100 books like Inheriting the Bomb

Love is probably not the term I would use for this book. I am glad that Annie Jacobsen wrote it, and I think anyone interested in the real threat of nuclear war should read it. There are moments in it—particularly one very consequential decision that the U.S. president makes—that are highly implausible and have generated criticism from people who have devoted their careers to nuclear deterrence.

However, it is worth noting that no one actually knows how the leader of a nuclear-armed state would react to the news of an incoming nuclear attack because that scenario has never happened before. I think it is worth emphasizing this book’s subtitle: “A Scenario”—which is not “The Scenario” or “All Scenarios.” There are many scenarios that do not end as definitively as in Jacobsen’s scenario.

I include this book in the topic of reducing the risk of nuclear war because it so vividly… show more.

I love this book because it explains complex matters in straightforward language. What is the purpose of arms control? Why do leaders agree to it? How did agreements come about? Why is reducing nuclear risk so difficult? You can answer those questions using elaborate theories and stultifying language, yet Tom Graham and Damien LaVera frame the texts of agreement with highly readable introductory essays.

Graham served for many years as the General Counsel of the Arms Control and Disarmament Agency, and you can sense his passion for precision. “The START I Treaty, in its detailed complexity, is a lawyer’s dream,” they write in this book. There is so much about that 1991 agreement that blows my mind. START is not even in its name in the actual treaty. We call it START I only because of START II, which US and Russian leaders would later sign but would never enter… show more.

Togzhan Kassenova’s book tells the story of one of the overlooked crimes of the twentieth century: the Soviet Union’s assault on Kazakhstan through careless nuclear testing—this devasted generations of Kazakhs and other non-Russian people. Kassenova also shows the terrifying prospects of what the collapse of the Soviet Union could have entailed.

There were unexploded nuclear devices buried underground and unguarded highly-enriched uranium that very bad people wanted to acquire to build their own bombs. Motivated by its history as a nuclear playground, Kazakhstan contributed to one of the great miracles of our time: the non-proliferation of the massive Soviet nuclear stockpile (some 27,000 warheads at the end of the Cold War) throughout the 1990s. Policymakers rightly worry about states like Iran and North Korea—as they rightly worried about Libya and Iraq in the 1990s and early 2000s.

For the most part, the AQ Khan network—not the Soviet arsenal—made those fears… show more.

I recommend this book because it tells the inside story of what it is like to actually negotiate and get a nuclear arms accord ratified. The word “negotiate” means several things here. For Rose Gottemoeller—as with any head of a delegation—nearly everything required some form of negotiation.

At times I found myself thinking: one-on-one sessions with her hawkish Russian counterpart (Anatoly Antonov, who is currently the Russian Ambassador to the United States) must have been the most pleasant part of the whole ordeal. In that setting, at least you know where the other side stands. There is also mutual empathy between the top negotiators regarding bureaucratic turf wars and demands from on high—such as “get this done by X date.”

Previous nuclear agreements came about during a time of relative political consensus—when President Barack Obama sent Gottemoeller to Capital Hill to generate support for New START after he signed it… show more.

It’s hard to overstate just how influential Marc Trachtenberg’s A Constructed Peace, and really all of his writing, has been on my thinking. I constantly return to its pages and find fresh insights each time. I’m drawn in by the writing style, but the substance is even more impressive. The book—examining British, French, Soviet, West German, and U.S. policy—was what first opened my eyes to the centrality of Germany and debates on nuclear control in the origins and evolution of the Cold War. U.S. efforts to offset the Soviet challenge and reduce the U.S. continental commitment by reviving West Germany and then essentially providing it with nuclear weapons contributed to some of the Cold War’s most dangerous crises.

A novel about a young woman who worked on the atomic bomb and fell in love with one of the other scientists on the project who breaks her heart into a million pieces so she abandons her career and takes up as a shop-girl? Add in an FBI agent who is on the tail of the cad and wants her help in finding him? Count me in!

Fields is terrific at creating mood and the 1950s milieu. And the unexpected romance between Rosalind, the one-time scientist, and Charlie, the FBI agent, is both moving and immensely satisfying—these are two wounded souls who manage to find each other and by the end, you’re out of your chair and cheering.

One of my favourite things about this book is the clarity with which the authors—a former US Secretary of Defense and a leading nuclear policy advisor—diagnose what’s wrong with American nuclear weapons policy and propose solutions that would make us all safer.

I loved how the book is both a great public education resource (here’s what’s wrong with US nuclear policy) and a call to arms (here’s what you can do to make it better!). I also loved how the book makes it clear that the US approach to achieving national security through increasing reliance on nuclear weapons, in fact, makes the US less secure.

Connolly’s book traces recent historical shifts in artists’ cinema via a number of overlapping trends; multi-screen video projections in galleries, work that ‘references an earlier event through documentation, re-enactment or remaking’ and that which explores the relationship between cinema, screen architecture, and the museum or gallery space. The implications of these trends; the mobile as opposed to seated spectator or the making of work designed to run as continuous short loops, is considered via detailed discussion of works by a small number of key artists. Connolly, unusually and refreshingly, is not afraid to criticise, as in her discussion of Douglas Gordon and Philippe Parreno’s film Zidane. 

The author of this book was also a Crossroads participant and today is regarded as one of the foremost experts on the effects of ionizing radiation. His book is a collection of interviews with atomic veterans of tests in the Pacific and Nevada. I am grateful to Dr. Grahlfs for agreeing to write the Foreword to my Crossroads memoir.

This follow-up to his definitive The Making of the Atomic Bomb covers it all—the people, the physics, and the politics. Richard Rhodes does his research, no question.

The book’s very breadth makes it less engrossing than some books with a narrower focus. Nevertheless, it’s a must for an “H-bomb library.”