The best books about Manhattan

I’m sure we all remember some of the first books we picked up, and how they’ve stayed with us despite every year that ticked away. These were stories that didn’t just resonate with us as kids; a part of them lasted—transcended age and periodic experiences. I love books that you can reach for no matter how old you are, with lessons and stories that can be enjoyed by anyone. My own writing is a reflection of that: timeless tales that bridge the gap between adolescence and adulthood, hoping to touch hearts with a spectrum of knowledge in science, myth, and philosophy.  

For most of my life I’ve been both a writer and a swimmer. I’ve engaged in both activities for many decades, but I’ve always kept the two entirely separate. Write about swimming? Why? What would I say? What was there to say about water and the act of moving through it? It seemed to me that it was a case of “you have to be there,” that writing about swimming would be too removed from the immediacy, the tactility, the floating state of mind. It was only when I discovered works by some truly great writers that I began to see that I could write about my own love of being in water, and how I might go about it.

Born and raised in Los Angeles, I’ve been obsessed with the romance and “bygone world” of Manhattan in the 40s and 50s since I was a kid. Working in bookstores through high school and college, I quickly gravitated towards The New Yorker magazine which introduced me to John Cheever, Irwin Shaw, and many wonderful authors. Whether it was books or magazines, I couldn’t imagine a more interesting career than working in the New York publishing world - until I went there for job interviews and heard how little they paid. Back in Los Angeles, I figured out how to join from afar without having to live with six roommates on the Lower East Side.

Born and raised in Los Angeles, I’ve been obsessed with the romance and “bygone world” of Manhattan in the 40s and 50s since I was a kid. Working in bookstores through high school and college, I quickly gravitated towards The New Yorker magazine which introduced me to John Cheever, Irwin Shaw, and many wonderful authors. Whether it was books or magazines, I couldn’t imagine a more interesting career than working in the New York publishing world - until I went there for job interviews and heard how little they paid. Back in Los Angeles, I figured out how to join from afar without having to live with six roommates on the Lower East Side.

Born and raised in Los Angeles, I’ve been obsessed with the romance and “bygone world” of Manhattan in the 40s and 50s since I was a kid. Working in bookstores through high school and college, I quickly gravitated towards The New Yorker magazine which introduced me to John Cheever, Irwin Shaw, and many wonderful authors. Whether it was books or magazines, I couldn’t imagine a more interesting career than working in the New York publishing world - until I went there for job interviews and heard how little they paid. Back in Los Angeles, I figured out how to join from afar without having to live with six roommates on the Lower East Side.

I am fascinated by work, especially women at work. I am an immigrant, a child of immigrants, a former scientist, and for most of life, have been conditioned to work because if I could not work, then why else was I here? Yet work is not strictly an emblem of immigrant grit or the model minority mindset. It can be made funny, surreal, existential, and it’s a rich subject to tackle. More often than not, work is treated as taboo. It’s ignored or deemed too prosaic to discuss.  Who wants to see what goes on inside the factory? I do. I’m obsessed with stories that showcase the factory. 

I’ve been making up magical worlds ever since childhood, when I populated the creekbanks and vacant lots in my hometown with ghosts, fae, Land of Oz residents, and other creatures from my imagination. Fantasy and forbidden love have always been my two main allures in reading, and different varieties of sexuality and gender identity also fascinated me once I became more aware of such issues in college, through books as well as my anthropology classes. I was recently pleased to learn there’s at least one cool label for me as well—demisexual—and nowadays I love populating my fantasy novels with queer characters. Everyone deserves adventures in the otherworld!

I’m an award-winning author of two novels, the most recent of which, The Nine, is set on a fictional New England boarding school campus. Although a secret society’s antics and a scandal on campus keeps readers turning the page, at the heart of the novel is the evolution of a mother-son relationship. Even before my three children began considering boarding schools, I was a fan of the campus novel. Think classics like A Separate Peace or Catcher in the Rye. My fascination surrounding these little microcosms—their ideals, how they self-govern, who holds power—only increased after experiencing their weird and wily ways as a mother. 

I am a comic book writer, published by Marvel and DC Comics, turned novelist. I enjoy getting inside the heads of my characters until they become entities of their own, with their own voices and actions. At that point I’m merely the facilitator; an interested spectator with a keyboard. Maybe, one whose prose shows a visual flair. Sometimes, I hear competing voices in my head, rather like the warring personas that feature in my debut novel GoodCopBadCop, but I don’t like to play favourites. 

My passion for true crime fiction started in 2016 with the murders of eight family members in a neighboring county in Southern Ohio. The case made international news, and five years later there are still more questions than answers. I felt the victims of this heinous crime deserved some closure which the legal system has not yet provided. So, writing a fictional version of this story was my way of providing closure - at least in my own mind.