The most recommended comic strip books

Warning: This book will make you build a new bookshelf. Like other oversized offerings from Peter Maresca’s Sunday Press Publishing, you need a tape measure, not a ruler, to determine its dimensions. This means that you can read this startling collection of strips from 1895 to 1915 in the grand size in which they first appeared in early newspapers, back when the colors and characters screamed off the page, reflecting and refracting the frenetic dawn of a new century. These old newspaper comics pages are where Americans first learned to laugh together. Society is Nix can be difficult to find but is well worth the effort.

We can’t resist adding a historical first, published in German in 1865 by Wilhelm Busch, the father of countless other comics that present the pranks of naughty boys. And it features in Two Heads because it inspired psychologists, including ourselves, to study the remarkable ability to mindread. In a single panel Busch reveals that the reader can infer that what is in the mind of the terrible duo is different from what’s in the mind of Widow Bolte, and different from what’s in the mind of her dog. It allows us readers to get the contradictions between these different views and makes us laugh. So although this book doesn't set out to explain anything, it ends up doing a marvelous job of explaining the psychology of intention, interaction and reputation management - in the tradition of great comic strips from Crazy Kat to Peanuts to Calvin & Hobbes.

This book finally offers representation to the weird and wonderful world of internet fandoms. We all know someone who is passionate about a niche interest, and this book focuses on characters who really love trains and comic books.

The protagonist, Kate, works for the Subconscious Agency, an organization that helps drum up enthusiasm for their clients by interacting with super fans on message boards. I especially enjoyed the plot point where the characters track down an internet troll by noticing some breadcrumbs that he left on his Wikipedia page.

Fair warning: This book might inspire some nostalgia for an era when text-based sites like Reddit had much more sway than the short-form videos dominating today’s platforms.

Six-year-old Calvin - along with his stuffed (?) tiger Hobbes - chafes against the ordinariness of his existence and ponders the meaning of life, often while strolling in the woods, or plummeting from a cliff edge in his little red wagon.

I first read Calvin & Hobbes when I was 12. Over the years, this brilliantly illustrated comic strip (which ran from 1985-1995) has only become richer and funnier and more poignant.

This graphic novel literally illustrates many ways in which the average school day is challenging to introverts, from the bus, to school hallways, to the cafeteria, to navigating pre-class chatter. Emmie is very in tune with her feelings and able to focus on drawing no matter the noise all around, but still questions her own value: “Does anyone ever see me? Do I want them to?” When the author drew Emmie with a disappearing mouth to show how others view her as mute—ooh, I got goosebumps. I adore a book that makes me go back and read it again the moment I finish it. 

I had aspirations of making comics for Marvel or DC, but could never get a handle on drawing realistically. So I found inspiration in newspaper comics, one in particular.

Calvin & Hobbes is a work of art, and the perfect representation of childhood creativity. But Calvin’s imaginary tiger is only the tip of the iceberg here. Between his life-sized dioramas of snowmen acting out, to cardboard transmogrifiers, Calvin’s wicked imagination just spoke to me. And Bill Watterson helped jet-propel me down my own artistic path.

Unlike the other books on this list, this isn’t primarily a reprint collection of early-twentieth-century comics. Rather, Art Spiegelman (whose essential memoir Maus was the first comic to win a Pulitzer Prize), re-introduces old comics characters in a very personal story of the 9/11 attacks and the political fallout. Figures like the Happy Hooligan, Jiggs and Maggie, Little Nemo, and Krazy Kat and Ignatz float through these stories like New York City’s awakened ghosts. Spiegelman also adds a masterful essay on comics and curates a few selections of the original strips. No work better demonstrates how the early cartoonists can speak through the rubble of history with vitality and humor.

I bought this book in a charity shop to help me maintain my knowledge of French! I deliberately chose a children’s book because my level of French is modest, but I don’t really need a reason to pick up a Charlie Brown book. Charles M Schultz created an entire world of personalities with the peanut characters. They began life as a comic strip which makes it perfect for dipping in and out of, sometimes just for one joke! Beneath the humour and childlike simplicity, there are complex topics like mental wellbeing and self-esteem, all delivered via fiendishly clever punchlines. Like all the best illustrators, Schultz is able to convey emotion and energy with a few strokes of his pen. The Charlie Brown books are works of genius, in any language. 

This book is a timeless classic that everyone should have. It follows Toffle, a little wallflower who's fearful of the world and too shy to speak to anyone. He goes through his journey, sad and alone, as he watches the joyful lives of others from afar. Until the day he finds a letter... Who Will Comfort Toffle? reminds the reader that isolation is never the solution and that even the most unfit of us can find a special someone.

If you’re a parent, Fowl Language comics are really relatable, almost too relatable.

I think that a lot of stuff on the internet coasts on just being relatable and nothing else, but Brian doesn’t simply present us with a familiar situation, he makes it funny.

The observation isn’t what’s unique, it’s the unexpected joke and comedic tone that makes Brian’s comics so great.