Here are 100 books that Society is Nix fans have personally recommended if you like
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I was walking across the country in 1986 when I met a journalist named Mike Sager who showed me that writing can also be an adventure. Since then, I’ve edited an alternative weekly newspaper and written books about zydeco, Hurricane Katrina, comics, and old Kodachrome photos. So far, most everything I write seems to be centered in some way around my adopted home state of Louisiana, a place that never seems to run out of stories. Also, I still like to walk.
Bill Blackbeard was the Harry Smith of comics. Just as Smith’s landmark Anthology of American Folk Music helped launch a folk music revival, so did Blackbeard’s massive volume of old newspaper comics spark a new generation of comics fandom and scholarship. This was also the first book of old newspaper funnies I ever read, during a childhood Saturday afternoon in the Willard Library in Evansville, Indiana, when I discovered the magical “741.5” shelf that held books of comics. Other big, beautiful anthologies of old newspaper funnies have been compiled by comics creators like Jerry Robinson and Brian Walker, but Blackbeard is the granddaddy.
I was walking across the country in 1986 when I met a journalist named Mike Sager who showed me that writing can also be an adventure. Since then, I’ve edited an alternative weekly newspaper and written books about zydeco, Hurricane Katrina, comics, and old Kodachrome photos. So far, most everything I write seems to be centered in some way around my adopted home state of Louisiana, a place that never seems to run out of stories. Also, I still like to walk.
Paul Tumey is one of our pre-eminent comics scholars, but like the cartoonists he honors in this work, he mainly wants to make you laugh. To this end, he’s assembled cartoons, comics, and old photos, mostly dating to the early 1900s, to build a case for a comics genre he calls Screwballism. It’s all a very funny read, and if the names of genius creators like Frederick Burr Opper and Gene Ahern aren’t yet household names, don’t blame Tumey.
The story of screwball comics, with new research and rare art from some of the most hilarious cartoonists of all time.
Before "screwball" became a movie genre, it was a staple of other forms of American culture, including newspaper comic strips. Emerging from the pressures of a rapidly accelerating technological and information-drenched society, screwball comics offered a healthy dose of laughter and perspective. The disruptive, manic, and surreal verbal-visual comedy of these "funnies" fostered an absurdist sensibility embraced by The Marx Brothers (who took their names from a popular comic strip), W. C. Fields, Tex Avery, Spike Jones, Ernie Kovacs,…
I was walking across the country in 1986 when I met a journalist named Mike Sager who showed me that writing can also be an adventure. Since then, I’ve edited an alternative weekly newspaper and written books about zydeco, Hurricane Katrina, comics, and old Kodachrome photos. So far, most everything I write seems to be centered in some way around my adopted home state of Louisiana, a place that never seems to run out of stories. Also, I still like to walk.
Before there were funny pages, there were sports pages with funnies on them. Eddie Campbell, best known as the artist-collaborator with Alan Moore on From Hell and the creator of his own wonderful and sort-of autobiographical Alec: The Years Have Pants, has pored over these old sports pages to uncover the secret origins of the funnies. Along the way, he tells stories of a lurid murder trial and a racially charged boxing match, all seen through the eyes of sports cartoonists. This is hidden history at its most entertaining.
A rip-roaring and exhaustively researched new take on the origin of the comic strip by one of the leading cartoon storytellers of our time.
With more than 500 period cartoons, The Goat Getters illustrates how comics were developed by such luminaries as Rube Goldberg, Tad Dorgan, and George Herriman in the sports and lurid crime pages of the daily newspaper. This wild bunch of West Coast-based cartoonists established the dynamic anatomy and bold, tough style that continue to influence comics today, as well as their own goofy slang that enriched the popular lexicon.
I was walking across the country in 1986 when I met a journalist named Mike Sager who showed me that writing can also be an adventure. Since then, I’ve edited an alternative weekly newspaper and written books about zydeco, Hurricane Katrina, comics, and old Kodachrome photos. So far, most everything I write seems to be centered in some way around my adopted home state of Louisiana, a place that never seems to run out of stories. Also, I still like to walk.
Unlike the other books on this list, this isn’t primarily a reprint collection of early-twentieth-century comics. Rather, Art Spiegelman (whose essential memoir Mauswas the first comic to win a Pulitzer Prize), re-introduces old comics characters in a very personal story of the 9/11 attacks and the political fallout. Figures like the Happy Hooligan, Jiggs and Maggie, Little Nemo, and Krazy Kat and Ignatz float through these stories like New York City’s awakened ghosts. Spiegelman also adds a masterful essay on comics and curates a few selections of the original strips. No work better demonstrates how the early cartoonists can speak through the rubble of history with vitality and humor.
For the Pulitzer Prize-winning author of Maus, the terrorist attacks of September 11th were both highly personal and intensely political. In the Shadow of No Towers is a masterful and moving account of the events and aftermath of that tragic day.
Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S.…
I’m the author ofIs Superman Circumcised? The Complete Jewish History of the World's Greatest Hero, which won the 2021 Diagram Prize, and The Darkness in Lee's Closet and the Others Waiting There. I write about pop culture forThe Forward and CNN.com. My writing has appeared in a range of publications, including New York Daily News, Jerusalem Post, and Philosophy Now. I’ve taught English and writing at the City University of New York and am a former writer-in-residence fellow at the New York Public Library.
Paul Levitz was a writer, editor, editor in chief, publisher, and president of DC Comics for decades. This oversized coffee table book is a treasure trove of his insights, memories, and analysis. It’s the definitive history of DC, which only he could write. And it’s full of fun colorful images, making it interesting to younger readers as well as a perfect gift to any pop culture or comics lover.
In 1935, DC Comics founder Major Malcolm Wheeler-Nicholson published New Fun No. 1-the first comic book with all-new original material-at a time when comic books were mere repositories for the castoffs of the newspaper strips. What was initially considered to be disposable media for children was well on its way to becoming the mythology of our time-the 20th century's answer to Atlas or Zorro.
More than 40,000 comic books later, TASCHEN has produced the single most comprehensive book on DC Comics. More than 2,000 images-covers and interiors, original illustrations, photographs, film stills, and collectibles-are reproduced using the latest technology to…
My books may never be a child’s favorite nighty-night story, but I think they offer fresh minds opportunities to visit some unusual places. There are goblins in the forest; so let’s go there together, in delight, holding hands. My poems and illustrations have been featured in numerous books and magazines and honored by the National Council of Teachers of English and the Society of Illustrators. I live with my youngest son in upstate New York, in a house filled with bikes and balls, color, and music.
Now c’mon, was this guy Winsor fer-real? This stuff is off the charts other-realm, lucid sleeping material. His work was done as comic strips, but can now be found in book form in a variety of volumes. It may be the century between us, but these images and text make me feel a little tilted, off-center, and in the best way possible.
Little Nemo is a fictional character created by American cartoonist Winsor McCay. Nemo was originally the protagonist of the comic strip Little Nemo in Slumberland. The full-page weekly comic strip depicted Nemo having fantastic dreams that were interrupted by his awakening in the final panel. The strip is considered McCay's masterpiece for its experiments with the form of the comics page, its use of color, its timing and pacing, the size and shape of its panels, perspective, architectural and other detail.
Little Nemo in Slumberland ran in the New York Herald from October 15, 1905, until July 23, 1911 for…
I didn’t read much when I was young. But I’ve always loved stories, and found them in TV, films, and comics. It wasn’t until I was older that I found that books can contain the most amazing adventures that connect with your imagination and makes them seem even more real than on the big screen. Discovering children’s books with my daughter, and writing my own, I wished I could have read more when I was young. I try my best to encourage young people to find the joy in reading, in the hope that they don’t miss out on all those amazing stories.
I’m a huge film fan. When I was younger, I didn’t read many books, but I love the stories in films and comics. The recent Marvel films have made me feel like a youngster again and I’ve loved how they have all become interconnected. I would have thoroughly enjoyed flicking through this encyclopedia when I was a child. It’s a book that you can open at any page and look through. You could even read it backward if you like! Full of dynamic pictures of all the Marvel characters with descriptions and facts. All in bite-sized chunks and it hardly feels like you are reading at all.
Discover the essential facts about Marvel Comics' timeless heroes such as Captain America, Spider-Man, and Iron Man and villains like Thanos, Loki, and Kingpin.
Keep up with the ever-expanding Marvel Universe with the new edition of DK's best-selling Marvel Encyclopedia , featuring an introduction by Marvel Comics supremo Stan Lee. Updated and expanded, this definitive Who's Who of Marvel Comics reveals vital info and secret histories of more than 1200 classic and brand new Marvel characters, and provides the lowdown on recent key events including Civil War 2, Secret Empire, and Infinity Countdown.
There is nothing more gratifying when you are reading your own books to a group of children to see that they are eager to know what is going to happen next. My top priority is to create a story that is a page-turner. My second wish is to include social topics that provoke ideas and questions. After I read to a group of schoolchildren, I like to encourage them to discuss the themes in the story; the children are always keen to give their views. Nonetheless, adding social topics to my children’s books needs to evolve naturally; ultimately, for me, the story is king!
I bought this book in a charity shop to help me maintain my knowledge of French! I deliberately chose a children’s book because my level of French is modest, but I don’t really need a reason to pick up a Charlie Brown book. Charles M Schultz created an entire world of personalities with the peanut characters. They began life as a comic strip which makes it perfect for dipping in and out of, sometimes just for one joke! Beneath the humour and childlike simplicity, there are complex topics like mental wellbeing and self-esteem, all delivered via fiendishly clever punchlines. Like all the best illustrators, Schultz is able to convey emotion and energy with a few strokes of his pen. The Charlie Brown books are works of genius, in any language.
I’m the author ofIs Superman Circumcised? The Complete Jewish History of the World's Greatest Hero, which won the 2021 Diagram Prize, and The Darkness in Lee's Closet and the Others Waiting There. I write about pop culture forThe Forward and CNN.com. My writing has appeared in a range of publications, including New York Daily News, Jerusalem Post, and Philosophy Now. I’ve taught English and writing at the City University of New York and am a former writer-in-residence fellow at the New York Public Library.
Larry Tye brings a lifelong fan’s passion and a renowned journalist’s research skills to the ultimate biography of the Man of Steel. It’s comprehensive and full of amazing stories and facts that weren’t known before, but more impressively it’s entertaining to read, from start to finish. It’s a great book for anyone interested in Americana, pop culture, or Superman.
The first full-fledged history not just of the Man of Steel but of the creators, designers, owners, and performers who made him the icon he is today, from the New York Times bestselling author of Satchel and Bobby Kennedy
“A story as American as Superman himself.”—The Washington Post
Legions of fans from Boston to Buenos Aires can recite the story of the child born Kal-El, scion of the doomed planet Krypton, who was rocketed to Earth as an infant, raised by humble Kansas farmers, and rechristened Clark Kent. Known to law-abiders and evildoers alike as Superman, he was destined to…
I’m an actor as well as a writer. I’ve spent more hours than can be counted dissecting stories and characters in order to better understand and transmit them to an audience. While standing on a stage, an actor is never unaware that they are performing for others. We may lose ourselves in a moment, in a character, in emotion, but the applause and the gasps, and the laughter always bring us back. As a writer, I spend a lot of time tapping into that feeling of ignoring-while-being-totally-aware of the fourth wall. I love books that wink at readers the way actors can at audiences.
I wrote my undergrad thesis on the migration of visual tropes from traditional Japanese theatre (Noh, Bunraku, and Kabuki) into modern art forms (Manga, Anime, Supakabuki/Anime Musicals), which was a rigorous exercise because I couldn’t just compare the tropes—I had to spend hours explaining them to my advisor. It was a fascinating (sometimes exasperating) lesson in learning to read one visual vocabulary, only to have to explain it to someone else in terms that they understood using another.
This blurred-xerox-translation-of-a-translation exercise is the central theme of Mangaman, where a Shojou-esque protagonist falls from a fantastical manga world into a comic. Visual conventions clash, where he walks the wrong way across panels, and where his speed lines accidentally stab people in the school hallway.
East meets West in this innovative and very smart graphic novel by Barry Lyga, illustrated by Colleen Doran.Sci-fi adventure meets love story—and East meets West—in Mangaman, an original graphic novel for teens. Ryoko, a manga character from a manga world, falls through the Rip into the “real” world—the western world—and tries to survive as the ultimate outsider at a typical American high school. When Ryoko falls in love with Marissa Montaigne, the most beautiful girl in the school, his eyes turn to hearts and comic tension tightens as his way of being drawn and expressing himself clashes with this different…
