75 books like Alex Sparrow & The Really Big Stink

Dave and his best friend Skipper are a hilarious comedy double act. You can’t help wanting to be friends with these two rogue pigeons and joining in with their crazy antics. I particularly love the way they talk to each other. Swapna Haddow’s dialogue is delightful and Sheena Dempsey’s wonderful illustrations, which are a huge part of the book, really bring out a sense of fun in the story. Lots of artwork and speak bubbles help to break up the text making this easy and a pleasure to read.

This is a book for older readers who love action and adventure. All of Dan Smith’s books are dynamic and engrossing stories, but as I’ve always been drawn to colder climates, I think this is my favourite. The breathless action takes place at Outpost Zero in Antarctica where secrets and all kinds of new technology are discovered. 

I’m a huge film fan and could definitely imagine this as a big-screen blockbuster. But be warned: be prepared for thrills and chills!

I’m a huge film fan. When I was younger, I didn’t read many books, but I love the stories in films and comics. The recent Marvel films have made me feel like a youngster again and I’ve loved how they have all become interconnected. I would have thoroughly enjoyed flicking through this encyclopedia when I was a child. It’s a book that you can open at any page and look through. You could even read it backward if you like! Full of dynamic pictures of all the Marvel characters with descriptions and facts. All in bite-sized chunks and it hardly feels like you are reading at all.

This was probably the first book I ever chose to read. I read books at school or for school, but I saw this being read on Jackanory (for the young ones, that was a TV programme where a book was read by a famous person over five days) and went to the library to borrow a copy. I just couldn’t wait to find out what happened next.

It’s a crazy story of a house that floats off down the street during a particularly bad storm. The family has all sorts of strange adventures on the high seas. It really appealed to my sense of humour and general wackiness.

I read it to my daughter many years later and loved it even more. 

Command and Control is the gripping story of an accident at an Intercontinental Ballistic Missile silo in Arkansas in 1980 that resulted in the explosion of a Titan II missile.

The explosion blew the concrete lid off the silo and sent the missile’s nine-megaton thermonuclear warhead hurtling one hundred metres through the air. Fortunately, the warhead, which had 500 times the explosive power of the bombs that destroyed Hiroshima and Nagasaki, did not explode.

Interwoven with the minute-by-minute account of this accident, Schlosser gives a riveting history of the development of nuclear weapons by the U.S. military and discusses the mechanisms that have been devised to ensure that they are not detonated unintentionally. He also describes numerous other alarming nuclear mishaps that have occurred over the years.

The author of this book was also a Crossroads participant and today is regarded as one of the foremost experts on the effects of ionizing radiation. His book is a collection of interviews with atomic veterans of tests in the Pacific and Nevada. I am grateful to Dr. Grahlfs for agreeing to write the Foreword to my Crossroads memoir.

You can’t approve of Ursula Kuczynski, codename ‘Sonya’.

She was a spymaster, bomb-maker, and secret agent for the Soviet Union. Her work helped the Soviets build the atom bomb. But you can’t help being intrigued by this devoted wife and mother-of-three who rode her bicycle across the countryside to gather scientific information and used her children’s teddies to smuggle radio parts.

Ursula’s story, told by Macintyre in forensic, referenced detail, is astonishing. This cool, clever woman fooled everyone. I’m fascinated by the photographs, too; one of her cuddled up with her children in the garden, another of her in Berlin selling communist literature from a book barrow. They added to the feeling of alarm; so much went on in clear view.

This follow-up to his definitive The Making of the Atomic Bomb covers it all—the people, the physics, and the politics. Richard Rhodes does his research, no question.

The book’s very breadth makes it less engrossing than some books with a narrower focus. Nevertheless, it’s a must for an “H-bomb library.”

Connolly’s book traces recent historical shifts in artists’ cinema via a number of overlapping trends; multi-screen video projections in galleries, work that ‘references an earlier event through documentation, re-enactment or remaking’ and that which explores the relationship between cinema, screen architecture, and the museum or gallery space. The implications of these trends; the mobile as opposed to seated spectator or the making of work designed to run as continuous short loops, is considered via detailed discussion of works by a small number of key artists. Connolly, unusually and refreshingly, is not afraid to criticise, as in her discussion of Douglas Gordon and Philippe Parreno’s film Zidane. 

Nuclear weapons are not just dangerous if they are used in a nuclear war. Their development, testing, production, deployment, and decommissioning are all harmful to the planet. My favourite thing about this book is how this fact is explored and examined at the global and local levels.

With a geographer’s attention to the specifics of space and place, Alexis-Martin takes us on a journey around the world and through history that illuminates how all parts of the nuclear weapon production cycle have harmed people whose stories we often don’t hear. From indigenous communities displaced by nuclear weapons production facilities to the British veterans who were used as lab rats and exposed to nuclear tests by the state, this book uncovers the often hidden history of nuclear weapons.

I really enjoyed this, especially as Alexis-Martin then reflects on how we can prevent nuclear war in the future.