I am a journalist and NYU professor whose primary field is American foreign policy. As a biographer, however, I am drawn to American history and, increasingly, to the history of liberalism. I am now writing a biography of that arch-liberal, Hubert Humphrey. My actual subject thus appears to be wars of ideas. I began reading in-depth about the 1850s, when the question of slavery divided the nation in half, while writing a short biography of Judah Benjamin, Secretary of State of the Confederacy. (Judah Benjamin: Counselor To The Confederacy will be published in October.) It was the decade in which the tectonic fault upon which the nation was built erupted to the surface. There's a book for me in there somewhere, but I haven't yet found it.
I wrote...
What Was Liberalism?: The Past, Present, and Promise of a Noble Idea
I wrote this book to explain what, exactly, is threatened by "illiberal populists" like Donald Trump, Viktor Orban, Narendra Modi. All were elected more or less fairly--that is, democratically. Yet all wield their majorities against the values and institutions that constitute "liberal democracy"--the rule of law, political and economic liberty, the autonomy of the judiciary. These principles are inherently in tension with majoritarianism and must at times be protected from it.
I trace the origins of liberalism to the American and French revolutions, through the works of seminal figures like Mill and Tocqueville, and then to FDR, whose liberalism encompassed an affirmative role for the state as a guarantor of economic and social justice. Then I seek to explain why the willingness to abide by liberal restraints has faltered and even failed in so many democracies. I ask whether we should now regard liberalism as a relic of the more coherent--and homogeneous--society of the twentieth century. If not, what is to be done?
The epic, multi-volume work of one of America's great mid-century historians. An old-fashioned work of immense erudition, vivid narrative, decisive judgment. Never before or since have so many great and consequential speeches been delivered in Congress; Nevins furnishes every one of them with suitable embellishment. Vols. 2-4 (in the 8-volume version) offer wonderful set pieces on the great events of the time--the Kansas-Nebraska debate, the Dred Scott case, the rise and election of Abraham Lincoln.
Perhaps the most fundamental fact about Lincoln is how very much he changed. Frederick Douglass recognized that the Lincoln of 1865 was committed to the abolition of slavery as the Lincoln of 1861 was not. Foner takes us through the development of a canny politician prepared to live with a practice he deplored to the candidate of a party committed to ending slavery's expansion to a President who fully plumbed the moral horror of America's founding sin.
Selected as a Notable Book of the Year by the New York Times Book Review, this landmark work gives us a definitive account of Lincoln's lifelong engagement with the nation's critical issue: American slavery. A master historian, Eric Foner draws Lincoln and the broader history of the period into perfect balance. We see Lincoln, a pragmatic politician grounded in principle, deftly navigating the dynamic politics of antislavery, secession, and civil war. Lincoln's greatness emerges from his capacity for moral and political growth.
Americans experienced a kind of practice round of the Civil War when both Southern and Northern settlers flocked into Kansas--the first determined to make it a slave state, the second, a free one. The savage political and military conflict left both sides convinced that the nation could not, in fact, survive half slave and half free. Bleeding Kansas, though a work of serious scholarship, draws heavily on the letters and diaries of those settlers to depict an irreconcilable clash of rival ideologies, ambitions, characters; you would not want to be caught in a bar with the drunken lowlifes who poured across the border from Missouri to rig elections on behalf of slave-owners.
Few people would have expected bloodshed in Kansas Territory. After all, it had few slaves and showed few signs that slavery would even flourish. But civil war tore this territory apart in the 1850s and 60s, and "Bleeding Kansas" became a forbidding symbol for the nationwide clash over slavery that followed.
Many free-state Kansans seemed to care little about slaves, and many proslavery Kansans owned not a single slave. But the failed promise of the Kansas-Nebraska Act-when fraud in local elections subverted the settlers' right to choose whether Kansas would be a slave or free state-fanned the flames of war.…
Even now we can't quite help thinking that America could have ended slavery without fighting a monstrous war. Delbanco argues that war was not only unavoidable--hardly, in fact, a controversial proposition--but that what made it so was not Kansas-Nebraska or Dred Scott but the Fugitive Slave Act of 1850. Once Congress agreed that slave-owners could pursue escaped slaves into free territory, and mobilize the federal government to track them down, Northerners got to see first-hand just what it meant to treat humans as chattel. Those sickening scenes helped bring the Republican Party into existence and made its cause that of the North.
This book tells the story of America's original sin-slavery-through politics, law, literature, and above all, through the eyes of enslavedblack people who risked their lives to flee from bondage, thereby forcing the nation to confront the truth about itself. The struggle over slavery divided not only the American nation but also the hearts and minds of individual citizens faced with the timeless problem…
Southerners rarely spoke of "the South" until slavery began to be threatened in the 1840s; slavery made the South. The North was far more fragmented--until an anti-slavery culture took hold in the 1850s. Brooke is highly sensitive to the role of popular culture in forging that consensus--not just Uncle Tom's Cabin, the most influential novel in American history, but local theatricals and the poetry of John Greenleaf Whittier. Here was the original, unbridgeable division between red and blue states.
How does political change take hold? In the 1850s, politicians and abolitionists despaired, complaining that the "North, the poor timid, mercenary, driveling North" offered no forceful opposition to the power of the slaveholding South. And yet, as John L. Brooke proves, the North did change. Inspired by brave fugitives who escaped slavery and the cultural craze that was Uncle Tom's Cabin, the North rose up to battle slavery, ultimately waging the bloody Civil War.
While Lincoln's alleged quip about the little woman who started the big war has been oft-repeated, scholars have not fully explained the dynamics between politics and…
Me and The Times offers a fresh perspective on those pre-internet days when the Sunday sections of The New York Times shaped the country’s political and cultural conversation. Starting in 1967, Robert Stock edited seven of those sections over 30 years, innovating and troublemaking all the way.
His memoir is rich in anecdotes and admissions. At The Times, Jan Morris threw a manuscript at him, he shared an embarrassing moment with Jacqueline Kennedy, and he got the paper sued for $1 million. Along the way, Rod Laver challenged Stock to a tennis match, he played a clarinet duet with superstar Richard Stoltzman, and he shared a Mafia-spiced brunch with Jerry Orbach.
Me and The Times: My wild ride from elevator operator to New York Times editor, columnist, and change agent (1967-97)
An intimate, unvarnished look at the making of the Sunday sections of The New York Times in their pre-internet heyday, back when they shaped the country’s political and cultural conversation.
Over 30 years, Robert Stock edited seven of those sections, innovating, and troublemaking all the way – getting the paper sued for $1 million, locking horns with legendary editors Abe Rosenthal and Max Frankel, and publishing articles that sent the publisher Punch Sulzberger up the wall.
On one level, his memoir tracks Stock’s amazing career from his elevator job at Bonwit Teller to his accidental entry into journalism to his…
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