion in school. I even knew
that Manifest Destiny destroyed Native American populations and cultures. But
this novel by Alix Christie brings the tragedy home in ways the flat text
of history books cannot.
Through the story of two generations of one family, The Shining Mountains explores how a relatively
respectful discourse between fur traders and indigenous peoples in the Pacific
Northwest deteriorated into hostility, suspicion, racial discrimination,
warfare, trickery, and murder after the Gold Rush of 1849, with long-term
consequences to both those displaced and the natural environment.
Beautifully
written and timely, The Shining Mountains will get you thinking and warm your heart.
The year is 1838. A young Scotsman forced from his homeland arrives at Hudson's Bay. Angus McDonald is contracted to British masters to trade for fur. But the world he discovers is beyond even a Highlander's wildest imaginings: raging rivers, buffalo hunts, and the powerful daughter of an ancient and magnificent people. In Catherine Baptiste, kin to Nez Perce chiefs, Angus recognizes a kindred spirit. The Rocky Mountain West in which they meet will soon be torn apart by competing claims: between British fur traders, American settlers, and the Native peoples who have lived for millennia in the valleys and…
I’ve heard a saying whose source I can’t quite track down: “Few people can be convinced by reasoning, but many can be influenced by a good story.” Matt Bell’s Appleseed is precisely the kind of story that can influence our worldview. Blending mythology, science fiction, and apocalyptic thriller, this epic novel explores the complex relationship between nature and humanity. The novel unfolds through three interconnected plotlines. The first is set in the 18th century, where two half-brothers plant apple trees across the uninhabited Ohio frontier. Inspired by early settlers, their ambition is to maximize the land’s productivity. The second plotline takes place in the near future, where a powerful corporation attempts to reverse global warming. To do so, it convinces the U.S. government to abandon the western half of the country, relocating citizens to the east and conscripting them into indentured servitude to farm modified plants and animals. The goal:…
A NEW YORK TIMES NOTABLE BOOK · A PHILADELPHIA INQUIRER BEST OF THE YEAR
“Woven together out of the strands of myth, science fiction, and ecological warning, Matt Bell’s Appleseed is as urgent as it is audacious.” —Kelly Link, Pulitzer Prize finalist and national bestselling author of Get in Trouble
A “breathtaking novel of ideas unlike anything you’ve ever read” (Esquire) from Young Lions Fiction Award–finalist Matt Bell, a breakout book that explores climate change, manifest destiny, humanity’s unchecked exploitation of natural resources, and the small but powerful magic contained within every single apple.
I discovered the “filibusters” during my very first weeks in graduate school and have been learning and writing books and articles about them ever since. I think that what initially intrigued me was that they had outsized importance in U.S. politics and diplomacy, and were often front-page news before the Civil War, and yet I had never heard about them growing up. I was also intrigued because these men were so unlikemyself. I can’t in my wildest moments even imagine joining a tiny bunch of armed men in an illegal expedition to a foreign land, risking death in the field or jail if I ever made it back home!
Though he’s hardly a household name, William Walker, the most significant of the American filibusters, has been the subject of a surprising number of biographies. What is special about Michel Gobat’s book is his in-depth look at the actual government Walker set up to rule Nicaragua in the mid-1850s, the people he enlisted to run it, and his government’s ambitions and programs. Gobat suggests, importantly, that prior historians have underestimated Walker’s popular support in Nicaragua and overstated his ties to White southerners’ plans to expand U.S. slavery.
Michel Gobat traces the untold story of the rise and fall of the first U.S. overseas empire to William Walker, a believer in the nation's manifest destiny to spread its blessings not only westward but abroad as well.
In the 1850s Walker and a small group of U.S. expansionists migrated to Nicaragua determined to forge a tropical "empire of liberty." His quest to free Central American masses from allegedly despotic elites initially enjoyed strong local support from liberal Nicaraguans who hoped U.S.-style democracy and progress would spread across the land. As Walker's group of "filibusters" proceeded to help Nicaraguans battle…
My entire life I’ve been a historian, a treasure hunter, and a crime solver, which is likely why I became a broadcast journalist and investigative reporter. Having worked cases, worked with police, and asked the questions I believe the public wanted answered, there isn’t much which gets by me. I see every story as a movie and every scene in life as a story that needs telling. One of my passions has always been genealogy which fits right into all of the above. I live by a simple saying, “Be a student of history, not a victim of it.”
Polk was one of the most important presidents, considered Top 10, and he only served one term. He didn’t set out to be president. He got nominated because the bigwigs at the time couldn’t win their party's votes. Polk kept getting more votes as the ballots were turned in and became his party’s nominee. He won the election and set out three goals; get rid of the bank of the US, which was ripping the country off, expand the country to the west coast, and get rid of tariffs, all three of which he accomplished. He did it all in four years, chose not to run again, went home, and died. Talk about logical? Get it done, get it over with, and leave the future to someone else.
Soon after winning the presidency in 1845, according to the oft-repeated anecdote, James K. Polk slapped his thigh and predicted what would be the ""four great measures"" of his administration: the acquisition of some or all of the Oregon Country, the acquisition of California, a reduction in tariffs, and the establishment of a permanent independent treasury. Over the next four years, the Tennessee Democrat achieved all four goals. And those milestones--along with his purported enunciation of them--have come to define his presidency. Indeed, repeated ad infinitum in U.S. history textbooks, Polk's bold listing of goals has become U.S. political history's…
I am a journalist and NYU professor whose primary field is American foreign policy. As a biographer, however, I am drawn to American history and, increasingly, to the history of liberalism. I am now writing a biography of that arch-liberal, Hubert Humphrey. My actual subject thus appears to be wars of ideas. I began reading in-depth about the 1850s, when the question of slavery divided the nation in half, while writing a short biography of Judah Benjamin, Secretary of State of the Confederacy. (Judah Benjamin: Counselor To The Confederacy will be published in October.) It was the decade in which the tectonic fault upon which the nation was built erupted to the surface. There's a book for me in there somewhere, but I haven't yet found it.
The epic, multi-volume work of one of America's great mid-century historians. An old-fashioned work of immense erudition, vivid narrative, decisive judgment. Never before or since have so many great and consequential speeches been delivered in Congress; Nevins furnishes every one of them with suitable embellishment. Vols. 2-4 (in the 8-volume version) offer wonderful set pieces on the great events of the time--the Kansas-Nebraska debate, the Dred Scott case, the rise and election of Abraham Lincoln.
I discovered the “filibusters” during my very first weeks in graduate school and have been learning and writing books and articles about them ever since. I think that what initially intrigued me was that they had outsized importance in U.S. politics and diplomacy, and were often front-page news before the Civil War, and yet I had never heard about them growing up. I was also intrigued because these men were so unlikemyself. I can’t in my wildest moments even imagine joining a tiny bunch of armed men in an illegal expedition to a foreign land, risking death in the field or jail if I ever made it back home!
I found Brown’s book extremely helpful in writing my own book on filibustering, because it spins out its story chronologically, starting with plots against Venezuela and Spanish territory on the U.S.’s southwestern frontier in 1806 (the latter headed by the infamous Aaron Burr) and winding up with the execution of William Walker by a Honduran firing squad in 1860, shortly before the American Civil War. There would be later filibuster expeditions to Mexico, Canada, Cuba, and other places, but Brown’s narrative provides a perfect starting point for anyone wanting an overall panorama of filibustering during its “golden age,” when it most influenced the American public and was most closely linked to the American expansion philosophy of Manifest Destiny. Brown enriches his book with ample photographs, maps, and a thirteen-page bibliography.
During the 1850s the doctrine of Manifest Destiny sanctioned a popular movement in which adventurers sought to enlarge the nation's boundaries by military incursions into Latin American countries. Brown portrays the leaders of the expeditions and describes the filibuster movement as a part of larger affairs--the slavery issue, the Monroe Doctrine, the rivalry for commercial supremacy in the Caribbean, and the assertion by the United States of its claim to national greatness.
Originally published in 1980.
A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished…
A new and eye-opening interpretation of the meaning of the frontier, from early westward expansion to Trump’s border wall.
Ever since this nation’s inception, the idea of an open and ever-expanding frontier has been central to American identity. Symbolizing a future of endless promise, it was the foundation of the United States’ belief in itself as an exceptional nation – democratic, individualistic, forward-looking. Today, though, America hasa new symbol: the border wall.
In The End of the Myth, acclaimed historian Greg Grandin explores the meaning of the frontier throughout the full sweep of U.S. history…
As a writer, I’ve been deeply influenced by Southern literature—especially the work of William Faulkner and Flannery O’Connor. Even though I’m not from the South myself, I am drawn to Southern writers’ immodesty. I believe much of contemporary literature is too timid. It is about the mundane, the everyday. It does not elevate; instead, it diminishes. Much of the literature of the South is biblical in its sensibilities. It is unafraid to deal with the big universal issues with language that is equally big and universal. It does not pander to modesty or postmodern selfconsciousness. It is audacious. It’s the kind of writing that made me want to write.
Mixing Faulkner’s gothic language with McCarthy’s sense of history, Blake writes a story of two brothers torn apart by circumstance and their experiences in the Mexican-American War. Blake captures that sense of aimless wandering that echoes Faulkner’s stories—the rootless characters meandering across the country, not only unsure of their destinations but maybe even indifferent to them. To me, one of the most profound twists in the book is that the brothers don’t seem to care which side of the war they participate in. They are itinerants whose purpose in the world is simply circumstantial; they are instruments of universal forces that they neither question nor understand.
The offspring of a whore mother and a homicidal father, Edward and John Little are driven from their home in the Florida swamplands by a sching parent's treacheries, and by a shameful, horrific act that will haunt their dreams for the rest of their days. Joining the swelling ranks of the rootless--wandering across an almost surreal bloodland populated by the sorrowfully lost and defiantly damned--two brothers are separated by death and circumstance in the lawless "Dixie City" of New Orelans, and dispatched by destiny to opposing sides in a fierce and desperate territorial struggled between Mexico and the United States.…
I have loved history since I was a child, and very early on, I realized that history was not something that was made only by famous people. My own relatives had migrated, worked at different jobs, served in wars, etc., and ordinary people like them have been the most important drivers of events. I had a chance to study in Mexico in my early twenties and rapidly fell in love with its people and history. Yet, ever since I was a child, I have been interested in the history of wars. My work on the Mexican-American War combines all of these passions.
I hate books that make history bloodless and gloss over the often-ugly events that made the world what it is today. This is a short book with a lot of emotional energy, mostly in the form of burning outrage and irony.
I also really enjoyed how he made the voices of the American soldiers the central part of this book.
The dark side of Manifest Destiny; The Mexican-American War (1846-48) found Americans on new terrain. A republic founded on the principle of armed defense of freedom was now going to war on behalf of Manifest Destiny, seeking to conquer an unfamiliar nation and people. Through an examination of rank-and-file soldiers, Paul Foos sheds new light on the war and its effect on attitudes toward other races and nationalities that stood in the way of American expansionism. Drawing on wartime diaries and letters not previously examined by scholars, Foos shows that the experience of soldiers in the war differed radically from…
Not only have I been a comic book editor for sixteen years and obsessed with indie comics for much longer, I’m also an avid camper who co-created and co-wrote a comic book series that exalts in the unique feeling of sleeping under the stars. As such, excellent comics about outdoor adventures have a particularly tender spot in my heart.
The immediacy of Whit Taylor’s work and its accessible, urgent symbology is especially poignant in this diary of her Montana road trip with her husband.
Diary comics are one of my favorite genres of graphic storytelling for reasons exemplified here: you are engaging with Whit’s experience with this sprawling, beautiful land and its brutal history alongside her. Big sky, to her pen, to your eyes. It’s an intimate experience, one that comics do best.
2021 Ignatz Award Nominee for Outstanding Minicomic 2021 PW Graphic Novel Critics Poll – Honorable Mention
Cartoonist Whit Taylor (The Nib, Fizzle) documents her road trip across Montana in this diary mini-comic, combining millennial humor with resonant observations about the state’s complicated history.
As she and her husband travel through semi-arid flatlands and sub-alpine mountains, Taylor reflects both on Montana’s breathtaking beauty and the enduring toll of Manifest Destiny on its land and people.
Balancing funny road trip anecdotes with thoughts on melting glaciers and the worrying prevalence of white nationalists, Montana Diary tells a slice of America’s story, knowing…
