100 books like "There Is a North"

The epic, multi-volume work of one of America's great mid-century historians. An old-fashioned work of immense erudition, vivid narrative, decisive judgment. Never before or since have so many great and consequential speeches been delivered in Congress; Nevins furnishes every one of them with suitable embellishment. Vols. 2-4 (in the 8-volume version) offer wonderful set pieces on the great events of the time--the Kansas-Nebraska debate, the Dred Scott case, the rise and election of Abraham Lincoln.

If you can read only one book on Lincoln, this is the one I would choose. In my opinion—as well as that of many professional historians—it is the best book ever written to examine why Lincoln waited two years after becoming president to issue the Emancipation Proclamation. In this brilliant and elegantly written book, a Pulitzer Prize historian argues, entirely convincingly, that the need to keep together his pro-union coalition required Lincon to proceed very cautiously.

To be sure, Foner writes that while Lincoln’s long-held anti-slavery convictions were not in doubt, he also initially shared the racist attitudes that black people were not ready for full freedom. However, Foner emphasizes that as Lincoln grew in office, his beliefs increasingly moved towards those of Frederick Douglass—whom Lincoln came to greatly admire—and other full-fledged abolitionists.

Americans experienced a kind of practice round of the Civil War when both Southern and  Northern settlers flocked into Kansas--the first determined to make it a slave state, the second, a free one. The savage political and military conflict left both sides convinced that the nation could not, in fact, survive half slave and half free. Bleeding Kansas, though a work of serious scholarship, draws heavily on the letters and diaries of those settlers to depict an irreconcilable clash of rival ideologies, ambitions, characters; you would not want to be caught in a bar with the drunken lowlifes who poured across the border from Missouri to rig elections on behalf of slave-owners.

We’re taught in school that the Civil War began in 1861, with the firing on Fort Sumter in South Carolina. Technically, that’s true. Yet the nation had long been debating about slavery, whether to let it flourish or to outlaw it. When Congress passed the Fugitive Slave Act in 1850, major stops on the Underground Railroad, like the Cataract House Hotel in Niagara Falls, became very important.

In the shadow of the famous tourist stop, it was located alongside the last river to cross before escaped slaves could reach freedom. Against this backdrop of beauty, the wait staff at the Cataract House stepped to the forefront, opposing local authorities and bounty hunters. Their courage was unmatched, and they remain unsung heroes from this tumultuous time in our nation’s history.   

Perez is a commanding figure in this scholarship, deeply learned. I like teaching this concise book of his, full of powerful illustrations (cartoons over many decades), because it really gets at how North Americans have projected their racialized and sexualized fantasies and obsessions onto this island, unable to perceive Cubans as real people, let alone historical actors.

This book looks at the ways the pop culture of 1974 reverberated throughout history. I must admit that one of the reasons I love it is that I was born in 1974. Another is that I am enamored of the culture of the ‘70s, which might be evidenced by this list.

Brownstein, a political reporter for The Atlantic and a commentator for CNN, takes pop culture seriously here, and I cannot help but be excited by that. In this book, he looks at the ways that movies, music, TV, and politics interacted in this critical year, and my favorite thing about it is the way he brings them all together.

Brownstein makes the case that this was the year when conservatives lost the culture war and have been playing catch-up ever since.

Weaving together the influence of film, television, sport, and punk rock, Horten’s book describes how Western media or, specifically, how the East German population’s desire for Western media and consumer culture and the regime’s efforts to satisfy those desires contributed to the peaceful revolution in 1989.

Despite assumptions that the socialist dictatorship in East Germany was omnipresent, this book, like many others about everyday life under communism, undermines that notion. Horten shows the regime locked in a downward spiral. Faced with economic crises and increasingly unable to afford domestic television and film production, the regime turned to Western imports.

This fed the people’s desire for Western media while increasing that appetite and exposing the regime’s weaknesses in the process.

Iton’s book isn’t restricted to popular music but ranges more widely across Black popular cultures.

However, in the ways he understands the historical intersection of popular music and institutional politics (especially in a magisterial chapter on soul music), Iton gave me a way of conceptualizing music as a form of political expression and organization in itself.

A brilliant reference book on all aspects (and yes, this book is very thorough) of Thai popular culture. Concise chapters on anything from spirit tattoos to meat on a stick illuminate the far corners of contemporary Thai society, illustrated by hundreds of great photographs. This is a standard work for anyone interested in how Thai society ticks. Cornwel-Smith has served up a second title recently – Very Bangkok – which offers a similarly thorough picture of the Thai capital. 

I wanted to recommend a couple of funny graphic novels to help stave off dread, and this book by Lisa Hanawalt is simply the funniest graphic novel I have ever read. The author is perhaps best known as one of the co-creators of Bojack Horseman (with her signature animal characters) as well as Tuca & Bertie. It’s a collection of musings and essays, told through Lisa’s incredible artwork. She has such an unexpected left-field sense of humour that is sharp but somehow always warm, underpinned by her beautiful illustrations. This book is like riding on a strange multicoloured rollercoaster though a candy dreamland, but you’re very securely fastened into your seat and feel very snugly held throughout.