Lynne Viola is a University Professor of Russian history at the University of Toronto. Educated at Barnard and Princeton, she has carried out research in Russian and Ukrainian archives for over 30 years. Among her books, are two dealing with Stalinist repression: Stalinist Perpetrators on Trial: Scenes from the Great Terror in Soviet Ukraine and The Unknown Gulag: The Lost World of Stalin’s Special Settlements. Both are based on work in previously classified archives, including the archives of the political police.
This monograph changed the way historians understand the Great Terror. Shearer focuses on state fears not of foreign invasion, but of domestic social disorder. Based on voluminous archival research, he explores the structural prerequisites to the “mass operations” of the Great Terror by looking at the social purging campaigns of the mid-1930s and the practices of civil and political policing.
Policing Stalin's Socialism is one of the first books to emphasize the importance of social order repression by Stalin's Soviet regime in contrast to the traditional emphasis of historians on political repression. Based on extensive examination of new archival materials, David Shearer finds that most repression during the Stalinist dictatorship of the 1930s was against marginal social groups such as petty criminals, deviant youth, sectarians, and the unemployed and unproductive.
It was because Soviet leaders regarded social disorder as more of a danger to the state than political opposition that they instituted a new form of class war to defend…
Ever since watching the BBC adaptation ofPride & Prejudice, I’ve been fascinated by the Georgian era. At university I always chose modules that connected with the period, which typically focused on the works of Keats, Byron and Shelley. One module introduced me to the essayist William Hazlitt, and my first novel Infelicedrew on his illicit love affair with serving girl Sarah Walker. My début Pandorais vastly different, but both novels required a plethora of research. The books I’ve chosen all helped me bring my writing to life, and I hope aspiring novelists with a passion for the Georgians will find these as useful as I have.
It’s all in the details. No matter what social circle a Georgian man and woman lived in, knowing how each functioned within their innercircle is key to creating fully fleshed-out worlds. Vickery uses archival material such as diaries, ledgers, letters, court trials, and other sources to show how the Georgians lived in the comfort (or discomfort) of their own homes, and, interestingly, how this also had an effect on their lives outside the home. The author even provides the reader with an insight into how their homes actually looked, from furniture and portraits, right down to textiles and wallpaper.
In this brilliant new work, Amanda Vickery unlocks the homes of Georgian England to examine the lives of the people who lived there. Writing with her customary wit and verve, she introduces us to men and women from all walks of life: gentlewoman Anne Dormer in her stately Oxfordshire mansion, bachelor clerk and future novelist Anthony Trollope in his dreary London lodgings, genteel spinsters keeping up appearances in two rooms with yellow wallpaper, servants with only a locking box to call their own. Vickery makes ingenious use of upholsterer's ledgers, burglary trials, and other unusual sources to reveal the roles…
I made my first visit to Pompeii at age seven. That day, I told my parents that I had been there before. It was all very familiar. And that sense of déjà vu has never left me. I feel it whenever I go back to Pompeii, Herculaneum, and the Roman Forum. I don’t believe in reincarnation, but... As an adult, I’ve returned many times to those places and visited others featured in my books: the Etruscan necropolis at Caere, which was already 1,000 years old at the time of my novels; Athens; and the ancient ports of Piraeus in Greece and Itanos in Crete. I earned a Ph.D. at Northwestern University, taught for many years, and enjoyed a million marvelous experiences, but my lifelong love of ancient Rome is the direct result of that long-ago visit to Pompeii with my parents.
My novels take place in several ancient Mediterranean lands where slavery was an accepted, unchallenged reality. It’s hard for today’s writers and readers to grasp what relationships must have been like between human chattel and their owners in a world totally devoid of modern mores. Some authors who write about that time period choose to ignore the slaves and focus on the masters, but I was determined to get into the minds of both groups and explore their lives equally. Bradley’s subtitle, “A Study in Social Control,” held the key for me. His book revealed the “carrots and sticks” at work in such societies and helped me bring them to life in my fiction.
"A first-rate book....Excellent in drawing out the basic facts, and giving a wholly convincing interpretation....Clear, compassionate and compelling."--JACT
I’m the Head of Trend and Innovation Scouting for Nokia, and I’ve been with the company since the glory days of Nokia mobile phone world dominance. I know first-hand what happens when a company focuses exclusively on the technology, not the humans that use it, and how quickly that can lead to disaster. One of the lessons that I see repeated continuously in the field of innovation is that a huge amount of attention gets paid to the new technology, and not nearly enough on how the technology will interact with our existing systems, beliefs, attitudes, and culture. Learning from the mistakes is the best way to make sure that the future doesn’t repeat them!
Adrian Hon is the founder of the truly fabulous fitness app Zombies, Run, in which you listen to a story in which you are a character as you run or walk to work out.
Yes, there was a zombie apocalypse in this story, and every so often, the zombies appear – and you have to run!! (I didn’t know about Zombies, Run before I read this book, but I have since started using it, and I love it!)
Adrian has been in the gaming world for a long time, and he is highly aware of how gaming can become coercive. He built Zombies, Run specifically to avoid coercion of any kind, but is deeply infuriated by all of the games out there that shamelessly continue to rely on coercion to generate usage and, of course, cash.
In You’ve Been Played, Adrian outlines just how nasty some techniques can be,…
How games are being harnessed as instruments of exploitation - and what we can do about it
Warehouse workers pack boxes while a virtual dragon races across their screen. If they beat their colleagues, they get an award. If not, they can be fired. Uber presents exhausted drivers with challenges to keep them driving. China scores its citizens so they behave well, and games with in-app purchases use achievements to empty your wallet.
Points, badges and leaderboards are creeping into every aspect of modern life. In You've Been Played, game designer Adrian Hon delivers a blistering takedown of how corporations,…
I am passionate about writing books that put good into the world and highlight meaningful and inspiring themes, which, in turn, means I am also passionate about reading books that do the same. I love to write and read books that leave the reader feeling like there is still good in the world, even when it seems to be very dark around us. If people read my books or any on this list, I sincerely hope they feel encouraged and inspired and enjoy them as much as I do.
While I don’t always love mainstream classics, The Giver is a classic for a reason, and, in my opinion, it rightfully deserves its place on the shelf.
I love the emotional draw of this book and the invitation to think deeper about the meaning of life and the burden it can take on us. I love books that challenge us to think about the bigger concepts of life and all they entail: the good, the bad, and the ugly.
THE GIVER is soon to be a major motion picture starring Jeff Bridges, Katie Holmes and Taylor Swift.
Now available for the first time in the UK, THE GIVER QUARTET is the complete four-novel collection.
THE GIVER: It is the future. There is no war, no hunger, no pain. No one in the community wants for anything. Everything needed is provided. And at twelve years old, each member of the community has their profession carefully chosen for them by the Committee of Elders.
Jonas has never thought there was anything wrong with his world. But from the moment he is…
I’ve been writing stories and poems with erotic themes since I first entered the spoken word scene in 1980s San Francisco. As a young queer boy, raised in the highly eroticized Catholic Church, I was actually comfortable talking about and writing about sex and eros as I’d been stigmatized by it, and it got me fascinated with what the big deal was and why writers were afraid to approach it or why they did so in a corny/predictable/idealized and/or often dishonest and clumsy way. Soon I was teaching erotic writing and have been integrating it into my writing in honest, fresh, and enlivening ways—and helping others do so—ever since.
The Wild Boys is at once dystopian and utopian, featuring a band of boys who’ve gone rogue and have perfected strange and poetically beautiful sex rites which allow them to ritually and meditatively conjure or reproduce more wild boy offspring. At once science fiction and fantastical in its imaginative scope, it is also, like all Burroughs’s work, a profound exploration of social control, the excesses and assumptions inherent in state and religious terror, and the sexual and erotic oppression and misunderstanding that is the real enemy of freedom. Fearless and experimental, Burroughs inspires me to be bold, blunt, and not afraid to disturb or offend in exploring the poetic and erotic relationships between all manner of ideas.
In this funny, nightmarish masterpiece of imaginative excess, grotesque characters engage in acts of violent one-upmanship, boundless riches mangle a corner of Africa into a Bacchanalian utopia, and technology, flesh and violence fuse with and undo each other. A fragmentary, freewheeling novel, it sees wild boys engage in vigorous, ritualistic sex and drug taking, as well as pranksterish guerrilla warfare and open combat with a confused and outmatched army. The Wild Boys shows why Burroughs is a writer unlike any other, able to make captivating the explicit and horrific.
I’m a systems thinker (Senior Fellow at an environmental think tank, author of 14 books and hundreds of essays) who’s addicted to trying to understand the world. After a few decades, the following is my state of understanding. Power is everywhere and determines everything in our lives. Whether due to the physical power of energy channeled through technology, or the social power of organizations and money, we’re enabled or disabled daily. During the last century, fossil-fueled humanity has overpowered planetary systems, as evidenced by climate change, species extinctions, and resource depletion. Few think critically about power. Unless we start doing so, we may be inviting the ultimate disempowerment—extinction.
Social power is the ability to change the thoughts and behavior of other people. Power affects many people like a drug: they become addicted to wielding power or serving the powerful. We’re all embedded in webs of hierarchy and rank that often make us literally crazy. This rather obscure book does a good job of summarizing an enormous trove of research by clinical psychologists on the pathologies of power.
Addressing an issue of central concern in social life, this authoritative book examines how having or lacking power influences the way individuals and groups think, feel, and act. Leading international experts comprehensively review classic and contemporary research with an eye toward bridging gaps across theories and levels of analysis. Compelling topics include the evolutionary bases of power; its effects on physiological processes, cognitive abilities, and health; what sorts of people are given power; when, how, and whom power corrupts; and power dynamics in gender, social class, and ethnic relations. The integrative concluding chapter presents a cogent agenda for future research.
As a student, the Gilded Age bored me to no end. Since then, I have come to understand that the era’s paradoxes, contingencies, and uncertainties are what has created modern America; they have preoccupied my research and writing since. I undertook Pioneering Death as a meditation on how one of the darkest and most intensely personal events—parricide—is both an expected and unexpected outcome of the interconnectedness between place, region, and nation during the Gilded Age. I hope my very select booklist about death, violence, and brutal killings assists you to recognize how these are central to the human condition and how they are foundational to modern America.
Lynching is central to the late 19th century and thus the theme that I explore in my recommendations, but Shepherd.com covers this tragic subject elsewhere. Instead, for my last book, I offer Adler’s study that explains the persistently high and even increasing rates of violence and homicide in Chicago during an era when varied modern social controls—urban reform, the discipline of the factory floor, expanding education and the bureaucratic state—swept over that city as they did over America, too. According to older theories about social turbulence and murder, these should have declined. Instead, the opposite was true, though the forms that violence took did change. Perhaps it was Adler’s intention to leave frighteningly unanswered what it is about people generally, and Americans specifically, that the dark impulses they have run so deeply that they are impervious to social control.
Between 1875 and 1920, Chicago's homicide rate more than quadrupled, making it the most violent major urban center in the United States--or, in the words of Lincoln Steffens, "first in violence, deepest in dirt." In many ways, however, Chicago became more orderly as it grew. Hundreds of thousands of newcomers poured into the city, yet levels of disorder fell and rates of drunkenness, brawling, and accidental death dropped. But if Chicagoans became less volatile and less impulsive, they also became more homicidal.
Based on an analysis of nearly six thousand homicide cases, First in Violence, Deepest in Dirt examines the…
I vowed at a young age to never drink alcohol. I dove headfirst into psychology, earning a doctorate and I believed generational alcohol chains were broken. I became the "LA Shrink" and "Life Coach" on some pretty cool TV pilots! But life threw me a curveball, and after two decades of moderate, responsible drinking, I found myself addicted to alcohol. However, I cured it, and I've been passionately helping others do the same. I'm now a coach at WearetheAFR.org, an amazing nonprofit community dedicated to supporting individuals with alcohol addictions. My journey is filled with passion, resilience, and joy. I'm living proof that it's possible.
This book was an absolute joy for me! It was not just a guide; it was a vibrant and relatable companion, filled with wit and unwavering honesty. With every page, it opened up a world of possibilities, offering a roadmap to live my best life, liberated from the suppression of ethanol.
Holly transformed the way I viewed the drinking culture, and the journey it took me on was utterly exhilarating. I adore this book for its genuine approach and the sheer excitement it brought for me to embrace an alcohol-free life.
NEW YORK TIMES BESTSELLER • “An unflinching examination of how our drinking culture hurts women and a gorgeous memoir of how one woman healed herself.”—Glennon Doyle, #1 New York Times bestselling author of Untamed
“You don’t know how much you need this book, or maybe you do. Either way, it will save your life.”—Melissa Hartwig Urban, Whole30 co-founder and CEO
The founder of the first female-focused recovery program offers a groundbreaking look at alcohol and a radical new path to sobriety.
We live in a world obsessed with drinking. We drink at baby showers and work events, brunch and book…
Holly Grout is an Associate Professor of History at the University of Alabama. Her research interests include the cultural history of modern France, women and gender studies, and the history of beauty, fashion, celebrity, and consumer culture. Her current project, Playing Cleopatra: Inventing the Female Celebrity in Third Republic France, investigates many of the same themes around sexuality, female bodies, public decency, and spectacle. She chose these works in particular because they exemplify some of the best on sex and the city, and they address many of the same issues that Colette raised so long ago – suggesting that sex and the city was a turn-of-the-century fascination in Paris long before HBO turned it into an international cultural phenomenon.
Public City/Public Sex offers a provocative foray into the dance halls, brothels, and even the public urinals of nineteenth-century Paris. By centering sexuality conceptually and geographically, Ross advances the novel argument that public sex constituted public culture in the capital city. Vividly illuminating how urban clandestine and public sexual encounters (between men and women, men and men, and to a lesser extent, women and women) necessitated a new form of civic management, Ross cleverly demonstrates the intricate, intimate ways in which sex was implicated in, and developed alongside, the modern city.
In the 1800s, urban development efforts modernized Paris and encouraged the creation of brothels, boulevards, cafes, dancehalls, and even public urinals. However, complaints also arose regarding an apparent increase in public sexual activity, and the appearance of "individuals of both sexes with depraved morals" in these spaces. Andrew Israel Ross's illuminating study, Public City/Public Sex, chronicles the tension between the embourgeoisement and democratization of urban culture in nineteenth-century Paris and the commercialization and commodification of a public sexual culture, the emergence of new sex districts, as well as the development of gay and lesbian subcultures.
