The most recommended books about social control

Prisons were originally built for men (really, white men), not for women. But women were sent to prison, just not in big enough numbers to merit their own facilities until much later. Women were also viewed as a difficult population by reformers and prison administrators alike: Women who committed crimes were deemed so morally repugnant that they could not be rehabilitated, so the routines and purposes of prisons seemed not to apply to them (prisons were originally supposed to rehabilitate their prisoners).

As a small and unprofitable population (because they were assigned unprofitable labor like sewing and laundry), women prisoners were considered especially burdensome. Using the prison histories of three differently situated states, Rafter describes the experiences of incarcerated women and how those experiences were shaped by their unique position and the biases about women criminals.

Jon Ronson has also written a highly entertaining book about extremism called Them, but I chose this one because it could just as well be called Us. Public shaming on the Internet is almost a sport at this point, but Ronson shows how, after the mob moves on, the target of the virtual stoning has to figure out how to put themselves back together and carry on.

A funny, readable romp, this book also asks the reader to think deeply about how morality plays out online and what we are saying when we use degradation and dehumanization as a way of communicating moral ideas.

Lynching is central to the late 19th century and thus the theme that I explore in my recommendations, but Shepherd.com covers this tragic subject elsewhere. Instead, for my last book, I offer Adler’s study that explains the persistently high and even increasing rates of violence and homicide in Chicago during an era when varied modern social controls—urban reform, the discipline of the factory floor, expanding education and the bureaucratic state—swept over that city as they did over America, too. According to older theories about social turbulence and murder, these should have declined. Instead, the opposite was true, though the forms that violence took did change. Perhaps it was Adler’s intention to leave frighteningly unanswered what it is about people generally, and Americans specifically, that the dark impulses they have run so deeply that they are impervious to social control.

In The Giver, Jonas lives this very lonely life and as the reader, we understand him. We see what he’s going through. 

However, nobody else in his town except for The Giver really knows what he’s dealing with. When Jonas has to make a choice that will have a huge impact on everybody, we’re rooting for him because we ultimately know that it’s better to be human and feel pain than it is to live the ignorant, hollow lives that we see the people in his town living.

This really stuck with me because it shows that people don’t always know what’s best for them, and sometimes you have to make those tough choices and just hope that it works out. 

This is a landmark book in political economy and economic history. 

Douglass North won the Noble Prize in Economics in part for the study of institutions in economic history. 

This was his final work (coauthored with Wallis and Weingast). And while the lessons of North's earlier work on institutions have been incorporated into the wider body of scholarship in economic history and development economics, I think the lessons of this book haven't been fully absorbed.  

The fundamental idea is that all societies face "the problem of violence". They have to deter individuals from resorting to violence in order to take what they want. But the means through which society limits violence vary and are often detrimental to long-run economic growth. There is thus a "natural" form of government that is common throughout history, capable of producing social order but not widespread prosperity.

Achieving sustained economic growth in the long-run requires… show more.

My novels take place in several ancient Mediterranean lands where slavery was an accepted, unchallenged reality. It’s hard for today’s writers and readers to grasp what relationships must have been like between human chattel and their owners in a world totally devoid of modern mores. Some authors who write about that time period choose to ignore the slaves and focus on the masters, but I was determined to get into the minds of both groups and explore their lives equally. Bradley’s subtitle, “A Study in Social Control,” held the key for me. His book revealed the “carrots and sticks” at work in such societies and helped me bring them to life in my fiction.

This was recommended to me as having been the lyrical inspiration to songs by several musical artists I was listening to in my teens. To this day I am still baffled and impressed as to where on Earth Dick ever found the ideas for some of these stories. Almost experimental in their nature, particularly at the time of writing, and breaking ground as he went along, P. K. Dick’s skill of crafting chilling perspective scenarios again and again have, become popular film plots. In this book and his other short story collections, you can feast on many more deeply original plots, any number of which could be made into Hollywood films. Many years ahead of his time and almost predicting the disposable instantaneous world we would live in, Dick’s short stories almost arrived from the future themselves. I think he had the edge on dialogue too. I don’t own a… show more.

Social power is the ability to change the thoughts and behavior of other people. Power affects many people like a drug: they become addicted to wielding power or serving the powerful. We’re all embedded in webs of hierarchy and rank that often make us literally crazy. This rather obscure book does a good job of summarizing an enormous trove of research by clinical psychologists on the pathologies of power.

This monograph changed the way historians understand the Great Terror. Shearer focuses on state fears not of foreign invasion, but of domestic social disorder. Based on voluminous archival research, he explores the structural prerequisites to the “mass operations” of the Great Terror by looking at the social purging campaigns of the mid-1930s and the practices of civil and political policing.

Adrian Hon is the founder of the truly fabulous fitness app Zombies, Run, in which you listen to a story in which you are a character as you run or walk to work out. 

Yes, there was a zombie apocalypse in this story, and every so often, the zombies appear – and you have to run!! (I didn’t know about Zombies, Run before I read this book, but I have since started using it, and I love it!)  

Adrian has been in the gaming world for a long time, and he is highly aware of how gaming can become coercive. He built Zombies, Run specifically to avoid coercion of any kind, but is deeply infuriated by all of the games out there that shamelessly continue to rely on coercion to generate usage and, of course, cash. 

In You’ve Been Played, Adrian outlines just how nasty some techniques can be,… show more.

Public City/Public Sex offers a provocative foray into the dance halls, brothels, and even the public urinals of nineteenth-century Paris. By centering sexuality conceptually and geographically, Ross advances the novel argument that public sex constituted public culture in the capital city. Vividly illuminating how urban clandestine and public sexual encounters (between men and women, men and men, and to a lesser extent, women and women) necessitated a new form of civic management, Ross cleverly demonstrates the intricate, intimate ways in which sex was implicated in, and developed alongside, the modern city.

It’s all in the details. No matter what social circle a Georgian man and woman lived in, knowing how each functioned within their inner circle is key to creating fully fleshed-out worlds. Vickery uses archival material such as diaries, ledgers, letters, court trials, and other sources to show how the Georgians lived in the comfort (or discomfort) of their own homes, and, interestingly, how this also had an effect on their lives outside the home. The author even provides the reader with an insight into how their homes actually looked, from furniture and portraits, right down to textiles and wallpaper. 

The Wild Boys is at once dystopian and utopian, featuring a band of boys who’ve gone rogue and have perfected strange and poetically beautiful sex rites which allow them to ritually and meditatively conjure or reproduce more wild boy offspring. At once science fiction and fantastical in its imaginative scope, it is also, like all Burroughs’s work, a profound exploration of social control, the excesses and assumptions inherent in state and religious terror, and the sexual and erotic oppression and misunderstanding that is the real enemy of freedom. Fearless and experimental, Burroughs inspires me to be bold, blunt, and not afraid to disturb or offend in exploring the poetic and erotic relationships between all manner of ideas.

Quit Like A Woman (QLAW) gave a whole new perspective on ‘big alcohol” and the messaging we all receive every day about how alcohol is a panacea for anything that causes us discomfort. 

Holly’s description of her own struggles with drinking and her sobriety journey allowed me to see my own recovery through a different lens. I loved how celebrities posted about QLAW on social media, crediting it for their sobriety. And was especially delighted to see it featured in And Just Like That (the Sex and The City series sequel built an entire episode around it). 

I recommend this book to literally everyone who wants to examine their relationship with alcohol.  But I especially recommend it to women because of how QLAW calls out dating culture for permitting and encouraging alcohol use as a so-called social lubricant.