38 books like Marvel Encyclopedia

This story made me laugh so much. It’s funny, crazy, and packed full of imagination. Jennifer Killick writes in such a friendly way that you can’t help but get drawn into the mad adventure. The main reason a young reader will engage with a story is if it’s fun and this book is non-stop fun.

Alex Sparrow is a self-styled secret agent with the ability to tell if someone is lying – in the most unusual (and smelly) way. Alex and his friend Jess must solve the most bonkers of mysteries. It’s an absolute hoot!

Dave and his best friend Skipper are a hilarious comedy double act. You can’t help wanting to be friends with these two rogue pigeons and joining in with their crazy antics. I particularly love the way they talk to each other. Swapna Haddow’s dialogue is delightful and Sheena Dempsey’s wonderful illustrations, which are a huge part of the book, really bring out a sense of fun in the story. Lots of artwork and speak bubbles help to break up the text making this easy and a pleasure to read.

This is a book for older readers who love action and adventure. All of Dan Smith’s books are dynamic and engrossing stories, but as I’ve always been drawn to colder climates, I think this is my favourite. The breathless action takes place at Outpost Zero in Antarctica where secrets and all kinds of new technology are discovered. 

I’m a huge film fan and could definitely imagine this as a big-screen blockbuster. But be warned: be prepared for thrills and chills!

This was probably the first book I ever chose to read. I read books at school or for school, but I saw this being read on Jackanory (for the young ones, that was a TV programme where a book was read by a famous person over five days) and went to the library to borrow a copy. I just couldn’t wait to find out what happened next.

It’s a crazy story of a house that floats off down the street during a particularly bad storm. The family has all sorts of strange adventures on the high seas. It really appealed to my sense of humour and general wackiness.

I read it to my daughter many years later and loved it even more. 

Now c’mon, was this guy Winsor fer-real? This stuff is off the charts other-realm, lucid sleeping material. His work was done as comic strips, but can now be found in book form in a variety of volumes. It may be the century between us, but these images and text make me feel a little tilted, off-center, and in the best way possible.

I bought this book in a charity shop to help me maintain my knowledge of French! I deliberately chose a children’s book because my level of French is modest, but I don’t really need a reason to pick up a Charlie Brown book. Charles M Schultz created an entire world of personalities with the peanut characters. They began life as a comic strip which makes it perfect for dipping in and out of, sometimes just for one joke! Beneath the humour and childlike simplicity, there are complex topics like mental wellbeing and self-esteem, all delivered via fiendishly clever punchlines. Like all the best illustrators, Schultz is able to convey emotion and energy with a few strokes of his pen. The Charlie Brown books are works of genius, in any language. 

Warning: This book will make you build a new bookshelf. Like other oversized offerings from Peter Maresca’s Sunday Press Publishing, you need a tape measure, not a ruler, to determine its dimensions. This means that you can read this startling collection of strips from 1895 to 1915 in the grand size in which they first appeared in early newspapers, back when the colors and characters screamed off the page, reflecting and refracting the frenetic dawn of a new century. These old newspaper comics pages are where Americans first learned to laugh together. Society is Nix can be difficult to find but is well worth the effort.

Larry Tye brings a lifelong fan’s passion and a renowned journalist’s research skills to the ultimate biography of the Man of Steel. It’s comprehensive and full of amazing stories and facts that weren’t known before, but more impressively it’s entertaining to read, from start to finish. It’s a great book for anyone interested in Americana, pop culture, or Superman.

I wrote my undergrad thesis on the migration of visual tropes from traditional Japanese theatre (Noh, Bunraku, and Kabuki) into modern art forms (Manga, Anime, Supakabuki/Anime Musicals), which was a rigorous exercise because I couldn’t just compare the tropes—I had to spend hours explaining them to my advisor. It was a fascinating (sometimes exasperating) lesson in learning to read one visual vocabulary, only to have to explain it to someone else in terms that they understood using another.

This blurred-xerox-translation-of-a-translation exercise is the central theme of Mangaman, where a Shojou-esque protagonist falls from a fantastical manga world into a comic. Visual conventions clash, where he walks the wrong way across panels, and where his speed lines accidentally stab people in the school hallway.

I had aspirations of making comics for Marvel or DC, but could never get a handle on drawing realistically. So I found inspiration in newspaper comics, one in particular.

Calvin & Hobbes is a work of art, and the perfect representation of childhood creativity. But Calvin’s imaginary tiger is only the tip of the iceberg here. Between his life-sized dioramas of snowmen acting out, to cardboard transmogrifiers, Calvin’s wicked imagination just spoke to me. And Bill Watterson helped jet-propel me down my own artistic path.