As a writer and journalist in Iran, I knew many activists and journalists who spent time in solitary confinement. I noticed that this part of their prison experience was the hardest one for them to put to words, even those keen on sharing their experiences have a much easier time talking about the interrogation room but remain strangely reticent about the solitary cell. When I set out to write a novel about a bus driver who ends up in jail, I decided to dedicate several chapters of the book to his time in solitary confinement. That research sent me down the rabbit hole of interviewing former prisoners and reading widely about the solitary experience.
After the news came out that Norman Mailer was writing a book about the life of Gary Gilmore, which came to be his magnum opus, The Executioner’s Song, he received a letter from a convict named Jack Henry Abbott. An avid reader of philosophy and literature who was also serving a life sentence, Abbott wrote to warn the renowned author against misapprehending American prisons and to teach him how to write about the violence of incarceration. The two men exchanged long, detailed letters. Eventually, Mailer collected Abbott’s letters in this book. In his letters, in a tone both detached and lyrical, Abbott writes unforgettably about what spending long years in prison does to one’s soul and body. In my view, the letter on solitary confinement is the finest and most harrowing chapter of this book.
A collection of letters by a federal prisoner provides a candid look at life in prison, revealing his background, politics, and views on parole, rehabilitation, and capital punishment
Since I began reading seriously (albeit late in life!), I’ve been seduced by the travails of underdog protagonists trying to save their own lives through transformation. If you had told me when I was a teenager—drinking too much, racing muscle cars, and scraping by with Ds and Cs in a vocational high school—that I would end up teaching writing at a university, I would’ve said you were nuts. It wasn’t until I started college in my mid-twenties that I actually read a novel for the pleasure of it. My novel and short story collection are expressions of my cheering on the young underdogs who bravely fight to change their worlds despite all odds.
This one’s the fastest read of the bunch; in fact, you may find yourself rebooting for a second savory read without putting it down. Sixteen-year-old Steve Harmon faces a life sentence for his alleged participation in a robbery that killed a convenience store owner. To cope with the horrors of his cell block, where the spirited African American teen is housed until his trial ends, Steve recounts events before and after the crime in the form of a screenplay; this enthralling courtroom drama deep-dives into the racial and economic forces responsible for overcrowding our flawed criminal justice system. Steve’s perseverance against odds is truly inspiring.
This New York Times bestselling novel from acclaimed author Walter Dean Myers tells the story of Steve Harmon, a teenage boy in juvenile detention and on trial.
Presented as a screenplay of Steve's own imagination, and peppered with journal entries, the book shows how one single decision can change our whole lives.
Monster is a multi-award-winning, provocative coming-of-age story that was the first-ever Michael L. Printz Award recipient, an ALA Best Book, a Coretta Scott King Honor selection, and a National Book Award finalist.
Monster is now a major motion picture called All Rise and starring Jennifer Hudson, Kelvin Harrison,…
I have been captivated by the study of prisons since my early college years. The fact that prisons are so new in human history still feels mind-blowing to me. I used to think that prisons have just always been around, but when you realize they are actually new, that has major implications. This is nowhere more clear than at the beginning: how hard it was to get to the point where prisons made sense to people, to agree on how prisons should be designed and managed, and to keep on the same path when prisons very quickly started to fail. It’s still puzzling to me.
Unlike my other recommendations, this book takes a longer historical view of the prison and also provides a more sociological framework for understanding trends in penal history, focusing on the prison but also its sister punishments like parole and probation. Breaking the Pendulum focuses on the full history of the prison in the United States, from its origins to now. But more importantly, it synthesizes the state-of-the-art knowledge from punishment studies about how to think about and understand punishment: points like recognizing geographical variation rather than focusing on the national picture and recognizing that even periods that seem to be fairly homogenous in their penal policies are actually periods with a lot of hidden debate.
From there, it moves away from the standard narrative of a pendulum swinging between punitive and rehabilitative or liberal and conservative approaches to punishment to a more accurate and mixed picture, and for thinking about…
The history of criminal justice in the U.S. is often described as a pendulum, swinging back and forth between strict punishment and lenient rehabilitation. While this view is common wisdom, it is wrong. In Breaking the Pendulum, Philip Goodman, Joshua Page, and Michelle Phelps systematically debunk the pendulum perspective, showing that it distorts how and why criminal justice changes. The pendulum model blinds us to the blending of penal orientations, policies, and practices, as well as the struggle between actors that shapes laws, institutions, and how we think about crime, punishment, and related issues.
Lynne Viola is a University Professor of Russian history at the University of Toronto. Educated at Barnard and Princeton, she has carried out research in Russian and Ukrainian archives for over 30 years. Among her books, are two dealing with Stalinist repression: Stalinist Perpetrators on Trial: Scenes from the Great Terror in Soviet Ukraine and The Unknown Gulag: The Lost World of Stalin’s Special Settlements. Both are based on work in previously classified archives, including the archives of the political police.
This is the classic account of the Great Terror and the Gulag. Solzhenitsyn roots Stalinist repression firmly in the Russian Revolution, blaming Marxist ideology for the camps. The literary value of this work is incontestable.
The official, one-volume edition, authorized by Solzhenitsyn
“BEST NONFICTION BOOK OF THE 20TH CENTURY” —Time
The Nobel Prize winner’s towering masterpiece of world literature, the searing record of four decades of terror and oppression, in one abridged volume (authorized by the author). Features a new foreword by Anne Applebaum.
“It is impossible to name a book that had a greater effect on the political and moral consciousness of the late twentieth century.” —David Remnick, The New Yorker
Drawing on his own experiences before, during and after his eleven years of incarceration and exile, on evidence provided by more than 200…
I am a professor of psychology and psychiatry at Cambridge University. I've been conducting autism research for 40 years, and this has taken me deep into understanding how the mind works, in both autistic and neurotypical people. I've focused in particular on two aspects of the mind, empathy and systemizing, to understand how these develop, how individual differences in these arise, and how we can celebrate such neurodiversity and provide support for people who struggle with these. My research spans psychology, neuroscience, genetics, endocrinology, clinical practice, education, and vulnerability.
Maria Cantacuzino’s favourite emotion is forgiveness. I agree with her it is a powerful emotion and a good way to live. Maria founded a unique and important charity, The Forgiveness Project, which helps victims forgive the perpetrators of their crimes by understanding their back story, and gives perpetrators a chance to understand the feelings of their victim and apologise. There is a very close link between forgiveness and empathy, because when a victim forgives a perpetrator they are setting aside the immediate desire for revenge and hate, to understand the reasons why a person might have done bad things. And when a perpetrator apologises to a victim, they are no longer seeing the person as an object but can now see the person as a subject, with feelings such as pain and loss. Maria explores the limits of forgiveness and argues there are no limits, however awful the crime. Her…
What is forgiveness? Are some acts unforgivable? Can forgiveness take the place of revenge?
Powerful real-life stories from survivors and perpetrators of crime and violence reveal the true impact of forgiveness on ordinary people worldwide. Exploring forgiveness as an alternative to resentment or retaliation, the storytellers give an honest, moving account of their experiences and what part forgiveness has played in their lives. Despite extreme circumstances, their stories open the door to a society without revenge.
All royalties from the sale of this book go to The Forgiveness Project charity.
The reason why I recommended these books is they all have the constant theme of freedom. Each one is very unique, and they all have adventure, romance, tragedy, and fantasy. Every single book is a different journey of healing for your soul that I feel anyone would enjoy. We have two biographies that are so raw; they will rock your soul, and you can relate to them. We have one on how not to get offended, which is amazing, and another that is sci-fi, which is way better than Harry Potter ever thought about being. If you like me as an author, you will love the books that I have recommended.
This jaw-dropping autobiography from Lisa will leave you wanting more on every page.
She bears her soul with everything that she went through being on the streets, dealing drugs, running away from home, being abused, and going to prison.
Throughout the book, her transparency of what she felt will guide you on an adventure and ultimately will show you who your true identity is with with Jesus.
At age eighteen, as a part-time employee of a prisoners’ rights group, I visited an archipelago of decrepit prisons, all relics of an earlier age. My job was gathering inmates’ accounts of bucket toilets, unheated cells, bugs, molds, and rats. Soon after, I began reading and writing about prison reform and its history. And in the many decades since, whether practicing or teaching criminal law, I never lost sight of prisons and their problems. Several of these five books fed my young fascination with prison reform. All of them still challenge me to imagine true and enduring reform.
Many of Howard’s prescriptions for prison reform focused on the physical plant. His favorite prison architect, William Blackburn, translated Howard’s reform principles into brick and mortar.
Meanwhile, Jeremy Bentham’s “Panopticon” presented a far different and more insidious vision of a circular prison in which each inmate was under the constant surveillance of a guard posted in a central viewing station.
Robin Evans’s gorgeous photographs of the centuries-old remnants of this wave of prison building and prison reform embellish the story told by Howard and Ignatieff.
First published in 1982, this book describes a new kind of prison architecture that developed in the late eighteenth and early nineteenth centuries. The book concentrates on architecture, but places it in the context of contemporary penal practice and contemporary thought. Beginning with an exploration on the eighteenth-century prisons before reform, the book goes on to consider two earlier kinds of imprisonment that were modified by eighteenth-century reformers. The theory and practice of prison design is covered in detail. The later parts of the book deals with alliance between architecture and reform, and with the connection between the utilitarian architecture…
My parents survived the Killing Fields of Cambodia and the aftermath of the Vietnam War, so their love for us was always tinged with anxiety, fear, and a large deal of paranoia and control. All of my books are about the complex relationship between parents and their children, and the things we knowingly or unknowingly pass down. I’ve also worked a number of years as a university student counsellor, where the same enduring themes play out in my students’ experiences. So naturally, I am drawn to stories that explore difficult but loving family dynamics.
Renee’s father was in jail for murder, and her mother never got over the shame. This book is about family secrets and how corrosive they can be, and also how a child survives a manipulative mother. I was floored by the wild level of pain a parent could inadvertently bestow on their child, but there is also much grace and love in this memoir.
A gripping memoir that reads like a psychological thriller... When Anne wakes in hospital, she is unable to recognise anyone or anything, mistaking herself for a young girl at first. She can talk but cannot remember much, including, as it turns out, the birth of her daughter, her rocky relationship with a man who is said to be her husband, and a mysterious man she feels a deep longing for but is warned against. As Anne tries to recover and piece together what has happened, fragments of memory come back but do little to help and sometimes confuse her further.…
At age eighteen, as a part-time employee of a prisoners’ rights group, I visited an archipelago of decrepit prisons, all relics of an earlier age. My job was gathering inmates’ accounts of bucket toilets, unheated cells, bugs, molds, and rats. Soon after, I began reading and writing about prison reform and its history. And in the many decades since, whether practicing or teaching criminal law, I never lost sight of prisons and their problems. Several of these five books fed my young fascination with prison reform. All of them still challenge me to imagine true and enduring reform.
Tracking the movement for prison reform to American shores, McLennan documents the grim consequences of grafting incarceration with capitalism.
In her telling, the North’s contract labor system took root amid the new industries of Jacksonian America and flourished in the Gilded Age alongside the South’s proto-plantation convict lease camps. Vast penal industrial plants in almost every state proved how foolhardy early reformers had been to think a state enterprise could long abide by its reforming ideals.
America's prison-based system of punishment has not always enjoyed the widespread political and moral legitimacy it has today. In this groundbreaking reinterpretation of penal history, Rebecca McLennan covers the periods of deep instability, popular protest, and political crisis that characterized early American prisons. She details the debates surrounding prison reform, including the limits of state power, the influence of market forces, the role of unfree labor, and the 'just deserts' of wrongdoers. McLennan also explores the system that existed between the War of 1812 and the Civil War, where private companies relied on prisoners for labor. Finally, she discusses the…
I was born and grew up in Seoul. My bestselling debut novel has been longlisted for the 2024 Women’s Prize for Fiction and the 2024 Wilbur Smith Adventure Writing Prize and shortlisted for the 2024 William Saroyan International Prize for Writing. My book is inspired by my great-aunt, one of the oldest women who had escaped alone from North Korea. It is available from Harper Perennial in the U.S. and Virago in the UK. The novel’s translations continue to meet readers worldwide, including in Italy, Romania, Greece, Denmark, Spain, Switzerland, and South Korea.
Eileen is one of the most twisted and unconventional literary heroines I’ve ever read. Behind her quiet demeanor and dull face hides her mind, which is like a killer’s, always furious and seething.
While working at a juvenile correctional facility, Eileen meets Rebecca, another key character far removed from most women of their generation. Seductive and deceitful, Rebecca cajoles Eileen into joining her act of crime–a violent, underhanded plan to restore her idea of justice.
Shortlisted for the 2016 Man Booker Prize and chosen by David Sedaris as his recommended book for his Fall 2016 tour.
So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old then, and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes-a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to…
