Here are 100 books that Random Family fans have personally recommended if you like
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I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
It took me a while to get to this part of Orwell’s oeuvre, but once I did, I was engrossed. The crispness of the writing and the precision of his observations are unmatched. Admittedly, due to Orwell’s own political persuasions, you should not base your views of the Spanish Civil War on this book alone, but as a piece of honest journalistic writing with a clear point of view, it deserves its status as a classic.
Homage to Catalonia remains one of the most famous accounts of the Spanish Civil War. With characteristic scrutiny, Orwell questions the actions and motives of all sides whilst retaining his firm beliefs in human courage and the need for radical social change.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by Helen Graham, a leading historian on the Spanish Civil War.
I’ve always been drawn to stories about wrongful convictions. I can think of nothing worse than losing your freedom for something you did not do. More importantly, I think it’s important to hold those responsible accountable. I believe in the sentiment that it is better to let ten guilty men go free than to have one innocent man convicted.
This book deals with the death penalty. The author covers several cases involving people who were on death row and were subsequently found to be innocent.
The book also covers related topics, such as mass incarceration, mandatory sentencing, racial bias, prison overcrowding, cruel and unusual sentences for minors, the psychological impact of long-term solitary confinement, and a host of other crime and punishment issues.
NOW A MAJOR MOTION PICTURE, STARRING MICHAEL B. JORDAN, JAMIE FOXX, AND BRIE LARSON.
A NEW YORK TIMES, WASHINGTON POST, BOSTON GLOBE, ESQUIRE, AND TIME BOOK OF THE YEAR.
A #1 New York Times bestseller, this is a powerful, true story about the potential for mercy to redeem us, and a clarion call to fix America's broken justice system, as seen in the HBO documentary True Justice.
The US has the highest rate of incarceration in the world. One in every 15 people born there today is expected to go
to prison. For black men this figure rises to one…
Stories of people impacted by the criminal justice system have been key to my understanding of the system and my efforts to reform it. I knew I wanted to be a civil rights lawyer when, in law school, I represented a woman who was raped by a corrections officer in a federal prison in Connecticut. My experiences suing the police and corrections officers as a young lawyer in New York inspired 15+ years researching the realities of civil rights litigation and barriers to achieve justice. I believe that the best way to understand the realities of the criminal justice system is through the experiences of people trying to make their way through it.
Corrections in Ink grabbed me from the first paragraph and wouldn’t let go.
It’s a beautifully and fiercely told memoir about Kari Blakinger’s journey from high school figure skater and Cornell college student to drug addition, to prison, and back out into the free world.
Her insights about her time in jail and prison – the conditions of her confinement, interactions with guards, relationships with other prisoners, and the psychological impact of doing time – stick with you, indelibly.
“Brave, brutal . . . a riveting story about suffering, recovery, and redemption. Inspiring and relevant.” —TheNew York Times
An electric and unforgettable memoir about a young woman's journey—from the ice rink, to addiction and a prison sentence, to the newsroom—and how she emerged with a fierce determination to expose the broken system she experienced.
Keri Blakinger always lived life at full throttle. Growing up, that meant throwing herself into competitive figure skating with an all-consuming passion that led her to nationals. But when her skating career suddenly fell apart, that meant diving into self-destruction with the intensity she once…
I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
This is a master class in investigative journalism and in nonfiction storytelling. Radden Keefe is one of my journalistic role models, and this book about the troubles in Northern Ireland is gripping from page one as it investigates the 1972 murder and abduction of Jean McConville in a way that probably only a foreigner could do, given the sensitivity of the topic. It is a vital historical document, a gripping thriller, and an empathetic social observation all in one.
NEW YORK TIMES BESTSELLER •From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions
"Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review
Stories of people impacted by the criminal justice system have been key to my understanding of the system and my efforts to reform it. I knew I wanted to be a civil rights lawyer when, in law school, I represented a woman who was raped by a corrections officer in a federal prison in Connecticut. My experiences suing the police and corrections officers as a young lawyer in New York inspired 15+ years researching the realities of civil rights litigation and barriers to achieve justice. I believe that the best way to understand the realities of the criminal justice system is through the experiences of people trying to make their way through it.
Ted Conover, a journalist, wanted to better understand life as a corrections officer.
After Conover’s request to shadow a recruit at the New York State Corrections Officer Academy was denied, he decided to apply to become a corrections officer himself—and was hired.
Conover spent a year working as a corrections officer at Sing Sing, and his insights about the chaos, lack of training, and harsh culture at the institution—and the impact that serving as a corrections officer had on him psychologically and on relationships with his loved ones—were eye-opening.
After he was denied access to report on Sing Sing, one of America's most notorious high security jails, journalist Ted Conover applied to become a prison guard. As a rookie officer, or 'newjack', Conover spent a year in the unpredictable, intimidating and often violent world of America's penal system.
Unarmed and outnumbered, prison officers at one of America's toughest maximum security jails supervise 1,800 inmates, most of whom have been convicted of violent felonies: murder, manslaughter, rape. Prisoners conceal makeshift weapons to settle gang rivalries or old grudges, and officers are often attacked or caught in the crossfire. When violence…
Stories of people impacted by the criminal justice system have been key to my understanding of the system and my efforts to reform it. I knew I wanted to be a civil rights lawyer when, in law school, I represented a woman who was raped by a corrections officer in a federal prison in Connecticut. My experiences suing the police and corrections officers as a young lawyer in New York inspired 15+ years researching the realities of civil rights litigation and barriers to achieve justice. I believe that the best way to understand the realities of the criminal justice system is through the experiences of people trying to make their way through it.
Charged reveals criminal prosecutors’ massive power and discretion.
And Emily Bazelon makes the stakes and consequences of this massive power and discretion come alive by telling the stories of two people charged with two different crimes by two different prosecutors.
By tracking every step of each case—from arrest to charging to trial to sentencing—she shows the harms the overzealous prosecutors can impose, as well as the mercy prosecutors can show. And she traces the work of progressive prosecutors across the country, offering an alternative path forward.
NEW YORK TIMES BESTSELLER • A renowned journalist and legal commentator exposes the unchecked power of the prosecutor as a driving force in America’s mass incarceration crisis—and charts a way out.
“An important, thoughtful, and thorough examination of criminal justice in America that speaks directly to how we reduce mass incarceration.”—Bryan Stevenson, author of Just Mercy
“This harrowing, often enraging book is a hopeful one, as well, profiling innovative new approaches and the frontline advocates who champion them.”—Matthew Desmond, author of Evicted
FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE • SHORTLISTED FOR THE J. ANTHONY LUKAS BOOK PRIZE •…
I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
Before his untimely and tragic death, Anthony Shadid was one of the brightest foreign correspondents working in the Middle East, and his prose reads, at times, like poetry.
This book is beautiful, haunting, and unique. It taught me the value of covering war not by looking at what happens on the frontline but by turning towards society and the people affected by it—something I sought to do in my own book about the Afghan war nearly two decades later.
Winner of the 2005 Los Angeles Times Book Prize A Washington Post Book World Top Five Nonfiction Book of the Year A Seattle Times Top Ten Best Book of the Year A New York Times Notable Book of the Year
In 2003, The Washington Post's Anthony Shadid went to war in Iraq, but not as an embedded journalist. Born and raised in Oklahoma, of Lebanese descent, Shadid, a fluent Arabic speaker, has spent the last three years dividing his time between Washington, D.C., and Baghdad. The only journalist to win a Pulitzer Prize for his extraordinary coverage of Iraq, Shadid…
I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
This is classic literary journalism from a reporter who, at the time, had no business writing this beautifully at such a young age. It’s a great example of how ordinary lives caught up in conflict when told with enough flair and sensitivity, contain sufficient drama and universal appeal to rival any fictionalized character.
Okeowo’s geographic sweep is impressive, as she brings us to Uganda, Mauritania, Somalia, and Nigeria, weaving a unifying narrative of ordinary people fighting extremism.
I am a lover of ghosts, historical murders, and all things spooky. I am also the author of eight YA novels, including two YA horror novels, Small Town Monsters and Hatchet Girls. Being half Puerto Rican, I try to lend my culture to my characters. Historically, the horror genre has been dominated by white male authors. And while I love their work, Stephen King is a master, I'm excited that women and POC writers are finally getting their stories told. What scares women is often very different from what scares men, same with people of color, and by releasing more diverse stories, like mine, we add ways to frighten new fans.
This YA Horror novel, by an Afro Dominican nonbinary author, won the prestigious Pura BelpréAward and was a finalist for the Bram Stoker Award.
The Bronx setting is depicted with such grit (spanning decades), it’s practically a character in its own right. I loved how the novel tied together a twisted “game,” similar to an urban legend, with a real, and very dark chapter of NYC history. It will definitely appeal to true crime fans, like myself, and features likable teen characters that are also relatable to adult readers.
Mysterious disappearances. An urban legend rumored to be responsible. And one group of friends determined to save their city at any cost. Stranger Things meets Jordan Peele in this utterly original debut from an incredible new voice.
For over a year, the Bronx has been plagued by sudden disappearances that no one can explain. Sixteen-year-old Raquel does her best to ignore it. After all, the police only look for the white kids. But when her crush Charlize's cousin goes missing, Raquel starts to pay attention-especially when her own mom comes down with a mysterious illness that seems linked to the…
As a lifelong New Yorker and author of two books about drinking in the city—New York Cocktails and Drink Like a Local New York—these are the books about bygone days of city living that I would tell you to read if we met in a bar. You already know the ones by E.B. White, Patti Smith, Lou Reed, or possibly Pete Hamill or Walt Winchell. Those books are fantastic, but these are some “deep cuts” New York City appreciation books that you should also get to know.
New York City includes all five boroughs. When it was first published in the early 1990s, this creative book that weaves the stories of four Dominican sisters through the decades backwards from the 1980s to the 1960s was a real gamechanger.
It’s about a family that’s been taken down a few notches—having once lived as upper-class citizens with house servants in the Dominican Republic—as they adjust to New York City culture, and specifically, life in the 1960s and 1970s Bronx, and unpack the truth about their father’s reasons for relocating the family in the first place.
Part of the narrative also serves as a relatable coming-of-age story about teenage girls, their sisterhoods, and friendships. Think Judy Blume, but Dominican, with more house parties, food, and drinking.
From the international bestselling author of In the Time of the Butterflies and Afterlife, How the Garcia Girls Lost Their Accents is "poignant...powerful... Beautifully captures the threshold experience of the new immigrant, where the past is not yet a memory." (The New York Times Book Review)
Julia Alvarez’s new novel, The Cemetery of Untold Stories, is coming April 2, 2024. Pre-order now!
Acclaimed writer Julia Alvarez’s beloved first novel gives voice to four sisters as they grow up in two cultures. The García sisters—Carla, Sandra, Yolanda, and Sofía—and their family must flee their home in the Dominican Republic after their…
